Charley Peters's guest appearances

Charley Peters

Ministry of Arts Podcast

Creative Catalyst

The Truth In This Art Podcast

ART FICTIONS

The Yard Dawgs Podcast

The Visible Artist

Fiona Grady

Jean-Paul Sartre

Hannah Brown

Octavia Butler

Maggie Nelson

John Ferguson

Anthony Harris

John Berger

Rebecca Solnit

Doug Jones

Tom Oldham

Rosie Jones

Kate MccGwire

Louie G

John Hand

OwlTail

How can an artist translate their studio practice into different architectural spaces? Why does the scale of a studio matter? How can an artist overcome creative block? What is the best way to approach a commission from a company like Facebook or ITV? What is it like to create a site-specific work in a mental health unit? Why is writing about other artists’ work valuable to your own practice? After discovering Charley’s work via the wonderful charity Hospital Rooms, I was excited to visit her South Bermondsey studio. Charley’s paintings are very striking in their combination of clashing elements: she paints with bold strokes of colour and layers this with digital components, grids, glitchy symbols - many very familiar to viewers in this digital age. Charley says “By remixing the things that I’ve consumed visually and putting them onto a canvas I make fantastical worlds where intuitive smears of paint co-exist with hard-edged geometry, and the language of Modernist painting meets the everyday aesthetics of screen culture to make something new but strangely familiar. I believe that everyone should have a place to belong and if you don’t fit into the real world, you have the power to make your own.’The world that Charley has created clearly appeals to many - she has exhibited internationally - at Saatchi Gallery and the Hauser &amp; Wirth Showroom in London as well as galleries in Rome, Yantai, New York and Gdansk. Her clients include House of Vans, Facebook, ITV - and the amazing charity Hospital Rooms. Charley has a PhD in Fine Art Theory and Practice, she is a peer reviewer for The Journal of Contemporary Painting and on the editorial board of Turps Banana. She is a visiting tutor in Fine Art at City &amp; Guilds of London Art School, a visiting painting mentor at Turps Art School and a Postgraduate Senior Lecturer at University of the Arts London.Follow @charleypeters________Hosted and produced by Sophie Loxton Lucas, The Visible Artist podcast features individual artists and their paths to success within the creative world. Alongside conversations with an array of practicing artists, Sophie chats to key art world protagonists about their experiences of working with artists. The Visible Artist podcast is a must-listen for any artists looking to make their mark in today’s art world. Follow the show @thevisibleartistpodcastFollow Sophie @sophieloxtonlucaswww.thevisibleartistpodcast.comPodcast cover by AmyIsla Mccombie See acast.com/privacy for privacy and opt-out information.

How can an artist translate their studio practice into different architectural spaces? Why does the scale of a studio matter? How can an artist overcome creative block? What is the best way to approach a commission from a company like Facebook or ITV? What is it like to create a site-specific work in a mental health unit? Why is writing about other artists’ work valuable to your own practice? After discovering Charley’s work via the wonderful charity Hospital Rooms, I was excited to visit her South Bermondsey studio. Charley’s paintings are very striking in their combination of clashing elements: she paints with bold strokes of colour and layers this with digital components, grids, glitchy symbols - many very familiar to viewers in this digital age. Charley says “By remixing the things that I’ve consumed visually and putting them onto a canvas I make fantastical worlds where intuitive smears of paint co-exist with hard-edged geometry, and the language of Modernist painting meets the everyday aesthetics of screen culture to make something new but strangely familiar. I believe that everyone should have a place to belong and if you don’t fit into the real world, you have the power to make your own.’The world that Charley has created clearly appeals to many - she has exhibited internationally - at Saatchi Gallery and the Hauser &amp; Wirth Showroom in London as well as galleries in Rome, Yantai, New York and Gdansk. Her clients include House of Vans, Facebook, ITV - and the amazing charity Hospital Rooms. Charley has a PhD in Fine Art Theory and Practice, she is a peer reviewer for The Journal of Contemporary Painting and on the editorial board of Turps Banana. She is a visiting tutor in Fine Art at City &amp; Guilds of London Art School, a visiting painting mentor at Turps Art School and a Postgraduate Senior Lecturer at University of the Arts London.Follow @charleypeters________Hosted and produced by Sophie Loxton Lucas, The Visible Artist podcast features individual artists and their paths to success within the creative world. Alongside conversations with an array of practicing artists, Sophie chats to key art world protagonists about their experiences of working with artists. The Visible Artist podcast is a must-listen for any artists looking to make their mark in today’s art world. Follow the show @thevisibleartistpodcastFollow Sophie @sophieloxtonlucas<a href="http://www.thevisibleartistpodcast.com" rel="nofollow" target="_blank">www.thevisibleartistpodcast.com</a>Podcast cover by AmyIsla Mccombie See <a href="https://acast.com/privacy" rel="noopener noreferrer nofollow" target="_blank">acast.com/privacy</a> for privacy and opt-out information.

The Cleveland Browns are 7-3! The Browns Huddle podcast welcomes Charley Peters to the show. Browns vs. Eagles recap. We also go over the current playoff standings and preview week 12 Browns vs. Jaguars.

EP 27 The Cleveland Browns are 7-3! Eagles vs. Browns Recap with Guest Charley Peters

Dr Charley Peters selects ‘The Yellow Wallpaper’ by Charlotte Perkins Gilman. Published in 1892, it was inspired by the author’s own experience of post natal depression and the resulting inappropriate treatment she battled against. The short story describes one woman’s descent into madness as she is overtaken by the yellow wallpaper she loathes. Her supposedly devoted husband keeps her isolated in a room, based on the authority of a nasty little cluster of so called expert mental health physicians including his learned self. This only worsens her condition. Charley identifies with the main character’s need for stimulation, for creativity and for a way of being that doesn’t fall subject to a cold logic. She describes the the book as a testament to creativity as a type of freedom, of intellectual freedom, of social freedom. It's also a timely selection as we emerge from lockdown which has been, amongst other things, a challenging time of coping with isolation. 0:00 - 0:22 the book, post natal depression, social repression, marriage, isolation, feminism, inspiration, pattern, gothic horror, human rights, social reform, independence 0:22 - 0:28 project for Hospital Rooms at Bluebird House, a mental health unit in Southampton 0:28 - 0:30 the decorative, design, contrasting unplanned 0:30 - 0:37 Charley's process, creating a ground, building up a painting, blending, tone, 'sb|2m2h (smiling back, too much to handle)' 2020, 'eod/\qtpi (end of discussion, cutie pie)' 2020 0:37 - 0:43 collaboration with Tobias Revell and Wesley Goatley at 'Emergence', London College of Communication as part of London Design Festival 2019, 'charismatic megapigment' 2019, webcam, abstraction, symbol, machine intelligence 0:43 - 0:55 Charley's wider practice, colour, intuition, shape, abstract painting, finishing the painting, physical reaction, phd, drawing, unlearning, boredom 0:55 - 1:03 Charley's writing and influences, Agnes Martin, sensitivity, emptying out, minimalism, Instantloveland, Lee Krasner, female trailblazers, resilience, creative spirit, energy, robots, Judas Priest, cartoons, growing up in Birmingham, staying indoors, painting leather jackets 1:03 - 1:08 Upcoming exhibitions, virtual exhibitions, skateboard auction and what Charley's reading RIGHT NOW!   CHARLEY PETERS charleypeters.com   BOOKS &amp; WRITERS ‘Women and Economics’ 1898 by Charlotte Perkins Gilman ‘The Home, it’s Work and Influence’ 1903 by Charlotte Perkins Gilman ‘What Diantha Did’ 1909 by Charlotte Perkins Gilman ‘Herland’ 1915 by Charlotte Perkins Gilman ‘Uncle Tom’s Cabin’ 1852 by Harriet Beecher Stowe ‘A Room of One’s Own’ 1929 by Virginia Wolf ‘Do You Compute’ 2019 by Ryan Mungia and Steven Heller   COMMISSIONS Bluebird House for Hospital Rooms Centrepoint for House of Vans   ARTISTS Eva Hesse 1936-1970 Agnes Martin 1912-2004 Lee Krasner ‘Living Colour’ exhibition Clare Price, Alison Goodyear, EC as collaborators for Instantloveland article   GALLERIES The Barbican 405 Gallery Hauser &amp; Wirth   Frog tape !!!

Dr Charley Peters selects ‘The Yellow Wallpaper’ by Charlotte Perkins Gilman. Published in 1892, it was inspired by the author’s own experience of post natal depression and the resulting inappropriate treatment she battled against. The short story describes one woman’s descent into madness as she is overtaken by the yellow wallpaper she loathes. Her supposedly devoted husband keeps her isolated in a room, based on the authority of a nasty little cluster of so called expert mental health physicians including his learned self. This only worsens her condition. Charley identifies with the main character’s need for stimulation, for creativity and for a way of being that doesn’t fall subject to a cold logic. She describes the the book as a testament to creativity as a type of freedom, of intellectual freedom, of social freedom. It's also a timely selection as we emerge from lockdown which has been, amongst other things, a challenging time of coping with isolation. 0:00 - 0:22 the book, post natal depression, social repression, marriage, isolation, feminism, inspiration, pattern, gothic horror, human rights, social reform, independence 0:22 - 0:28 project for Hospital Rooms at Bluebird House, a mental health unit in Southampton 0:28 - 0:30 the decorative, design, contrasting unplanned 0:30 - 0:37 Charley's process, creating a ground, building up a painting, blending, tone, 'sb|2m2h (smiling back, too much to handle)' 2020, 'eod/\qtpi (end of discussion, cutie pie)' 2020 0:37 - 0:43 collaboration with Tobias Revell and Wesley Goatley at 'Emergence', London College of Communication as part of London Design Festival 2019, 'charismatic megapigment' 2019, webcam, abstraction, symbol, machine intelligence 0:43 - 0:55 Charley's wider practice, colour, intuition, shape, abstract painting, finishing the painting, physical reaction, phd, drawing, unlearning, boredom 0:55 - 1:03 Charley's writing and influences, Agnes Martin, sensitivity, emptying out, minimalism, Instantloveland, Lee Krasner, female trailblazers, resilience, creative spirit, energy, robots, Judas Priest, cartoons, growing up in Birmingham, staying indoors, painting leather jackets 1:03 - 1:08 Upcoming exhibitions, virtual exhibitions, skateboard auction and what Charley's reading RIGHT NOW! CHARLEY PETERS <a href="http://charleypeters.com" rel="nofollow" target="_blank">charleypeters.com</a> BOOKS &amp; WRITERS ‘Women and Economics’ 1898 by Charlotte Perkins Gilman ‘The Home, it’s Work and Influence’ 1903 by Charlotte Perkins Gilman ‘What Diantha Did’ 1909 by Charlotte Perkins Gilman ‘Herland’ 1915 by Charlotte Perkins Gilman ‘Uncle Tom’s Cabin’ 1852 by Harriet Beecher Stowe ‘A Room of One’s Own’ 1929 by Virginia Wolf ‘Do You Compute’ 2019 by Ryan Mungia and Steven Heller COMMISSIONS Bluebird House for Hospital Rooms Centrepoint for House of Vans ARTISTS Eva Hesse 1936-1970 Agnes Martin 1912-2004 Lee Krasner ‘Living Colour’ exhibition Clare Price, Alison Goodyear, EC as collaborators for Instantloveland article GALLERIES The Barbican 405 Gallery Hauser &amp; Wirth Frog tape !!!

CHARLEY PETERS (and Charlotte Perkins)

Charley Peters is an artist based in London who has an interest in the legacy of the hard edge. Exploring the spatial potential of the painted surface through opposition colours and techniques she has created a style that is engaging to look at in person and over social media.In this episode, we talk about how academia challenged her creative spirit, understanding the benefits of collaboration and advice she would give to aspiring creators.If you want to find her on Instagram she is @charleypetersCreative Catalyst Instagram: https://www.instagram.com/creativecatalystpodcast/@creativecatalystpodcastSol Lewitt’s letter to Eva Hesse: https://www.google.co.uk/amp/s/jwvpk.wordpress.com/2009/03/10/letter-from-sol-lewitt-to-eva-hesse/amp/

Charley Peters is an artist based in London who has an interest in the legacy of the hard edge. Exploring the spatial potential of the painted surface through opposition colours and techniques she has created a style that is engaging to look at in person and over social media. In this episode, we talk about how academia challenged her creative spirit, understanding the benefits of collaboration and advice she would give to aspiring creators. If you want to find her on Instagram she is @charleypeters Creative Catalyst Instagram: <a href="https://www.instagram.com/creativecatalystpodcast/" rel="nofollow" target="_blank">https://www.instagram.com/creativecatalystpodcast/</a>@creativecatalystpodcast Sol Lewitt’s letter to Eva Hesse: <a href="https://www.google.co.uk/amp/s/jwvpk.wordpress.com/2009/03/10/letter-from-sol-lewitt-to-eva-hesse/amp/" rel="nofollow" target="_blank">https://www.google.co.uk/amp/s/jwvpk.wordpress.com/2009/03/10/letter-from-sol-lewitt-to-eva-hesse/amp/</a>