Marko Peljhan's guest appearances

Marko Peljhan

Proti etru

Art & Identity: The Artists Lecture Series

Kulturni utrinki

Roddy Doyle

David Taylor

Lorna Simpson

Jean Shin

Ken Gonzales-Day

Daniel J. Martinez

Frank Gohlke

Allan deSouza

Liz Cohen

Charles Garoian

Bruce Yonemoto

Kathryn Maxwell

Alenka Sottler

OwlTail

Nina Zagoričnik gosti umetnika in raziskovalca Marka Peljhana, rednega profesorja in predstojnika oddelka Znanost in umetnost na kalifornijski univerzi v Santa Barbari.Marko Peljhan, umetnik in raziskovalec, redni profesor in predstojnik oddelka Media, Arts&amp;Tehnology na kalifornijski univerzi Santa BarbaraMarko Peljhan deluje na meji med umetnostjo, tehnologijami in znanostjo, njegovi projekti, pobude in sodelovanja se gibljejo od ekologije do družbene refleksije in vesoljskih raziskav. Vremenske spremembe, migracije in telekomunikacije je na vseh celinah raziskoval s sodelavci v sklopu dolgoletnega projekta Makrolab. Njegovo delo je bilo predstavljeno na nevralgičnih vozliščih sodobne umetnosti, več kot 30 bienalih ter na številnih muzejih in razstaviščih ter velikih prireditvah, od Documente in Manifeste do Ars Electronice. Zanj je prejel tudi večje število nagrad. Leta 2003 je bil Makrolab predstavljen tudi na beneškem otoku Campalto v sklopu selektorske razstave 50. Beneškega bienala kustosa Francesca Bonamija in kustosa Igorja Zabela. “Občutek je, da je Kalifornija država zase,” razlaga Peljhan, ljudje se tukaj le drugače odzivajo na koronavirus, tudi kalifornijski guverner je že zgodaj predpisal fizično distanciranje. “V Santa Barbari je stanje pod nadzorom, razen v enem državnem zaporu tu v bližini, kjer je več kot polovica primerov okuženih. V Ameriki je zaporniška industrija velika rakasta rana družbe, to se zdaj kaže na takšen plastični način.” Na lanskoletnem Beneškem bienalu je zastopal Slovenijo z vizualnim projektom ‘Here We Go Again … System 317’, instalacijo ki je med drugim predstavila koncept hipersoničnega plovila za dve osebi, futuristično podobo, kot nezmožnost dokončnega izhoda iz našega propadajočega planeta.

Nina Zagoričnik gosti umetnika in raziskovalca Marka Peljhana, rednega profesorja in predstojnika oddelka Znanost in umetnost na kalifornijski univerzi v Santa Barbari.Marko Peljhan, umetnik in raziskovalec, redni profesor in predstojnik oddelka Media, Arts&amp;Tehnology na kalifornijski univerzi Santa BarbaraMarko Peljhan deluje na meji med umetnostjo, tehnologijami in znanostjo, njegovi projekti, pobude in sodelovanja se gibljejo od ekologije do družbene refleksije in vesoljskih raziskav. Vremenske spremembe, migracije in telekomunikacije je na vseh celinah raziskoval s sodelavci v sklopu dolgoletnega projekta Makrolab. Njegovo delo je bilo predstavljeno na nevralgičnih vozliščih sodobne umetnosti, več kot 30 bienalih ter na številnih muzejih in razstaviščih ter velikih prireditvah, od Documente in Manifeste do Ars Electronice. Zanj je prejel tudi večje število nagrad. Leta 2003 je bil Makrolab predstavljen tudi na beneškem otoku Campalto v sklopu selektorske razstave 50. Beneškega bienala kustosa Francesca Bonamija in kustosa Igorja Zabela. “Občutek je, da je Kalifornija država zase,” razlaga Peljhan, ljudje se tukaj le drugače odzivajo na koronavirus, tudi kalifornijski guverner je že zgodaj predpisal fizično distanciranje. <blockquote>“V Santa Barbari je stanje pod nadzorom, razen v enem državnem zaporu tu v bližini, kjer je več kot polovica primerov okuženih. V Ameriki je zaporniška industrija velika rakasta rana družbe, to se zdaj kaže na takšen plastični način.”</blockquote> Na lanskoletnem Beneškem bienalu je zastopal Slovenijo z vizualnim projektom ‘Here We Go Again … System 317’, instalacijo ki je med drugim predstavila koncept hipersoničnega plovila za dve osebi, futuristično podobo, kot nezmožnost dokončnega izhoda iz našega propadajočega planeta.

Marko Peljhan, umetnik in raziskovalec

Kozmopolit, ki deluje na meji med umetnostjo, tehnologijami in znanostjo, bo zastopal Slovenijo na 58.beneškem umetnostnem bienalu s projektom "Here we go again ... SYSTEM 317." Projekt je rezultat večletnega raziskovalnega dela iz serije Resolucija, ki podaja konkretne fizične in praktično izvedljive rešitve za probleme v družbi. Marko Peljhan živi med Slovenijo in Kalifornijo, kot redni profesor predava na univerzi UC Santa Barbara, kjer je postal tudi predstojnik oddelka Znanost in umetnost.

This lecture will present the conceptual roots and future paths of two large bodies of art, science and technology-related works that Marko Peljhan has been developing in collaborations since the early 2000s, focusing on the Arctic Perspective Initiative and its Makrolab roots and the polar m [mirrored] project. The Arctic Perspective Initiative (API) is a non-profit, international group of individuals and organizations, whose goal is to promote the creation of open authoring, communications and dissemination infrastructures for the circumpolar region. Its aim is to work with, learn from, and empower the North and Arctic Peoples through open source technologies and applied education and training. Peljhan holds joint appointments with the Department of Art and the Media Arts &amp; Technology graduate program at the University of California Santa Barbara and was appointed as Co-Director of the UC Institute for Research in the Arts in 2009, where he is coordinating the art/science Integrative Methodologies Initiative. Peljhan worked on the Makrolab, a unique project that focuses on telecommunications, migrations and weather systems research in an intersection of art and science from 1997-2007. In 2007, he founded the technology branch of Projekt Atol called PACT SYSTEMS where he developed one of the first Global Positioning Systems-based participatory networked mapping projects, the Urban Colonization and Orientation Gear 144 and the Interpolar Transnational Art Science Constellation (project 417). He is currently coordinating the Arctic Perspective Initiative, an art/science/tactical media project focused on the global significance of the Arctic geopolitical, natural and cultural spheres. His work has been exhibited internationally at multiple biennales and festivals, including documenta X in Kassel, several ISEA exhibitions, and Ars Electronica presentations and at major museums such as P.S.1, MOMA, New Museum of Contemporary Art, ICC NTT Tokyo, YCAM Yamaguchi and others.

This lecture will present the conceptual roots and future paths of two large bodies of art, science and technology-related works that Marko Peljhan has been developing in collaborations since the early 2000s, focusing on the Arctic Perspective Initiative and its Makrolab roots and the polar m [mirrored] project. The Arctic Perspective Initiative (API) is a non-profit, international group of individuals and organizations, whose goal is to promote the creation of open authoring, communications and dissemination infrastructures for the circumpolar region. Its aim is to work with, learn from, and empower the North and Arctic Peoples through open source technologies and applied education and training. Peljhan holds joint appointments with the Department of Art and the Media Arts &amp; Technology graduate program at the University of California Santa Barbara and was appointed as Co-Director of the UC Institute for Research in the Arts in 2009, where he is coordinating the art/science Integrative Methodologies Initiative. Peljhan worked on the Makrolab, a unique project that focuses on telecommunications, migrations and weather systems research in an intersection of art and science from 1997-2007. In 2007, he founded the technology branch of Projekt Atol called PACT SYSTEMS where he developed one of the first Global Positioning Systems-based participatory networked mapping projects, the Urban Colonization and Orientation Gear 144 and the Interpolar Transnational Art Science Constellation (project 417). He is currently coordinating the Arctic Perspective Initiative, an art/science/tactical media project focused on the global significance of the Arctic geopolitical, natural and cultural spheres. His work has been exhibited internationally at multiple biennales and festivals, including documenta X in Kassel, several ISEA exhibitions, and Ars Electronica presentations and at major museums such as P.S.1, MOMA, New Museum of Contemporary Art, ICC NTT Tokyo, YCAM Yamaguchi and others.

Marko Peljhan: Two Polar Visions