TateShots

Roger Ballen: 'A good picture comes from nowhere'

Ursula Schulz-Dornburg: 'I want to archive these places for later generations’

Bruce Nauman:‘The true artist helps the world’

Maggi Hambling: 'Every portrait is like a love affair'

Irina Nakhova: 'Real Freedom in Your Apartment’

Performance and Protest: Can Art Change Society? How Art Became Active Ep 5 of 5

Emeka Ogboh: 'Lagos is a city that is never silent'

Lindsay Seers: 'I turned myself into a camera'

John Hilliard: 'Everything comes down to time and light'

Guerrilla Girls: 'You have to question what you see'

Martin Parr: 'Photography is a form of therapy'

Sonia Boyce: ‘Gathering a history of Black women’

Valérie Mréjen: Stories, memories and language

Can an Object be a Performance? How Art Became Active Ep 3 of 5

Goshka Macuga: 'The magic is the unknown'

Does Performance Art Need to be Experienced Live? How Art Became Active Ep 4 of 5

Hannah Starkey: 'This is an important moment for women'

John Smith: Playing with the power of language

Ernesto Salmerón Explores a Truckload of Nicaraguan History

5 things that inspire Zarina Bhimji