Okay, first off, this is *not* a new episode of All Through a Lens. This is also not a new venture.  It was record before we knew the podcast was ending.  This is the first of what was to be some fill-in episodes. We'd then take our normal summer break and then come back with Vania in August.   I know it's not the same, but I hope you give it a listen. I personally think it's a good episode with some good information and some fun along the way.   Quick show notes: For today’s show, Eric will be talking about Artificial Intelligence and how it’s both worse and not as bad as it seems. And Jess has got some bad news and good news about Kodak Chemicals. We’ll also be watching “A Most Unusual Camera” - the Twilight Zone episode that asks the question ‘what if a camera wanted you dead?’ We also interview Chandler Flanagan, a film photographer and cyanotype artist (cyanotypist?) who has published a zine with Better Off Press. Most recently, she started Not Your Grandma’s Camera Club, and we’re going to talk to her all about that.     Chander:  @dispositionpictures on IG https://dispositionpictures.net/  Not Your Grandma's Camera Club: @notyourgrandmascameraclub on IG   Jess Hobbs:  IG: @jesshobbsphoto  YouTube: https://www.youtube.com/@JessHobbs   Eric:  IG: @conspiracy.of.cartographers Vania: IG: @surfmartian  Web: https://vaniazask.com/ 

Okay, first off, this is *not* a new episode of All Through a Lens. This is also not a new venture.  It was record before we knew the podcast was ending.  This is the first of what was to be some fill-in episodes. We'd then take our normal summer break and then come back with Vania in August. I know it's not the same, but I hope you give it a listen. I personally think it's a good episode with some good information and some fun along the way. Quick show notes: For today’s show, Eric will be talking about Artificial Intelligence and how it’s both worse and not as bad as it seems. And Jess has got some bad news and good news about Kodak Chemicals. We’ll also be watching “A Most Unusual Camera” - the Twilight Zone episode that asks the question ‘what if a camera wanted you dead?’ We also interview Chandler Flanagan, a film photographer and cyanotype artist (cyanotypist?) who has published a zine with Better Off Press. Most recently, she started Not Your Grandma’s Camera Club, and we’re going to talk to her all about that. Chander:  <a href="https://www.instagram.com/dispositionpictures/" rel="nofollow" target="_blank">@dispositionpictures</a> on IG <a href="https://dispositionpictures.net/" rel="nofollow" target="_blank">https://dispositionpictures.net/</a> Not Your Grandma's Camera Club: <a href="https://www.instagram.com/notyourgrandmascameraclub/" rel="nofollow" target="_blank">@notyourgrandmascameraclub</a> on IG Jess Hobbs:  IG: <a href="https://www.instagram.com/jesshobbsphoto/" rel="nofollow" target="_blank">@jesshobbsphoto</a> YouTube: <a href="https://www.youtube.com/@JessHobbs" rel="nofollow" target="_blank">https://www.youtube.com/@JessHobbs</a> Eric:  IG: <a href="https://www.instagram.com/conspiracy.of.cartographers/" rel="nofollow" target="_blank">@conspiracy.of.cartographers</a> Vania: IG: <a href="https://www.instagram.com/surfmartian/" rel="nofollow" target="_blank">@surfmartian</a> Web: <a href="https://vaniazask.com/" rel="nofollow" target="_blank">https://vaniazask.com/</a>

A Most Unusual Camera (w/Jess Hobbs and Chandler Flanagan)

Hello everybody. This is Eric. And I have some pretty bad news for you considering the podcast. As of now the podcast is ending.   We are both utterly gutted and heartbroken over this decision. We both loved the podcast so very much. And we love the friends and listeners more than they will probably know.  I know for some of you it's just another podcast you listen to. And I get that, I listen to a lot of podcasts myself. But for us it was a colossal part of our lives, and it's absence will leave a gigantic hole.   On the technical end of things, patreon has been paused and will shut down in about a month. I will try to keep it going through June, and you will not be charged for June. If there are any discrepancies here or there about any of the payments, contact me and we'll try to work it out. Patreon is very vague about how all of this works. That's very fitting for patreon  The main feed will be up indefinitely. The money that we have received from patreon in large part will be going towards keeping it alive for as long as the money is there. It costs, as of now, about $120 a year.  I feel the work that we produced was important and meaningful and unique among other photography podcasts. We both want it to be available for as long as possible. We have learned about so many photographers and eras, and did our best to make a show that was as informative as it was entertaining. We hope that you enjoyed it and maybe learned a little something along the way.   For both of us, we thank you so much for your support and your love and your friendship over the years. We truly could not have done this without you.  We love you. Bye bye.  [This writing has been approved by both of us.]  

Hello everybody. This is Eric. And I have some pretty bad news for you considering the podcast. As of now the podcast is ending. We are both utterly gutted and heartbroken over this decision. We both loved the podcast so very much. And we love the friends and listeners more than they will probably know. I know for some of you it's just another podcast you listen to. And I get that, I listen to a lot of podcasts myself. But for us it was a colossal part of our lives, and it's absence will leave a gigantic hole. On the technical end of things, patreon has been paused and will shut down in about a month. I will try to keep it going through June, and you will not be charged for June. If there are any discrepancies here or there about any of the payments, contact me and we'll try to work it out. Patreon is very vague about how all of this works. That's very fitting for patreon The main feed will be up indefinitely. The money that we have received from patreon in large part will be going towards keeping it alive for as long as the money is there. It costs, as of now, about $120 a year. I feel the work that we produced was important and meaningful and unique among other photography podcasts. We both want it to be available for as long as possible. We have learned about so many photographers and eras, and did our best to make a show that was as informative as it was entertaining. We hope that you enjoyed it and maybe learned a little something along the way. For both of us, we thank you so much for your support and your love and your friendship over the years. We truly could not have done this without you. We love you. Bye bye. [This writing has been approved by both of us.]

The End of the Podcast

For photos and show notes: allthroughalens.com    On this episode of Dev Party Vania (@surfmartian) and Eric (@conspiracy.of.cartographers) try out some new old ideas! But first, Vania developed a roll of Fuji Velvia 50 220 in C-41 - that's right, 220! And it looks amazing! Eric fell back on the old standby of Fomapan 100 in FA-1027 - in 4x5, of course. He had a bad hike and it shows.     We also answered a few questions about developing, film, and the age old battle of cake vs. pie! Who will win?   As for the new stuff, we moved the "answering machine" question to Dev Party! Maybe this will be temporary. But for now, here it is! Bam!   And here are some of Vania's photos:             And here are three of Eric's:             PATREON   Thank you to everyone who supports us!   Check out our Patreon for bonus episodes, extended interviews, early drops. Tons of stuff!   patreon.com/allthroughalens   THE CREDITS OF ENDING   www.allthroughalens.com   Vania: IG, Flickr, Zines Eric: IG, Flickr, Zines, ECN-2 Kit

For photos and show notes: <a href="https://allthroughalens.com/2023/04/25/dev-party-cake-vs-pie/" rel="nofollow" target="_blank">allthroughalens.com</a> On this episode of Dev Party Vania (<a href="https://www.instagram.com/surfmartian/" rel="nofollow" target="_blank">@surfmartian</a>) and Eric (<a href="https://www.instagram.com/conspiracy.of.cartographers/" rel="nofollow" target="_blank">@conspiracy.of.cartographers</a>) try out some new old ideas! But first, Vania developed a roll of Fuji Velvia 50 220 in C-41 - that's right, 220! And it looks amazing! Eric fell back on the old standby of Fomapan 100 in FA-1027 - in 4x5, of course. He had a bad hike and it shows. We also answered a few questions about developing, film, and the age old battle of cake vs. pie! Who will win? As for the new stuff, we moved the "answering machine" question to Dev Party! Maybe this will be temporary. But for now, here it is! Bam! And here are some of Vania's photos: And here are three of Eric's: PATREON Thank you to everyone who supports us! Check out our Patreon for bonus episodes, extended interviews, early drops. Tons of stuff! <a href="https://www.patreon.com/allthroughalens" rel="nofollow" target="_blank">patreon.com/allthroughalens</a> THE CREDITS OF ENDING <a href="https://www.allthroughalens.com/" rel="nofollow" target="_blank">www.allthroughalens.com</a> Vania: <a href="https://www.instagram.com/surfmartian/" rel="nofollow" target="_blank">IG</a>, <a href="https://www.flickr.com/photos/vaniafrancesca" rel="nofollow" target="_blank">Flickr</a>, <a href="https://www.etsy.com/shop/VaniaFrancesca" rel="nofollow" target="_blank">Zines</a> Eric: <a href="https://www.instagram.com/conspiracy.of.cartographers/" rel="nofollow" target="_blank">IG</a>, <a href="https://www.flickr.com/photos/conspiracyofcartographers/" rel="nofollow" target="_blank">Flickr</a>, <a href="https://conspiracyofcartographers.bigcartel.com/" rel="nofollow" target="_blank">Zines</a>, <a href="https://conspiracyofcartographers.bigcartel.com/product/ecn-2-color-film-developing-kit" rel="nofollow" target="_blank">ECN-2 Kit</a>

Dev Party - Cake vs. Pie

For full show notes and photos: allthroughalens.com   On this episode of Dev Party, Vania (@surfmartian on IG) tests out a new color emulsion - Wolfen Color NC 500 by ORWO! Meanwhile Eric (@conspiracy.of.cartographers on IG) developed Fomapan 100 sheets, including some with a half frame dark slide... you'll see.   Vania developed her shots in C-41, and you can see them below!           And Eric's are here:             PATREON   Thank you to everyone who supports us!   Check out our Patreon for bonus episodes, extended interviews, early drops. Tons of stuff!   patreon.com/allthroughalens   THE CREDITS OF ENDING   www.allthroughalens.com   Vania: IG, Flickr, Zines Eric: IG, Flickr, Zines, ECN-2 Kit

For full show notes and photos: <a href="http://dev-party-new-color-emulsion-pretty-big-news" rel="nofollow" target="_blank">allthroughalens.com</a> On this episode of Dev Party, Vania (<a href="https://www.instagram.com/surfmartian/" rel="nofollow" target="_blank">@surfmartian</a> on IG) tests out a new color emulsion - Wolfen Color NC 500 by ORWO! Meanwhile Eric (<a href="https://www.instagram.com/conspiracy.of.cartographers/" rel="nofollow" target="_blank">@conspiracy.of.cartographers</a> on IG) developed Fomapan 100 sheets, including some with a half frame dark slide... you'll see. Vania developed her shots in C-41, and you can see them below! And Eric's are here: PATREON Thank you to everyone who supports us! Check out our Patreon for bonus episodes, extended interviews, early drops. Tons of stuff! <a href="https://www.patreon.com/allthroughalens" rel="nofollow" target="_blank">patreon.com/allthroughalens</a> THE CREDITS OF ENDING <a href="https://www.allthroughalens.com/" rel="nofollow" target="_blank">www.allthroughalens.com</a> Vania: <a href="https://www.instagram.com/surfmartian/" rel="nofollow" target="_blank">IG</a>, <a href="https://www.flickr.com/photos/vaniafrancesca" rel="nofollow" target="_blank">Flickr</a>, <a href="https://www.etsy.com/shop/VaniaFrancesca" rel="nofollow" target="_blank">Zines</a> Eric: <a href="https://www.instagram.com/conspiracy.of.cartographers/" rel="nofollow" target="_blank">IG</a>, <a href="https://www.flickr.com/photos/conspiracyofcartographers/" rel="nofollow" target="_blank">Flickr</a>, <a href="https://conspiracyofcartographers.bigcartel.com/" rel="nofollow" target="_blank">Zines</a>, <a href="https://conspiracyofcartographers.bigcartel.com/product/ecn-2-color-film-developing-kit" rel="nofollow" target="_blank">ECN-2 Kit</a>

Dev Party - New Color Emulsion; Pretty Big News

On this episode, Jess Hobbs drops by! Vania talks about the largest pinhole camera ever built, while Eric explains why Indigo isn't a real color. Jess dives into the weird "new" "Rolleiflex" "camera" prank. Jess: IG, YT  There's also a zine review and some interesting banter concerning the differences between US breakfasts and Canadian breakfasts. And guess which one of us has never had Tang. THE CREDITS OF ENDING www.allthroughalens.com Vania: IG, Flickr, Zines Eric: IG, Flickr, Zines, ECN-2 Kit

On this episode, Jess Hobbs drops by! Vania talks about the largest pinhole camera ever built, while Eric explains why Indigo isn't a real color. Jess dives into the weird "new" "Rolleiflex" "camera" prank. Jess: <a href="https://www.instagram.com/jesshobbsphoto/" rel="nofollow" target="_blank">IG</a>, <a href="https://www.youtube.com/@JessHobbs" rel="nofollow" target="_blank">YT</a> There's also a zine review and some interesting banter concerning the differences between US breakfasts and Canadian breakfasts. And guess which one of us has never had Tang. THE CREDITS OF ENDING <a href="https://www.allthroughalens.com/" rel="nofollow" target="_blank">www.allthroughalens.com</a> Vania: <a href="https://www.instagram.com/surfmartian/" rel="nofollow" target="_blank">IG</a>, <a href="https://www.flickr.com/photos/vaniafrancesca" rel="nofollow" target="_blank">Flickr</a>, <a href="https://www.etsy.com/shop/VaniaFrancesca" rel="nofollow" target="_blank">Zines</a> Eric: <a href="https://www.instagram.com/conspiracy.of.cartographers/" rel="nofollow" target="_blank">IG</a>, <a href="https://www.flickr.com/photos/conspiracyofcartographers/" rel="nofollow" target="_blank">Flickr</a>, <a href="https://conspiracyofcartographers.bigcartel.com/" rel="nofollow" target="_blank">Zines</a>, <a href="https://conspiracyofcartographers.bigcartel.com/product/ecn-2-color-film-developing-kit" rel="nofollow" target="_blank">ECN-2 Kit</a>

Your Snack of Choice - Episode 81

Full show notes and photos here: allthroughalens.com And on this episode - the big 8-0! - we are talking to photographer Kristie Cornell (@kccornell on IG) and sculptor Marla Kristicevich (@marla_kristicevich on IG) about a project they collaborated on around Louisiana's Bayou Teche . We’ll also tell you about Esther Bubley, one of Roy Stryker’s photographers who became much more than just one of Roy Stryker’s photographers. There’s also the answering machine and some witty banter!   Kristie Cornell &amp; Marla Kristicevish   Kristie Cornell and Marla Kristicevich collaborated on a project called Meander Mindset that took them down the 124mi length a Bayou Teche, a vital waterway in Louisiana. The project was a combination of photography and sculpture, as well as various other skills - all aboard a small 1970s Boston Whaler.   Flickr: https://www.flickr.com/photos/kccornell/albums/72177720300912386   Kristie: www.kristiecornell.com   Marla: marlakristicevich.com         Esther Bubley      Lately, our stories have involved the various and alarming sexual escapades of any number of wriggling photographers. But not today! There’s actually almost nothing known about this photographer’s private life (which means she probably didn’t date Edward Weston!)    Today we are talking about Esther Bubley, a Midwestern photographer who had the ability to essentially disappear into the background and capture people at their most normal and vulnerable - all while making them feel truly seen and understood.    Here are some of her FSA images:     And here are her Assignment images:         Link her her government archives: https://www.loc.gov/pictures/search/?q=LOT%20939&amp;fi=number&amp;op=PHRASE&amp;va=exact&amp;co!=coll&amp;sg=true&amp;st=gallery   www.esterbubley.com   PATREON   Thank you to everyone who supports us!   Check out our Patreon for bonus episodes, extended interviews, early drops. Tons of stuff!   patreon.com/allthroughalens   THE CREDITS OF ENDING   www.allthroughalens.com   Vania: IG, Flickr, Zines Eric: IG, Flickr, Zines, ECN-2 Kit

Full show notes and photos here: <a href="https://allthroughalens.com/2023/03/28/disappearing-into-the-bayou-w-kristie-cornell-marla-kristicevich-episode-80/" rel="nofollow" target="_blank">allthroughalens.com</a> And on this episode - the big 8-0! - we are talking to photographer Kristie Cornell (<a href="https://www.instagram.com/kccornell/" rel="nofollow" target="_blank">@kccornell</a> on IG) and sculptor Marla Kristicevich (<a href="https://www.instagram.com/marla_kristicevich/" rel="nofollow" target="_blank">@marla_kristicevich </a>on IG) about a project they collaborated on around Louisiana's Bayou Teche . We’ll also tell you about Esther Bubley, one of Roy Stryker’s photographers who became much more than just one of Roy Stryker’s photographers. There’s also the answering machine and some witty banter!   Kristie Cornell &amp; Marla Kristicevish Kristie Cornell and Marla Kristicevich collaborated on a project called Meander Mindset that took them down the 124mi length a Bayou Teche, a vital waterway in Louisiana. The project was a combination of photography and sculpture, as well as various other skills - all aboard a small 1970s Boston Whaler. Flickr: <a href="https://www.flickr.com/photos/kccornell/albums/72177720300912386" rel="nofollow" target="_blank">https://www.flickr.com/photos/kccornell/albums/72177720300912386</a> Kristie: <a href="https://l.instagram.com/?u=http%3A%2F%2Fwww.kristiecornell.com%2F&amp;e=AT2-rtH_bPeRwLGmkKFSCqA1pdHsXoC8Hy22fLhCGs1w9r20QoxlLG2OQ-dTeN9UY3avdRmaR2_GUnm6BjFwT16TVQXfE8Wrq16Xgg" rel="nofollow" target="_blank">www.kristiecornell.com</a> Marla: <a href="https://l.instagram.com/?u=http%3A%2F%2Fmarlakristicevich.com%2F&amp;e=AT1YJIXYo9QtAtHYl6BY5DyAcA40VLbovrrErZql623bccjLEe4kWQoqmHNuLvSM4FHqSDnOgClQbWLqLcYXAOXqit4BM41WxRNVtg" rel="nofollow" target="_blank">marlakristicevich.com</a>   Esther Bubley Lately, our stories have involved the various and alarming sexual escapades of any number of wriggling photographers. But not today! There’s actually almost nothing known about this photographer’s private life (which means she probably didn’t date Edward Weston!)  Today we are talking about Esther Bubley, a Midwestern photographer who had the ability to essentially disappear into the background and capture people at their most normal and vulnerable - all while making them feel truly seen and understood.  Here are some of her FSA images: And here are her Assignment images: Link her her government archives: <a href="https://www.loc.gov/pictures/search/?q=LOT%20939&amp;fi=number&amp;op=PHRASE&amp;va=exact&amp;co!=coll&amp;sg=true&amp;st=gallery" rel="nofollow" target="_blank">https://www.loc.gov/pictures/search/?q=LOT%20939&amp;fi=number&amp;op=PHRASE&amp;va=exact&amp;co!=coll&amp;sg=true&amp;st=gallery</a> <a href="https://www.esterbubley.com" rel="nofollow" target="_blank">www.esterbubley.com</a>   PATREON Thank you to everyone who supports us! Check out our Patreon for bonus episodes, extended interviews, early drops. Tons of stuff! <a href="https://www.patreon.com/allthroughalens" rel="nofollow" target="_blank">patreon.com/allthroughalens</a>   THE CREDITS OF ENDING <a href="https://www.allthroughalens.com/" rel="nofollow" target="_blank">www.allthroughalens.com</a> Vania: <a href="https://www.instagram.com/surfmartian/" rel="nofollow" target="_blank">IG</a>, <a href="https://www.flickr.com/photos/vaniafrancesca" rel="nofollow" target="_blank">Flickr</a>, <a href="https://www.etsy.com/shop/VaniaFrancesca" rel="nofollow" target="_blank">Zines</a> Eric: <a href="https://www.instagram.com/conspiracy.of.cartographers/" rel="nofollow" target="_blank">IG</a>, <a href="https://www.flickr.com/photos/conspiracyofcartographers/" rel="nofollow" target="_blank">Flickr</a>, <a href="https://conspiracyofcartographers.bigcartel.com/" rel="nofollow" target="_blank">Zines</a>, <a href="https://conspiracyofcartographers.bigcartel.com/product/ecn-2-color-film-developing-kit" rel="nofollow" target="_blank">ECN-2 Kit</a>

Disappearing into the Bayou; Esther Bubley (w/ Kristie Cornell & Marla Kristicevich) - Episode 80

Photos and  more here: allthroughalens.com On this episode of Dev Party we develop some film and answer some questions submitted by listeners.   Vania (@surfmartian on IG) developed Cinestill 800 in C-41 chemistry. While Eric (@conspiracy.of.cartographers on IG) developed Kentmere 100 in 510-Pyro.   We covered questions about how to shoot Fomapan (really, how to develop it), what to do with 120 spools, and find out whether a cap of vinegar is acidic enough to turn 500ml of water into a usable stop bath.   Here are Vania's pics:     And here are Eric's - He's comparing Fomapan 100 to Kentmere 100, both shot at the same time with the same camera and same settings. And both devved in 510-Pyro, 1+100 for 7mins and 11.75mins respectively. Foma is on the left and Kentmere is on the right.            PATREON   Thank you to everyone who supports us!   Check out our Patreon for bonus episodes, extended interviews, early drops. Tons of stuff!   patreon.com/allthroughalens   THE CREDITS OF ENDING   www.allthroughalens.com   Vania: IG, Flickr, Zines Eric: IG, Flickr, Zines, ECN-2 Kit

Photos and  more here: <a href="http://dev-party-stop-it-with-the-vinegar-okay" rel="nofollow" target="_blank">allthroughalens.com</a> On this episode of Dev Party we develop some film and answer some questions submitted by listeners. Vania (<a href="https://www.instagram.com/surfmartian/" rel="nofollow" target="_blank">@surfmartian</a> on IG) developed Cinestill 800 in C-41 chemistry. While Eric (<a href="https://www.instagram.com/conspiracy.of.cartographers/" rel="nofollow" target="_blank">@conspiracy.of.cartographers</a> on IG) developed Kentmere 100 in 510-Pyro. We covered questions about how to shoot Fomapan (really, how to develop it), what to do with 120 spools, and find out whether a cap of vinegar is acidic enough to turn 500ml of water into a usable stop bath. Here are Vania's pics: And here are Eric's - He's comparing Fomapan 100 to Kentmere 100, both shot at the same time with the same camera and same settings. And both devved in 510-Pyro, 1+100 for 7mins and 11.75mins respectively. Foma is on the left and Kentmere is on the right.   PATREON Thank you to everyone who supports us! Check out our Patreon for bonus episodes, extended interviews, early drops. Tons of stuff! <a href="https://www.patreon.com/allthroughalens" rel="nofollow" target="_blank">patreon.com/allthroughalens</a>   THE CREDITS OF ENDING <a href="https://www.allthroughalens.com/" rel="nofollow" target="_blank">www.allthroughalens.com</a> Vania: <a href="https://www.instagram.com/surfmartian/" rel="nofollow" target="_blank">IG</a>, <a href="https://www.flickr.com/photos/vaniafrancesca" rel="nofollow" target="_blank">Flickr</a>, <a href="https://www.etsy.com/shop/VaniaFrancesca" rel="nofollow" target="_blank">Zines</a> Eric: <a href="https://www.instagram.com/conspiracy.of.cartographers/" rel="nofollow" target="_blank">IG</a>, <a href="https://www.flickr.com/photos/conspiracyofcartographers/" rel="nofollow" target="_blank">Flickr</a>, <a href="https://conspiracyofcartographers.bigcartel.com/" rel="nofollow" target="_blank">Zines</a>, <a href="https://conspiracyofcartographers.bigcartel.com/product/ecn-2-color-film-developing-kit" rel="nofollow" target="_blank">ECN-2 Kit</a>

Dev Party - Stop it With the Vinegar, Okay?

Liz Potter

Shownotes and photos here: allthroughalens.com   It’s another odd show, and we’re actually changing things up again! For most of the show we’ll be talking to Liz Potter (@lizpotterphotography on IG) and Amy Elizabeth (@itsamyliz on IG) about the Fallacy of the Sunk Cost Fallacy and why you shouldn’t just give up on a project. We’ll have our regular banter, but Eric will also tell you a little about the first photos taken of the entire Earth – it’s both earlier and later than you think. Amy’s article, “The Fallacy of Sunk-Cost Fallacy” is available here: https://www.itsamyliz.com/journal/the-fallacy-of-sunk-cost-fallacy Amy’s website: itsamyliz.com Liz’s website: lizpotterphotography.com Eric references the book Through Astronaut Eyes; Photographing Early Human Spaceflight by Jennifer K. Levasseur. Link. 1946. First image of Earth from outer space, taken by the V-2 No. 13 suborbital spaceflight.1947. First panorama of Earth from outer space. V-2 rocket.On October 5, 1954, an NRL-launched Viking rocket carrying a movie camera captured the first high-altitude images of a tropical storm over the Gulf of Mexico, sparking the interest of the U.S. Weather Bureau and the future of high-altitude weather reconnaissance. This mosaic is a compilation of images captured from an altitude of 100 miles above the Earth surface. [Released 11-1226-3531]. Also listed as file number 60834 (H-517).1961. First image of Earth from space taken by a person, first color images and first movie of Earth from space, by cosmonaut Gherman Titov – the first photographer from space.1966. First full-disk pictures of the Earth from a geostationary orbit. Taken by the ATS-1.1967. First full-disk “true color picture of the Earth; subsequently used on the cover of the first Whole Earth Catalog.1968. First full-disk image of Earth from space taken by a person, probably by astronaut William Anders.1968. The Earthrise image is the first color image of Earth from the Moon by a person (William Anders).1972. Blue Marble. The last photo of the entire earth taken by a human (Apollo 17 Crew)   PATREON Thank you to everyone who supports us! Check out our Patreon for bonus episodes, extended interviews, early drops. Tons of stuff! patreon.com/allthroughalens THE CREDITS OF ENDING www.allthroughalens.com Vania: IG, Flickr, Zines Eric: IG, Flickr, Zines, ECN-2 Kit

Shownotes and photos here: <a href="https://allthroughalens.com/2023/03/14/earth-oddity-and-the-sunk-cost-fallacy-with-amy-elizabeth-liz-potter-episode-79/" rel="nofollow" target="_blank">allthroughalens.com</a> It’s another odd show, and we’re actually changing things up again! For most of the show we’ll be talking to Liz Potter (<a href="https://www.instagram.com/lizpotterphotography/" rel="nofollow" target="_blank">@lizpotterphotography</a> on IG) and Amy Elizabeth (<a href="https://www.instagram.com/itsamyliz/" rel="nofollow" target="_blank">@itsamyliz</a> on IG) about the Fallacy of the Sunk Cost Fallacy and why you shouldn’t just give up on a project. We’ll have our regular banter, but Eric will also tell you a little about the first photos taken of the entire Earth – it’s both earlier and later than you think. Amy’s article, “The Fallacy of Sunk-Cost Fallacy” is available here: <a href="https://www.itsamyliz.com/journal/the-fallacy-of-sunk-cost-fallacy" rel="nofollow" target="_blank">https://www.itsamyliz.com/journal/the-fallacy-of-sunk-cost-fallacy</a> Amy’s website: <a href="https://www.itsamyliz.com/" rel="nofollow" target="_blank">itsamyliz.com</a> Liz’s website: <a href="https://www.lizpotterphotography.com/" rel="nofollow" target="_blank">lizpotterphotography.com</a> Eric references the book Through Astronaut Eyes; Photographing Early Human Spaceflight by Jennifer K. Levasseur. <a href="https://www.press.purdue.edu/9781557539311/through-astronaut-eyes/" rel="nofollow" target="_blank">Link.</a> 1946. First image of Earth from outer space, taken by the <a href="https://en.wikipedia.org/wiki/V-2_No._13" rel="nofollow" target="_blank">V-2 No. 13</a> <a href="https://en.wikipedia.org/wiki/Suborbital_spaceflight" rel="nofollow" target="_blank">suborbital spaceflight</a>.1947. First panorama of Earth from outer space. V-2 rocket.On October 5, 1954, an NRL-launched Viking rocket carrying a movie camera captured the first high-altitude images of a tropical storm over the Gulf of Mexico, sparking the interest of the U.S. Weather Bureau and the future of high-altitude weather reconnaissance. This mosaic is a compilation of images captured from an altitude of 100 miles above the Earth surface. [Released 11-1226-3531]. Also listed as file number 60834 (H-517).1961. First image of Earth from space taken by a person, first color images and first movie of Earth from space, by cosmonaut <a href="https://en.wikipedia.org/wiki/Gherman_Titov" rel="nofollow" target="_blank">Gherman Titov</a> – the first photographer from space.1966. First full-disk pictures of the Earth from a <a href="https://en.wikipedia.org/wiki/Geostationary_orbit" rel="nofollow" target="_blank">geostationary orbit</a>. Taken by the ATS-1.1967. First full-disk “true color picture of the Earth; subsequently used on the cover of the first Whole Earth Catalog.1968. First full-disk image of Earth from space taken by a person, probably by astronaut <a href="https://en.wikipedia.org/wiki/William_Anders" rel="nofollow" target="_blank">William Anders</a>.1968. The <a href="https://en.wikipedia.org/wiki/Earthrise" rel="nofollow" target="_blank">Earthrise</a> image is the first color image of Earth from the Moon by a person (<a href="https://en.wikipedia.org/wiki/William_Anders" rel="nofollow" target="_blank">William Anders</a>).1972. Blue Marble. The last photo of the entire earth taken by a human (Apollo 17 Crew)   PATREON Thank you to everyone who supports us! Check out our Patreon for bonus episodes, extended interviews, early drops. Tons of stuff! <a href="https://www.patreon.com/allthroughalens" rel="nofollow" target="_blank">patreon.com/allthroughalens</a> THE CREDITS OF ENDING <a href="https://www.allthroughalens.com/" rel="nofollow" target="_blank">www.allthroughalens.com</a> Vania: <a href="https://www.instagram.com/surfmartian/" rel="nofollow" target="_blank">IG</a>, <a href="https://www.flickr.com/photos/vaniafrancesca" rel="nofollow" target="_blank">Flickr</a>, <a href="https://www.etsy.com/shop/VaniaFrancesca" rel="nofollow" target="_blank">Zines</a> Eric: <a href="https://www.instagram.com/conspiracy.of.cartographers/" rel="nofollow" target="_blank">IG</a>, <a href="https://www.flickr.com/photos/conspiracyofcartographers/" rel="nofollow" target="_blank">Flickr</a>, <a href="https://conspiracyofcartographers.bigcartel.com/" rel="nofollow" target="_blank">Zines</a>, <a href="https://conspiracyofcartographers.bigcartel.com/product/ecn-2-color-film-developing-kit" rel="nofollow" target="_blank">ECN-2 Kit</a>

Earth Oddity and the Sunk-Cost Fallacy (with Amy Elizabeth & Liz Potter) - Episode 79

Show notes and photos here: allthroughalens.com On this episode, we’ll be talking to photographer and playwright, Ed Pavez (@edpavez on IG). We’ll also be telling you about the many varied styles of mediums of Pacific Northwest photographer Virna Haffer. Oh, and Eric visited the Contact High exhibit! We’ll push the button on the answering machine and have a little bit of fun along the way. Eduardo Pavez Goye We were honored to have Ed Pavez as a guest on this episode. Ed is a film photographer, playwrite, musician and traveler. We talked about photography, of course, but also growing up in Chile, protesting, zine making, creative ruts, and whether raisins belong in empanadas. IG: @edpavez YouTube: Ed Pavez Web: eduardopavezgoye.com Here are a few selections of his photographic work:    Virna Haffer     Unless you were from the Puget Sound area in the first half of the 1900s, you probably haven’t heard of Virna Haffer. She was a Tacoma, Washington area photographer whose variety in both style and medium should be celebrated far more than it is today.  Virna showed us that we should not be limited by age or even camera. We shouldn’t confine ourselves to a single medium or format. She even called into question the importance of having our own specific style. She began with photography from the age of 15, and sixty years later had evolved her work into something entirely new. She was constantly experimenting, changing and allowing her art to express whatever worlds she could imagine. She produced so much variety! Here’s a smattering of it…  Contact High Eric visited the Contact High exhibit at Seattle’s Museum of Pop Culture. The exhibit features over 100 contact sheets taken of the hip-hop community.   The show was mostly old school, golden age – Grand Master Flash through Tribe Called Quest and De La Soul, but also covered Missy Elliot, Tupac, Mos Def.  He also picked up the Contact High book by Vikki Tobak, which contains most of the contact sheets (no De La Soul, for example). Plus many more. Usually shows a full page version of the most popular frame from the sheet. While the show was heavier on the golden age, this has a lot more 90s and 00s. Each contact sheet has a blurb by the photographer. They often tell which cameras they were using, but generally talk about the shoot.  Here are some cell phone shots from the museum:  PATREON Thank you to everyone who supports us! Check out our Patreon for bonus episodes, extended interviews, early drops. Tons of stuff! patreon.com/allthroughalens THE CREDITS OF ENDING www.allthroughalens.com Vania: IG, Flickr, Zines Eric: IG, Flickr, Zines, ECN-2 Kit

Show notes and photos here: <a href="https://allthroughalens.com/2023/03/07/the-ritual-of-danger-and-style-virna-haffer-w-ed-pavez/" rel="nofollow" target="_blank">allthroughalens.com</a> On this episode, we’ll be talking to photographer and playwright, Ed Pavez (<a href="https://www.instagram.com/edpavez/" rel="nofollow" target="_blank">@edpavez</a> on IG). We’ll also be telling you about the many varied styles of mediums of Pacific Northwest photographer Virna Haffer. Oh, and Eric visited the Contact High exhibit! We’ll push the button on the answering machine and have a little bit of fun along the way. Eduardo Pavez Goye We were honored to have Ed Pavez as a guest on this episode. Ed is a film photographer, playwrite, musician and traveler. We talked about photography, of course, but also growing up in Chile, protesting, zine making, creative ruts, and whether raisins belong in empanadas. IG: <a href="https://www.instagram.com/edpavez/" rel="nofollow" target="_blank">@edpavez</a> YouTube: <a href="https://www.youtube.com/@edpavez" rel="nofollow" target="_blank">Ed Pavez</a> Web: <a href="http://www.eduardopavezgoye.com/" rel="nofollow" target="_blank">eduardopavezgoye.com</a> Here are a few selections of his photographic work:   Virna Haffer Unless you were from the Puget Sound area in the first half of the 1900s, you probably haven’t heard of Virna Haffer. She was a Tacoma, Washington area photographer whose variety in both style and medium should be celebrated far more than it is today.  Virna showed us that we should not be limited by age or even camera. We shouldn’t confine ourselves to a single medium or format. She even called into question the importance of having our own specific style. She began with photography from the age of 15, and sixty years later had evolved her work into something entirely new. She was constantly experimenting, changing and allowing her art to express whatever worlds she could imagine. She produced so much variety! Here’s a smattering of it…  Contact High Eric visited the Contact High exhibit at Seattle’s Museum of Pop Culture. The exhibit features over 100 contact sheets taken of the hip-hop community. The show was mostly old school, golden age – Grand Master Flash through Tribe Called Quest and De La Soul, but also covered Missy Elliot, Tupac, Mos Def.  He also picked up the Contact High book by Vikki Tobak, which contains most of the contact sheets (no De La Soul, for example). Plus many more. Usually shows a full page version of the most popular frame from the sheet. While the show was heavier on the golden age, this has a lot more 90s and 00s. Each contact sheet has a blurb by the photographer. They often tell which cameras they were using, but generally talk about the shoot.  Here are some cell phone shots from the museum:  PATREON Thank you to everyone who supports us! Check out our Patreon for bonus episodes, extended interviews, early drops. Tons of stuff! <a href="https://www.patreon.com/allthroughalens" rel="nofollow" target="_blank">patreon.com/allthroughalens</a> THE CREDITS OF ENDING <a href="https://www.allthroughalens.com/" rel="nofollow" target="_blank">www.allthroughalens.com</a> Vania: <a href="https://www.instagram.com/surfmartian/" rel="nofollow" target="_blank">IG</a>, <a href="https://www.flickr.com/photos/vaniafrancesca" rel="nofollow" target="_blank">Flickr</a>, <a href="https://www.etsy.com/shop/VaniaFrancesca" rel="nofollow" target="_blank">Zines</a> Eric: <a href="https://www.instagram.com/conspiracy.of.cartographers/" rel="nofollow" target="_blank">IG</a>, <a href="https://www.flickr.com/photos/conspiracyofcartographers/" rel="nofollow" target="_blank">Flickr</a>, <a href="https://conspiracyofcartographers.bigcartel.com/" rel="nofollow" target="_blank">Zines</a>, <a href="https://conspiracyofcartographers.bigcartel.com/product/ecn-2-color-film-developing-kit" rel="nofollow" target="_blank">ECN-2 Kit</a>

The Ritual of Danger and Style; Virna  Haffer (w/ Ed Pavez) - Episode 78

Full show notes and photos at allthroughalens.com.   On this episode of Dev Party, Vania and Eric are starting something a bit different. We asked listeners to write in with questions about film developing, photography, or just anything, really. If you've got a question, just send it in via email or on IG.   While answering questions from Brandy B @film_diary_of_a_redhead, Billy Sanford @bsanfordjr and @analogkilla, we also developed film.   Vania developed some sheets of Ilford HP5+ in Kodak HC-110. Here are her shots:         Meanwhile, Eric developed a roll of Fuji NPZ 800, expired in June of 2003. Naturally, he used one of his own DIY ECN-2 kits. Here are the shots now:         PATREON   Thank you to everyone who supports us!   Check out our Patreon for bonus episodes, extended interviews, early drops. Tons of stuff!   patreon.com/allthroughalens   THE CREDITS OF ENDING   www.allthroughalens.com   Vania: IG, Flickr, Zines Eric: IG, Flickr, Zines, ECN-2 Kit

Full show notes and photos at <a href="https://allthroughalens.com/2023/02/28/dev-party-questioning-a-blind-spot/" rel="nofollow" target="_blank">allthroughalens.com</a>. On this episode of Dev Party, Vania and Eric are starting something a bit different. We asked listeners to write in with questions about film developing, photography, or just anything, really. If you've got a question, just send it in via email or on IG. While answering questions from Brandy B <a href="https://www.instagram.com/film_diary_of_a_redhead/" rel="nofollow" target="_blank">@film_diary_of_a_redhead</a>, Billy Sanford <a href="https://www.instagram.com/bsanfordjr/" rel="nofollow" target="_blank">@bsanfordjr</a> and <a href="https://www.instagram.com/analogkilla/" rel="nofollow" target="_blank">@analogkilla</a>, we also developed film. Vania developed some sheets of Ilford HP5+ in Kodak HC-110. Here are her shots: Meanwhile, Eric developed a roll of Fuji NPZ 800, expired in June of 2003. Naturally, he used one of his own DIY ECN-2 kits. Here are the shots now: PATREON Thank you to everyone who supports us! Check out our Patreon for bonus episodes, extended interviews, early drops. Tons of stuff! <a href="https://www.patreon.com/allthroughalens" rel="nofollow" target="_blank">patreon.com/allthroughalens</a> THE CREDITS OF ENDING <a href="https://www.allthroughalens.com/" rel="nofollow" target="_blank">www.allthroughalens.com</a> Vania: <a href="https://www.instagram.com/surfmartian/" rel="nofollow" target="_blank">IG</a>, <a href="https://www.flickr.com/photos/vaniafrancesca" rel="nofollow" target="_blank">Flickr</a>, <a href="https://www.etsy.com/shop/VaniaFrancesca" rel="nofollow" target="_blank">Zines</a> Eric: <a href="https://www.instagram.com/conspiracy.of.cartographers/" rel="nofollow" target="_blank">IG</a>, <a href="https://www.flickr.com/photos/conspiracyofcartographers/" rel="nofollow" target="_blank">Flickr</a>, <a href="https://conspiracyofcartographers.bigcartel.com/" rel="nofollow" target="_blank">Zines</a>, <a href="https://conspiracyofcartographers.bigcartel.com/product/ecn-2-color-film-developing-kit" rel="nofollow" target="_blank">ECN-2 Kit</a>

Dev Party - Questioning a Blind Spot

An irreverent bi-weekly podcast about the ups and downs of film photography.

All Through A Lens is by far my favorite film photography podcast! Eric and Vania inform their audience in a way that makes us feel like we are just listening to a couple of our friends chat. Sure their might be some explicit language and some great blooper clips, that’s what makes their podcast so good. They are unpretentious, knowledgeable, and so much fun to listen to. Thank you two for the podcast and for bringing some much needed laughs!

Favorite Photography Podcast!

I can hardly wait for the first episode to drop this will be awesome.

Brand new

All Through a Lens: A Podcast About Film Photography

We talk weekend shooting (trains and surfing), check the answering machine, and gush over cheap film. Anne Hollond (@annehollond) stops by to talk old school zines, Polaroids and travel. Film swap and zine reviews! IG: @allthroughalens.podcast Music: Last Regiment of Syncopated Drummers

We talk weekend shooting (trains and surfing), check the answering machine, and gush over cheap film. Anne Hollond (@annehollond) stops by to talk old school zines, Polaroids and travel. Film swap and zine reviews! IG: @allthroughalens.podcast Music: Last Regiment of Syncopated Drummers

Episode 03: Kinda Need to Go to Kansas

On this extra-spooky episode - 004. The Illusion That They Were Still Alive - Vania (@surfmartian) and Eric (@conspiracy.of.cartographers) go a bit longer than usual, but we assure you it’s worth it (and still shorter than most podcasts).   Things start off in a fairly normal way as we say hello and have a quick chat about Ilford’s “new” Ortho 80. Are we excited? Sure. Are we incredibly excited? Listen and find out. We then check the answering machine, which is also a normal thing.    This week’s messages are all about unexpectedly fruitful locations. We’ll hear from @elgatomagnifico @mike_on_film @ninlyone @jtheokauth and @space_critter. We also give some vague ideas about our locations.   Here’s where things get a bit spooky, so hold on. For this episode, Vania dug into the Victorian tradition of post-mortem photography. Get ready for some sad and interesting photos of dead people. But digging a bit deeper, she found some deathbed photography and even some pet photography (dead, of course).  It might seem weird now, but it was pretty normal then. Basically.   This led to a talk about old timey photos, which prompted us to give Jennifer Froula Weber (@jenniferfroulaweber) a call. She’s a tintype photographer who began her analog camera journey with tintypes (seriously). We talk not just tintypes, but history, the magic of 620 cameras, and how Swedish silent films have influenced her work. (Also, big shout out to Scout Finch.)   But then it’s back to the 1800s (though it’s not really like we left it with Jennifer) for Eric’s piece on William Mumler, Spirit Photographer. He claimed to have accidentally captured a spirit on a glass negative while taking a selfie. And there it is, clear as day - the ghost and Mr. Mumler. This “accident” was replicated hundreds of times and made him a whole slew of money. Was he arrested for fraud? Was P.T. Barnum involved? How about Mary Todd Lincoln? Find out!   We end the episode with a bit of a primer for the next episode, when we’ll have our first movie night and watch Hitchcock’s Rear Window, a film that stars the Exakta Verex VX (as well as Jimmy Stewart and Grace Kelly).   Music was provided by Last Regiment of Syncopated Drummers (@lastregiment) 

On this extra-spooky episode - 004. The Illusion That They Were Still Alive - Vania (@surfmartian) and Eric (@conspiracy.of.cartographers) go a bit longer than usual, but we assure you it’s worth it (and still shorter than most podcasts). Things start off in a fairly normal way as we say hello and have a quick chat about Ilford’s “new” Ortho 80. Are we excited? Sure. Are we incredibly excited? Listen and find out. We then check the answering machine, which is also a normal thing.  This week’s messages are all about unexpectedly fruitful locations. We’ll hear from @elgatomagnifico @mike_on_film @ninlyone @jtheokauth and @space_critter. We also give some vague ideas about our locations. Here’s where things get a bit spooky, so hold on. For this episode, Vania dug into the Victorian tradition of post-mortem photography. Get ready for some sad and interesting photos of dead people. But digging a bit deeper, she found some deathbed photography and even some pet photography (dead, of course).  It might seem weird now, but it was pretty normal then. Basically. This led to a talk about old timey photos, which prompted us to give Jennifer Froula Weber (@jenniferfroulaweber) a call. She’s a tintype photographer who began her analog camera journey with tintypes (seriously). We talk not just tintypes, but history, the magic of 620 cameras, and how Swedish silent films have influenced her work. (Also, big shout out to Scout Finch.) But then it’s back to the 1800s (though it’s not really like we left it with Jennifer) for Eric’s piece on William Mumler, Spirit Photographer. He claimed to have accidentally captured a spirit on a glass negative while taking a selfie. And there it is, clear as day - the ghost and Mr. Mumler. This “accident” was replicated hundreds of times and made him a whole slew of money. Was he arrested for fraud? Was P.T. Barnum involved? How about Mary Todd Lincoln? Find out! We end the episode with a bit of a primer for the next episode, when we’ll have our first movie night and watch Hitchcock’s Rear Window, a film that stars the Exakta Verex VX (as well as Jimmy Stewart and Grace Kelly). Music was provided by <a href="http://www.lastregiment.com" rel="nofollow" target="_blank">Last Regiment of Syncopated Drummers</a> (@lastregiment)

Episode 04: The Illusion That They Were Still Alive

On this episode, we’ve got tips from listeners, a call with Iowa Amy, how to do your own tri-chromes, we’ll talk about a couple of pictures we took, there’s zine reviews and so much more. We first check in with each other. Vania is looking for inspiration, but realizes it’s been there all along. Eric just wanted some snow. Sort of. Vania talks about how the camera is her way of interacting, while Eric realizes that he’s getting old.  Those who bought the Slow Meow film are thanked, and those interested in the ECN-2 process are invited to find out via the kits Eric is making: Here.  Moving on once more to the answering machine, we asked listeners to call in with their film photography tips. Just one, and make it quick. The response was great! We received such advice as “don’t be afraid” and “every frame is a lesson” to the practical advice like “throw away the lens cap” and “get an immersion heater.” It was a lovely mix. Thanks to all who called in! Vania and Eric gave their own tips as well. Obviously.  We then gave a call to Amy Blessing. You might know her as @iowaamy on IG. She was in the first American Colors show in St. Louis and is working on a project and book documenting towns along the Mississippi River in Iowa. If you’re not familiar with her work, it explores the empty spaces of small town, Midwestern life. While many will often overlook this part of the country, Amy and her photography embody it. We talked to her about her rural work, and shooting in the Midwest in general.  DIY Tri-Chromes! After the call, we dig into how to shoot your own tri-chromes! These are the color photos that are actually created by three black &amp; white photos layered together. Here’s a quick rundown: First, you’ll need some panchromatic black and white film. Let’s just use Tri-X or T-Max or basically anything that isn’t Ortho. Something fast works best. Get yourself a camera, a tripod and a red, green and blue filter. These can be cheaply procured in a color filter set, or more expensively procured individually as filters with the Wratten numbers of 29, 61, and 47 (red, green and blue). Find a subject – something with various colors represented. Set up the camera on the tripod and take three photos – the first through the red filter, the second through the green, and the last through the blue. I do them in this order so I can remember them when it comes time to scan. Make sure to not move the camera even a little. You want three identical pictures.and you will be needing to line this up in photoshop.  Develop the film in your favorite black &amp; white developer, and then scan them in as normal. It would be a good idea to name them as “red,” “green,” and “blue” just so you can keep track of them. Then open the images in your photo editor and align them to each other so that they’re all perfectly matched. Starting with the red layer, you want to “colorize” it. Open the colorize menu (the location varies) and tint it red. This “hue” is usually represented by “0” on the color wheel. Then set saturation to 75 and brightness to -30. Do the same with the Green and Blue layers – setting the hue to 120 and 240, respectively (on some editor, it’s 33 and 66). The saturation and brightness are the same as with the red. Now we’re almost finished. All we have to do is make them transparent. In the Layers panel, we need to set this to “Screen” for the top two laters and “Normal” for the bottom (at this point, it doesn’t matter which layer is where). Once we do this, the color image will appear!  Next on the episode, we take a look at two of our photos, both from the Fuck Yeah We Do zine. Eric chose this:  While Vania chose this:  Both go on about it for a spell. Zine Reviews On this episode, we reviewed two zines. The first was Camerastickers by Ethan Cameradactyl.  In Ethan’s own words: ‘They are the lowest quality prints you’ve ever seen in a zine, and the binding is even worse. The books are bound to fall apart, and the stickers are all thermal, which is basically the opposite of archival. But they’re pretty fun. I think you and Vania and most of your listeners would probably get a real kick out of them.’ The other zine was Every Bus Stop Has Its Own Coffee Shop by Richard Hall. This is a color and black &amp; white halfsize zine that’s really a lovely stroll through Shrewsbury. Along the way, we stop to hear him point out bits of history and information. There’s the Welsh Bridge, The Buttermarket (aka Butters), and Shrewsbury Abbey. But this isn’t simply one tour. This zine takes place over the entire year, night and day. There’s the evening life in the market, and a morning commute up St. John’s Hill. We wind our way through the streets, and along the river until finally returning to the Porthill Footbridge.  Be sure to check out our Dev Party episodes. They’re about to get even more pee-inducing! Music by Last Regiment of Syncopated Drummers Vania: IG, Flickr, Zines Eric: IG, Flickr, Zines All Through a Lens: IG, Website

On this episode, we’ve got tips from listeners, a call with Iowa Amy, how to do your own tri-chromes, we’ll talk about a couple of pictures we took, there’s zine reviews and so much more. We first check in with each other. Vania is looking for inspiration, but realizes it’s been there all along. Eric just wanted some snow. Sort of. Vania talks about how the camera is her way of interacting, while Eric realizes that he’s getting old. <a href="https://allthroughalens.files.wordpress.com/2020/03/vericolor113a.jpg" rel="nofollow" target="_blank"></a> Those who bought the Slow Meow film are thanked, and those interested in the ECN-2 process are invited to find out via the kits Eric is making: <a href="https://www.etsy.com/listing/781436189/ecn-2-color-film-developing-kit-pre" rel="nofollow" target="_blank">Here</a>. <a href="https://allthroughalens.files.wordpress.com/2020/03/200223-canonet-fuji100-05s.jpg" rel="nofollow" target="_blank"></a> Moving on once more to the answering machine, we asked listeners to call in with their film photography tips. Just one, and make it quick. The response was great! We received such advice as “don’t be afraid” and “every frame is a lesson” to the practical advice like “throw away the lens cap” and “get an immersion heater.” It was a lovely mix. Thanks to all who called in! Vania and Eric gave their own tips as well. Obviously. <a href="https://allthroughalens.files.wordpress.com/2020/03/amy1.jpg" rel="nofollow" target="_blank"></a> We then gave a call to <a href="https://www.amyblessingphotography.com/" rel="nofollow" target="_blank">Amy Blessing</a>. You might know her as @iowaamy on IG. She was in the first American Colors show in St. Louis and is working on a project and book documenting towns along the Mississippi River in Iowa. If you’re not familiar with her work, it explores the empty spaces of small town, Midwestern life. While many will often overlook this part of the country, Amy and her photography embody it. We talked to her about her rural work, and shooting in the Midwest in general. <a href="https://allthroughalens.files.wordpress.com/2020/03/amy2.jpg" rel="nofollow" target="_blank"></a> DIY Tri-Chromes! After the call, we dig into how to shoot your own tri-chromes! These are the color photos that are actually created by three black &amp; white photos layered together. Here’s a quick rundown: First, you’ll need some panchromatic black and white film. Let’s just use Tri-X or T-Max or basically anything that isn’t Ortho. Something fast works best. Get yourself a camera, a tripod and a red, green and blue filter. These can be cheaply procured in a color filter set, or more expensively procured individually as filters with the Wratten numbers of 29, 61, and 47 (red, green and blue). Find a subject – something with various colors represented. Set up the camera on the tripod and take three photos – the first through the red filter, the second through the green, and the last through the blue. I do them in this order so I can remember them when it comes time to scan. Make sure to not move the camera even a little. You want three identical pictures.and you will be needing to line this up in photoshop. <a href="https://allthroughalens.files.wordpress.com/2020/03/color1.jpg" rel="nofollow" target="_blank"></a> Develop the film in your favorite black &amp; white developer, and then scan them in as normal. It would be a good idea to name them as “red,” “green,” and “blue” just so you can keep track of them. Then open the images in your photo editor and align them to each other so that they’re all perfectly matched. Starting with the red layer, you want to “colorize” it. Open the colorize menu (the location varies) and tint it red. This “hue” is usually represented by “0” on the color wheel. Then set saturation to 75 and brightness to -30. Do the same with the Green and Blue layers – setting the hue to 120 and 240, respectively (on some editor, it’s 33 and 66). The saturation and brightness are the same as with the red. Now we’re almost finished. All we have to do is make them transparent. In the Layers panel, we need to set this to “Screen” for the top two laters and “Normal” for the bottom (at this point, it doesn’t matter which layer is where). Once we do this, the color image will appear! <a href="https://allthroughalens.files.wordpress.com/2020/03/200216-rollei35-aristaultraedu400-tri-07s.jpg" rel="nofollow" target="_blank"></a> Next on the episode, we take a look at two of our photos, both from the <a href="https://www.etsy.com/consofcart/listing/761480593/f-yeah-we-do-a-zine-by-all-through-a" rel="nofollow" target="_blank">Fuck Yeah We Do zine</a>. Eric chose this: <a href="https://allthroughalens.files.wordpress.com/2020/03/44035880010_c0169b46d4_o-1.jpg" rel="nofollow" target="_blank"></a> While Vania chose this: <a href="https://allthroughalens.files.wordpress.com/2020/03/img_20170509_0009.jpg" rel="nofollow" target="_blank"></a> Both go on about it for a spell. Zine Reviews On this episode, we reviewed two zines. The first was <a href="https://www.cameradactyl.com/buttergrip/camerastickers" rel="nofollow" target="_blank">Camerastickers</a> by Ethan Cameradactyl. <a href="https://allthroughalens.files.wordpress.com/2020/03/img_2674.jpg" rel="nofollow" target="_blank"></a> In Ethan’s own words: ‘They are the lowest quality prints you’ve ever seen in a zine, and the binding is even worse. The books are bound to fall apart, and the stickers are all thermal, which is basically the opposite of archival. But they’re pretty fun. I think you and Vania and most of your listeners would probably get a real kick out of them.’ The other zine was <a href="https://www.etsy.com/listing/761924630/every-bus-stop-has-its-own-coffee-shop" rel="nofollow" target="_blank">Every Bus Stop Has Its Own Coffee Shop</a> by Richard Hall. This is a color and black &amp; white halfsize zine that’s really a lovely stroll through Shrewsbury. Along the way, we stop to hear him point out bits of history and information. There’s the Welsh Bridge, The Buttermarket (aka Butters), and Shrewsbury Abbey. But this isn’t simply one tour. This zine takes place over the entire year, night and day. There’s the evening life in the market, and a morning commute up St. John’s Hill. We wind our way through the streets, and along the river until finally returning to the Porthill Footbridge. <a href="https://allthroughalens.files.wordpress.com/2020/03/il_794xn.2176687290_beii.jpg" rel="nofollow" target="_blank"></a> Be sure to check out our Dev Party episodes. They’re about to get even more pee-inducing! Music by <a href="http://www.lastregiment.com/" rel="nofollow" target="_blank">Last Regiment of Syncopated Drummers</a> Vania: <a href="https://www.instagram.com/surfmartian/" rel="nofollow" target="_blank">IG</a>, <a href="https://www.flickr.com/photos/vaniafrancesca" rel="nofollow" target="_blank">Flickr</a>, <a href="https://www.etsy.com/shop/VaniaFrancesca" rel="nofollow" target="_blank">Zines</a> Eric: <a href="https://www.instagram.com/conspiracy.of.cartographers/" rel="nofollow" target="_blank">IG</a>, <a href="https://www.flickr.com/photos/conspiracyofcartographers/" rel="nofollow" target="_blank">Flickr</a>, <a href="https://www.etsy.com/shop/consofcart" rel="nofollow" target="_blank">Zines</a> All Through a Lens: <a href="https://www.instagram.com/allthroughalens.podcast/" rel="nofollow" target="_blank">IG</a>, <a href="https://allthroughalens.wordpress.com/" rel="nofollow" target="_blank">Website</a>

Episode 13: Absolutely (Say It Again)

We're easing into things with this first episode of the new year. Eric is a little mellow, while Vania gets chatty. Vania almost mentions her new portraits zine, and we're both pretty glad the holidays are over. There's more Tasma Mikrat 200 testing and a leaky bulk loader to mix things up.  Moving to the answering machine message, we heard from a slew of folks about their film photographic resolutions for the new year. Zines are a big part of it, as is the idea of shooting more purposeful shots. Less is more! Our own answers are much the same, though Eric's was thwarted by that Tasma Mikrat thing. Vania wants to unload. You'll see.  With all this talk of testing film, we gave a call to Aloy Anderson, a Lomography tester, rural explorer and all around sweet guy.  In this enchanting little interview, we talk those things, as well as his foray into in-camera cyanotypes.    In a new segment we're trying out, we talk about a couple of shots from our newish zine, F Yeah We Do.  Vania recalls her Angel's Landing shot from the great-for-hiking camera the Mamiya RB67, and the exhaustive hilarity that ensued.  Eric looks back to one of the first rolls he shot in the 1914 Brownie Box. He's tried to capture this 2012 shot over the years, but has never managed it. Vania discovers why. With a basket full of zines to review, we take on four this episode! Vania takes on zines by previous-guest Anne Hollond (@annehollond on IG). And Eric looks at Toni Skokovic's 07-26-19. Together, they peruse two of Edward Conde's zines from the past couple of years.  As we parted, we told you about the new website/blog and new mini-episode-experiments called Dev Party. See you next Tuesday!

We're easing into things with this first episode of the new year. Eric is a little mellow, while Vania gets chatty. Vania almost mentions her new portraits zine, and we're both pretty glad the holidays are over. There's more Tasma Mikrat 200 testing and a leaky bulk loader to mix things up. Moving to the answering machine message, we heard from a slew of folks about their film photographic resolutions for the new year. Zines are a big part of it, as is the idea of shooting more purposeful shots. Less is more! Our own answers are much the same, though Eric's was thwarted by that Tasma Mikrat thing. Vania wants to unload. You'll see. With all this talk of testing film, we gave a call to Aloy Anderson, a Lomography tester, rural explorer and all around sweet guy. In this enchanting little interview, we talk those things, as well as his foray into in-camera cyanotypes. In a new segment we're trying out, we talk about a couple of shots from our newish zine, F Yeah We Do. Vania recalls her Angel's Landing shot from the great-for-hiking camera the Mamiya RB67, and the exhaustive hilarity that ensued. Eric looks back to one of the first rolls he shot in the 1914 Brownie Box. He's tried to capture this 2012 shot over the years, but has never managed it. Vania discovers why. With a basket full of zines to review, we take on four this episode! Vania takes on zines by previous-guest Anne Hollond (@annehollond on IG). And Eric looks at <a href="http://junctionrails.ca" rel="nofollow" target="_blank">Toni Skokovic's 07-26-19</a>. Together, they peruse two of <a href="https://www.magcloud.com/user/edwardconde" rel="nofollow" target="_blank">Edward Conde's</a> zines from the past couple of years. As we parted, we told you about the <a href="https://allthroughalens.wordpress.com/" rel="nofollow" target="_blank">new website/blog</a> and new mini-episode-experiments called Dev Party. See you next Tuesday!

Episode 09: A Very Linty Vibe

While we take some holiday time off, we thought it would be fun (?) to try out a new idea. We've been kicking around the idea of mini-episodes for some time now, and here's our first attempt. Basically we (Vania and Eric) each develop a couple of rolls of film. She does color, he does black &amp; white. We talk a little about our own process and maybe you'd find this interesting. Who knows? This includes the emulsion that we're testing for a possible rebranding. What is it? Does it work? What's the what? Listen and find out! IG: @allthroughalens.podcast Sample Photos: https://wp.me/pbnS9e-17

While we take some holiday time off, we thought it would be fun (?) to try out a new idea. We've been kicking around the idea of mini-episodes for some time now, and here's our first attempt. Basically we (Vania and Eric) each develop a couple of rolls of film. She does color, he does black &amp; white. We talk a little about our own process and maybe you'd find this interesting. Who knows? This includes the emulsion that we're testing for a possible rebranding. What is it? Does it work? What's the what? Listen and find out! IG: @allthroughalens.podcast Sample Photos: <a href="https://wp.me/pbnS9e-17" rel="nofollow" target="_blank">https://wp.me/pbnS9e-17</a>

Dev Party #1: What's a Dev Party?

We’re back for our second Dev Party and it’s a bit of bittersweet drama. We’ll get to that in a sec, but first, let’s talk about what we were developing. Eric took on Tasma Mikrat 200 in Rodinal – yes it’s another test. And Vania is developing the same in HC-110. How does it all turn out? Let’s find out. While we work, we talk about stop baths! Do you need them? What’s an acid stop? How about an indicator stop? Is water okay? It’s exciting, we promise. At the end, we also delve into a bit of failure. You’ll see.         Website (and more sample pics) IG: @allthroughalens.podcast

We’re back for our second Dev Party and it’s a bit of bittersweet drama. We’ll get to that in a sec, but first, let’s talk about what we were developing. Eric took on Tasma Mikrat 200 in Rodinal – yes it’s another test. And Vania is developing the same in HC-110. How does it all turn out? Let’s find out. While we work, we talk about stop baths! Do you need them? What’s an acid stop? How about an indicator stop? Is water okay? It’s exciting, we promise. At the end, we also delve into a bit of failure. You’ll see. <a href="http://allthroughalens.wordpress.com" rel="nofollow" target="_blank">Website</a> (and more sample pics) IG: @allthroughalens.podcast

Dev Party #2: It's My Dev Party and I'll Cry If I Want To

For our first movie night, Vania (@surfmartian) and Eric (@conspiracy.of.cartographers) watch Hitchcock’s Rear Window. But before getting into it, we catch up a bit with each other. Vania found herself on the other side of the camera, while Eric contemplates the end of the season as well as a parking garage.   This week’s answering machine was full with calls from @kino_pravda, @kollimatorn, @hannah.grace.photo, @space_critter, and @elgatomagnifico. We asked how cinematography and the movies have affected their photography, and we were not disappointed. Were Dziga Vertov, Napoleon Dynamite and the Cartoon Network all mentioned? Of course they were.   Vania shares a bit about Kubrick and Eric feels the need to defend Rashomon.   We then put down the cameras and plop ourselves in front of the screen for the main feature: Rear Window. After a brief introduction, we give Hannah Drew, actor and film photographer, a call. As a trained actor (and untrained photographer) she offers a perspective we couldn’t have.   The talks winds from her own influences to the pros and cons of being a voyeur. We talk about why Hitchcock made Jimmy Stewart’s character a photographer and how “Jeff” was kind of a dick to Lisa, played by Grace Kelly. We ask if it’s okay to watch others, and what we can learn about our own lives through it.   Most importantly, we ask each other which of the neighbors we’re most like. Vania and Hannah answer with certainty while Eric just can’t decide. Classic Eric.   Following the call, Vania reviews Eric’s Exakta VX (the same camera used in the film). There is a bit of gear talk, but worry not.   We’re back to reviewing zines with Andrew D. McClees (@andrewdmcclees) Sneer and Self-Loathing being handled by Eric, while Vania takes on Film ‘n’ Hawaii by Mike Caputo (@aloha_bigmike).   We leave with the question: When it comes to action and sports photography, what have we lost in the conversion to digital?   Thanks for reading/listening!   Intro/outro music was provided by Last Regiment of Syncopated Drummers (@lastregiment)

For our first movie night, Vania (@surfmartian) and Eric (@conspiracy.of.cartographers) watch Hitchcock’s Rear Window. But before getting into it, we catch up a bit with each other. Vania found herself on the other side of the camera, while Eric contemplates the end of the season as well as a parking garage. This week’s answering machine was full with calls from @kino_pravda, @kollimatorn, @hannah.grace.photo, @space_critter, and @elgatomagnifico. We asked how cinematography and the movies have affected their photography, and we were not disappointed. Were Dziga Vertov, Napoleon Dynamite and the Cartoon Network all mentioned? Of course they were. Vania shares a bit about Kubrick and Eric feels the need to defend Rashomon. We then put down the cameras and plop ourselves in front of the screen for the main feature: Rear Window. After a brief introduction, we give Hannah Drew, actor and film photographer, a call. As a trained actor (and untrained photographer) she offers a perspective we couldn’t have. The talks winds from her own influences to the pros and cons of being a voyeur. We talk about why Hitchcock made Jimmy Stewart’s character a photographer and how “Jeff” was kind of a dick to Lisa, played by Grace Kelly. We ask if it’s okay to watch others, and what we can learn about our own lives through it. Most importantly, we ask each other which of the neighbors we’re most like. Vania and Hannah answer with certainty while Eric just can’t decide. Classic Eric. Following the call, Vania reviews Eric’s Exakta VX (the same camera used in the film). There is a bit of gear talk, but worry not. We’re back to reviewing zines with Andrew D. McClees (@andrewdmcclees) <a href="http://frozenwaste.land" rel="nofollow" target="_blank">Sneer and Self-Loathing</a> being handled by Eric, while Vania takes on <a href="https://www.blurb.com/b/9616609-film-n-hawaii" rel="nofollow" target="_blank">Film ‘n’ Hawaii</a> by Mike Caputo (@aloha_bigmike). We leave with the question: When it comes to action and sports photography, what have we lost in the conversion to digital? Thanks for reading/listening! Intro/outro music was provided by Last Regiment of Syncopated Drummers (@lastregiment)

Episode 05: No Ordinary Look - A Photographic Take on Rear Window

It’s March! So that means – among other thing – Girl Scout Cookies! We’ve got a deep dive into the history of the Girl Scouts and photography! We’ll also give a call to Kate Miller Wilson (you might know her from her static electricity photos). There’s some news, some zine reviews! But first, we check in with what we’ve been up to over the past week or so (give or take). While Vania was sick again and moaned about a crappy surf-winter, Eric did some shooting up at an abandoned dairy farm that used to be run by the Northern State Mental Hospital.  After a mention of the Reveni light meter, we move swiftly to this episode’s answering machine question. Is the camera and lens combination you choose as important as the the film you choose? We heard from a slew of listeners with a wide variety of answers, and we also gave our own opinions on the matter.  For our interview, we gave a call to Kate Miller Wilson (@katemillerwilson on IG), a large format photographer who has taken some amazingly moving photos of her children. Lately, she’s made some waves with her static electricity shots. We ask her about both, and she has quite a bit to say.  As a main feature, we run through the history of film photography and the Girl Scouts. From the very beginning, they offered merit badges for accomplishments in photography. We take a look at the requirements, the officially-branded cameras, as well as some of the novels that feature scouts using cameras.  After a cookie break or two, we hop into zine reviews. Vania covers Thirteen Seconds by Ian Turpin (@ian_ctee on IG). Meanwhile, Eric looks at Periapsides by Jason Conklin (@ninlyone on IG). Be sure to check out our Dev Party episodes. They’re about to get even more pee-inducing! Music by Last Regiment of Syncopated Drummers Vania: IG, Flickr, Zines Eric: IG, Flickr, Zines All Through a Lens: IG, Website

It’s March! So that means – among other thing – Girl Scout Cookies! We’ve got a deep dive into the history of the Girl Scouts and photography! We’ll also give a call to Kate Miller Wilson (you might know her from her static electricity photos). There’s some news, some zine reviews! But first, we check in with what we’ve been up to over the past week or so (give or take). While Vania was sick again and moaned about a crappy surf-winter, Eric did some shooting up at an abandoned dairy farm that used to be run by the Northern State Mental Hospital. <a href="https://allthroughalens.files.wordpress.com/2020/03/200229-mamiyarb67-holga400-10s.jpeg" rel="nofollow" target="_blank"></a> After a mention of the <a href="https://www.kickstarter.com/projects/mattbechberger/reveni-labs-light-meter-tiny-meter-for-your-old-cameras" rel="nofollow" target="_blank">Reveni light meter</a>, we move swiftly to this episode’s answering machine question. Is the camera and lens combination you choose as important as the the film you choose? We heard from a slew of listeners with a wide variety of answers, and we also gave our own opinions on the matter. <a href="https://allthroughalens.files.wordpress.com/2020/03/75602162_164190321337309_4208017927373895131_n.jpg" rel="nofollow" target="_blank"></a> For our interview, we gave a call to <a href="https://katenearyphotography.zenfolio.com/" rel="nofollow" target="_blank">Kate Miller Wilson</a> (@katemillerwilson on IG), a large format photographer who has taken some amazingly moving photos of her children. Lately, she’s made some waves with her static electricity shots. We ask her about both, and she has quite a bit to say. <a href="https://allthroughalens.files.wordpress.com/2020/03/88316189_645304216039974_6442751319320214391_n.jpg" rel="nofollow" target="_blank"></a> As a main feature, we run through the history of film photography and the Girl Scouts. From the very beginning, they offered merit badges for accomplishments in photography. We take a look at the requirements, the officially-branded cameras, as well as some of the novels that feature scouts using cameras. <a href="https://allthroughalens.files.wordpress.com/2020/03/girlscout-handbook1947.jpg" rel="nofollow" target="_blank"></a> After a cookie break or two, we hop into zine reviews. Vania covers Thirteen Seconds by Ian Turpin (@ian_ctee on IG). Meanwhile, Eric looks at <a href="https://www.etsy.com/listing/766649701/periapsides-0x000" rel="nofollow" target="_blank">Periapsides</a> by Jason Conklin (@ninlyone on IG). Be sure to check out our Dev Party episodes. They’re about to get even more pee-inducing! Music by <a href="http://www.lastregiment.com/" rel="nofollow" target="_blank">Last Regiment of Syncopated Drummers</a> Vania: <a href="https://www.instagram.com/surfmartian/" rel="nofollow" target="_blank">IG</a>, <a href="https://www.flickr.com/photos/vaniafrancesca" rel="nofollow" target="_blank">Flickr</a>, <a href="https://www.etsy.com/shop/VaniaFrancesca" rel="nofollow" target="_blank">Zines</a> Eric: <a href="https://www.instagram.com/conspiracy.of.cartographers/" rel="nofollow" target="_blank">IG</a>, <a href="https://www.flickr.com/photos/conspiracyofcartographers/" rel="nofollow" target="_blank">Flickr</a>, <a href="https://www.etsy.com/shop/consofcart" rel="nofollow" target="_blank">Zines</a> All Through a Lens: <a href="https://www.instagram.com/allthroughalens.podcast/" rel="nofollow" target="_blank">IG</a>, <a href="https://allthroughalens.wordpress.com/" rel="nofollow" target="_blank">Website</a>

Episode 14: Hang That Camera About My Neck

On a very special All Through a Lens, Eric bakes a cake and Vania "drops by". There's film photographic Holiday memories, some talk of the next "it" camera, gift giving and general revelry. It's a short one so as to not take up too much of your holiday festivities. See you in the new year! New Zine! https://www.etsy.com/consofcart/listing/761480593/f-yeah-we-do-a-zine-by-all-through-a

On a very special All Through a Lens, Eric bakes a cake and Vania "drops by". There's film photographic Holiday memories, some talk of the next "it" camera, gift giving and general revelry. It's a short one so as to not take up too much of your holiday festivities. See you in the new year! New Zine! <a href="https://www.etsy.com/consofcart/listing/761480593/f-yeah-we-do-a-zine-by-all-through-a" rel="nofollow" target="_blank">https://www.etsy.com/consofcart/listing/761480593/f-yeah-we-do-a-zine-by-all-through-a</a>

Episode 08: Surf Pal Saves Christmas Camp

It’s our fourth go around for Dev Party and we’ve found some great success! Vania is developing an old roll of Kodak Gold that he mother shot back in the late 90s. Will it work? What will be found? She also double dipped and did a roll of Fuji 100 through a Weathermatic! And Eric is developing a roll of HP5 he shot through a 6×7 back strapped onto an Intrepid 4×5. He talks quite a bit about the Graflok system and why he basically likes the 6×7 back. Here are some of Eric’s shots…    And here are some of Vania’s:

It’s our fourth go around for Dev Party and we’ve found some great success! Vania is developing an old roll of Kodak Gold that he mother shot back in the late 90s. Will it work? What will be found? She also double dipped and did a roll of Fuji 100 through a Weathermatic! And Eric is developing a roll of HP5 he shot through a 6×7 back strapped onto an Intrepid 4×5. He talks quite a bit about the Graflok system and why he basically likes the 6×7 back. Here are some of Eric’s shots… <a href="https://allthroughalens.files.wordpress.com/2020/02/200202-intrepid6x7-ilfordhp5-06.jpeg" rel="nofollow" target="_blank"></a> <a href="https://allthroughalens.files.wordpress.com/2020/02/200202-intrepid6x7-ilfordhp5-05.jpeg" rel="nofollow" target="_blank"></a> <a href="https://allthroughalens.files.wordpress.com/2020/02/200202-intrepid6x7-ilfordhp5-01.jpeg" rel="nofollow" target="_blank"></a> And here are some of Vania’s:

Dev Party #4: Rock & Roll All Night and Dev Party Everyday

On this episode, Vania (@surfmartian) and Eric (@conspiracy.of.cartographers) dig into the listener messages. They also talk about Tasma Mikrat and rebranded film. Alexia Carroll (@alexia.evangeline) picks up her phone for a talk.   IG: @allthroughalens.podcast   ----   For this, our seventh episode, Vania (@surfmartian) starts things off with a bunch of new film and some chocolate from New Zealand. Eric (@conspiracy.of.cartographers) is jealous, but has some tips on Remjet.   This episode’s question was “What was your biggest film photographic failure, and how did you overcome it?” The answers came in droves, and we can’t thank you enough for the support.   We then talk film exchange. Eric sent Vania some 45 year old Tasma Mikrat 300 - a 6ISO Soviet microfilm which she used to photograph surfers. How do you think that turned out? You might be surprised.   For our call, we rang up Alexia Carroll (@alexia.evangeline - http://www.merelyobservations.com) for a talk on the pros and cons of art school, fine art photography, and women photographing women.    Following Alexia, we talk about the bit of research we did concerning the hot button topic of rebranded film. We go through Kosmo, Silberra, JCH, and of course CatLabs. Who makes all this stuff, and is it okay? (yes, obviously it’s fine, come on).   We also let slip a couple of our own project ideas: rebranded film and a zine or two.    More sorrow and woe now follows with the second batch of listener messages about failures. Since Eric spilled all of that in the previous episode, Vania spins her own tale of woe. It involves the RB67 and one hell of a lightleak.   Intro/outro music was provided by Last Regiment of Syncopated Drummers (@lastregiment) -- http://www.lastregiment.com/

On this episode, Vania (@surfmartian) and Eric (@conspiracy.of.cartographers) dig into the listener messages. They also talk about Tasma Mikrat and rebranded film. Alexia Carroll (@alexia.evangeline) picks up her phone for a talk. IG: @allthroughalens.podcast ---- For this, our seventh episode, Vania (@surfmartian) starts things off with a bunch of new film and some chocolate from New Zealand. Eric (@conspiracy.of.cartographers) is jealous, but has some tips on Remjet. This episode’s question was “What was your biggest film photographic failure, and how did you overcome it?” The answers came in droves, and we can’t thank you enough for the support. We then talk film exchange. Eric sent Vania some 45 year old Tasma Mikrat 300 - a 6ISO Soviet microfilm which she used to photograph surfers. How do you think that turned out? You might be surprised. For our call, we rang up Alexia Carroll (@alexia.evangeline - <a href="http://www.merelyobservations.com" rel="nofollow" target="_blank">http://www.merelyobservations.com</a>) for a talk on the pros and cons of art school, fine art photography, and women photographing women.  Following Alexia, we talk about the bit of research we did concerning the hot button topic of rebranded film. We go through Kosmo, Silberra, JCH, and of course CatLabs. Who makes all this stuff, and is it okay? (yes, obviously it’s fine, come on). We also let slip a couple of our own project ideas: rebranded film and a zine or two.  More sorrow and woe now follows with the second batch of listener messages about failures. Since Eric spilled all of that in the previous episode, Vania spins her own tale of woe. It involves the RB67 and one hell of a lightleak. Intro/outro music was provided by Last Regiment of Syncopated Drummers (@lastregiment) -- <a href="http://www.lastregiment.com/" rel="nofollow" target="_blank">http://www.lastregiment.com/</a>

Episode 07: This is Effing Clear... Where are the Pictures?

Vania (@surfmartian) and Eric (@conspiracy.of.cartographers) get a bit chatty talking about a catastrophic failure and surf photography. Also roller derby with Karen Freer (@fillingthetime). Zine reviews, listeners call-ins, and maybe a short rant.   IG: @allthroughalens.podcast   ----   After a bit of chit-chat, Vania (@surfmartian) and Eric (@conspiracy.of.cartographers) dig into a pretty major failure concerning Eric’s Nez Perce Trail large format project. The project took him through four states and nearly 2,000 miles. And after 80 shots, almost all of them were badly damaged. But why? How did this happen?   Without pointing fingers, we talk about the project, the original plans, the disaster and finally what to do to recover. Sad Eric.   With that out of our system, we turn to the answering machine and a question with a few more shades of gray than we figured. What did we lose in action and sports photography in the switch over to digital.   These brave souls attempted to tackle this (sort of): @elgatomagnifico, @kollimatorn and @space_critter. We also add our two bits, with Vania and Eric giving it a shot themselves. We try to be fair and nice.   We then roll on to roller derby. Eric has been a fan of women's flat track roller derby for years. A quick introduction takes us to a call with Karen Freer -- (@fillingthetime) a derby photographer from the UK who is in the middle of making the switch from digital to film. We talk derby, zines, and high speed emulsion.   In the last bit of the show, Vania talks about her surf photography . Eric is clueless, but plays along. David Lee Roth is mentioned. Being a surfer helps her along the way. But she doesn’t just sit on the beach with a long lens, she’s on a board, surfing while shooting. Eric is pretty impressed.   She also talks parking lots, diving, and uses words like: lineup, beach breaks, point breaks and cool surf things. Also buckets.   Onto three zine reviews, including Crude Zine (@crude.zine), Urbanism -- (@jayabhat), and 4xFourtography -- (@4xfourtography). And remember, we love to trade our own zines for yours! Contact us!   We leave with the question inspired by Eric’s fiasco: What was your biggest film photography failure and how did you overcome it?   After a brief fluff piece on the whole 120mm vs. 120 film nonsense, we sign off till next time. Thanks for reading/listening!   Intro/outro music was provided by Last Regiment of Syncopated Drummers (@lastregiment) -- 

Vania (@surfmartian) and Eric (@conspiracy.of.cartographers) get a bit chatty talking about a catastrophic failure and surf photography. Also roller derby with Karen Freer (@fillingthetime). Zine reviews, listeners call-ins, and maybe a short rant. IG: @allthroughalens.podcast ---- After a bit of chit-chat, Vania (@surfmartian) and Eric (@conspiracy.of.cartographers) dig into a pretty major failure concerning Eric’s Nez Perce Trail large format project. The project took him through four states and nearly 2,000 miles. And after 80 shots, almost all of them were badly damaged. But why? How did this happen? Without pointing fingers, we talk about the project, the original plans, the disaster and finally what to do to recover. Sad Eric. With that out of our system, we turn to the answering machine and a question with a few more shades of gray than we figured. What did we lose in action and sports photography in the switch over to digital. These brave souls attempted to tackle this (sort of): @elgatomagnifico, @kollimatorn and @space_critter. We also add our two bits, with Vania and Eric giving it a shot themselves. We try to be fair and nice. We then roll on to roller derby. Eric has been a fan of women's flat track roller derby for years. A quick introduction takes us to a call with <a href="https://fillingthetime.com/" rel="nofollow" target="_blank">Karen Freer</a> -- (@fillingthetime) a derby photographer from the UK who is in the middle of making the switch from digital to film. We talk derby, zines, and high speed emulsion. In the last bit of the show, Vania talks about her surf photography . Eric is clueless, but plays along. David Lee Roth is mentioned. Being a surfer helps her along the way. But she doesn’t just sit on the beach with a long lens, she’s on a board, surfing while shooting. Eric is pretty impressed. She also talks parking lots, diving, and uses words like: lineup, beach breaks, point breaks and cool surf things. Also buckets. Onto three zine reviews, including Crude Zine (@crude.zine), <a href="http://www.whatjayasees.com" rel="nofollow" target="_blank">Urbanism</a> -- (@jayabhat), and <a href="https://www.etsy.com/shop/4xFourtography%20" rel="nofollow" target="_blank">4xFourtography</a> -- (@4xfourtography). And remember, we love to trade our own zines for yours! Contact us! We leave with the question inspired by Eric’s fiasco: What was your biggest film photography failure and how did you overcome it? After a brief fluff piece on the whole 120mm vs. 120 film nonsense, we sign off till next time. Thanks for reading/listening! Intro/outro music was provided by <a href="http://www.lastregiment.com/" rel="nofollow" target="_blank">Last Regiment of Syncopated Drummers</a> (@lastregiment) --

Episode 06: I Can't Say Failure

Everyone is locked up in their houses now or something, and what choice do we have? So we’ll talk about social distancing and creativity – Creative Social Distancing? – we’ll give a call to Ethan from Cameradactyle, talk about wire photos and what they have to do with a James Stewart movie, and zine reviews. After a sort of meandering wellness check (including a talk about an exhibition Vania’s in), we hit the answering machine! I Hate Your Answering Machine We asked listeners to call in and tell us how social distancing has effected their creativity. The array of answers was encouraging. Despite being closed in and often separated from friends and photolabs, our listeners have got their collective shit together. Some are building darkrooms, one is building a camera out of his bedroom (like the entire room), another is perfecting old and forgotten color chemistry, some are still working in the healthcare field and use photography to keep them going. Lots of people are being creative in lots of ways. But it’s also important to remember that we don’t need to be creative now. It’s okay to not be. It’s okay to not be able to be. Shoot Inside Challenge Thing That said, we’re offering a way for you to stay creative if you want to – and to do it indoors. For those who like challenges and being tasked with things, we’ve got the Shoot Inside Challenge Thing for you! Each episode as this whole virus thing blows over, we’ll give you a challenge. This isn’t a contest. There’s no winners. But we will judge you silently. See what you can come up with. Then after you dev the shots, tag us and we’ll feature them. #allthroughalensathome For this episode, let’s try… -Natural light – pick five random things from your house and take a still life with them interacting in natural light. Points for absurdity. Interview On this episode, we checked in with Ethan from Cameradactyl. We talk about 3D printing medical parts, new cameras, new camera ideas and the movie Call Northside 777. There’s a lot going on in his shop these days, and we talk about a good fair amount of it. Sending Photos By Wire  Inspired by the Jimmy Stewart movie Call Northside 777 (1948), we dig into the history of the wirephoto – actual photographs sent over telephone wires long before the internet. We explore the early attempts at this, starting with etchings encoded and sent via telegraphs. But soon we’re mentioning names like Arthur Korn and Édouard Belin. And when Western Union, AT&amp;T and the Associate Press get into the game, all bets are off!  Here’s a quick rundown on how all of this worked: After the print was ready, it would be attached to a cylinder on the transmitter. This cylinder would spin 100rpm under a more modern photocell. A small lamp would shine a very small light onto the print, which would be reflected back onto the photocell. The cell, as before, would turn the array of gray tones into signals that could be transmitted across telephone wires to a receiver. This receiver held a piece of photopaper on its cylinder. As it spun at 100rpm, the signals coming across the wire would be translated back into light. The varying lights and darks were exposed to photopaper making a positive print. Reproducing the entire photo took around 10 to 17 minutes. By the end of the decade, these transmitters were made small and basically portable, fitting in a large suitcase. All that had to be done was to tap into an existing phone line and send the photo to a receiver near a darkroom.  The wreckage of a small plane lies in a wooded area near Morehousville, N.Y., Dec. 31, 1934 after a crash landing three days earlier. The four people aboard were reportedly not seriously injured. This photo is believed to be the first photo transmitted to Associated Press members on the AP wirephoto network, Jan. 1, 1935. (AP Photo)Zine Reviews  Before going into the zine reviews, we talk about our quick adventure to Polacon San Francisco! But then we get into the zine reviews, hitting two zines that we picked up that weekend. We review Big Shot Portraits by Jaya Bhat and Before My Eyes compilation zine, which you can get here (probably). Kenny Rogers We lost Kenny Rogers recently, who also happened to be a large format photographer. Here’s the original article about his photography that everyone keeps referencing and not linking back to. Rogers started as a kid with a Kodak Brownie Hawkeye and eventually traded up to a Hasselblad. He got really serious about it when he picked up a Linhof Master Technika 4×5. He published a book of landscapes and then moved onto 8×10, he shot portraits with that mostly, publishing two additional books from those. And that’s the show! Be sure to check out our Dev Party episodes. They’re about to get even more pee-inducing! Music by Last Regiment of Syncopated Drummers Vania: IG, Flickr, Zines Eric: IG, Flickr, Zines All Through a Lens: IG, Website

Everyone is locked up in their houses now or something, and what choice do we have? So we’ll talk about social distancing and creativity – Creative Social Distancing? – we’ll give a call to Ethan from <a href="https://www.cameradactyl.com/" rel="nofollow" target="_blank">Cameradactyle</a>, talk about wire photos and what they have to do with a James Stewart movie, and zine reviews. After a sort of meandering wellness check (including a talk about an <a href="https://closertothesea.cargo.site/" rel="nofollow" target="_blank">exhibition Vania’s in</a>), we hit the answering machine! I Hate Your Answering Machine We asked listeners to call in and tell us how social distancing has effected their creativity. The array of answers was encouraging. Despite being closed in and often separated from friends and photolabs, our listeners have got their collective shit together. Some are building darkrooms, one is building a camera out of his bedroom (like the entire room), another is perfecting old and forgotten color chemistry, some are still working in the healthcare field and use photography to keep them going. Lots of people are being creative in lots of ways. But it’s also important to remember that we don’t need to be creative now. It’s okay to not be. It’s okay to not be able to be. Shoot Inside Challenge Thing That said, we’re offering a way for you to stay creative if you want to – and to do it indoors. For those who like challenges and being tasked with things, we’ve got the Shoot Inside Challenge Thing for you! Each episode as this whole virus thing blows over, we’ll give you a challenge. This isn’t a contest. There’s no winners. But we will judge you silently. See what you can come up with. Then after you dev the shots, tag us and we’ll feature them. #allthroughalensathome For this episode, let’s try… -Natural light – pick five random things from your house and take a still life with them interacting in natural light. Points for absurdity. Interview On this episode, we checked in with Ethan from <a href="https://www.cameradactyl.com/" rel="nofollow" target="_blank">Cameradactyl</a>. We talk about 3D printing medical parts, new cameras, new camera ideas and the movie Call Northside 777. There’s a lot going on in his shop these days, and we talk about a good fair amount of it. Sending Photos By Wire <a href="https://allthroughalens.files.wordpress.com/2020/03/wirephotonews.jpg" rel="nofollow" target="_blank"></a> Inspired by the Jimmy Stewart movie Call Northside 777 (1948), we dig into the history of the wirephoto – actual photographs sent over telephone wires long before the internet. We explore the early attempts at this, starting with etchings encoded and sent via telegraphs. But soon we’re mentioning names like Arthur Korn and Édouard Belin. And when Western Union, AT&amp;T and the Associate Press get into the game, all bets are off! <a href="https://allthroughalens.files.wordpress.com/2020/03/call-northside-777-poster-06.jpg" rel="nofollow" target="_blank"></a> Here’s a quick rundown on how all of this worked: After the print was ready, it would be attached to a cylinder on the transmitter. This cylinder would spin 100rpm under a more modern photocell. A small lamp would shine a very small light onto the print, which would be reflected back onto the photocell. The cell, as before, would turn the array of gray tones into signals that could be transmitted across telephone wires to a receiver. This receiver held a piece of photopaper on its cylinder. As it spun at 100rpm, the signals coming across the wire would be translated back into light. The varying lights and darks were exposed to photopaper making a positive print. Reproducing the entire photo took around 10 to 17 minutes. By the end of the decade, these transmitters were made small and basically portable, fitting in a large suitcase. All that had to be done was to tap into an existing phone line and send the photo to a receiver near a darkroom. <a href="https://allthroughalens.files.wordpress.com/2020/03/first-wirephoto-associated-press.jpg" rel="nofollow" target="_blank"></a> The wreckage of a small plane lies in a wooded area near Morehousville, N.Y., Dec. 31, 1934 after a crash landing three days earlier. The four people aboard were reportedly not seriously injured. This photo is believed to be the first photo transmitted to Associated Press members on the AP wirephoto network, Jan. 1, 1935. (AP Photo)Zine Reviews <a href="https://allthroughalens.files.wordpress.com/2020/03/20200329_092349.jpg" rel="nofollow" target="_blank"></a> Before going into the zine reviews, we talk about our quick adventure to Polacon San Francisco! But then we get into the zine reviews, hitting two zines that we picked up that weekend. We review Big Shot Portraits by <a href="http://www.whatjayasees.com/" rel="nofollow" target="_blank">Jaya Bhat</a> and Before My Eyes compilation zine, which you can get <a href="https://www.instagram.com/theoryofbrian/" rel="nofollow" target="_blank">here</a> (probably). Kenny Rogers We lost Kenny Rogers recently, who also happened to be a large format photographer. <a href="http://sportsandentertainmentnashville.com/kenny-rogers-the-photographer/" rel="nofollow" target="_blank">Here’s the original article</a> about his photography that everyone keeps referencing and not linking back to. Rogers started as a kid with a Kodak Brownie Hawkeye and eventually traded up to a Hasselblad. He got really serious about it when he picked up a Linhof Master Technika 4×5. He published a book of landscapes and then moved onto 8×10, he shot portraits with that mostly, publishing two additional books from those. And that’s the show! Be sure to check out our Dev Party episodes. They’re about to get even more pee-inducing! Music by <a href="http://www.lastregiment.com/" rel="nofollow" target="_blank">Last Regiment of Syncopated Drummers</a> Vania: <a href="https://www.instagram.com/surfmartian/" rel="nofollow" target="_blank">IG</a>, <a href="https://www.flickr.com/photos/vaniafrancesca" rel="nofollow" target="_blank">Flickr</a>, <a href="https://www.etsy.com/shop/VaniaFrancesca" rel="nofollow" target="_blank">Zines</a> Eric: <a href="https://www.instagram.com/conspiracy.of.cartographers/" rel="nofollow" target="_blank">IG</a>, <a href="https://www.flickr.com/photos/conspiracyofcartographers/" rel="nofollow" target="_blank">Flickr</a>, <a href="https://www.etsy.com/shop/consofcart" rel="nofollow" target="_blank">Zines</a> All Through a Lens: <a href="https://www.instagram.com/allthroughalens.podcast/" rel="nofollow" target="_blank">IG</a>, <a href="https://allthroughalens.wordpress.com/" rel="nofollow" target="_blank">Website</a>

Episode 15: Make Me A Sandwich

On this episode, Vania and Eric talk shooting with people (or not), we’ll call up a very special guest, and dig into color photography before the invention of color film. We’ll also finish up our trilogy on zine making. Plus zine reviews and the announcement of a “new” old stock emulsion. But first, Vania’s been sick (though it’s not the annoying and mild Man-Flu). Still, she managed to do some shooting. She even surfed with a gray whale. Eric also shot some 4×5 and with the 6×7 back to varying degrees of amusement.  Before getting into the thick of the show, we announce The Slow Meow – a slow speed Soviet-era microfilm (Tasma Mikrat 200) that they’ve teased for literally months now. It’s for sale via Eric’s Etsy Store and all proceeds go to help funding the podcast. Moving on to the answering machine, we asked listeners to call in about whether they like to shoot by themselves or with other people. A dozen or so called in and we couldn’t say no to any of them. Their answers varied, of course, but most folks diplomatically split the difference. Wise decision – you never know who’s listening. Vania and Eric also weigh in.  We then give a call to Marley! You may know her from Vania’s stories, but now she’s here! It’s Vania’s 12 year old, film (and digital) shooting daughter. She weighs in on how the kids see film, social media, and what it’s like to grow up with a mom shooting film when the other kids moms just have iPhones.  For the back half of the episode, we switch gears and dive back into history. There were color photos before the invention of color film. How? Well, it’s a complicated story that we try to distill. It’s a tale of that takes us from “I know we can do this, so why can’t we do this?” to “We did this… but how?” Riveting stuff! We then finish our trilogy on zine-making by talking about printers and selling (and trading) zines. Also about adding personal touches.   Lastlyish, it’s zine reviews. Vania reviews the new zine of Aerochrome shots by Kikie Wilkins in Views From Tuscon, Issue 3. And Eric takes on Mark O’Brien‘s Monochrome Mania – a journal all about low ISO film; how to find, shoot and develop it. And speaking of zines, Eric was a part of Frozen Wasteland’s KODAK GPX 160 compilation zine. The goal of this zine is to showcase and celebrate how different photographers obtain wildly different results and display totally disparate subjects, via processing, composition, and equipment choice, given the same starting medium. It’s full color, 80 pages, and features over a dozen photographers. Pick it up!  Be sure to check out our Dev Party episodes. They’re about to get even more pee-inducing! Music by Last Regiment of Syncopated Drummers Vania: IG, Flickr, Zines Eric: IG, Flickr, Zines All Through a Lens: IG, Website

On this episode, Vania and Eric talk shooting with people (or not), we’ll call up a very special guest, and dig into color photography before the invention of color film. We’ll also finish up our trilogy on zine making. Plus zine reviews and the announcement of a “new” old stock emulsion. But first, Vania’s been sick (though it’s not the annoying and mild Man-Flu). Still, she managed to do some shooting. She even surfed with a gray whale. Eric also shot some 4×5 and with the 6×7 back to varying degrees of amusement. <a href="https://allthroughalens.files.wordpress.com/2020/02/20200216_094931-1.jpg" rel="nofollow" target="_blank"></a> Before getting into the thick of the show, we announce The Slow Meow – a slow speed Soviet-era microfilm (Tasma Mikrat 200) that they’ve teased for literally months now. It’s for sale via <a href="https://www.etsy.com/listing/765496274/the-slow-meow-tasma-mikrat-200-low-iso" rel="nofollow" target="_blank">Eric’s Etsy Store</a> and all proceeds go to help funding the podcast. Moving on to the answering machine, we asked listeners to call in about whether they like to shoot by themselves or with other people. A dozen or so called in and we couldn’t say no to any of them. Their answers varied, of course, but most folks diplomatically split the difference. Wise decision – you never know who’s listening. Vania and Eric also weigh in. <a href="https://allthroughalens.files.wordpress.com/2020/02/49539122003_5b4895e3ba_b.jpg" rel="nofollow" target="_blank"></a> We then give a call to Marley! You may know her from Vania’s stories, but now she’s here! It’s Vania’s 12 year old, film (and digital) shooting daughter. She weighs in on how the kids see film, social media, and what it’s like to grow up with a mom shooting film when the other kids moms just have iPhones. <a href="https://allthroughalens.files.wordpress.com/2020/02/3color2-1.jpeg" rel="nofollow" target="_blank"></a> For the back half of the episode, we switch gears and dive back into history. There were color photos before the invention of color film. How? Well, it’s a complicated story that we try to distill. It’s a tale of that takes us from “I know we can do this, so why can’t we do this?” to “We did this… but how?” Riveting stuff! We then finish our trilogy on zine-making by talking about printers and selling (and trading) zines. Also about adding personal touches. <a href="https://allthroughalens.files.wordpress.com/2020/02/viewsfromtucsonissue3.jpg" rel="nofollow" target="_blank"></a> <a href="https://allthroughalens.files.wordpress.com/2020/02/img_1470.jpg" rel="nofollow" target="_blank"></a> Lastlyish, it’s zine reviews. Vania reviews the new zine of Aerochrome shots by <a href="https://www.kikiewilkins.com/zines" rel="nofollow" target="_blank">Kikie Wilkins</a> in Views From Tuscon, Issue 3. And Eric takes on <a href="http://randomphoto.blogspot.com/" rel="nofollow" target="_blank">Mark O’Brien</a>‘s Monochrome Mania – a journal all about low ISO film; how to find, shoot and develop it. And speaking of zines, Eric was a part of Frozen Wasteland’s KODAK GPX 160 compilation zine. The goal of this zine is to showcase and celebrate how different photographers obtain wildly different results and display totally disparate subjects, via processing, composition, and equipment choice, given the same starting medium. It’s full color, 80 pages, and features over a dozen photographers. <a href="https://frozenwaste.land/shop/gpx160" rel="nofollow" target="_blank">Pick it up!</a> <a href="https://allthroughalens.files.wordpress.com/2020/02/ekgcoverjpg.jpg" rel="nofollow" target="_blank"></a> Be sure to check out our Dev Party episodes. They’re about to get even more pee-inducing! Music by <a href="http://www.lastregiment.com/" rel="nofollow" target="_blank">Last Regiment of Syncopated Drummers</a> Vania: <a href="https://www.instagram.com/surfmartian/" rel="nofollow" target="_blank">IG</a>, <a href="https://www.flickr.com/photos/vaniafrancesca" rel="nofollow" target="_blank">Flickr</a>, <a href="https://www.etsy.com/shop/VaniaFrancesca" rel="nofollow" target="_blank">Zines</a> Eric: <a href="https://www.instagram.com/conspiracy.of.cartographers/" rel="nofollow" target="_blank">IG</a>, <a href="https://www.flickr.com/photos/conspiracyofcartographers/" rel="nofollow" target="_blank">Flickr</a>, <a href="https://www.etsy.com/shop/consofcart" rel="nofollow" target="_blank">Zines</a> All Through a Lens: <a href="https://www.instagram.com/allthroughalens.podcast/" rel="nofollow" target="_blank">IG</a>, <a href="https://allthroughalens.wordpress.com/" rel="nofollow" target="_blank">Website</a>

Episode 12: The Colors or Some Shadow or Something

For this episode of Dev Party, we’re taking on ECN-2! This is the color process usually used for motion picture film. But can it also be used for regular color film? Yes, absolutely.  Eric has done this for years, and Vania is dipping her toes. We talk about the process itself, and especially about how it differs from C-41. There’s a very brief history of it, some short explanation of what it is, as well as some mention of stop baths and washing. Future Eric and Vania also take a look at the scans they’ve made with the negs (which means there was great success!). Here are a two from Vania…   And two from Eric…   Eric also talked about why he first started using ECN-2 on the regular. It had a lot to do with Vericolor III. Here’s a shot he devved in C-41…  And one he soon after did with ECN-2…  Get Some! They also talk about making up kits to sell for cheapish. You can find that link here.  Vania: IG, Flickr, Zines Eric: IG, Flickr, Zines All Through a Lens: IG, Website

For this episode of Dev Party, we’re taking on ECN-2! This is the color process usually used for motion picture film. But can it also be used for regular color film? Yes, absolutely. <a href="https://allthroughalens.files.wordpress.com/2020/02/2020-02-23.jpg" rel="nofollow" target="_blank"></a> Eric has done this for years, and Vania is dipping her toes. We talk about the process itself, and especially about how it differs from C-41. There’s a very brief history of it, some short explanation of what it is, as well as some mention of stop baths and washing. Future Eric and Vania also take a look at the scans they’ve made with the negs (which means there was great success!). Here are a two from Vania… <a href="https://allthroughalens.files.wordpress.com/2020/02/49574097078_1f67c6cea7_b.jpg" rel="nofollow" target="_blank"></a> <a href="https://allthroughalens.files.wordpress.com/2020/02/49574835372_ca3ccecc1d_b.jpg" rel="nofollow" target="_blank"></a> And two from Eric… <a href="https://allthroughalens.files.wordpress.com/2020/02/200212-mamiya645-kodakektar-04.jpeg" rel="nofollow" target="_blank"></a> <a href="https://allthroughalens.files.wordpress.com/2020/02/200212-mamiya645-kodakektar-06.jpeg" rel="nofollow" target="_blank"></a> Eric also talked about why he first started using ECN-2 on the regular. It had a lot to do with Vericolor III. Here’s a shot he devved in C-41… <a href="https://allthroughalens.files.wordpress.com/2020/02/45818909032_4e193d1de0_k.jpg" rel="nofollow" target="_blank"></a> And one he soon after did with ECN-2… <a href="https://allthroughalens.files.wordpress.com/2020/02/31997684218_fbd39d6d28_k.jpg" rel="nofollow" target="_blank"></a> Get Some! They also talk about making up kits to sell for cheapish. <a href="https://www.etsy.com/listing/781436189/ecn-2-color-film-developing-kit" rel="nofollow" target="_blank">You can find that link here.</a> <a href="https://allthroughalens.files.wordpress.com/2020/02/ecn-2recipe.jpg" rel="nofollow" target="_blank"></a> Vania: <a href="https://www.instagram.com/surfmartian/" rel="nofollow" target="_blank">IG</a>, <a href="https://www.flickr.com/photos/vaniafrancesca" rel="nofollow" target="_blank">Flickr</a>, <a href="https://www.etsy.com/shop/VaniaFrancesca" rel="nofollow" target="_blank">Zines</a> Eric: <a href="https://www.instagram.com/conspiracy.of.cartographers/" rel="nofollow" target="_blank">IG</a>, <a href="https://www.flickr.com/photos/conspiracyofcartographers/" rel="nofollow" target="_blank">Flickr</a>, <a href="https://www.etsy.com/shop/consofcart" rel="nofollow" target="_blank">Zines</a> All Through a Lens: <a href="https://www.instagram.com/allthroughalens.podcast/" rel="nofollow" target="_blank">IG</a>, <a href="https://allthroughalens.wordpress.com/" rel="nofollow" target="_blank">Website</a>

Dev Party #5: Life of the Dev Party

It’s an real quick (sort of) Ask Us Anything episode of Dev Party! We field a handful of questions from listeners while developing some film. Vania’s taking on Fomapan something or other, while Eric developed some Ultrafine Extreme 400 at box speed. Both HC-110!  Vania’s in Fomapan something something. The questions range from stuff about C-41 stand development to scanners to some questionable advice on what to do on your first attempt at developing. Does Blix have less “archival” properties as a separate Bleach and Fix? Who knows!  Camera: Polaroid Automatic 250 with ND-P120 Back Film: Ultrafine Extreme 400 Process: HC-110 H; 7.5min There’s lots of questions, a few answers and rather a lot of sass. All Through a Tote Bag. [Link]  Eric’s DIY ECN-2 Kits. [Link]   Camera: Polaroid Automatic 250 with ND-P120 Back Film: Ultrafine Extreme 400 Process: HC-110 H; 7.5min Vania: IG, Flickr, Zines Eric: IG, Flickr, Zines All Through a Lens: IG, Website

It’s an real quick (sort of) Ask Us Anything episode of Dev Party! We field a handful of questions from listeners while developing some film. Vania’s taking on Fomapan something or other, while Eric developed some Ultrafine Extreme 400 at box speed. Both HC-110! <a href="https://allthroughalens.files.wordpress.com/2020/03/image-11aa.jpg" rel="nofollow" target="_blank"></a> Vania’s in Fomapan something something. The questions range from stuff about C-41 stand development to scanners to some questionable advice on what to do on your first attempt at developing. Does Blix have less “archival” properties as a separate Bleach and Fix? Who knows! <a href="https://allthroughalens.files.wordpress.com/2020/03/200301-polaroid250-ultrafineextreme400-06s.jpeg" rel="nofollow" target="_blank"></a> Camera: Polaroid Automatic 250 with ND-P120 Back Film: Ultrafine Extreme 400 Process: HC-110 H; 7.5min There’s lots of questions, a few answers and rather a lot of sass. All Through a Tote Bag. [<a href="https://www.etsy.com/listing/783861865/tote-bag-all-through-a-lens-podcast-pre" rel="nofollow" target="_blank">Link</a>] <a href="https://allthroughalens.files.wordpress.com/2020/03/20200303_135816.jpg" rel="nofollow" target="_blank"></a> Eric’s DIY ECN-2 Kits. [<a href="https://www.etsy.com/listing/781436189/ecn-2-color-film-developing-kit-pre" rel="nofollow" target="_blank">Link</a>] <a href="https://allthroughalens.files.wordpress.com/2020/02/ecn-2recipe.jpg" rel="nofollow" target="_blank"></a> <a href="https://allthroughalens.files.wordpress.com/2020/03/200301-polaroid250-ultrafineextreme400-01.jpeg" rel="nofollow" target="_blank"></a> Camera: Polaroid Automatic 250 with ND-P120 Back Film: Ultrafine Extreme 400 Process: HC-110 H; 7.5min Vania: <a href="https://www.instagram.com/surfmartian/" rel="nofollow" target="_blank">IG</a>, <a href="https://www.flickr.com/photos/vaniafrancesca" rel="nofollow" target="_blank">Flickr</a>, <a href="https://www.etsy.com/shop/VaniaFrancesca" rel="nofollow" target="_blank">Zines</a> Eric: <a href="https://www.instagram.com/conspiracy.of.cartographers/" rel="nofollow" target="_blank">IG</a>, <a href="https://www.flickr.com/photos/conspiracyofcartographers/" rel="nofollow" target="_blank">Flickr</a>, <a href="https://www.etsy.com/shop/consofcart" rel="nofollow" target="_blank">Zines</a> All Through a Lens: <a href="https://www.instagram.com/allthroughalens.podcast/" rel="nofollow" target="_blank">IG</a>, <a href="https://allthroughalens.wordpress.com/" rel="nofollow" target="_blank">Website</a>

Dev Party #6: Dev Party and Bullshit

It’s our Box Camera Appreciation episode! And wow do we have some box camera appreciation for you! First Eric and Vania tell everyone what they’ve been up to. Eric’s been wrestling with the 120 back for the Polaroid Automatic Land Cameras, while Vania’s been shooting in the water, getting older (but not old) and mentions a few new books.   Now delving into box cameras, we asked listeners to call in and let us know which ones they’ve recommend for friends. We got answers and Eric has shot most of them. Who knew?After the messages, Vania and Eric gave their own recommendations.  After a bit of discussion, we give a call to Jennifer Froula Weber (@jenniferfroulaweber on Instagram). We’ve talked with her before about her tintypes, but now we’re talking box cameras (and tin types – you’ll see).  She and we talk which boxes she likes best, why she shoots T-grain film in them, and why she’ll often choose them over her Hasselblad.  After the interview, we deep dive into a short history of the box camera. We begin by trying to figure out just what is a box camera, but quickly move on to the 1870s and the very first of these simple little cameras. From there, we talk George Eastman’s early attempts at boxes, as well as the Boston Bulls Eye. It finally came together for Kodak when Frank Brownwell came up with his Brownie… and the many, many more that followed.  We also explored the many competitors to Kodak’s offerings, as well as how the designs changed from simple boxes to rocket ship dreams in colors of teal, mint and red.  While Vania talked about her new zine in the last episode, Eric talks his new issue in this. It’s Conspiracy of Cartographers Issue Seven, and it was all shot on the Imperial Savoy – a plastic 60s box camera. We continue the zine talk with the second installment of our how-to-zine segment. Here, we discuss sequencing the photos, as well as layout and computer programs. The third and final will come next!  And speaking of zines, on this episode we also review Michael Tekel’s In Silvam Sciryuda. “When I moved to Nottingham UK, I didn’t know many places around here. Except for legendary Sherwood Forest. I wanted to see it. I went, I saw and I was not impressed at first. That’s how this zine project started – with the goal to capture the true soul of this place”. And that about does it for the episode! Happy listening!

It’s our Box Camera Appreciation episode! And wow do we have some box camera appreciation for you! First Eric and Vania tell everyone what they’ve been up to. Eric’s been wrestling with the 120 back for the Polaroid Automatic Land Cameras, while Vania’s been shooting in the water, getting older (but not old) and mentions a few new books. <a href="https://allthroughalens.files.wordpress.com/2020/02/83348643_512505636313285_295271533634805305_n.jpg" rel="nofollow" target="_blank"></a> <a href="https://allthroughalens.files.wordpress.com/2020/02/200119-polaroid250-ilfordhp5-03.jpeg" rel="nofollow" target="_blank"></a> Now delving into box cameras, we asked listeners to call in and let us know which ones they’ve recommend for friends. We got answers and Eric has shot most of them. Who knew?After the messages, Vania and Eric gave their own recommendations. <a href="https://allthroughalens.files.wordpress.com/2020/02/67307362_644351592719041_9103942856129172880_n.jpg" rel="nofollow" target="_blank"></a> After a bit of discussion, we give a call to Jennifer Froula Weber (@jenniferfroulaweber on Instagram). We’ve talked with her before about her tintypes, but now we’re talking box cameras (and tin types – you’ll see). <a href="https://allthroughalens.files.wordpress.com/2020/02/81250524_190210358701595_4173833593507307260_n.jpg" rel="nofollow" target="_blank"></a> She and we talk which boxes she likes best, why she shoots T-grain film in them, and why she’ll often choose them over her Hasselblad. <a href="https://allthroughalens.files.wordpress.com/2020/02/3432079.jpg" rel="nofollow" target="_blank"></a> After the interview, we deep dive into a short history of the box camera. We begin by trying to figure out just what is a box camera, but quickly move on to the 1870s and the very first of these simple little cameras. From there, we talk George Eastman’s early attempts at boxes, as well as the Boston Bulls Eye. It finally came together for Kodak when Frank Brownwell came up with his Brownie… and the many, many more that followed. <a href="https://allthroughalens.files.wordpress.com/2020/02/brownie-no2-ad-1.jpg" rel="nofollow" target="_blank"></a> We also explored the many competitors to Kodak’s offerings, as well as how the designs changed from simple boxes to rocket ship dreams in colors of teal, mint and red. <a href="https://allthroughalens.files.wordpress.com/2020/02/81256602_554654908460900_8269505844749166453_n.jpg" rel="nofollow" target="_blank"></a> While Vania talked about her new zine in the last episode, Eric talks his new issue in this. It’s Conspiracy of Cartographers Issue Seven, and it was all shot on the Imperial Savoy – a plastic 60s box camera. We continue the zine talk with the second installment of our how-to-zine segment. Here, we discuss sequencing the photos, as well as layout and computer programs. The third and final will come next! <a href="https://allthroughalens.files.wordpress.com/2020/02/zine_01.jpg" rel="nofollow" target="_blank"></a> And speaking of zines, on this episode we also review <a href="http://www.tekelphoto.com/zine/" rel="nofollow" target="_blank">Michael Tekel’s In Silvam Sciryuda</a>. “When I moved to Nottingham UK, I didn’t know many places around here. Except for legendary Sherwood Forest. I wanted to see it. I went, I saw and I was not impressed at first. That’s how this zine project started – with the goal to capture the true soul of this place”. And that about does it for the episode! Happy listening!

Episode 11: You Press the Button - We Do the Rest

Welcome to our tenth episode! Have we got a packed show for you! We start off with some much needed catching up. Vania’s been to the fictional city of Fresno, as well as Yosemite! Eric’s been to a waterfall where the owls are not what they seem.   Keeping things moving, we hear from a slew of folks about lines they won’t cross while photographing. A large part of photography is literally not taking photos. While some won’t photograph homeless people or children, others refuse to snap pics of injured roller derby skaters. Vania and Eric both weigh in on the thing as well. Last episode, Vania mentioned the new issue of her zine in the briefest of passings, but now Eric tries to squeeze more information from her.  Speaking of zines, we talk somewhat briefly in the first installment of a how-to-zine overview. This time it’s about deciding upon a theme (or not), about titles, words and just getting your shit together. And then we call up Adam Roberts – aka @icantstandpickles on IG. He has recently released a 3-D zine, which comes complete with 3-D glasses. You need to see this to believe it, and you can pick it up here (and should).  Changing gears for a few moments, we report on the execution photo of Ruth Snyder. Taken in 1928 by photographer Tom Howard, the image of a woman in the moment of electrocution was published on the front page of the New York Daily New. Soon the photo became more of a story than the execution itself.  Since cameras were forbidden in death chambers, how did Howard get this shot? What does this have to do with James Cagney? We shall tell you!  Moving on, we make our way to a couple of zine reviews. Vania talks about Leland Buck’s Paris Syndrome, while Eric digs into 365 No. 7: Analog by Trench Photos (@trenchphotos365 on IG).   In closing, we remind you about our mini-episodes (Dev Party), as well as what’s ahead in the next: a full review of the 3D printed 120 back for the old Polaroid Automatic Land Cameras. Eric got one and is in the process of testing it out.

Welcome to our tenth episode! Have we got a packed show for you! We start off with some much needed catching up. Vania’s been to the fictional city of Fresno, as well as Yosemite! Eric’s been to a waterfall where the owls are not what they seem. <a href="https://allthroughalens.files.wordpress.com/2020/01/200111-mamiya645-ilfordhp5-1600-04.jpg" rel="nofollow" target="_blank"></a> <a href="https://allthroughalens.files.wordpress.com/2020/01/200111-mamiya645-ilfordhp5-1600-13.jpg" rel="nofollow" target="_blank"></a> Keeping things moving, we hear from a slew of folks about lines they won’t cross while photographing. A large part of photography is literally not taking photos. While some won’t photograph homeless people or children, others refuse to snap pics of injured roller derby skaters. Vania and Eric both weigh in on the thing as well. Last episode, Vania mentioned the <a href="https://www.etsy.com/listing/764177955/photozine-pier-sand-water-3" rel="nofollow" target="_blank">new issue of her zine</a> in the briefest of passings, but now Eric tries to squeeze more information from her. <a href="https://allthroughalens.files.wordpress.com/2020/01/vaniazine.jpg" rel="nofollow" target="_blank"></a> Speaking of zines, we talk somewhat briefly in the first installment of a how-to-zine overview. This time it’s about deciding upon a theme (or not), about titles, words and just getting your shit together. And then we call up Adam Roberts – aka @icantstandpickles on IG. He has recently released a 3-D zine, which comes complete with 3-D glasses. You need to see this to believe it, and you can pick it up <a href="https://www.etsy.com/listing/766671975/adventures-in-the-third-dimension-3d" rel="nofollow" target="_blank">here</a> (and should). <a href="https://allthroughalens.files.wordpress.com/2020/01/adamzine.jpg" rel="nofollow" target="_blank"></a> Changing gears for a few moments, we report on the execution photo of Ruth Snyder. Taken in 1928 by photographer Tom Howard, the image of a woman in the moment of electrocution was published on the front page of the New York Daily New. Soon the photo became more of a story than the execution itself. <a href="https://allthroughalens.files.wordpress.com/2020/01/ruthsnyder-original.jpg" rel="nofollow" target="_blank"></a> Since cameras were forbidden in death chambers, how did Howard get this shot? What does this have to do with James Cagney? We shall tell you! <a href="https://allthroughalens.files.wordpress.com/2020/01/picturesnatcher2.jpg" rel="nofollow" target="_blank"></a> Moving on, we make our way to a couple of zine reviews. Vania talks about Leland Buck’s <a href="https://www.etsy.com/listing/753327802/paris-syndrome-photozine" rel="nofollow" target="_blank">Paris Syndrome</a>, while Eric digs into 365 No. 7: Analog by Trench Photos (@trenchphotos365 on IG). <a href="https://allthroughalens.files.wordpress.com/2020/01/lelandzine.jpg" rel="nofollow" target="_blank"></a> <a href="https://allthroughalens.files.wordpress.com/2020/01/tanyazine.jpg" rel="nofollow" target="_blank"></a> In closing, we remind you about our mini-episodes (Dev Party), as well as what’s ahead in the next: a full review of the 3D printed 120 back for the old Polaroid Automatic Land Cameras. Eric got one and is in the process of testing it out.

Episode 10: We're Goin' Legitimate! 

Well that escalated quickly. We went from “hey there’s this weird flu thing” to “nobody leave their damn houses ever” in like a week (basically). So we’ve decided to back up a bit and give folks who have never developed film before a somewhat wordy overview on how to do it, and what specifically to buy. We’ll not bother with the entire run down here in the show notes, but here our list of things: –Changing Bag (large) $24 –Leader Retriever$10 -Scissors (steal yer mom’s) –Developing Tank and Reels $35.00 –Kodak HC-110 $15 –Agfa Rodinal $13 –Ilford Rapid Fix $13 –Graduated Pitcher $11.00 –Thermometer (get two) $4 –Decanter (literally any 1l bottle will work) $6.00 -Timer (any digital kitchen timer – or phone, etc) -Bucket for washing (optional) –Arista Flow (optionalish) $8 -Hanger and Clips (use coat hanger and medium binder clips) -Weight on the bottom (use a big ass binder clip) Or these: –Stainless Steel Clips $4 –Arista Stainless Steel Clips $7 –Kimwipes (optional) $4 –Printfile Sleeves $7 Massive Development Chart Here are a couple of photos Eric developed this episode:   And here are a couple from Vania:   Vania: IG, Flickr, Zines Eric: IG, Flickr, Zines All Through a Lens: IG, Website

Well that escalated quickly. We went from “hey there’s this weird flu thing” to “nobody leave their damn houses ever” in like a week (basically). So we’ve decided to back up a bit and give folks who have never developed film before a somewhat wordy overview on how to do it, and what specifically to buy. We’ll not bother with the entire run down here in the show notes, but here our list of things: –<a href="https://www.freestylephoto.biz/322730-Arista-Changing-Bag-27-in.-x-30-in" rel="nofollow" target="_blank">Changing Bag</a> (large) $24 –<a href="https://www.freestylephoto.biz/192140-Ars-Imago-Metal-Film-Retriever" rel="nofollow" target="_blank">Leader Retriever</a>$10 -Scissors (steal yer mom’s) –<a href="https://www.freestylephoto.biz/11516-Paterson-Universal-Tank-with-Two-Reels-Super-System-4" rel="nofollow" target="_blank">Developing Tank and Reels</a> $35.00 –<a href="https://www.freestylephoto.biz/10190-LegacyPro-L110-Liquid-Film-Developer-1-Pint-(Makes-2-Gallons)" rel="nofollow" target="_blank">Kodak HC-110</a> $15 –<a href="https://www.freestylephoto.biz/9725-Rollei-Compard-R09-One-Shot-Agfa-Rodinal-Formula-Film-Developer-500-ml" rel="nofollow" target="_blank">Agfa Rodinal</a> $13 –<a href="https://www.freestylephoto.biz/1984262-Ilford-Rapid-Fixer-1-Liter" rel="nofollow" target="_blank">Ilford Rapid Fix</a> $13 –<a href="https://www.freestylephoto.biz/180032-LegacyPro-Graduated-Pitcher-32-oz." rel="nofollow" target="_blank">Graduated Pitcher</a> $11.00 –<a href="https://www.freestylephoto.biz/62010-LegacyPro-6-inch-Glass-Thermometer" rel="nofollow" target="_blank">Thermometer</a> (get two) $4 –<a href="https://www.freestylephoto.biz/013200-Delta-Datatainer-1-quart-(32-oz)" rel="nofollow" target="_blank">Decanter</a> (literally any 1l bottle will work) $6.00 -Timer (any digital kitchen timer – or phone, etc) -Bucket for washing (optional) –<a href="https://www.freestylephoto.biz/6173-Arista-Flow-Wetting-Agent-16-oz." rel="nofollow" target="_blank">Arista Flow</a> (optionalish) $8 -Hanger and Clips (use coat hanger and medium binder clips) -Weight on the bottom (use a big ass binder clip) Or these: –<a href="https://www.freestylephoto.biz/58050-Stainless-Steel-Film-Clips-2-pack" rel="nofollow" target="_blank">Stainless Steel Clips</a> $4 –<a href="https://www.freestylephoto.biz/66361-Arista-Stainless-Steel-Film-Clips-2-pack" rel="nofollow" target="_blank">Arista Stainless Steel Clips</a> $7 –<a href="https://www.freestylephoto.biz/13415-Kimwipes-4.4-x-8.4-inches-280-count" rel="nofollow" target="_blank">Kimwipes</a> (optional) $4 –<a href="https://www.freestylephoto.biz/35625-Printfile-35-6HB-Archival-Negative-Preservers-35mm-6-Strips-of-6" rel="nofollow" target="_blank">Printfile Sleeves</a> $7 <a href="https://www.digitaltruth.com/devchart.php" rel="nofollow" target="_blank">Massive Development Chart</a> Here are a couple of photos Eric developed this episode: <a href="https://allthroughalens.files.wordpress.com/2020/03/200314-polaroidauto250-ilforddelta3200-03.jpg" rel="nofollow" target="_blank"></a> <a href="https://allthroughalens.files.wordpress.com/2020/03/200314-polaroidauto250-ilforddelta3200-05.jpg" rel="nofollow" target="_blank"></a> And here are a couple from Vania: <a href="https://allthroughalens.files.wordpress.com/2020/03/2020-03-20.jpg" rel="nofollow" target="_blank"></a> <a href="https://allthroughalens.files.wordpress.com/2020/03/2020-03-20-1.jpg" rel="nofollow" target="_blank"></a> Vania: <a href="https://www.instagram.com/surfmartian/" rel="nofollow" target="_blank">IG</a>, <a href="https://www.flickr.com/photos/vaniafrancesca" rel="nofollow" target="_blank">Flickr</a>, <a href="https://www.etsy.com/shop/VaniaFrancesca" rel="nofollow" target="_blank">Zines</a> Eric: <a href="https://www.instagram.com/conspiracy.of.cartographers/" rel="nofollow" target="_blank">IG</a>, <a href="https://www.flickr.com/photos/conspiracyofcartographers/" rel="nofollow" target="_blank">Flickr</a>, <a href="https://www.etsy.com/shop/consofcart" rel="nofollow" target="_blank">Zines</a> All Through a Lens: <a href="https://www.instagram.com/allthroughalens.podcast/" rel="nofollow" target="_blank">IG</a>, <a href="https://allthroughalens.wordpress.com/" rel="nofollow" target="_blank">Website</a>

Dev Party #7: Dev Party For Your Right to Fight

For our third installment of the Dev Party, we’re reviewing the new 120 back made by Normal M. Dean for the Polaroid Automatic Land Cameras (the ND-120. Eric’s shot a half dozen rolls through it. Vania, on the other hand, is developing some shots from Yosemite. We’re both using HC-110! Could anything get more exciting than this?  Here are some shots from the Polaroid:          And here are some from Vania’s dev:

For our third installment of the Dev Party, we’re reviewing the new 120 back made by <a href="https://www.etsy.com/shop/AnalogNMD?ref=simple-shop-header-name&amp;listing_id=753750130" rel="nofollow" target="_blank">Normal M. Dean</a> for the Polaroid Automatic Land Cameras (the ND-120. Eric’s shot a half dozen rolls through it. Vania, on the other hand, is developing some shots from Yosemite. We’re both using HC-110! Could anything get more exciting than this?  Here are some shots from the Polaroid: <a href="https://allthroughalens.files.wordpress.com/2020/01/200119-polaroid250-ilfordhp5-03.jpg" rel="nofollow" target="_blank"></a> <a href="https://allthroughalens.files.wordpress.com/2020/01/200119-polaroid250-ilfordhp5-10.jpg" rel="nofollow" target="_blank"></a> <a href="https://allthroughalens.files.wordpress.com/2020/01/200119-polaroid250-ilfordhp5-12.jpg" rel="nofollow" target="_blank"></a> <a href="https://allthroughalens.files.wordpress.com/2020/01/200120-polaroid250-bergger-03.jpg" rel="nofollow" target="_blank"></a> <a href="https://allthroughalens.files.wordpress.com/2020/01/200120-polaroid250-bergger-04.jpg" rel="nofollow" target="_blank"></a> <a href="https://allthroughalens.files.wordpress.com/2020/01/200124-polaroid250-ilfordhp5-06.jpg" rel="nofollow" target="_blank"></a> <a href="https://allthroughalens.files.wordpress.com/2020/01/200124-polaroid250-ilfordhp5-08.jpg" rel="nofollow" target="_blank"></a> <a href="https://allthroughalens.files.wordpress.com/2020/01/200124-polaroid250-ilfordhp5-09.jpg" rel="nofollow" target="_blank"></a> <a href="https://allthroughalens.files.wordpress.com/2020/01/200124-polaroid250-ilfordhp5-10.jpg" rel="nofollow" target="_blank"></a> And here are some from Vania’s dev:

Dev Party #3: Dev Party with the Devil

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The best podcast episodes on parenting. Interviewing experts and talking through common issues surrounding parenting. This topic is filled with important lessons and insights for anyone listening. Add episodes you're interested into your queue below!