In the final episode of the series Kaitlin isn't sure whether or not she truly wants to get into it with her father. Kaitlin is conflicted. Is having one last conversation with her Dad on tape a good idea? Does she have the courage to confront her dad face to face? Resources for accountability and healing at https://www.theheartradio.org/dad

In the final episode of the series Kaitlin isn't sure whether or not she truly wants to get into it with her father. Kaitlin is conflicted. Is having one last conversation with her Dad on tape a good idea? Does she have the courage to confront her dad face to face? Resources for accountability and healing at <a href="https://www.theheartradio.org/dad" rel="nofollow" target="_blank">https://www.theheartradio.org/dad</a>

DAD: Take the Bull by the Horns

Episode 3: At age 33, Kaitlin is stranded living with her parents in Ottawa, living in their basement just like she did when she was a teenager. It's the first time she and her dad have lived together since the period the family euphemistically calls 'the dark years'. Trigger Warning - discussion and depictions of parental abuse. For resources go to theheartradio.org/dad

Episode 3: At age 33, Kaitlin is stranded living with her parents in Ottawa, living in their basement just like she did when she was a teenager. It's the first time she and her dad have lived together since the period the family euphemistically calls 'the dark years'. Trigger Warning - discussion and depictions of parental abuse. For resources go to <a href="http://theheartradio.org/dad" rel="nofollow" target="_blank">theheartradio.org/dad</a>

DAD: What Goes Around Comes Around 

Episode 2: Kaitlin's father, Greg, proudly claims the title of mister mom in 1986. He's always wanted to be a dad. When the apple of his eye enters her tween years and starts hating him he struggles to be the kind of dad he thought he should be. Trigger Warning: topics related to parental abuse, trauma, self-gaslighting, gaslighting. For resources go to theheartradio.org/dad

Episode 2: Kaitlin's father, Greg, proudly claims the title of mister mom in 1986. He's always wanted to be a dad. When the apple of his eye enters her tween years and starts hating him he struggles to be the kind of dad he thought he should be. Trigger Warning: topics related to parental abuse, trauma, self-gaslighting, gaslighting. For resources go to <a href="http://theheartradio.org/dad" rel="nofollow" target="_blank">theheartradio.org/dad</a>

DAD: It Takes Two to Tango

Episode 1: Kaitlin and her Dad fought so much when she was a teenager that the family calls those years '“World War III”. She tells the story of what happened after she left home and decided to love him anyway. As she became an adult, therapists and friends urged her to examine what really happened in those years. When she tries to talk about it with the family, she knows she has a big decision to make. Trigger Warning: topics related to parental abuse, trauma, self-gaslighting, gaslighting, defensiveness, victim blaming Resources at theheartradio.org/dad

Episode 1: Kaitlin and her Dad fought so much when she was a teenager that the family calls those years '“World War III”. She tells the story of what happened after she left home and decided to love him anyway. As she became an adult, therapists and friends urged her to examine what really happened in those years. When she tries to talk about it with the family, she knows she has a big decision to make. Trigger Warning: topics related to parental abuse, trauma, self-gaslighting, gaslighting, defensiveness, victim blaming Resources at <a href="http://theheartradio.org/dad" rel="nofollow" target="_blank">theheartradio.org/dad</a>

DAD: Forgive and Forget 

Kaitlin and Natalie Prest do a post-game analysis after creating the 5 episode series: SISTERS. The two sisters unpack all the things that didn’t get said in the narrative series, discuss topics that were raised and answer a couple of listener questions. The sisters open up about their personal experiences touching on topics such as mental health, diagnoses, self-care, borderline personality disorder, dialectical based therapy, and methods to ask for help from loved ones during times of struggle.

Kaitlin and Natalie Prest do a post-game analysis after creating the 5 episode series: SISTERS. The two sisters unpack all the things that didn’t get said in the narrative series, discuss topics that were raised and answer a couple of listener questions. The sisters open up about their personal experiences touching on topics such as mental health, diagnoses, self-care, borderline personality disorder, dialectical based therapy, and methods to ask for help from loved ones during times of struggle.

SISTERS: Debreif-isode

Kaitlin and Natalie try to create boundaries for the first time in their lifelong relationship. They work to navigate their relationship together and separately. As they embark on creating the final episode of this series, they realize they are having fun again.

Kaitlin and Natalie try to create boundaries for the first time in their lifelong relationship. They work to navigate their relationship together and separately. As they embark on creating the final episode of this series, they realize they are having fun again.

SISTERS: But Beautiful

We go back in time to before Kaitlin hired Natalie. She brings us inside of her uncertain world, and her journey to figure out what is wrong.  TRIGGER WARNING: suicidal ideation, reference to childhood and sexual trauma (no depictions), borderline personality disorder

We go back in time to before Kaitlin hired Natalie. She brings us inside of her uncertain world, and her journey to figure out what is wrong. TRIGGER WARNING: suicidal ideation, reference to childhood and sexual trauma (no depictions), borderline personality disorder

SISTERS: What's Wrong-isode

It’s the pandemic, and KP hires her younger sister to work at her company. As an assistant producer. Natalie is having flashbacks to their youth, when she performed as the butler at Kaitlin’s dinner parties. Is this the new version of the butler role? As they set out to make art together, attempting to do it in a way that doesn’t reinforce old childhood patterns Natalie finally sees who Kaitlin is on a day to day basis. TW: suicidal ideation, depression, anxiety, alcohol.

It’s the pandemic, and KP hires her younger sister to work at her company. As an assistant producer. Natalie is having flashbacks to their youth, when she performed as the butler at Kaitlin’s dinner parties. Is this the new version of the butler role? As they set out to make art together, attempting to do it in a way that doesn’t reinforce old childhood patterns Natalie finally sees who Kaitlin is on a day to day basis. TW: suicidal ideation, depression, anxiety, alcohol.

SISTERS: Work-isode

Natalie and Kaitlin go into their 20s living separate and faraway lives. Kaitlin comes home from New York for christmas every year, and they hug and talk into the night, falling asleep spooning like they did when they were little girls. Kaitlin makes a grand gesture and buys tickets to go on a special sister adventure: to the Jem and Holograms Convention. What ends up happening at the convention is something neither of them saw coming.

Natalie and Kaitlin go into their 20s living separate and faraway lives. Kaitlin comes home from New York for christmas every year, and they hug and talk into the night, falling asleep spooning like they did when they were little girls. Kaitlin makes a grand gesture and buys tickets to go on a special sister adventure: to the Jem and Holograms Convention. What ends up happening at the convention is something neither of them saw coming.

SISTERS: Jem-isode

Kaitlin was Daddy’s little girl. And then: Natalie was born. The older and the younger sister: competing for attention, being bossed around, borrowing clothes, getting in petty fights and loving each other anyway. As little girls Kaitlin and Natalie fought because they were too similar. As teenagers Kaitlin and Natalie fought because they were total opposites. What does their adult future hold? Will they be friends or a family obligation?  TW: Light reference to abusive parental behaviour. No mentions of physical violence. For resources on parental child abuse go to theheartradio.org/sisters

Kaitlin was Daddy’s little girl. And then: Natalie was born. The older and the younger sister: competing for attention, being bossed around, borrowing clothes, getting in petty fights and loving each other anyway. As little girls Kaitlin and Natalie fought because they were too similar. As teenagers Kaitlin and Natalie fought because they were total opposites. What does their adult future hold? Will they be friends or a family obligation? TW: Light reference to abusive parental behaviour. No mentions of physical violence. For resources on parental child abuse go to <a href="http://theheartradio.org/sisters" rel="nofollow" target="_blank">theheartradio.org/sisters</a>

SISTERS: Chapter One-isode

Since 2014 this longstanding podcast favourite has been creating hard-hitting cinematic stories about love, bodies and all of the things between humans that we don’t know how to name. Creator Kaitlin Prest works with her friends, idols and all kinds of loved ones to bring you into an expansive sonic universe that challenges what we think we know about relationships. 

I’m finding the new episodes thought-provoking and creative. I can’t wait to hear more!

Intrigued by the new episodes!

Thank you NK &amp; Phoebe! I love both of your voices. Thank you for making complex and deep media!

Love the new episodes

Since 2014 this longstanding podcast favourite has been creating hard-hitting cinematic stories about love, bodies and all of the things between humans that we don’t know how to name. Creator Kaitlin Prest works with her friends, idols and all kinds of loved ones to bring you into an expansive sonic universe that challenges what we think we know about relationships.

The Heart

Kaitlin has a dream, and The Heart says goodbye (for now). Listen on headphones. Produced by Kaitlin Prest with help from Phoebe Wang. Thank you to all of the listeners who sent us your voices so KP could meet you on the moon. In this episode, you also heard the voices of Mitra Kaboli, Phoebe Wang, Jen Ng, Sharon Mashihi, Samara Breger, Meg Bell, Jessica Grosman, Pejk Malinovski, Sean Cole, Lulu Miller, Veronica Simmonds, Johnny Spence, Nancy Prest, Natalie Prest, Allen Watts and Brendan Baker. Music by Inne Eysermans, special thanks to Katharina Smets. If you wanna keep up with KP: ~*click here*~

Kaitlin has a dream, and The Heart says goodbye (for now). Listen on headphones. Produced by Kaitlin Prest with help from Phoebe Wang. Thank you to all of the listeners who sent us your voices so KP could meet you on the moon. In this episode, you also heard the voices of Mitra Kaboli, Phoebe Wang, Jen Ng, Sharon Mashihi, Samara Breger, Meg Bell, Jessica Grosman, Pejk Malinovski, Sean Cole, Lulu Miller, Veronica Simmonds, Johnny Spence, Nancy Prest, Natalie Prest, Allen Watts and Brendan Baker. Music by Inne Eysermans, special thanks to Katharina Smets. If you wanna keep up with KP: <a href="http://eepurl.com/ddKDnH" rel="nofollow" target="_blank">~*click here*~</a>

Dream

As NK gets older, she gets smaller, she gets more and more quiet. But the self loathing voice in her head just gets louder. Part 1 of a 3 part series. Divesting From People Pleasing is a mini series produced by Nicole Kelly, edited by Chiquita Paschal.

As NK gets older, she gets smaller, she gets more and more quiet. But the self loathing voice in her head just gets louder. Part 1 of a 3 part series. Divesting From People Pleasing is a mini series produced by Nicole Kelly, edited by Chiquita Paschal.

Divesting From People Pleasing: Threat 

Episode One: We meet young Kaitlin as she navigates her first sexual experiences and the confusions of girlhood. [Trigger Warning] Part of “No”, a mini-season. Produced with the generous support of the IWMF.

Episode One: We meet young Kaitlin as she navigates her first sexual experiences and the confusions of girlhood. [Trigger Warning] Part of “No”, a mini-season. Produced with the generous support of the IWMF.

No: Advance

Once upon a time, we did an episode about what happens when there is too much going on sexually. The Ethical Slut says that love isn’t finite. Loving more than one person means having more love instead of less. This can be true. However, love is a complicated emotion. And sex can often be wrapped up in all these complicated and conflicting emotions. More isn’t always better. This story was submitted to The Heart by an anonymous Dominatrix and written for podcast by Julia Alsop. 

Once upon a time, we did an episode about what happens when there is too much going on sexually. The Ethical Slut says that love isn’t finite. Loving more than one person means having more love instead of less. This can be true. However, love is a complicated emotion. And sex can often be wrapped up in all these complicated and conflicting emotions. More isn’t always better. This story was submitted to The Heart by an anonymous Dominatrix and written for podcast <a href="https://twitter.com/juliacalsop" rel="nofollow" target="_blank">by Julia Alsop.</a>

The Intimacies

Based on the 2015 essay from The Big Roundtable, writer Mariya Karimjee takes us on a journey from her childhood in Pakistan, to her adolescence in Texas, through college, all the way to where she is now, back in Pakistan as she navigates family, love, her body and her personal relationships, all despite the physical and emotional trauma that she has suffered. Mariya Karimjee is a writer based in Karachi, Pakistan. Read her original essay here. Editorial support from Brendan Baker, Allen Watts, Kelsey Padgett, Samara Breger and Nadia Bajwa. Additional support from Kari June. Another version of this story can be heard on This American Life.

Based on the 2015 essay from The Big Roundtable, writer Mariya Karimjee takes us on a journey from her childhood in Pakistan, to her adolescence in Texas, through college, all the way to where she is now, back in Pakistan as she navigates family, love, her body and her personal relationships, all despite the physical and emotional trauma that she has suffered. Mariya Karimjee is a writer based in Karachi, Pakistan. Read her original essay <a href="http://www.thebigroundtable.com/stories/damage/" rel="nofollow" target="_blank">here.</a> Editorial support from Brendan Baker, Allen Watts, Kelsey Padgett, Samara Breger and Nadia Bajwa. Additional support from Kari June. Another version of this story can be heard on This American Life.

Mariya

Vibrators have been the friend of the female orgasm for over a century now. Back in the 1800s you could only get access to one via a doctor’s appointment. To cure your irrational woman feelings, hysteria. When they started selling them for home use in the 20th century, companies made up weird, fake uses for them; nail buffing tools,special attachments for vacuum cleaners, etc. One very popular way to market the vibrator was to call it a back massager. Probably thousands of different vibrator have come and gone but there is one that has outlasted them all and maybe will go on into the future as the queen of vibrators: The Hitachi Magic Wand.

Vibrators have been the friend of the female orgasm for over a century now. Back in the 1800s you could only get access to one via a doctor’s appointment. To cure your irrational woman feelings, hysteria. When they started selling them for home use in the 20th century, companies made up weird, fake uses for them; nail buffing tools,special attachments for vacuum cleaners, etc. One very popular way to market the vibrator was to call it a back massager. Probably thousands of different vibrator have come and gone but there is one that has outlasted them all and maybe will go on into the future as the queen of vibrators: The Hitachi Magic Wand.

The Magic Wand

When we do something for the first time, we enter into a world with new rules. It’s the creation of a new path, a new possibility. We meet this threshold with no knowledge of what will happen, how we or the world will react. Once the rules of the game change, once we do something that we’ve never done before, the question of how to navigate the new world is what comes next. What do we do after the first kiss? Will it give way to the first holding of hands, the first public display of affection, the first sex, the first week sleeping in someone else’s bed every night? Or will it be the first, but also — the last? This is a story featuring Drew Denny, a singer, songwriter, filmmaker and artist. You can check out her first feature film here.

When we do something for the first time, we enter into a world with new rules. It’s the creation of a new path, a new possibility. We meet this threshold with no knowledge of what will happen, how we or the world will react. Once the rules of the game change, once we do something that we’ve never done before, the question of how to navigate the new world is what comes next. What do we do after the first kiss? Will it give way to the first holding of hands, the first public display of affection, the first sex, the first week sleeping in someone else’s bed every night? Or will it be the first, but also — the last? This is a story featuring Drew Denny, a singer, songwriter, filmmaker and artist. You can check out <a href="http://www.funpantsmovie.com/" rel="nofollow" target="_blank">her first feature film here.</a>

First

Episode one of Silent Evidence; one woman’s story of childhood sexual abuse. Tennessee Watson is a documentarian and artist who has been struggling to speak out about something that happened to her when she was a kid, something that she knew was wrong. When Tennessee was seven her gymnastics coach fondled her vulva. In part one of Silent Evidence, Tennessee takes us in and out of her memories, from childhood to adolescence as she comes to terms with what happened to her and finally revisiting the gym where she was abused. Find out more about Silent Evidence here. Produced by Tennessee Watson and Kaitlin Prest, with The Heart. Editing by Sharon Mashihi. This project was made possible with funding from the IWMF Howard Buffett Fund for Women Journalists.

Episode one of Silent Evidence; one woman’s story of childhood sexual abuse. Tennessee Watson is a documentarian and artist who has been struggling to speak out about something that happened to her when she was a kid, something that she knew was wrong. When Tennessee was seven her gymnastics coach fondled her vulva. In part one of Silent Evidence, Tennessee takes us in and out of her memories, from childhood to adolescence as she comes to terms with what happened to her and finally revisiting the gym where she was abused. Find out more about <a href="http://www.silentevidenceproject.com/" rel="nofollow" target="_blank">Silent Evidence here.</a> Produced by Tennessee Watson and Kaitlin Prest, with The Heart. Editing by Sharon Mashihi. This project was made possible with funding from the IWMF Howard Buffett Fund for Women Journalists.

Silent Evidence: Not the Right Time

At the beginning of a relationship, the small decisions feel like big decisions: When to text? What to wear on the second date? How naked to get. For Samara and Kelsey, the first decisions were a bit bigger. When Samara’s dad was hospitalized for a mysterious, dangerous illness, Kelsey decided to move in with Samara and spend every night at the hospital with her and her family. As the two fell in love within the cold, stale confines of the hospital, a new decision appeared on the horizon: Would they keep loving each other when things were okay? Or did they need chaos and tragedy to keep them going?

At the beginning of a relationship, the small decisions feel like big decisions: When to text? What to wear on the second date? How naked to get. For Samara and Kelsey, the first decisions were a bit bigger. When Samara’s dad was hospitalized for a mysterious, dangerous illness, Kelsey decided to move in with Samara and spend every night at the hospital with her and her family. As the two fell in love within the cold, stale confines of the hospital, a new decision appeared on the horizon: Would they keep loving each other when things were okay? Or did they need chaos and tragedy to keep them going?

Samara + Kelsey

Episode Two: We catch up to Kaitlin while she is in her mid-twenties, waiting to fall in love. [Trigger Warning] Part of “No”, a mini season. Produced with the generous support of the IWMF.

Episode Two: We catch up to Kaitlin while she is in her mid-twenties, waiting to fall in love. [Trigger Warning] Part of “No”, a mini season. Produced with the generous support of the IWMF.

No: Inheritance

(Welcome to Season Two) FU*K LOVE. Family. Responsibility. Survival. Economic Stability. These were once much more important to things to build your life on. This episode looks at the ideal of true love, how it came to be and what exists outside of it.

(Welcome to Season Two) FU*K LOVE. Family. Responsibility. Survival. Economic Stability. These were once much more important to things to build your life on. This episode looks at the ideal of true love, how it came to be and what exists outside of it.

Fu*k Love

Gina Gold

At 5 years old, Gina was parading around the stage with a number pinned to her chest. But as the host of The Little Miss America Competition sang the national anthem, she felt he might have as well been singing,“You’re so whiiiiite, you’re so bloooooonde.” Even still, Gina, the toothless, black Shirley Temple, made it to the final round. When she didn’t hear her number called she looked out into the sea of eager parents and found her parents. Her mother, sullen and disappointed. Next to her mother, sat her father with tears streaming down his face. From that point on all Gina wanted to was to be seen, to fit in and to be beautiful. By the time Gina was 24, she didn’t feel too different from that little pageant girl. She got into theater school but her optimism didn’t last. Soon after getting accepted she was drinking beer for breakfast, failing her classes, and fantasizing about skipping town. That’s in addition to the issues she was having with her boyfriend…

At 5 years old, Gina was parading around the stage with a number pinned to her chest. But as the host of The Little Miss America Competition sang the national anthem, she felt he might have as well been singing,“You’re so whiiiiite, you’re so bloooooonde.” Even still, Gina, the toothless, black Shirley Temple, made it to the final round. When she didn’t hear her number called she looked out into the sea of eager parents and found her parents. Her mother, sullen and disappointed. Next to her mother, sat her father with tears streaming down his face. From that point on all Gina wanted to was to be seen, to fit in and to be beautiful. By the time Gina was 24, she didn’t feel too different from that little pageant girl. She got into theater school but her optimism didn’t last. Soon after getting accepted she was drinking beer for breakfast, failing her classes, and fantasizing about skipping town. That’s in addition to the issues she was having with her boyfriend…

Powerful memories are like paused tapes in our minds – a hum barely heard beneath the noise of our everyday – ready to be played at any moment. This audio fiction explores the process of falling in love with someone, fading away and eventually discovering all that you have left of them is a memory. Carter, our narrator, is on a present-day first date with Frankie but is distracted by memories of past lover, Alex, which play like a tape in his head. But with each replaying, the tapes seem to have warped, or maybe Carter has. Produced by Dane Stewart, Katie Hill, Matthew Kariatsumari and Michelle Macklem. Special thanks to Renée Hodgins, Emily Skahan and Mira Burt-Wintonick.

Powerful memories are like paused tapes in our minds – a hum barely heard beneath the noise of our everyday – ready to be played at any moment. This audio fiction explores the process of falling in love with someone, fading away and eventually discovering all that you have left of them is a memory. Carter, our narrator, is on a present-day first date with Frankie but is distracted by memories of past lover, Alex, which play like a tape in his head. But with each replaying, the tapes seem to have warped, or maybe Carter has. Produced by Dane Stewart, Katie Hill, Matthew Kariatsumari and Michelle Macklem. Special thanks to Renée Hodgins, Emily Skahan and Mira Burt-Wintonick.

Ghost: Alex

Once upon a time, Kaitlin went to a radical sex education workshop. At the workshop, the facilitators spent 45 minutes going into extreme detail of the complexities of the female system of sexual arousal. Then they spent 15 minutes on the male system. The facilitator insinuated that it was very simple – touch the dick, make him come. During the question and answer period the male bodied people in the room protested, insisting that the male anatomy is just as mysterious and complicated as the female anatomy. This is when Kaitlin learned about the P-spot – the prostate orgasm. One Saturday night, Kaitlin ventured onto St. Laurent Boulevard in Montreal and asked strangers if they had ever had their P-spots touched. This is a collage of their answers.

Once upon a time, Kaitlin went to a radical sex education workshop. At the workshop, the facilitators spent 45 minutes going into extreme detail of the complexities of the female system of sexual arousal. Then they spent 15 minutes on the male system. The facilitator insinuated that it was very simple – touch the dick, make him come. During the question and answer period the male bodied people in the room protested, insisting that the male anatomy is just as mysterious and complicated as the female anatomy. This is when Kaitlin learned about the P-spot – the prostate orgasm. One Saturday night, Kaitlin ventured onto St. Laurent Boulevard in Montreal and asked strangers if they had ever had their P-spots touched. This is a collage of their answers.

The P-Spot

Desiray felt a deep, human connection the moment she first heard his voice: Aaron Carter spoke to her through his music. When Desiray was down, Aaron always cheered her up. When she needed him, his music was always there. And when they finally met, it was almost as if Aaron could read her mind. Maybe the deep, human connection Desiray felt as a kid was real. Dozens of concerts later, Desiray and Aaron are almost friends — almost. Now Desiray wonders: “Can a fan ever be a true friend?” Does Aaron value her as a friend, or as a fan? And if she’s just a fan like any other, can she live with it? This story was produced by Galen Koch in collaboration with The Heart. Special thanks to Kelsey Padgett, Justine Champine, Desiray Roy, and Aaron Carter.

Desiray felt a deep, human connection the moment she first heard his voice: Aaron Carter spoke to her through his music. When Desiray was down, Aaron always cheered her up. When she needed him, his music was always there. And when they finally met, it was almost as if Aaron could read her mind. Maybe the deep, human connection Desiray felt as a kid was real. Dozens of concerts later, Desiray and Aaron are almost friends — almost. Now Desiray wonders: “Can a fan ever be a true friend?” Does Aaron value her as a friend, or as a fan? And if she’s just a fan like any other, can she live with it? This story was produced by Galen Koch in collaboration with The Heart. Special thanks to Kelsey Padgett, Justine Champine, Desiray Roy, and Aaron Carter.

Desiray + Aaron

The best podcast episodes about true crime. For any thrill seeking podcast listeners who just can't get enough of the captivating stories of murderers and criminals. This topic has all the best episodes from many different true crime podcasts.  Add episodes you're interested into your queue below!

Best True Crime Podcasts

What is this?
1 quote, 3 ideas & 1 question from a carefully curated podcast episode.
Every Monday & Wednesday.

Want a 3rd insight and episode every week? Email me at curation@owltail.com.