Lincoln Barr

Back in 2022, songwriter Lincoln Barr got in touch, writing a personal note in which he expressed an appreciation for what we do here at Aquarium Drunkard. "Listening to the topics that come up in your conversations, I can't help but recognize a kindred spirit out there in the desert.” Since then, Barr and Transmissions host Jason P. Woodbury have gone back and forth via email, discussing spirituality, art, poetry, Ireland, Sinéad O'Connor, NRBQ, psychedelia, personal work, and much more. And now, they finally link up for a proper podcast discussion. Though their conversation was shaded by the passing of O'Connor, a shared favorite, they covered lots of ground additionally, waxing on mysticism, personal exploration, and Barr's incredible album, Forfeit the Prize. Transmissions is part of the Talkhouse Podcast network, check out Talkhouse for more great reading and listening. Next week on Transmissions? Darren Jessee joins us to discuss songwriting, playing drums in groups like Ben Folds Five and Hiss Golden Messenger and more. Stay loose until then, this Transmissions is concluded. 

Back in 2022, songwriter Lincoln Barr got in touch, writing a personal note in which he expressed an appreciation for what we do here at Aquarium Drunkard. "Listening to the topics that come up in your conversations, I can't help but recognize a kindred spirit out there in the desert.” Since then, Barr and Transmissions host Jason P. Woodbury have gone back and forth via email, discussing spirituality, art, poetry, Ireland, Sinéad O'Connor, NRBQ, psychedelia, personal work, and much more. And now, they finally link up for a proper podcast discussion. Though their conversation was shaded by the passing of O'Connor, a shared favorite, they covered lots of ground additionally, waxing on mysticism, personal exploration, and Barr's incredible album, <a href="https://lincolnbarr.bandcamp.com/album/forfeit-the-prize" rel="nofollow" target="_blank">Forfeit the Prize. </a>Transmissions is part of the<a href="https://www.talkhouse.com/talkhouse-podcast-network/" rel="nofollow" target="_blank"> Talkhouse Podcast network</a>, check out Talkhouse for more great reading and listening. Next week on Transmissions? Darren Jessee joins us to discuss songwriting, playing drums in groups like Ben Folds Five and Hiss Golden Messenger and more. Stay loose until then, this Transmissions is concluded.

Transmissions :: Lincoln Barr 

Sunburned Hand of the Man is a long-running, free-form band from Massachusetts. They record everything, and their discography has over 200 entries. Membership is fluid, at times determined simply by whoever joins in the jam. One time they started to design a deck of cards where each card had a band member… but there were so many people they would have ended up with a full hand of jokers. There are no rules other than the unspoken rule that nobody tells anyone else what to do. Despite this swirling complexity (or perhaps because of it), media outlets typically only interview one or two of the founding members. With this podcast, we embrace the full force of Sunburned Hand of the Man. The final result is assembled from conversations and recordings with 15 current and past members as well as outside commentary from friends, fans, and collaborators. Across eight episodes, we unravel the band’s complex history and examine the hows and whys of this bizarre creative endeavor.

Sunburned Hand of the Man is a long-running, free-form band from Massachusetts. They record everything, and their discography has over 200 entries. Membership is fluid, at times determined simply by whoever joins in the jam. One time they started to design a deck of cards where each card had a band member… but there were so many people they would have ended up with a full hand of jokers. There are no rules other than the unspoken rule that nobody tells anyone else what to do. Despite this swirling complexity (or perhaps because of it), media outlets typically only interview one or two of the founding members. With this podcast, we embrace the full force of Sunburned Hand of the Man. The final result is assembled from conversations and recordings with 15 current and past members as well as outside commentary from friends, fans, and collaborators. Across eight episodes, we unravel the band’s complex history and examine the hows and whys of this bizarre creative endeavor.

No Way Out: An Oral History of Sunburned Hand of the Man

Hataaliinez Wheeler grew up in Window Rock, Arizona, the capital of the Navajo Nation. And though he’s just recently released his Dangerbird Records debut,  Singing Into Darkness, he’s spent the last few years creating as much art as he can—recording music, making lo-fi videos, and writing poetry. Sunbaked and sly, the new album is full of strange grooves and quixotic lyrics, and a sound that borrows from country, surf, indie rock, and shoegaze. We first heard Hataałii through Michael Klausman, who wrote about him for Aquarium Drunkard in 2021, saying, "[I]t was probably predetermined that he’d make music, as Hataałii literally means 'to sing.' His songs are weirdly genreless and out-of-time, yet constantly reach for some sort of cosmic agency. You can frequently hear him experimenting and trying different personas on, but the force of his charisma unites all the disparate elements he puts together. He’s a master at conjuring a kind of Southwestern saudade," a feeling of longing melancholy that permeates Brazilian music. Today, he joins host Jason P. Woodbury to discuss his run-in with and shout-out from Mac Demarco, discuss the influence of his father's record collection, and discuss what its felt like for his personal art project to find a life outside of his own head.Transmissions is part of the Talkhouse Podcast network, check out Talkhouse for more great reading and listening. Next week on Transmissions? Lincoln Barr joins us to discuss the magic of music.For heads, by heads. Aquarium Drunkard is powered by its patrons. Keep the servers humming and help us continue doing it by pledging your support via our Patreon page.

Hataaliinez Wheeler grew up in Window Rock, Arizona, the capital of the Navajo Nation. And though he’s just recently released his Dangerbird Records debut,  <a href="https://hataalii.bandcamp.com/album/singing-into-darkness" rel="nofollow" target="_blank">Singing Into Darkness,</a> he’s spent the last few years creating as much art as he can—recording music, making lo-fi videos, and writing poetry. Sunbaked and sly, the new album is full of strange grooves and quixotic lyrics, and a sound that borrows from country, surf, indie rock, and shoegaze. We first heard Hataałii through Michael Klausman, <a href="https://aquariumdrunkard.com/2021/10/13/hataalii-s-t-first-take/" rel="nofollow" target="_blank">who wrote about him for Aquarium Drunkard in 2021</a>, saying, "[I]t was probably predetermined that he’d make music, as Hataałii literally means 'to sing.' His songs are weirdly genreless and out-of-time, yet constantly reach for some sort of cosmic agency. You can frequently hear him experimenting and trying different personas on, but the force of his charisma unites all the disparate elements he puts together. He’s a master at conjuring a kind of Southwestern saudade," a feeling of longing melancholy that permeates Brazilian music. Today, he joins host Jason P. Woodbury to discuss his run-in with and shout-out from Mac Demarco, discuss the influence of his father's record collection, and discuss what its felt like for his personal art project to find a life outside of his own head.Transmissions is part of the<a href="https://www.talkhouse.com/talkhouse-podcast-network/" rel="nofollow" target="_blank"> Talkhouse Podcast network</a>, check out Talkhouse for more great reading and listening. Next week on Transmissions? Lincoln Barr joins us to discuss the magic of music.For heads, by heads. Aquarium Drunkard is <a href="https://www.patreon.com/aquariumdrunkard" rel="nofollow" target="_blank">powered by its patrons</a>. Keep the servers humming and help us continue doing it by pledging your support via <a href="https://www.patreon.com/aquariumdrunkard" rel="nofollow" target="_blank">our Patreon page.</a>

Transmissions :: Hataałii 

Andy Zax

Mort Garson

Welcome back to another episode of Aquarium Drunkard Transmissions, so glad to have you with us. A major inspiration for us in the podcast zone is media theorist Douglas Rushkoff, host of the Team Human podcast. As our digital age gets stranger, more fractured, and harder to parse, we find his humanist, consciousness-centered approach very helpful. One of the things he’s known for saying is “Look for the others”—the others who grok your worldview, whose enthusiasms and obsessions mirror your own. And no doubt about it, our guest this week, Andy Zax, feels very much like one of the others.Zax is a lifelong music devotee, and he’s worked on pretty much every side of the music business, writing copy and liner notes, producing records, working with labels like Rhino, and generally helping to shine a light on figures like Judee Sill, David Axelrod, Talking Heads, and many more. In 2019, he oversaw the massive Woodstock 50th anniversary project, restoring virtually all the audio associated with the historic concert. For Zax, all of this is something of a holy calling, and its led him to discoveries in unexpected places, like when he found an unreleased recording by electronic pioneer Mort Garson—known these days for the hippest ever music for plants to grow by LP Plantasia—nested in the archive of spoken word artist Rod McKuen. And not just any recording: we’re talking “Journey to the Moon,” music Garson composed for the live CBS News broadcast of the Apollo 11 moon landing in 1969. That recording sees release this week via Sacred Bones’ Journey To the Moon and Beyond, released on Friday, July 21. Over the course of his long chat, we riff on the value of archived music, music streaming and music technology, audio quality, the merits of keeping your records unorganized, the haunting quality of Leonard Nimoy’s late ‘60s studio albums, and much more. Transmissions is part of the Talkhouse Podcast network, check out Talkhouse for more great reading and listening. Next week on Transmissions? 20-year-old Navajo singer/songwriter Hataałii joins us to discuss his label debut and what music has meant to him growing up. Until then, this Transmission is concluded. For heads, by heads. Aquarium Drunkard is powered by its patrons. Keep the servers humming and help us continue doing it by pledging your support via our Patreon page

Welcome back to another episode of Aquarium Drunkard Transmissions, so glad to have you with us. A major inspiration for us in the podcast zone is media theorist Douglas Rushkoff, host of the <a href="https://www.teamhuman.fm/" rel="nofollow" target="_blank">Team Human</a> podcast. As our digital age gets stranger, more fractured, and harder to parse, we find his humanist, consciousness-centered approach very helpful. One of the things he’s known for saying is “Look for the others”—the others who grok your worldview, whose enthusiasms and obsessions mirror your own. And no doubt about it, our guest this week, Andy Zax, feels very much like one of the others.Zax is a lifelong music devotee, and he’s worked on pretty much every side of the music business, writing copy and liner notes, producing records, working with labels like Rhino, and generally helping to shine a light on figures like Judee Sill, David Axelrod, Talking Heads, and many more. In 2019, he oversaw the massive Woodstock 50th anniversary project, restoring virtually all the audio associated with the historic concert. For Zax, all of this is something of a holy calling, and its led him to discoveries in unexpected places, like when he found an unreleased recording by electronic pioneer Mort Garson—known these days for the hippest ever music for plants to grow by LP Plantasia—nested in the archive of spoken word artist Rod McKuen. And not just any recording: we’re talking “Journey to the Moon,” music Garson composed for the live CBS News broadcast of the Apollo 11 moon landing in 1969. That recording sees release this week via Sacred Bones’ <a href="https://lnk.to/JourneytotheMoon" rel="nofollow" target="_blank">Journey To the Moon and Beyond</a>, released on Friday, July 21. Over the course of his long chat, we riff on the value of archived music, music streaming and music technology, audio quality, the merits of keeping your records unorganized, the haunting quality of Leonard Nimoy’s late ‘60s studio albums, and much more. Transmissions is part of the<a href="https://www.talkhouse.com/talkhouse-podcast-network/" rel="nofollow" target="_blank"> Talkhouse Podcast network</a>, check out Talkhouse for more great reading and listening. Next week on Transmissions? 20-year-old Navajo singer/songwriter Hataałii joins us to discuss his label debut and what music has meant to him growing up. Until then, this Transmission is concluded. For heads, by heads. Aquarium Drunkard is <a href="https://www.patreon.com/aquariumdrunkard" rel="nofollow" target="_blank">powered by its patrons</a>. Keep the servers humming and help us continue doing it by pledging your support via <a href="https://www.patreon.com/aquariumdrunkard" rel="nofollow" target="_blank">our Patreon page</a>

Transmissions :: Andy Zax on Mort Garson's Journey to the Moon

Gia Margaret

It's the thick of the summer, which means your Transmissions correspondents are spending as much time in cool dark spaces as possible. One record that particularly suits the mood in our summer bunker hideaway is Gia Margaret's Romantic Piano. Though Margaret's 2018 debut, There’s Always Glimmer, was the striking work of a singer/songwriter, when medical issues put a strain on her voice, she turned to instrumental music, first with her ambient leaning self-titled 2020 album, and now Romantic Piano, a collection of moving piano compositions, mostly instrumental, that feels at once meditative and comforting. It’s the kind of music that carves out more space for the listener—and it turns out, it’s the kind of music that did something similar for its creator. In our talk, we discuss the intuitive roots of Gia’s music, working with previous Transmissions guest David Bazan of Pedro the Lion, and much more. It’s a thoughtful, spacey conversation for you as we weather the way out heat of summers in a changing worldTransmissions is part of the Talkhouse Podcast network, check out Talkhouse for more great reading and listening. Next week on the show, archivist Andy Zax shares the story of an unheard Mort Garson soundtrack and ponders alternate musical histories.

It's the thick of the summer, which means your Transmissions correspondents are spending as much time in cool dark spaces as possible. One record that particularly suits the mood in our summer bunker hideaway is Gia Margaret's Romantic Piano. Though Margaret's 2018 debut, There’s Always Glimmer, was the striking work of a singer/songwriter, when medical issues put a strain on her voice, she turned to instrumental music, first with her ambient leaning self-titled 2020 album, and now Romantic Piano, a collection of moving piano compositions, mostly instrumental, that feels at once meditative and comforting. It’s the kind of music that carves out more space for the listener—and it turns out, it’s the kind of music that did something similar for its creator. In our talk, we discuss the intuitive roots of Gia’s music, working with previous Transmissions guest David Bazan of Pedro the Lion, and much more. It’s a thoughtful, spacey conversation for you as we weather the way out heat of summers in a changing worldTransmissions is part of the<a href="https://www.talkhouse.com/talkhouse-podcast-network/" rel="nofollow" target="_blank"> Talkhouse Podcast network</a>, check out Talkhouse for more great reading and listening. Next week on the show, archivist Andy Zax shares the story of an unheard Mort Garson soundtrack and ponders alternate musical histories.

Transmissions :: Gia Margaret 

Marc Ribot

In “Lies and Distortion,” the opening essay of his book Unstrung: Rants And Stories Of a Noise Guitarist, Marc Ribot writes: “We seem to love broken voices in general: vocal cords eroded by whiskey and screaming, the junked-out weakness of certain horn players, distortion which signifies surpassing the capabilities of a tube or a speaker—voices that damage, but (at least in performance) don’t actually die…Was this always true? I don’t know.”In a way, that speaks to Ribot’s own playing, on his own and with many luminary collaborators. Though he can certainly play delicately, a frayed, beyond-the-limit quality informs Ribot’s sensibility. Since 2008, he’s released records with Ceramic Dog—a band featuring Ribott on vocals and guitar, previous Transmissions guest Shazhad Ismaily on bass and vocals, and Ches Smith on drums and vocals. On July 14th, the band releases another scalded and electrifying record with Connection. Ribot is our guest this week on the show, and we’re pleased to present this rollicking, and at times charmingly contentious talk this on Transmissions. From his complicated relationship with his former Lounge Lizards collaborator John Lurie, to his views on how labor and capitalism inform his relationship with music, his history as a collaborator, Hal Willner’s Night Music, his recent embrace of the Gibson SG, and much more, this is a charged chat with a jazz-punk creative icon. Transmissions is part of the Talkhouse Podcast network, check out Talkhouse for more great reading and listening. Next week on the show, Gia Margaret on her Romantic Piano.

In “Lies and Distortion,” the opening essay of his book Unstrung: Rants And Stories Of a Noise Guitarist, Marc Ribot writes: “We seem to love broken voices in general: vocal cords eroded by whiskey and screaming, the junked-out weakness of certain horn players, distortion which signifies surpassing the capabilities of a tube or a speaker—voices that damage, but (at least in performance) don’t actually die…Was this always true? I don’t know.”In a way, that speaks to Ribot’s own playing, on his own and with many luminary collaborators. Though he can certainly play delicately, a frayed, beyond-the-limit quality informs Ribot’s sensibility. Since 2008, he’s released records with Ceramic Dog—a band featuring Ribott on vocals and guitar, previous Transmissions guest <a href="https://aquariumdrunkard.com/2021/03/17/shahzad-ismaily-transmissions/" rel="nofollow" target="_blank">Shazhad Ismaily</a> on bass and vocals, and Ches Smith on drums and vocals. On July 14th, the band releases another scalded and electrifying record with <a href="https://marcribot.bandcamp.com/album/connection" rel="nofollow" target="_blank">Connection.</a> Ribot is our guest this week on the show, and we’re pleased to present this rollicking, and at times charmingly contentious talk this on Transmissions. From his complicated relationship with his former Lounge Lizards collaborator John Lurie, to his views on how labor and capitalism inform his relationship with music, his history as a collaborator, Hal Willner’s Night Music, his recent embrace of the Gibson SG, and much more, this is a charged chat with a jazz-punk creative icon. Transmissions is part of the<a href="https://www.talkhouse.com/talkhouse-podcast-network/" rel="nofollow" target="_blank"> Talkhouse Podcast network</a>, check out Talkhouse for more great reading and listening. Next week on the show, Gia Margaret on her Romantic Piano.

Transmissions :: Marc Ribot 

Jared Swilley

While Black Lips have matured and grown since forming in 1999, the Atlanta-based garage band haven’t "settled down." Case in point is Apocalypse Love, the group’s 10th album, released last year on Fire Records. Incorporating gospel and country influences, it’s as strange and exciting as the band’s early work, but it also showcases a new depth to the band. Today on Transmissions, Black Lip Jared Swilley joins us to discuss his pentecostal roots, his minister father coming out of the closet, the importance of the Bomp Records catalog, his mentor The Mighty Hannibal, and much more. Transmissions is part of the Talkhouse Podcast Network, check out Talkhouse for more great reading and listening, and support Aquarium Drunkard Transmissions by pledging on Patreon.  Next week on the show, guitarist Marc Ribot. 

While Black Lips have matured and grown since forming in 1999, the Atlanta-based garage band haven’t "settled down." Case in point is <a href="https://blacklips.bandcamp.com/album/apocalypse-love" rel="nofollow" target="_blank">Apocalypse Love</a>, the group’s 10th album, released last year on Fire Records. Incorporating gospel and country influences, it’s as strange and exciting as the band’s early work, but it also showcases a new depth to the band. Today on Transmissions, Black Lip Jared Swilley joins us to discuss his pentecostal roots, his minister father coming out of the closet, the importance of the Bomp Records catalog, his mentor The Mighty Hannibal, and much more. Transmissions is part of the<a href="https://www.talkhouse.com/talkhouse-podcast-network/" rel="nofollow" target="_blank"> Talkhouse Podcast Network</a>, check out Talkhouse for more great reading and listening, and support Aquarium Drunkard Transmissions by pledging on <a href="https://www.patreon.com/aquariumdrunkard" rel="nofollow" target="_blank">Patreon. </a> Next week on the show, guitarist Marc Ribot.

Transmissions :: Jared Swilley (Black Lips) 

David John Morris

John Morris

This week on the show, we’re joined by London-based singer/songwriter David John Morris. Perhaps you know him for his work with folk rock band Red River Dialect, but for this talk, we mostly speak about his latest two solo albums, 2021’s Monastic Love Songs and 2022’s Wyld Love Songs, on which, to quote Aquarium Drunkard's Tyler Wilcox, balances "sacred and profane concerns, finding moments of welcome humor amidst more spiritual matters."He joined us to discuss his time in a Buddhist monastery, how it augmented his approach to music, his podcast listening habits, the consistent spiritual longing of the creative process and, truthfully, so much more. Support Aquarium Drunkard on Patreon. Transmissions is a part of the Talkhouse Podcast Network.Next week on Transmissions? Next week on the show, Jared Swilley of The Black Lips joins us to document the band's apocalyptic love story.This episode of Transmissions is brought to you by Dad Grass. Go to Dadgrass.com/Transmissions to try it out.

This week on the show, we’re joined by London-based singer/songwriter David John Morris. Perhaps you know him for his work with folk rock band <a href="https://paradiseofbachelors.com/red-river-dialect/" rel="nofollow" target="_blank">Red River Dialect</a>, but for this talk, we mostly speak about his latest two solo albums, 2021’s <a href="https://davidjohnmorris.bandcamp.com/album/monastic-love-songs" rel="nofollow" target="_blank">Monastic Love Songs</a> and 2022’s <a href="https://davidjohnmorris.bandcamp.com/album/wyld-love-songs" rel="nofollow" target="_blank">Wyld Love Songs</a>, on which, to quote Aquarium Drunkard's Tyler Wilcox, balances "sacred and profane concerns, finding moments of welcome humor amidst more spiritual matters."He joined us to discuss his time in a Buddhist monastery, how it augmented his approach to music, his podcast listening habits, the consistent spiritual longing of the creative process and, truthfully, so much more. Support Aquarium Drunkard on<a href="https://www.patreon.com/aquariumdrunkard" rel="nofollow" target="_blank"> Patreon</a>. Transmissions is a part of the<a href="https://www.talkhouse.com/talkhouse-podcast-network/" rel="nofollow" target="_blank"> Talkhouse Podcast Network</a>.Next week on Transmissions? Next week on the show, Jared Swilley of The Black Lips joins us to document the band's apocalyptic love story.This episode of Transmissions is brought to you by Dad Grass. Go to <a href="http://dadgrass.com/Transmissions" rel="nofollow" target="_blank">Dadgrass.com/Transmissions</a> to try it out.

Transmissions :: David John Morris (Red River Dialect) 

Writing about The Modern Folk’s Modern Folk One in our AD 2022 Year in Review, we called it, “A blend of field recordings, astral zones, freak outs, leisurely jams, and rustique concrète from the ever-prolific Josh Moss.” That gives you a little sense of the kind of music Moss creates with his ultra-prolific recording project. Head over to his Bandcamp and you'll find dozens and dozens of releases. Moss is such an inspiring creator, completely beholden to doing his own thing explicitly, so naturally, this conversation wanders down strange paths—from Bigfoot to Bob Dylan—and stands as one of our most discursive episodes to date. This episode originally aired exclusively for our Patreon supporters, and we’re sharing it in the main feed as a reminder that if you want to support Aquarium Drunkard on Patreon, you’ll get access to bonus audio and more.Support Aquarium Drunkard on Patreon. Transmissions is a part of the Talkhouse Podcast Network.Next week on Transmissions? Next week on the show, David John Morris of Red River Dialect joins us to discuss monasticism and music. This episode of Transmissions is brought to you by Dad Grass. Go to Dadgrass.com/Transmissions to try it out.

Writing about The Modern Folk’s Modern Folk One in our AD 2022<a href="https://aquariumdrunkard.com/2022/12/12/aquarium-drunkard-2022-year-in-review/" rel="nofollow" target="_blank"> Year in Review</a>, we called it, “A blend of field recordings, astral zones, freak outs, leisurely jams, and rustique concrète from the ever-prolific Josh Moss.” That gives you a little sense of the kind of music Moss creates with his ultra-prolific recording project. Head over to his<a href="https://themodernfolk.bandcamp.com/" rel="nofollow" target="_blank"> Bandcamp</a> and you'll find dozens and dozens of releases. Moss is such an inspiring creator, completely beholden to doing his own thing explicitly, so naturally, this conversation wanders down strange paths—from Bigfoot to Bob Dylan—and stands as one of our most discursive episodes to date. This episode originally aired exclusively for our Patreon supporters, and we’re sharing it in the main feed as a reminder that if you want to support <a href="https://www.patreon.com/aquariumdrunkard" rel="nofollow" target="_blank">Aquarium Drunkard on Patreon</a>, you’ll get access to bonus audio and more.Support Aquarium Drunkard on<a href="https://www.patreon.com/aquariumdrunkard" rel="nofollow" target="_blank"> Patreon</a>. Transmissions is a part of the<a href="https://www.talkhouse.com/talkhouse-podcast-network/" rel="nofollow" target="_blank"> Talkhouse Podcast Network</a>.Next week on Transmissions? Next week on the show, David John Morris of Red River Dialect joins us to discuss monasticism and music. This episode of Transmissions is brought to you by Dad Grass. Go to <a href="http://dadgrass.com/Transmissions" rel="nofollow" target="_blank">Dadgrass.com/Transmissions</a> to try it out.

Transmissions :: The Modern Folk 

Bruce Licher

Welcome to Transmissions. The name Bruce Licher commands respect in the underground world of independent rock. As musician and letterpress artist with Independent Project Press, he’s created art and bespoke album packaging for artists like R.E.M., Stereolab, Camper Van Beethoven, and more, and created music with post-punk combo Savage Republic, instrumental rock pioneers Scenic, and other projects. In 2020, he reactivated his Independent Project label, which he originally founded in 1980.On this episode, Bruce joins host Jason P. Woodbury to discuss his album art creations, his time in the Mojave Desert, the Southwestern dream-pop scene of the ‘90s, his letterpress origins, his work with R.E.M. and much more. He’s a lifer and a true example of sticking to your vision—we're really honored to have him on the show this week, and of course honored to have you joining us for this conversation. Support Aquarium Drunkard on Patreon. Transmissions is a part of the Talkhouse Podcast Network.Next week on Transmissions? Next week on the show, The Modern Folk.This episode of Transmissions is brought to you by Dad Grass. Go to Dadgrass.com/Transmissions to try it out.

Welcome to Transmissions. The name Bruce Licher commands respect in the underground world of independent rock. As musician and letterpress artist with <a href="https://info701245.wixsite.com/mysite-5" rel="nofollow" target="_blank">Independent Project Press</a>, he’s created art and bespoke album packaging for artists like R.E.M., Stereolab, Camper Van Beethoven, and more, and created music with post-punk combo Savage Republic, instrumental rock pioneers Scenic, and other projects. In 2020, he reactivated his <a href="https://www.independentprojectrecords.com/" rel="nofollow" target="_blank">Independent Project</a> label, which he originally founded in 1980.On this episode, Bruce joins host Jason P. Woodbury to discuss his album art creations, his time in the Mojave Desert, the Southwestern dream-pop scene of the ‘90s, his letterpress origins, his work with R.E.M. and much more. He’s a lifer and a true example of sticking to your vision—we're really honored to have him on the show this week, and of course honored to have you joining us for this conversation. Support Aquarium Drunkard on <a href="https://www.patreon.com/aquariumdrunkard" rel="nofollow" target="_blank">Patreon</a>. Transmissions is a part of the <a href="https://www.talkhouse.com/talkhouse-podcast-network/" rel="nofollow" target="_blank">Talkhouse Podcast Network</a>.Next week on Transmissions? Next week on the show, The Modern Folk.This episode of Transmissions is brought to you by Dad Grass. Go to <a href="http://dadgrass.com/Transmissions" rel="nofollow" target="_blank">Dadgrass.com/Transmissions</a> to try it out.

Transmissions :: Bruce Licher (Independent Project) 

Weekly interviews with musicians, artists, authors, and filmmakers presented by Aquarium Drunkard.

This week on Aquarium Drunkard Transmissions: ambient country trio Suss. On their own, Suss members Jonathan Gregg, Bob Holmes, and Pat Irwin have been involved in musical projects, with artists like k.d. Lang, the B-52s, John Cale, David Bowie, Norah Jones, the War on Drugs and Wilco—Irwin even contributed music to Nickelodeon's Rocko’s Modern Life. Since 2018, they—along with the their departed bandmate, the late cartoonist and musician Gary Lieb—have created spectral, moody soundscapes they’ve dubbed “Ambient Country,” which is also the name of a podcast Holmes hosts, where he highlights “the roots of the high and lonesome sound,” weaving together strands of instrumental folk, Americana, ambient, electronic, soundscapes and psychedelia.The group’s latest is Suss, a self-titled collection that assembles four EPs—Night Suite, Heat Haze, Winter Was Hard, and Across the Horizon—into a majestic double album, full of slow motion twang, suspended synth drones, and gorgeous swells of pedal steel. This is country music mutated and stretched along a vast horizon, open music for open souls. It was a pleasure to host these three for a loose hang-out episode. Support Aquarium Drunkard on Patreon. Transmissions is a part of the Talkhouse Podcast Network.Next week on Transmissions? Next week on the show, Bruce Licher of Independent Project Press and Records, who joins us to reflect on a life of indie rock letter pressing and much, much more.This episode of Transmissions is brought to you by Dad Grass. Go to Dadgrass.com/Transmissions to try it out.

This week on Aquarium Drunkard Transmissions: ambient country trio Suss. On their own, Suss members Jonathan Gregg, Bob Holmes, and Pat Irwin have been involved in musical projects, with artists like k.d. Lang, the B-52s, John Cale, David Bowie, Norah Jones, the War on Drugs and Wilco—Irwin even contributed music to Nickelodeon's Rocko’s Modern Life. Since 2018, they—along with the their departed bandmate, the late cartoonist and musician Gary Lieb—have created spectral, moody soundscapes they’ve dubbed “Ambient Country,” which is also the name of a <a href="https://open.spotify.com/show/1TVo7A3w5tA4JooMIKne3c" rel="nofollow" target="_blank">podcast Holmes hosts</a>, where he highlights “the roots of the high and lonesome sound,” weaving together strands of instrumental folk, Americana, ambient, electronic, soundscapes and psychedelia.The group’s latest is <a href="https://suss.bandcamp.com/album/suss" rel="nofollow" target="_blank">Suss</a>, a self-titled collection that assembles four EPs—Night Suite, Heat Haze, Winter Was Hard, and Across the Horizon—into a majestic double album, full of slow motion twang, suspended synth drones, and gorgeous swells of pedal steel. This is country music mutated and stretched along a vast horizon, open music for open souls. It was a pleasure to host these three for a loose hang-out episode. Support Aquarium Drunkard on <a href="https://www.patreon.com/aquariumdrunkard" rel="nofollow" target="_blank">Patreon</a>. Transmissions is a part of the <a href="https://www.talkhouse.com/talkhouse-podcast-network/" rel="nofollow" target="_blank">Talkhouse Podcast Network</a>.Next week on Transmissions? Next week on the show, Bruce Licher of Independent Project Press and Records, who joins us to reflect on a life of indie rock letter pressing and much, much more.This episode of Transmissions is brought to you by Dad Grass. Go to <a href="http://dadgrass.com/Transmissions" rel="nofollow" target="_blank">Dadgrass.com/Transmissions</a> to try it out.

Transmissions :: Suss 

Allyson McCabe

Today on the show, we’re joined by Allyson McCabe, author of the new book: Why Sinéad O’Connor Matters. McCabe is a writer, broadcaster and producer, whose work has appeared in the New York Times, BBC Culture, Wired and on NPR. Writing about the book for an installment of Aquarium Drunkard Book Club, JJ Toth of Wooden Wand states, “Though McCabe’s impassioned defense of O’Connor in the wake of her many controversies is both heartfelt and persuasive, Why Sinéad O’Connor Matters is no hagiography: O’Connor’s noble desire—some might say compulsion—to express herself authentically could be messy, and the author reckons with O’Connor’s own gaffes and errors in judgment…” Few artists have created a body of work as intense, as spiritually volatile, and as personal as O’Connor. In the book’s prologue, McCabe writes : “Insofar as O’Connor’s talents are inseparable from her struggles and triumphs, so are mine and yours.” That's the spirit that fuels this conversation: one of personal honesty and a believe that truth and beauty are ideas to be prized.Support Aquarium Drunkard on Patreon. Transmissions is a part of the Talkhouse Podcast Network.Next week on Transmissions? Next week on the show, ambient country pioneers Suss.

Today on the show, we’re joined by Allyson McCabe, author of the new book: <a href="https://utpress.utexas.edu/9781477325704/" rel="nofollow" target="_blank">Why Sinéad O’Connor Matters. </a>McCabe is a writer, broadcaster and producer, whose work has appeared in the New York Times, BBC Culture, Wired and on NPR. Writing about the book for an installment of <a href="https://aquariumdrunkard.com/2023/03/06/aquarium-drunkard-book-club-chapter-22/" rel="nofollow" target="_blank">Aquarium Drunkard Book Club</a>, JJ Toth of Wooden Wand states, “Though McCabe’s impassioned defense of O’Connor in the wake of her many controversies is both heartfelt and persuasive, Why Sinéad O’Connor Matters is no hagiography: O’Connor’s noble desire—some might say compulsion—to express herself authentically could be messy, and the author reckons with O’Connor’s own gaffes and errors in judgment…” Few artists have created a body of work as intense, as spiritually volatile, and as personal as O’Connor. In the book’s prologue, McCabe writes : “Insofar as O’Connor’s talents are inseparable from her struggles and triumphs, so are mine and yours.” That's the spirit that fuels this conversation: one of personal honesty and a believe that truth and beauty are ideas to be prized.Support Aquarium Drunkard on <a href="https://www.patreon.com/aquariumdrunkard" rel="nofollow" target="_blank">Patreon</a>. Transmissions is a part of the <a href="https://www.talkhouse.com/talkhouse-podcast-network/" rel="nofollow" target="_blank">Talkhouse Podcast Network</a>.Next week on Transmissions? Next week on the show, ambient country pioneers Suss.

Transmissions :: Allyson McCabe on Sinéad O'Connor 

Alex Pappademas

Joan LeMay

We're pleased to welcome Alex Pappademas and artist Joan LeMay on today's episode. Together, they have created a tremendous and deeply entertaining new book about one of Aquarium Drunkard's favorite bands: Quantum Criminals: Ramblers, Wild Gamblers, and Other Sole Survivors From The Songs of Steely Dan. The Danaissance is in full swing, and in Quantum Criminals, Pappademas writes that Steely Dan is the most 2020s of ‘70s bands. But what makes the book so great is its sidewise angle into the situation—this is no boring history or staid rock bio. With LeMay’s vivid illustrations leading the way, the duo welcomes us into the world of Becker and Fagen through their strange characters: Dr Wu, Napoleon, Peg, The Expanding Man. Like the band’s songs, it’s funny, wonky, and given over to wonderful digressions and detours. Ready your scotch whisky and fine Columbian, here’s Alex and Joan on Steely Dan.Support Aquarium Drunkard on Patreon. Transmissions is a part of the Talkhouse Podcast Network.Next week on Transmissions? Another University of Texas press author, Allyson McCabe, joins us to discuss Why Sinead O’Connor Matters.

We're pleased to welcome Alex Pappademas and artist Joan LeMay on today's episode. Together, they have created a tremendous and deeply entertaining new book about one of Aquarium Drunkard's favorite bands: <a href="https://utpress.utexas.edu/9781477324998/" rel="nofollow" target="_blank">Quantum Criminals: Ramblers, Wild Gamblers, and Other Sole Survivors From The Songs of Steely Dan. </a>The Danaissance is in full swing, and in Quantum Criminals, Pappademas writes that Steely Dan is the most 2020s of ‘70s bands. But what makes the book so great is its sidewise angle into the situation—this is no boring history or staid rock bio. With LeMay’s vivid illustrations leading the way, the duo welcomes us into the world of Becker and Fagen through their strange characters: Dr Wu, Napoleon, Peg, The Expanding Man. Like the band’s songs, it’s funny, wonky, and given over to wonderful digressions and detours. Ready your scotch whisky and fine Columbian, here’s Alex and Joan on Steely Dan.Support Aquarium Drunkard on <a href="https://www.patreon.com/aquariumdrunkard" rel="nofollow" target="_blank">Patreon</a>. Transmissions is a part of the <a href="https://www.talkhouse.com/talkhouse-podcast-network/" rel="nofollow" target="_blank">Talkhouse Podcast Network</a>.Next week on Transmissions? Another University of Texas press author, Allyson McCabe, joins us to discuss Why Sinead O’Connor Matters.

Transmissions :: Alex Pappademas & Joan LeMay on Steely Dan 

Janaka Stucky

Our guest this week is mystic poet, writer, publisher, and performance artist Janaka Stucky, who’s been hailed as “extraordinary" and "riveting” by no less an occult authority than Jimmy Page of Led Zeppelin. We were first introduced to Stucky through his work with Third Man Books, the literary division of Jack White’s Third Man empire, which released his 2015 collection The Truth is We Are Perfect and 2019’s epic poem, Ascend, Ascend.Rooted in horrific imagery and Kabbalistic prose and written over the course of twenty days as its author came in and out of trance states, Ascend Ascend is beautiful and horrifying—a meditation on decay and transcendence. Now, Stucky is presenting a musical version of the text. Recorded at the All Pilgrims Church in Seattle as part of a 7-city tour in 2019, the album finds Stucky joined by cellist Lori Goldston, known for her work with Nirvana, Earth, and Cat Power.This week on Transmissions, he connects with host Jason P. Woodbury to discuss the poem, his musical journey, and touch on the ineffable and dread-soaked nature of reality.Support Aquarium Drunkard on Patreon. Transmissions is a part of the Talkhouse Podcast Network.Next week on Transmissions? Alex Pappademas and Joan LeMay join us to discuss their new book, Quantum Criminals: Ramblers, Wild Gamblers, and Other Sole Survivors from the Songs of Steely Dan. ﻿This episode of Transmissions is brought to you by Dad Grass. Go to Dadgrass.com/Transmissions to try it out.

Our guest this week is mystic poet, writer, publisher, and performance artist Janaka Stucky, who’s been hailed as “extraordinary" and "riveting” by no less an occult authority than Jimmy Page of Led Zeppelin. We were first introduced to Stucky through his work with Third Man Books, the literary division of Jack White’s Third Man empire, which released his 2015 collection <a href="https://tomato-panda-pyel.squarespace.com/catalog/the-truth-is-we-are-perfect" rel="nofollow" target="_blank">The Truth is We Are Perfect</a> and 2019’s epic poem, <a href="https://tomato-panda-pyel.squarespace.com/catalog/ascend-ascend" rel="nofollow" target="_blank">Ascend, Ascend</a>.Rooted in horrific imagery and Kabbalistic prose and written over the course of twenty days as its author came in and out of trance states, Ascend Ascend is beautiful and horrifying—a meditation on decay and transcendence. Now, Stucky is presenting a musical version of the text. Recorded at the All Pilgrims Church in Seattle as part of a 7-city tour in 2019, the album finds Stucky <a href="https://janakastucky.bandcamp.com/album/ascend-ascend-janaka-stucky-live-in-seattle-with-lori-goldston" rel="nofollow" target="_blank">joined by cellist Lori Goldston</a>, known for her work with Nirvana, Earth, and Cat Power.This week on Transmissions, he connects with host Jason P. Woodbury to discuss the poem, his musical journey, and touch on the ineffable and dread-soaked nature of reality.Support Aquarium Drunkard on <a href="https://www.patreon.com/aquariumdrunkard" rel="nofollow" target="_blank">Patreon</a>. Transmissions is a part of the <a href="https://www.talkhouse.com/talkhouse-podcast-network/" rel="nofollow" target="_blank">Talkhouse Podcast Network</a>.Next week on Transmissions? Alex Pappademas and Joan LeMay join us to discuss their new book, Quantum Criminals: Ramblers, Wild Gamblers, and Other Sole Survivors from the Songs of Steely Dan. ﻿This episode of Transmissions is brought to you by Dad Grass. Go to <a href="http://dadgrass.com/Transmissions" rel="nofollow" target="_blank">Dadgrass.com/Transmissions</a> to try it out.

Transmissions :: Janaka Stucky 

Vashti Bunyan

Today on Transmissions: Vashti Bunyan. Though her 1970 Joy Boyd-produced Just Another Diamond Day album was barely heard upon original release, its rediscovery by key members of the burgeoning freak folk scene in the mid-2000s helped make it a cult classic, a tender work of imagination and melody.Recently, Bunyan published her first book, Wayward: Just Another Life. It charts her youth in the orbit of the Rolling Stones, her musical and mental struggles, and details the horse-drawn cart journey across the countryside where the songs of Just Another Diamond Day came into shape. It is a vivid and touching read, sly, understated and emotionally expansive. Its quiet melancholy and endearing jokes feel a piece with her musical work. She joined us to discuss the book, that journey, and what it felt like to have her work rediscovered—and why she hates being called a “folk” singer. This episode of Transmissions is brought to you by Dad Grass. Go to Dadgrass.com/Transmissions to try it out.

Today on Transmissions: Vashti Bunyan. Though her 1970 Joy Boyd-produced Just Another Diamond Day album was barely heard upon original release, its rediscovery by key members of the burgeoning freak folk scene in the mid-2000s helped make it a cult classic, a tender work of imagination and melody.Recently, Bunyan published her first book, Wayward: Just Another Life. It charts her youth in the orbit of the Rolling Stones, her musical and mental struggles, and details the horse-drawn cart journey across the countryside where the songs of Just Another Diamond Day came into shape. It is a vivid and touching read, sly, understated and emotionally expansive. Its quiet melancholy and endearing jokes feel a piece with her musical work. She joined us to discuss the book, that journey, and what it felt like to have her work rediscovered—and why she hates being called a “folk” singer. This episode of Transmissions is brought to you by Dad Grass. Go to <a href="http://dadgrass.com/Transmissions" rel="nofollow" target="_blank">Dadgrass.com/Transmissions</a> to try it out.

Transmissions :: Vashti Bunyan 

This week on Transmissions, Jesse Sheppard and Drew Gardner, the psychedelic folk duo Elkhorn. Their new album, On the Universe In All Directions, finds Jesse once again at his familiar 12-string acoustic guitar, but instead of Drew joining with his trademark Telecaster, he’s moved over to vibraphone and drums for this outing.Have no fear: the familiar Elkhorn magic is here in spades, but in brand new ways. The songs were born out of collaboration with New York consciousness group Psychedelic Sangha, and as JJ Toth puts it in his excellent liner notes, the sounds traverse “the valleys between fried cosmic psychedelia and American Primitive… splitting the difference between Popol Vuh’s devotional drift and the outer reaches of deep-cut classic rock while constantly keeping one foot in the river of the Ever-Weird America; call it Six Degrees of Uncle Dave Macon.” From Buddhism to Fahey, from time slips to Aquarium Drunkard itself, this conversation unfolds and wanders, we hope you enjoy it.Support Aquarium Drunkard on Patreon. Transmissions is a part of the Talkhouse Podcast Network.Next week on Transmissions? The incredible Vashti Bunyan, who joins us to discuss her vivid and deep book Wayward.

This week on Transmissions, Jesse Sheppard and Drew Gardner, the psychedelic folk duo Elkhorn. Their new album, <a href="https://acousticstorm.bandcamp.com/album/on-the-whole-universe-in-all-directions" rel="nofollow" target="_blank">On the Universe In All Directions</a>, finds Jesse once again at his familiar 12-string acoustic guitar, but instead of Drew joining with his trademark Telecaster, he’s moved over to vibraphone and drums for this outing.Have no fear: the familiar Elkhorn magic is here in spades, but in brand new ways. The songs were born out of collaboration with New York consciousness group <a href="https://psychedelicsangha.org/" rel="nofollow" target="_blank">Psychedelic Sangha</a>, and as JJ Toth puts it in his excellent liner notes, the sounds traverse “the valleys between fried cosmic psychedelia and American Primitive… splitting the difference between Popol Vuh’s devotional drift and the outer reaches of deep-cut classic rock while constantly keeping one foot in the river of the Ever-Weird America; call it Six Degrees of Uncle Dave Macon.” From Buddhism to Fahey, from time slips to Aquarium Drunkard itself, this conversation unfolds and wanders, we hope you enjoy it.Support Aquarium Drunkard on <a href="https://www.patreon.com/aquariumdrunkard" rel="nofollow" target="_blank">Patreon</a>. Transmissions is a part of the <a href="https://www.talkhouse.com/talkhouse-podcast-network/" rel="nofollow" target="_blank">Talkhouse Podcast Network</a>.Next week on Transmissions? The incredible Vashti Bunyan, who joins us to discuss her vivid and deep book Wayward.

Transmissions :: Elkhorn 

Jana Horn

This week on Transmissions, we’re joined by writer and musician Jana Horn. Her new album The Window is the Dream is out now on No Quarter Records. Writing about it, Andy French at Raven Sings The Blues calls it a “delicate exfoliation of dream and reality.” When she’s not penning oracular folk rock songs, Horn teaches fiction at the University of Virginia and writes short fiction. The Window is the Dream is a gem. It follows Optimism, which contains a song called “Jordan." Sometimes a song suggests something mysterious, something ineffable—nearly impossible to put into words, and that’s the case with “Jordan.”The song, as you’ll hear, is something of a mystery even to its author, a term Horn isn’t especially keen to apply to herself in the case of that song. If the notion of music or art working like a doorway into radical mystery appeals to you, you’ll find a lot of power and beauty in this chat, which centers on what we don’t know, what we don’t hear, and sometimes, what we don’t attempt to say. Support Aquarium Drunkard on Patreon. Transmissions is a part of the Talkhouse Podcast Network.Next week on Transmissions? Psychedelic folk duo Elkhorn join us for a head spinning conversation about underground music, spirituality, collaboration and much more. I hope you will join us. Until then, this Transmission is concluded. 

This week on Transmissions, we’re joined by writer and musician Jana Horn. Her new album <a href="https://janahorn.bandcamp.com/album/the-window-is-the-dream" rel="nofollow" target="_blank">The Window is the Dream</a> is out now on No Quarter Records. Writing about it, <a href="https://www.ravensingstheblues.com/jana-horn/" rel="nofollow" target="_blank">Andy French at Raven Sings The Blues</a> calls it a “delicate exfoliation of dream and reality.” When she’s not penning oracular folk rock songs, Horn teaches fiction at the University of Virginia and writes short fiction. The Window is the Dream is a gem. It follows Optimism, which contains a song called “Jordan." Sometimes a song suggests something mysterious, something ineffable—nearly impossible to put into words, and that’s the case with “Jordan.”The song, as you’ll hear, is something of a mystery even to its author, a term Horn isn’t especially keen to apply to herself in the case of that song. If the notion of music or art working like a doorway into radical mystery appeals to you, you’ll find a lot of power and beauty in this chat, which centers on what we don’t know, what we don’t hear, and sometimes, what we don’t attempt to say. Support Aquarium Drunkard on <a href="https://www.patreon.com/aquariumdrunkard" rel="nofollow" target="_blank">Patreon</a>. Transmissions is a part of the <a href="https://www.talkhouse.com/talkhouse-podcast-network/" rel="nofollow" target="_blank">Talkhouse Podcast Network</a>.Next week on Transmissions? Psychedelic folk duo Elkhorn join us for a head spinning conversation about underground music, spirituality, collaboration and much more. I hope you will join us. Until then, this Transmission is concluded.

Transmissions :: Jana Horn 

Surya Botofasina

This week on Aquarium Drunkard Transmissions: spiritual avant-garde jazz keyboardist Surya Botofasina. His new album is called Everyone’s Children and it was created in collaboration with previous Transmissions guest Carlos Niño, members of Botofasina's family, and other collaborators.Listening to his blissful synth meditations, listeners are treated to an open, cosmically vulnerable sound. This spiritual approach comes naturally to Botofasina. He grew up at Alice Coltrane’s Sai Anantam Ashram in the Santa Monica Mountains. Being there, and studying at the foot of Swamini Turiyasangitananda herself, profoundly shaped his musical worldview, which echoes in his present day compositions: "At this point, I feel that the music I want to be a part of at least, is a music, a sound, a frequency that advocates and promotes some sort of introspection, back to the here and now."Botofasina discusses his upbringing, connecting to the divine, growing up on hip-hop, and much more this week on Transmissions.Support Aquarium Drunkard on Patreon. Transmissions is a part of the Talkhouse Podcast Network.Next week on Transmissions? Jana Horn discusses her oracular folk rock and short story writing. This Transmission is concluded. 

This week on Aquarium Drunkard Transmissions: spiritual avant-garde jazz keyboardist Surya Botofasina. His new album is called <a href="https://suryabotofasina.bandcamp.com/album/everyones-children" rel="nofollow" target="_blank">Everyone’s Children</a> and it was created in collaboration with previous Transmissions guest <a href="https://aquariumdrunkard.com/2021/06/30/transmissions-carlos-nino/" rel="nofollow" target="_blank">Carlos Niño</a>, members of Botofasina's family, and other collaborators.Listening to his blissful synth meditations, listeners are treated to an open, cosmically vulnerable sound. This spiritual approach comes naturally to Botofasina. He grew up at Alice Coltrane’s Sai Anantam Ashram in the Santa Monica Mountains. Being there, and studying at the foot of Swamini Turiyasangitananda herself, profoundly shaped his musical worldview, which echoes in his present day compositions: "At this point, I feel that the music I want to be a part of at least, is a music, a sound, a frequency that advocates and promotes some sort of introspection, back to the here and now."Botofasina discusses his upbringing, connecting to the divine, growing up on hip-hop, and much more this week on Transmissions.Support Aquarium Drunkard on <a href="https://www.patreon.com/aquariumdrunkard" rel="nofollow" target="_blank">Patreon</a>. Transmissions is a part of the <a href="https://www.talkhouse.com/talkhouse-podcast-network/" rel="nofollow" target="_blank">Talkhouse Podcast Network</a>.Next week on Transmissions? Jana Horn discusses her oracular folk rock and short story writing. This Transmission is concluded.

Transmissions :: Surya Botofasina

Eddie Chacon

In 1992, Eddie Chacon broke out as one-half of Charles &amp; Eddie, his soul music duo with Charles Pettigrew. Their single "Would I Lie to You?” was a major international hit. Chacon was just a kid growing up in Castro Valley, California, when he decided he would be a music star. Before meeting Pettigrew, Eddie had played in a teenage band with Cliff Burton and Mike Bordin, later of Metallica and Faith No More. He had an alliance with Luther Campbell of the infamous 2 Live Crew, worked with the Dust Brothers. These days, he’s making oracular, synth driven soul music that draws equally on the mile deep grooves of Sly Stone’s drum machine and the cosmic synth hymns of Alice Coltrane. His latest album is called Sundown, out now from Stones Throw.This week on Transmissions, Eddie joins host Jason P. Woodbury to discuss his partnership with producer John Carroll Kirby, his fascinating years in the music industry, and his collaborative work with his wife, Sissy Chacon. Support Aquarium Drunkard on Patreon.Transmissions is a part of the Talkhouse Podcast Network.Next week on Transmissions? A conversation with Surya Botofasina about his incredible synth meditations and growing up on Alice Coltrane’s Ashram.

In 1992, Eddie Chacon broke out as one-half of Charles &amp; Eddie, his soul music duo with Charles Pettigrew. Their single "Would I Lie to You?” was a major international hit. Chacon was just a kid growing up in Castro Valley, California, when he decided he would be a music star. Before meeting Pettigrew, Eddie had played in a teenage band with Cliff Burton and Mike Bordin, later of Metallica and Faith No More. He had an alliance with Luther Campbell of the infamous 2 Live Crew, worked with the Dust Brothers. These days, he’s making oracular, synth driven soul music that draws equally on the mile deep grooves of Sly Stone’s drum machine and the cosmic synth hymns of Alice Coltrane. His latest album is called <a href="https://eddiechaconofficial.bandcamp.com/album/sundown" rel="nofollow" target="_blank">Sundown</a>, out now from Stones Throw.This week on Transmissions, Eddie joins host Jason P. Woodbury to discuss his partnership with producer John Carroll Kirby, his fascinating years in the music industry, and his collaborative work with his wife, Sissy Chacon. Support Aquarium Drunkard on <a href="https://www.patreon.com/aquariumdrunkard" rel="nofollow" target="_blank">Patreon</a>.Transmissions is a part of the <a href="https://www.talkhouse.com/talkhouse-podcast-network/" rel="nofollow" target="_blank">Talkhouse Podcast Network</a>.Next week on Transmissions? A conversation with Surya Botofasina about his incredible synth meditations and growing up on Alice Coltrane’s Ashram.

Transmissions :: Eddie Chacon 

Adrian Quesada

Of all the ways to discover a song, there are few more inviting and experiential than driving down a desert highway and hearing something come in over the radio—a real life transmission. That was the case for host Jason P. Woodbury driving to Tucson, Arizona, in 2022, when “Puedas Decir De Mi,” by Adrian Quesada featuring Gaby Moreno came over the airwaves of KCXI Tucson community radio.Quesada is best known as one-half of The Black Pumas, his duo with singer/songwriter Eric Burton. But Quesada’s musical output is varied: he’s worked with Brownout, a Latin hard rock-tinged outfit, Grupo Fantasma, Adrian Younge, and many more. In 2022, he released his debut solo album, Boleros Psicodélicos, followed that same year by Jaguar Sound. He joined us to discuss his trajectory, his worldwide success, his roots in hip-hop, and much more.Transmissions is produced in partnership with Talkhouse Podcast Network. Aquarium Drunkard is powered by its Patreon supporters. Next week on Transmissions? Future soul singer Eddie Chacon takes us back in time and to Ibiza for a conversation focused around his incredible new album Sundown. Subscribe to Aquarium Drunkard Transmissions so you don’t miss it. This transmission is concluded.

Of all the ways to discover a song, there are few more inviting and experiential than driving down a desert highway and hearing something come in over the radio—a real life transmission. That was the case for host Jason P. Woodbury driving to Tucson, Arizona, in 2022, when “Puedas Decir De Mi,” by Adrian Quesada featuring Gaby Moreno came over the airwaves of <a href="https://kxci.org/" rel="nofollow" target="_blank">KCXI Tucson</a> community radio.Quesada is best known as one-half of The Black Pumas, his duo with singer/songwriter Eric Burton. But Quesada’s musical output is varied: he’s worked with Brownout, a Latin hard rock-tinged outfit, Grupo Fantasma, Adrian Younge, and many more. In 2022, he released his debut solo album, Boleros Psicodélicos, followed that same year by Jaguar Sound. He joined us to discuss his trajectory, his worldwide success, his roots in hip-hop, and much more.Transmissions is produced in partnership with <a href="https://www.talkhouse.com/talkhouse-podcast-network/" rel="nofollow" target="_blank">Talkhouse Podcast Network</a>. Aquarium Drunkard is powered by its<a href="https://www.patreon.com/aquariumdrunkard" rel="nofollow" target="_blank"> Patreon</a> supporters. Next week on Transmissions? Future soul singer Eddie Chacon takes us back in time and to Ibiza for a conversation focused around his incredible new album Sundown. Subscribe to <a href="https://podlink.com/transmissions" rel="nofollow" target="_blank">Aquarium Drunkard Transmissions</a> so you don’t miss it. This transmission is concluded.

Transmissions :: Adrian Quesada (Black Pumas) 

This is my favorite blog and podcast. Thanks for doing this.

God I love this

Justin Gage lays it all down on the line for the general music listening public.

The deepest dive you can get for a music podcast

Aquarium Drunkard - TRANSMISSIONS

Devendra Banhart

Kristin Hersh

Bill Orcutt

Welcome to the September edition of our monthly Transmissions podcast, our series of conversations with musicians and artists about why—and how—their art exists. On this episode, Aquarium Drunkard founder Justin Gage sits down at AD HQ with Devendra Banhart to spin selections and discuss his new album, Ma. Then, Jason P. Woodbury joins Throwing Muses founder, solo artist, and writer Kristin Hersh backstage to discuss future sounds from Throwing Muses and Don’t Suck, Don’t Die, her book about her friend, the departed Vic Chesnutt. And to close out, Jason rings up Bill Orcutt, whose latest release, the sparse electric guitar noir, Odds Against Tomorrow, sees release October 11th.

Welcome to the September edition of our monthly Transmissions podcast, our series of conversations with musicians and artists about why—and how—their art exists. On this episode, Aquarium Drunkard founder Justin Gage sits down at AD HQ with Devendra Banhart to spin selections and discuss his new album, Ma. Then, Jason P. Woodbury joins Throwing Muses founder, solo artist, and writer Kristin Hersh backstage to discuss future sounds from Throwing Muses and Don’t Suck, Don’t Die, her book about her friend, the departed Vic Chesnutt. And to close out, Jason rings up Bill Orcutt, whose latest release, the sparse electric guitar noir, Odds Against Tomorrow, sees release October 11th.

Transmissions Podcast :: Devendra Banhart/Kristin Hersh/Bill Orcutt

Don Muro

Welcome to the final 2019 episode of the Aquarium Drunkard Transmissions podcast. On this episode, we sit down with educator, synth pioneer, and all around genuine soul Don Muro. Earlier this year, Flannelgraph Records continued its archival dig into his treasure trove of sounds with a reissue of Anthology, his 1981 LP featuring jazzy funk, synth pop, and progressive fusion rock. Back before synth culture was a thing, Muro and his compatriots adhered to a DIY ethic. I sat down with Don to talk not only about how he got his hands on advanced musical tech, but how he started his own label to distribute his music, and what it’s been like to see a whole new generation embrace it. Then, Josh Neas offers a personal reflection on Dead Man's Pop, the 2010 Replacement boxset that creates a kind of alternate timeline version of the band's 1989 lp Don't Tell a Soul.

Welcome to the final 2019 episode of the Aquarium Drunkard Transmissions podcast. On this episode, we sit down with educator, synth pioneer, and all around genuine soul Don Muro. Earlier this year, Flannelgraph Records continued its archival dig into his treasure trove of sounds with a reissue of Anthology, his 1981 LP featuring jazzy funk, synth pop, and progressive fusion rock. Back before synth culture was a thing, Muro and his compatriots adhered to a DIY ethic. I sat down with Don to talk not only about how he got his hands on advanced musical tech, but how he started his own label to distribute his music, and what it’s been like to see a whole new generation embrace it. Then, Josh Neas offers a personal reflection on Dead Man's Pop, the 2010 Replacement boxset that creates a kind of alternate timeline version of the band's 1989 lp Don't Tell a Soul.

Transmissions Podcast :: Don Muro / The Replacements

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