Australian Kia very quickly rose up through the grimy after-hours rave scene of Melbourne to make her mark on the international stage. Now Berlin-based, her unique grasp of rhythm is rooted in a love of bass, IDM and deeper techno though she is adept at exploring a wide range of moods within those worlds. She has done so at places like ADE and our own festival and extends her good taste to the curation of her Animalia imprint and its ambient sub-label Cirrus as well as her own original tracks on Nous'klaer Audio.In this week's mix, Kia showcases a colourful and kaleidoscopic take on techno which she says was awakened by an early trip to Japan's famously head Labyrinth festival. It's a hi-fidelity feast of supple rhythms, icy synths and deep space ambiance that unfolds in late-night fashion. The melodies are as delicate as silk, the drums rubbery yet punchy. It's high-paced future music that manages to be as delicate and beautiful as it is dynamic.

Australian Kia very quickly rose up through the grimy after-hours rave scene of Melbourne to make her mark on the international stage. Now Berlin-based, her unique grasp of rhythm is rooted in a love of bass, IDM and deeper techno though she is adept at exploring a wide range of moods within those worlds. She has done so at places like ADE and our own festival and extends her good taste to the curation of her Animalia imprint and its ambient sub-label Cirrus as well as her own original tracks on Nous'klaer Audio. In this week's mix, Kia showcases a colourful and kaleidoscopic take on techno which she says was awakened by an early trip to Japan's famously head Labyrinth festival. It's a hi-fidelity feast of supple rhythms, icy synths and deep space ambiance that unfolds in late-night fashion. The melodies are as delicate as silk, the drums rubbery yet punchy. It's high-paced future music that manages to be as delicate and beautiful as it is dynamic.

Dekmantel Podcast 440 - Kia

Tbilisi's impact on the techno underground cannot be overstated thanks to the work of artists like Salome. Though now based in Berlin, her sound is very much a product of the Georgian scene - heavy, breakbeat-rich techno with big trance-infused melodies and dramatic atmospheres alongside plenty of electro. It has come on the likes of Lobster Theremin and Standard Deviation while she also recently remixed Jensen Interceptor. On this week's mix, Salome Gvetadze folds in all her influences from hard house to industrial to cook up an eye-watering soundtrack that is pure dystopia. It's a mix of brutally distorted low ends and earth-shattering warehouse sounds brought to life by bright synths, shards of glassy melody and twisted metal textures. Though physical and unrelenting, it's all richly layered so there is always a freaky voice to follow or a melodic thread to pull at as you're ever more consumed by the sheer force of it all.

Tbilisi's impact on the techno underground cannot be overstated thanks to the work of artists like Salome. Though now based in Berlin, her sound is very much a product of the Georgian scene - heavy, breakbeat-rich techno with big trance-infused melodies and dramatic atmospheres alongside plenty of electro. It has come on the likes of Lobster Theremin and Standard Deviation while she also recently remixed Jensen Interceptor. On this week's mix, Salome Gvetadze folds in all her influences from hard house to industrial to cook up an eye-watering soundtrack that is pure dystopia. It's a mix of brutally distorted low ends and earth-shattering warehouse sounds brought to life by bright synths, shards of glassy melody and twisted metal textures. Though physical and unrelenting, it's all richly layered so there is always a freaky voice to follow or a melodic thread to pull at as you're ever more consumed by the sheer force of it all.

Dekmantel Podcast 439 - Salome

Martyn is the finest example of an artist who exists outside traditional genre boundaries. Ever since the mid-90s, the Dutchman has operated in his own adjacent worlds while drawing on UK bass hybrids, techno and electro to cook up singular rhythms and unique moods. The 3024 label head has always used his platform to bring through new talent, and now also mentors young artists with his own Patreon program. This sits next to his ever spell-binding performances in the club and eye-opening monthly Darkest Light show on NTS, which is a deep dive into his love of jazz. This week's mix is a 70-plus minute snapshot of Martyn's sound, which is as timeless as ever. From the crispness of Detroit electro to the off-beat thump of bass via his deep techno lit up with glistening electronics, it is a perfect blend of body and head and one full of brazen moves. There's a switch to jazz-laced broken beat and low, then the slow wobble of dubstep before a rebuild towards old school jungle that proves this is the sound of a true master at work.

Martyn is the finest example of an artist who exists outside traditional genre boundaries. Ever since the mid-90s, the Dutchman has operated in his own adjacent worlds while drawing on UK bass hybrids, techno and electro to cook up singular rhythms and unique moods. The 3024 label head has always used his platform to bring through new talent, and now also mentors young artists with his own Patreon program. This sits next to his ever spell-binding performances in the club and eye-opening monthly Darkest Light show on NTS, which is a deep dive into his love of jazz. This week's mix is a 70-plus minute snapshot of Martyn's sound, which is as timeless as ever. From the crispness of Detroit electro to the off-beat thump of bass via his deep techno lit up with glistening electronics, it is a perfect blend of body and head and one full of brazen moves. There's a switch to jazz-laced broken beat and low, then the slow wobble of dubstep before a rebuild towards old school jungle that proves this is the sound of a true master at work.

Dekmantel Podcast 438 - Martyn

Argentina-born but Barcelona-based, Tunik's real home is at the forefront of the underground. As a DJ, he has a knack for unearthing overlooked records and turning them into hot ID requests. His fledgling production career has already yielded high-class results since 2020, with EPs on My Own Jupiter alongside its founder Nicolas Lutz, and more on Furthur Electronix. Each one is a blend of industrial cosmic sounds, with paranoid atmospheres and low-slung yet mechanical grooves that are both spooky yet seductive and next up is his A New Dawn EP on our own label. It further deepens Tunik's journey into dark wave synths and machine-made rhythms packed with emotion. He goes long on this week's podcast with a two-hour deep dive into his signature blend of house, techno and electro. There is plenty of room for everything from spaced-out rhythms to more corrugated machine funk. It's a forward-thinking selection that always feels like it comes back from the future whether deep and pensive or more jacked up and physical. A superb, floor-facing selection for non-stop dancing.

Argentina-born but Barcelona-based, Tunik's real home is at the forefront of the underground. As a DJ, he has a knack for unearthing overlooked records and turning them into hot ID requests. His fledgling production career has already yielded high-class results since 2020, with EPs on My Own Jupiter alongside its founder Nicolas Lutz, and more on Furthur Electronix. Each one is a blend of industrial cosmic sounds, with paranoid atmospheres and low-slung yet mechanical grooves that are both spooky yet seductive and next up is his A New Dawn EP on our own label. It further deepens Tunik's journey into dark wave synths and machine-made rhythms packed with emotion. He goes long on this week's podcast with a two-hour deep dive into his signature blend of house, techno and electro. There is plenty of room for everything from spaced-out rhythms to more corrugated machine funk. It's a forward-thinking selection that always feels like it comes back from the future whether deep and pensive or more jacked up and physical. A superb, floor-facing selection for non-stop dancing.

Dekmantel Podcast 437 - Tunik

Quest is one of those new school selectors who have taken the art of crate digging to an all-new level. Italian-born, Berlin-based but having spent time in London working at the legendary Vinyl Pimp, he has long been mining the depths of everything from UKG to outré techno, Italian hip hop to long-lost house. Importantly, he uses those sounds to tell his own stories, often with an air of mystery and intrigue that plays out like an adventure into the unknown. Many mixes follow a traditional arc of increasing energy levels but in this week's podcast, Quest plays with those expectations to build up and then pull back, threading together minimal rhythms then raw and crunchy wave sounds. Twisted electronics lead into celestial acid and the smooth and seductive sits next to the dark and edgy. It's a low-key, low-lit selection that draws from mutant strains of house, techno and electro that are both futurist and dystopian. Quest might be his moniker, but it is also a perfect description of his mission.

Quest is one of those new school selectors who have taken the art of crate digging to an all-new level. Italian-born, Berlin-based but having spent time in London working at the legendary Vinyl Pimp, he has long been mining the depths of everything from UKG to outré techno, Italian hip hop to long-lost house. Importantly, he uses those sounds to tell his own stories, often with an air of mystery and intrigue that plays out like an adventure into the unknown. Many mixes follow a traditional arc of increasing energy levels but in this week's podcast, Quest plays with those expectations to build up and then pull back, threading together minimal rhythms then raw and crunchy wave sounds. Twisted electronics lead into celestial acid and the smooth and seductive sits next to the dark and edgy. It's a low-key, low-lit selection that draws from mutant strains of house, techno and electro that are both futurist and dystopian. Quest might be his moniker, but it is also a perfect description of his mission.

Dekmantel Podcast 436 - Quest

@djdanifox is at the heart of Lisbon's underground and a driving force in batida, the sound of the city's Afro-diasporic underground. It's a heavy sound with rhythms influenced by kuduro, tarraxo and Lisbon ghetto, the melodies of techno and percussive layers from Africa. Most recently Danifox has offered up Ansiedade, a second album on Príncipe Discos that explores space, hypnotic loops and rich instrumentation while never straying far from the dance floor. His own talk-singing adds a newly introspective layer to the sound that makes it all the more potent.This week's mix is both a superb batida primer for the newly initiated, but also a compelling overview of where the sound is at right now for long-time fans. In the space of 60 minutes, Danifox explores all avenues from the languid and loose to the pounding and physical. It's a mix that is always on the move as mystic flutes lead into tin-plated percussion, whirring synths melt into balmy late-night chords and broken rhythms become more seductive. As the days are heating up and summer hits full swing, there are few better soundtracks to an afternoon in the sun than this.

@djdanifox is at the heart of Lisbon's underground and a driving force in batida, the sound of the city's Afro-diasporic underground. It's a heavy sound with rhythms influenced by kuduro, tarraxo and Lisbon ghetto, the melodies of techno and percussive layers from Africa. Most recently Danifox has offered up Ansiedade, a second album on Príncipe Discos that explores space, hypnotic loops and rich instrumentation while never straying far from the dance floor. His own talk-singing adds a newly introspective layer to the sound that makes it all the more potent. This week's mix is both a superb batida primer for the newly initiated, but also a compelling overview of where the sound is at right now for long-time fans. In the space of 60 minutes, Danifox explores all avenues from the languid and loose to the pounding and physical. It's a mix that is always on the move as mystic flutes lead into tin-plated percussion, whirring synths melt into balmy late-night chords and broken rhythms become more seductive. As the days are heating up and summer hits full swing, there are few better soundtracks to an afternoon in the sun than this.

Dekmantel Podcast 435 - DJ Danifox

Jessy Lanza

LA-based Canadian artist Jessy Lanza has brought dance and pop music together and elevated both art forms in the process. At the heart of her work are her own sensual vocals. They bring human warmth and emotion to vibrant and uptempo grooves and result in music that is both energetic and accessible yet personal and honest. Next to critically acclaimed studio albums for Hyperdub, she has made a fine entry into the DJ-kicks mix series and toured solo from Asia to Australia. Europe to North America. Her latest album is her broadcast and boldest yet - Love Hallucination features work from producers such as Pearson Sound, Jacques Greene, Tensnake, Paul White, and Jeremy Greenspan and conforms Lanza to be out in a class of her own. Lanza brings her feel-good vibes to the podcast series this week, not least with a couple of her own exclusive new cuts as well as one mysterious known gem early on. They add up to a perfect representation of her sound - the first half is a feel-good mix of retro-future boogie, glossy 80s r&amp;b, party-starting funk bombs and many more irresistible moments of pure heat from Brenda and The Big Dudes, Debbe and The Code and Gino Soccio. Things then turn more towards the dance floor with deep house from Frankie Knuckles, bass-heavy rhythms from Addison Groove and a piano banger from Mall Grab. It's just the sort of happy, sunny mix you will be coming back to all summer long.

LA-based Canadian artist Jessy Lanza has brought dance and pop music together and elevated both art forms in the process. At the heart of her work are her own sensual vocals. They bring human warmth and emotion to vibrant and uptempo grooves and result in music that is both energetic and accessible yet personal and honest. Next to critically acclaimed studio albums for Hyperdub, she has made a fine entry into the DJ-kicks mix series and toured solo from Asia to Australia. Europe to North America. Her latest album is her broadcast and boldest yet - Love Hallucination features work from producers such as Pearson Sound, Jacques Greene, Tensnake, Paul White, and Jeremy Greenspan and conforms Lanza to be out in a class of her own. Lanza brings her feel-good vibes to the podcast series this week, not least with a couple of her own exclusive new cuts as well as one mysterious known gem early on. They add up to a perfect representation of her sound - the first half is a feel-good mix of retro-future boogie, glossy 80s r&amp;b, party-starting funk bombs and many more irresistible moments of pure heat from Brenda and The Big Dudes, Debbe and The Code and Gino Soccio. Things then turn more towards the dance floor with deep house from Frankie Knuckles, bass-heavy rhythms from Addison Groove and a piano banger from Mall Grab. It's just the sort of happy, sunny mix you will be coming back to all summer long.

Dekmantel Podcast 434 - Jessy Lanza

Marie Davidson

French-Canadian @mariedavidson_official never sits still for long. She is a Montreal native who has also lived in Berlin, and is one of the scene's most revered live acts but also transitioned into DJing with spectacular results. She makes it all from minimal wave to techno to electroclash whether working solo, as part of the Essaie pas duo, or alongside L'Œil Nu on Ninja Tune. Her own vocals often feature heavily in her work and as well as direct club material she has excelled in the long-player format with several standouts over the last decade. All of that creative genre abandonment is embodied in this week's mix, which is as punchy as they come. Lashings of squealing synths and hyper-speed electro-tech kick things off with real intent and the intensity never drops: there are dark punk bangers and synth-heavy kraut cuts next to pummelling deep techno punishers, more lithe disco and wave sounds and lashings of trance euphoria. What a ride.

French-Canadian @mariedavidson_official never sits still for long. She is a Montreal native who has also lived in Berlin, and is one of the scene's most revered live acts but also transitioned into DJing with spectacular results. She makes it all from minimal wave to techno to electroclash whether working solo, as part of the Essaie pas duo, or alongside L'Œil Nu on Ninja Tune. Her own vocals often feature heavily in her work and as well as direct club material she has excelled in the long-player format with several standouts over the last decade. All of that creative genre abandonment is embodied in this week's mix, which is as punchy as they come. Lashings of squealing synths and hyper-speed electro-tech kick things off with real intent and the intensity never drops: there are dark punk bangers and synth-heavy kraut cuts next to pummelling deep techno punishers, more lithe disco and wave sounds and lashings of trance euphoria. What a ride.

Dekmantel Podcast 433 - Marie Davidson

@dj-koolt has been pivotal to the rise of his native Uruguayan scene ever since he started spinning in the 90s. Rooted in Montevideo, he made it one of the most exciting places to hear minimalist dance music. Its spiritual home is Phonotheque, the club he co-founded a decade ago and where he lays down his forward-thinking sounds to a devoted and hardcore fan base. The scene Godfather goes big for us this week with a two-hour deep dive into his sound. It perfectly showcases his silky transitions and ability to tell stories on the dance floor. Acid, breaks and techno are the foundational sounds but they are embellished in signature style with plenty of spaced-out designs, a sense of gritty industrial futurism and plenty of avant-garde electronics.

@dj-koolt has been pivotal to the rise of his native Uruguayan scene ever since he started spinning in the 90s. Rooted in Montevideo, he made it one of the most exciting places to hear minimalist dance music. Its spiritual home is Phonotheque, the club he co-founded a decade ago and where he lays down his forward-thinking sounds to a devoted and hardcore fan base. The scene Godfather goes big for us this week with a two-hour deep dive into his sound. It perfectly showcases his silky transitions and ability to tell stories on the dance floor. Acid, breaks and techno are the foundational sounds but they are embellished in signature style with plenty of spaced-out designs, a sense of gritty industrial futurism and plenty of avant-garde electronics.

Dekmantel Podcast 432 - DJ Koolt

For @fafi-abdel-nour, music is a means of building community. The Syrian-born, Amsterdam-based artist looks to make a better future through human connections. He does so with his own LHBTQIA+ club night concept BUTTS at OOST in Groningen where he plays a free-spirited mix of records with real soul. They come from across the genre spectrum and mix up the old and the new, always with love as the messages and ecstatic sensations in high supply. Fafi has a way of effortlessly winning you over with his smooth grooves, and that is evident right from the start here: balmy house sweeps you up and douses you in positive cosmic vibrations and that sense of warmth never dissipates through faster, jazzier house, thumping euphoria and nonstop neon grooves. Every slick transition turns up the temperature a notch and takes you ever closer to real dance floor nirvana.

For @fafi-abdel-nour, music is a means of building community. The Syrian-born, Amsterdam-based artist looks to make a better future through human connections. He does so with his own LHBTQIA+ club night concept BUTTS at OOST in Groningen where he plays a free-spirited mix of records with real soul. They come from across the genre spectrum and mix up the old and the new, always with love as the messages and ecstatic sensations in high supply. Fafi has a way of effortlessly winning you over with his smooth grooves, and that is evident right from the start here: balmy house sweeps you up and douses you in positive cosmic vibrations and that sense of warmth never dissipates through faster, jazzier house, thumping euphoria and nonstop neon grooves. Every slick transition turns up the temperature a notch and takes you ever closer to real dance floor nirvana.

Dekmantel Podcast 431 - Fafi Abdel Nour

Enjoy a new episode in the Dekmantel Podcast Series every Monday!http://www.dekmantel.com

Enjoy a new episode in the Dekmantel Podcast Series every Monday! <a href="http://www.dekmantel.com" rel="nofollow" target="_blank">http://www.dekmantel.com</a>

Dekmantel Podcast Series

There is an effectiveness and simplicity to Mall Grab’s house musicthat very quickly made him a star. The artist from an Australian townmakes tracks as dusty as homeland, but imbued with feel good melodies,irresistible drums and smart samples that elevated them above puretools. This raw, instinctive, unfussy sound has found him on labelslike Looking For Trouble as well as the Steel City Discs label he runswith Jarred Kennedy and Jackson Fitzsimmons. Back in February hestepped out with an EP under his own name in a mission of“self-discovery” and it’s a journey the world continues to be closelytuned in to.His mix is a high octane selection of brilliantly physical sounds.From supersized house to throwback breakbeats, he slams it alltogether with a fist pumping efficiency that means two hours race byin a flash.  It’s a fun mix, too, with old school rave flavours, sawtooth stabs and bumping kicks all brimming with the sort of life thatmakes Mall Grab such an appealing and accessible talent.

There is an effectiveness and simplicity to Mall Grab’s house music that very quickly made him a star. The artist from an Australian town makes tracks as dusty as homeland, but imbued with feel good melodies, irresistible drums and smart samples that elevated them above pure tools. This raw, instinctive, unfussy sound has found him on labels like Looking For Trouble as well as the Steel City Discs label he runs with Jarred Kennedy and Jackson Fitzsimmons. Back in February he stepped out with an EP under his own name in a mission of “self-discovery” and it’s a journey the world continues to be closely tuned in to. His mix is a high octane selection of brilliantly physical sounds. From supersized house to throwback breakbeats, he slams it all together with a fist pumping efficiency that means two hours race by in a flash. It’s a fun mix, too, with old school rave flavours, saw tooth stabs and bumping kicks all brimming with the sort of life that makes Mall Grab such an appealing and accessible talent.

Dekmantel Podcast 229 - Mall Grab

Since the end of Sandwell District, Silent Servant has continued to be an influential presence in the techno world. The American’s Jealous God label defies convention and expectation with each release and his own avant guard productions remain utterly unique. Each one speaks to his roots—Sonic Youth, My Bloody Valentine, The Cure—by fusing post punk and industrial with techno in chilling ways. His conceptual and sincere aesthetic carries over into his live sets, but also his DJ mixes. This latest one is special indeed: it is a mix of influences, in chronological order and “with only a few hiccups in dates” from 1972 to 2000 and all recorded on vinyl in one take. The resulting hour takes in plenty of those goth and alternative rock sounds, new wave, noise and experimental touchstones he grew up on in Los Angeles, but also seamlessly connects them to the techno that later influenced him so the likes of Kraftwerk, Neon, The Final Cut, Toddy Terry and Jeff Mills all make the cut. From stark and jerky rhythms early on to supple, strobe lit grooves in the second half, this is a personal mix that really tells the story of Silent Servant’s musical evolution.

Since the end of Sandwell District, Silent Servant has continued to be an influential presence in the techno world. The American’s Jealous God label defies convention and expectation with each release and his own avant guard productions remain utterly unique. Each one speaks to his roots—Sonic Youth, My Bloody Valentine, The Cure—by fusing post punk and industrial with techno in chilling ways. His conceptual and sincere aesthetic carries over into his live sets, but also his DJ mixes. This latest one is special indeed: it is a mix of influences, in chronological order and “with only a few hiccups in dates” from 1972 to 2000 and all recorded on vinyl in one take. The resulting hour takes in plenty of those goth and alternative rock sounds, new wave, noise and experimental touchstones he grew up on in Los Angeles, but also seamlessly connects them to the techno that later influenced him so the likes of Kraftwerk, Neon, The Final Cut, Toddy Terry and Jeff Mills all make the cut. From stark and jerky rhythms early on to supple, strobe lit grooves in the second half, this is a personal mix that really tells the story of Silent Servant’s musical evolution.

Dekmantel Podcast 175 - Silent Servant

It’s people like Mano Le Tough who make DJing into an art form, as you can tell from the mix he has done for us ahead of our festival in São Paolo this weekend. The connection he makes with dance floors are always as deep as can be; with a real sense of melody, emotion and song like structure, he crafts sets that make a lasting impact on those who hear them. This has resulted in him being one of the busiest DJs on the circuit, on a par with deep house heroes Ame and Dixon, who he plays with regularly. As a producer, his smooth and mellifluous sounds land on labels like Permanent Vacation and more recently Pampa, which is a perfect fit for his curious sense of melody.  This week’s mix is an hour of deep house that rumbles through a humid jungle, zones you out with hypnotic vocal tracks and encourages you to day dream amongst distant pads. Even when things turn more towards a techno groove later on, you still remain deeply entrenched in the groove, marching on through to a trippy climax that gently stirs you out of your hypnosis with a real celestial charm.

It’s people like Mano Le Tough who make DJing into an art form, as you can tell from the mix he has done for us ahead of our festival in São Paolo this weekend. The connection he makes with dance floors are always as deep as can be; with a real sense of melody, emotion and song like structure, he crafts sets that make a lasting impact on those who hear them. This has resulted in him being one of the busiest DJs on the circuit, on a par with deep house heroes Ame and Dixon, who he plays with regularly. As a producer, his smooth and mellifluous sounds land on labels like Permanent Vacation and more recently Pampa, which is a perfect fit for his curious sense of melody. This week’s mix is an hour of deep house that rumbles through a humid jungle, zones you out with hypnotic vocal tracks and encourages you to day dream amongst distant pads. Even when things turn more towards a techno groove later on, you still remain deeply entrenched in the groove, marching on through to a trippy climax that gently stirs you out of your hypnosis with a real celestial charm.

Dekmantel Podcast 167 - Mano Le Tough

As long as Melbourne has had a house music scene, Francis Inferno Orchestra has been at the heart of it. Though now lives in Europe, the Australian’s sound is melody rich and tinged with disco dazzle when in the studio, while as a DJ he has an anything goes approach that turns up plenty of surprises. As well as co-running Superconcious Records, he releases on Let’s Play House and Drumpoet Community and has previously guessed on our Dekmantel Radio Show. For his mix, he goes sublimely slow and serene to start with. Beautiful ambient pads, twinkling keys and swooning strings encourage you to day dream before gently persuasive drums pick things up. From there, it’s an unpredictable ride full of twists and turns that one minute serves up acid, the next tribal drums, then hands in the air house. Before the end there is a return of ambient and even slow motion funk gets dropped. With spring just round the corner, this is a perfect mix to take us there.

As long as Melbourne has had a house music scene, Francis Inferno Orchestra has been at the heart of it. Though now lives in Europe, the Australian’s sound is melody rich and tinged with disco dazzle when in the studio, while as a DJ he has an anything goes approach that turns up plenty of surprises. As well as co-running Superconcious Records, he releases on Let’s Play House and Drumpoet Community and has previously guessed on our Dekmantel Radio Show. For his mix, he goes sublimely slow and serene to start with. Beautiful ambient pads, twinkling keys and swooning strings encourage you to day dream before gently persuasive drums pick things up. From there, it’s an unpredictable ride full of twists and turns that one minute serves up acid, the next tribal drums, then hands in the air house. Before the end there is a return of ambient and even slow motion funk gets dropped. With spring just round the corner, this is a perfect mix to take us there.

Dekmantel Podcast 165 - Francis Inferno Orchestra

Marina "Dr" Rubinstein comes at her DJing from the perspective of the dancer. She grew up loving to get down to techno back home in Israeli (though she is Russian born and Berlin based) and will always be a hardcore raver at heart. It means her sets are defined by a certain energetic dynamism that finds her calling on acid, 90s rave and pumping techno to get the floor sweating. She does so at key places like ://about blank and Berghain, and this summer will play Dekmantel Festival. Her adventurous spirit and quest for that “special feeling” on the dance floor characterises her mix for us. It is seventy minutes of grooves designed to make you move, from rugged techno to slippery electro via pulsing kick drums that burrow deep into the night. Contrasting dark with light, wild acid with more streamlined sounds and overtly physical tracks with those that are more cerebral, it makes for an arresting trip filled with special dance floor moments.

Marina "Dr" Rubinstein comes at her DJing from the perspective of the dancer. She grew up loving to get down to techno back home in Israeli (though she is Russian born and Berlin based) and will always be a hardcore raver at heart. It means her sets are defined by a certain energetic dynamism that finds her calling on acid, 90s rave and pumping techno to get the floor sweating. She does so at key places like ://about blank and Berghain, and this summer will play Dekmantel Festival. Her adventurous spirit and quest for that “special feeling” on the dance floor characterises her mix for us. It is seventy minutes of grooves designed to make you move, from rugged techno to slippery electro via pulsing kick drums that burrow deep into the night. Contrasting dark with light, wild acid with more streamlined sounds and overtly physical tracks with those that are more cerebral, it makes for an arresting trip filled with special dance floor moments.

Dekmantel Podcast 128 - Dr. Rubinstein

As you will already know, we really appreciate proper selectors here at Dekmantel. The next man to step up to our series is a prime example of that: Brooklyn based DJ and visual artist GE-OLOGY has been writing musical stories with real beginnings, middles and ends since he first started collecting wax aged five. After a career in hop hop working with royalty like Jill Scott and Mos Def, a slightly new direction has seen him put out a select few house productions on revered labels like Sound Signature, whilst the records he plays reflect his genuine musical and instrumental playing skills. Proof of that comes across the two diverse hours he digs deep to serve up for us here. From boogie to disco, jazz funk to smooth soul, this is the sort of golden and heart warming selection that has people demanding IDs and scouring Discogs immediately. Right up there with our friends like Sadar Bahar and MCDE, this is a joyous soundtrack filled with moments you will not forget.

As you will already know, we really appreciate proper selectors here at Dekmantel. The next man to step up to our series is a prime example of that: Brooklyn based DJ and visual artist GE-OLOGY has been writing musical stories with real beginnings, middles and ends since he first started collecting wax aged five. After a career in hop hop working with royalty like Jill Scott and Mos Def, a slightly new direction has seen him put out a select few house productions on revered labels like Sound Signature, whilst the records he plays reflect his genuine musical and instrumental playing skills. Proof of that comes across the two diverse hours he digs deep to serve up for us here. From boogie to disco, jazz funk to smooth soul, this is the sort of golden and heart warming selection that has people demanding IDs and scouring Discogs immediately. Right up there with our friends like Sadar Bahar and MCDE, this is a joyous soundtrack filled with moments you will not forget.

Dekmantel Podcast 104 - GE-OLOGY

Every mix in our series is special for different reasons, but there’s no denying that a new one from DâM-FunK will always turn heads. The multi-talented American DJ, musician and vocalist is a one man funk machine who has spent his life distilling boogie, g-funk, electro and synth pop into his own modern take on the genre. The Stones Throw afficionado and Glydezone head honcho has an encyclopaedic knowledge of music, is a prolific producer and collaborator with the likes of Snoop Dogg, and for ten years has hosted his own LA party Funkmosphere. Also, make sure to keep your eyes and ears pealed for his upcoming release ‘Architecture II’, dropping in August. This selection is very much like a night at one of those events: at nearly three and a half hours long, it touches on every facet of DâM-FunK’s sound from the opening and closing eighties synth-pop of Prefab Sprout to Jayda G’s recent tribal house cut ‘Sestra’s Cry’. Next to those, an impossibly diverse list of house and funk names includes Omar-S and Sylvia Striplin, 808 State and Barry White, Bas Noir and YES. As is always the way with DâM-FunK, each track is given the respect it deserves. The mixing is unfussy, often allowing tracks to end before slamming in the next one. Sometimes he moves the mix forwards, at others he takes a brave sidestep that would seem impossible on paper but that makes perfect sense in the context of this mix. All that means its likely you’ll keep on coming back to this timeless selection for many years to come.Mixed live in Ladera Heights (Los Angeles, California), via all original wax pressings owned by DāM-FunK.

Every mix in our series is special for different reasons, but there’s no denying that a new one from DâM-FunK will always turn heads. The multi-talented American DJ, musician and vocalist is a one man funk machine who has spent his life distilling boogie, g-funk, electro and synth pop into his own modern take on the genre. The Stones Throw afficionado and Glydezone head honcho has an encyclopaedic knowledge of music, is a prolific producer and collaborator with the likes of Snoop Dogg, and for ten years has hosted his own LA party Funkmosphere. Also, make sure to keep your eyes and ears pealed for his upcoming release ‘Architecture II’, dropping in August. This selection is very much like a night at one of those events: at nearly three and a half hours long, it touches on every facet of DâM-FunK’s sound from the opening and closing eighties synth-pop of Prefab Sprout to Jayda G’s recent tribal house cut ‘Sestra’s Cry’. Next to those, an impossibly diverse list of house and funk names includes Omar-S and Sylvia Striplin, 808 State and Barry White, Bas Noir and YES. As is always the way with DâM-FunK, each track is given the respect it deserves. The mixing is unfussy, often allowing tracks to end before slamming in the next one. Sometimes he moves the mix forwards, at others he takes a brave sidestep that would seem impossible on paper but that makes perfect sense in the context of this mix. All that means its likely you’ll keep on coming back to this timeless selection for many years to come. Mixed live in Ladera Heights (Los Angeles, California), via all original wax pressings owned by DāM-FunK.

Dekmantel Podcast 184 - DâM-FunK

Khidja is a Romanian duo focussed on fusion. They met at high school in Germany and since then have soaked up sounds from all over the world, as well as from their Romanian homeland. From jazz to gypsy music, traditional instrumentation to techno, they skip between genres and generations with ease. Mixing up synths and cult instruments like the setar or ney, their organic soundscapes have come on labels like Hiven Discs and [Emotional] Especial and always add up to intoxicating and esoteric trips. Across the course of 90 minutes for us, they lay all that bare. It’s a punk minded session that journeys through sci-fi noise, freaky disco and no wave sounds with real intensity, building to dense peaks before dissipating and sinking down into a slithering groove. Bold and adventurous, Khidja explore the roots and peripheries of electronic music in brilliantly beguiling fashion.

Khidja is a Romanian duo focussed on fusion. They met at high school in Germany and since then have soaked up sounds from all over the world, as well as from their Romanian homeland. From jazz to gypsy music, traditional instrumentation to techno, they skip between genres and generations with ease. Mixing up synths and cult instruments like the setar or ney, their organic soundscapes have come on labels like Hiven Discs and [Emotional] Especial and always add up to intoxicating and esoteric trips. Across the course of 90 minutes for us, they lay all that bare. It’s a punk minded session that journeys through sci-fi noise, freaky disco and no wave sounds with real intensity, building to dense peaks before dissipating and sinking down into a slithering groove. Bold and adventurous, Khidja explore the roots and peripheries of electronic music in brilliantly beguiling fashion.

Dekmantel Podcast 185 - Khidja

The last few years have seen Volvox rightfully come of age on the international scene. The self-styled “techno disciple” has been shaping and driving the Brooklyn underground ever since moving to NYC from Boston in 2011, but has been hosting events and laying down tough sets for more than a decade. A couple of residencies in that time have seen her push both an acid house sound and a harder techno outlook while she is now at home everywhere from De School to Berghain.In this searing 80 minute selection, Volvox tears through a range of electro sounds that race along with a high speed funk. Form punchy bass driven jams to visceral industrial and on to a sci-fi future, it’s a brilliantly widescreen but cohesive overview of a genre that is made for dancing.

The last few years have seen Volvox rightfully come of age on the international scene. The self-styled “techno disciple” has been shaping and driving the Brooklyn underground ever since moving to NYC from Boston in 2011, but has been hosting events and laying down tough sets for more than a decade. A couple of residencies in that time have seen her push both an acid house sound and a harder techno outlook while she is now at home everywhere from De School to Berghain. In this searing 80 minute selection, Volvox tears through a range of electro sounds that race along with a high speed funk. Form punchy bass driven jams to visceral industrial and on to a sci-fi future, it’s a brilliantly widescreen but cohesive overview of a genre that is made for dancing.

Dekmantel Podcast 243 - Volvox

Norway's Prins Thomas is a giant of an artist whose influence looms large over the whole of the Scandi-scene.  The space-disco king has a sound that draws on electro, krautrock, psychedelia and prog in melodically majestic ways and has given rise to a wealth of fully realised studio albums and classy dance floor singles, mostly on Smalltown Supersound. His latest record, 2019's Ambitions, is one of his best: it found him strip things back and reinvent himself once more over the course of plenty of gently absorbing grooves and mindful moods.As a DJ he is just as well equipped to take you on real dance floor odysseys built on ever present grooves, but coloured with melodies from the celestial realms. And that is the case on his 90 minute podcast for us, which journeys through frosty northern tundras as well as twinkling night skies with equal elan. The ups and downs along the way are subtle ones, but together they create something perfectly escapist and somehow very suited to this time of year.

Norway's Prins Thomas is a giant of an artist whose influence looms large over the whole of the Scandi-scene. The space-disco king has a sound that draws on electro, krautrock, psychedelia and prog in melodically majestic ways and has given rise to a wealth of fully realised studio albums and classy dance floor singles, mostly on Smalltown Supersound. His latest record, 2019's Ambitions, is one of his best: it found him strip things back and reinvent himself once more over the course of plenty of gently absorbing grooves and mindful moods. As a DJ he is just as well equipped to take you on real dance floor odysseys built on ever present grooves, but coloured with melodies from the celestial realms. And that is the case on his 90 minute podcast for us, which journeys through frosty northern tundras as well as twinkling night skies with equal elan. The ups and downs along the way are subtle ones, but together they create something perfectly escapist and somehow very suited to this time of year.

Dekmantel Podcast 262 - Prins Thomas

Kobosil is one of the new wave of artists to have emerged under the wing of Berghain. As well as being a resident at the club, the Berlin DJ and producer has also released on its in house labels Ostgut Ton and Unterton, as well as on fellow resident Marcel Dettmann’s own eponymous imprint. His dark, heavy sound also gave rise to a debut full length earlier this year, and with its clear focus on big linear drums and shadowy atmospheres, it proved he is here to stay. Now, the boss of his own RK label steps up to our series with a similarly impressive mix. Starting out in frazzled and dystopian fashion, the mix wastes little time in setting a high impact, high tempo techno agenda. Overdriven percussion and lurching synths, wild machine sounds and thumping drums are all hurried and forceful and encourage you to lean right into the grooves, head down, stomping away. It is a powerful and maximal one hour selection that cannot fail to get your attention.

Kobosil is one of the new wave of artists to have emerged under the wing of Berghain. As well as being a resident at the club, the Berlin DJ and producer has also released on its in house labels Ostgut Ton and Unterton, as well as on fellow resident Marcel Dettmann’s own eponymous imprint. His dark, heavy sound also gave rise to a debut full length earlier this year, and with its clear focus on big linear drums and shadowy atmospheres, it proved he is here to stay. Now, the boss of his own RK label steps up to our series with a similarly impressive mix. Starting out in frazzled and dystopian fashion, the mix wastes little time in setting a high impact, high tempo techno agenda. Overdriven percussion and lurching synths, wild machine sounds and thumping drums are all hurried and forceful and encourage you to lean right into the grooves, head down, stomping away. It is a powerful and maximal one hour selection that cannot fail to get your attention.

Dekmantel Podcast 095 - Kobosil

Aurora Halal

The music Aurora Halal creates is informed by many different disciplines. She is a producer, but also a videographer and visual artist who has worked on films about modular synth godfather Morton Subotnick amongst others. She is also the force behind Brooklyn’s Mutual Dreaming party series as well as the Sustain-Release festival. In just a couple of years she has cooked up an expressive and experimental techno sound—solo and with the likes of Ital—on labels such as Lovers Rock and her own Mutal Dreaming Recordings. Oppressive and foggy, her distorted, imperfect sounds made up of heavy drums and scurrying synths have taken her to plenty of remarkable live gigs all over the world. Now she steps up to our mix series with equal aplomb.

Dekmantel Podcast 106 - Aurora Halal

Beta Librae is the brightest star in the Libra constellation, but also one of the brightest stars in techno. Bailey Hoffman hails from New York City and arrived in 2015 pretty much with a fully formed and decidedly singular sound. Releasing albums and EPs on labels like Incienso and Allergy Season, she draws on ambient, downtempo, new age and house music to stir up weird atmospheres and slow motion grooves. Lots goes on between her lazy kicks, and it all serves to sink you into a cavernous and expansive world of beautiful melody and loose percussion.Over the course of ninety minutes, Hoffman’s wide sphere of influences are all exposed. There’s kaleidoscopic techno that traps you in a hall of mirrors as melodies refracted all around, ramshackle drums that are on the verge of collapse and murky house music that’s gritty and grimy. The transitions between these worlds are subtle, and for every passage of dark and dirty texture there are moments of light emitting beauty that keeps the whole thing moving.  This is club music from a whole new perspective.

Beta Librae is the brightest star in the Libra constellation, but also one of the brightest stars in techno. Bailey Hoffman hails from New York City and arrived in 2015 pretty much with a fully formed and decidedly singular sound. Releasing albums and EPs on labels like Incienso and Allergy Season, she draws on ambient, downtempo, new age and house music to stir up weird atmospheres and slow motion grooves. Lots goes on between her lazy kicks, and it all serves to sink you into a cavernous and expansive world of beautiful melody and loose percussion. Over the course of ninety minutes, Hoffman’s wide sphere of influences are all exposed. There’s kaleidoscopic techno that traps you in a hall of mirrors as melodies refracted all around, ramshackle drums that are on the verge of collapse and murky house music that’s gritty and grimy. The transitions between these worlds are subtle, and for every passage of dark and dirty texture there are moments of light emitting beauty that keeps the whole thing moving. This is club music from a whole new perspective.

Dekmantel Podcast 213 - Beta Librae

Chinese born Tzusing has spent time in Chicago, Singapore and Taiwan and “this condition of dislocation” is what informs his music. It is a brash mix of industrial textures, harsh broken techno and subversive pop, trap and rap that is all blurred into one borderless offering that mirrors his own personal intersections. That music has come on LIES since 2011 and has given rise to standout LP 東方不敗 in 2017 that lead to shows on Boiler Room, Dommune and at Berghain. He was quiet on the release front in 2018, but has started this year with a new split EP on Pan, and now offers us a musical catch up ahead of him playing at Dekmantel Festival later in the year. Over the course of seventy minutes he jumps around restlessly, but somehow his sounds remain united by shiny metallic surfaces whether he’s mixing in Asian pop, whirring computer sounds in meltdown or horror-core. To us, it sounds like a futuristic soundtrack to some hyper urban metropolis that’s on the brink of collapse, and it’s genuinely compelling.

Chinese born Tzusing has spent time in Chicago, Singapore and Taiwan and “this condition of dislocation” is what informs his music. It is a brash mix of industrial textures, harsh broken techno and subversive pop, trap and rap that is all blurred into one borderless offering that mirrors his own personal intersections. That music has come on LIES since 2011 and has given rise to standout LP 東方不敗 in 2017 that lead to shows on Boiler Room, Dommune and at Berghain. He was quiet on the release front in 2018, but has started this year with a new split EP on Pan, and now offers us a musical catch up ahead of him playing at Dekmantel Festival later in the year. Over the course of seventy minutes he jumps around restlessly, but somehow his sounds remain united by shiny metallic surfaces whether he’s mixing in Asian pop, whirring computer sounds in meltdown or horror-core. To us, it sounds like a futuristic soundtrack to some hyper urban metropolis that’s on the brink of collapse, and it’s genuinely compelling.

Dekmantel Podcast 224 - Tzusing

Plaid

Plaid's techno is some of the most thoughtful out there, and the waythe British pair deliver it is often just as interesting. TakeEd Handley and Andy Turner's latest album, Polymer, which came with itsown interactive web environment and encouraged us to think about therole artificial substances play in our lives. Musically it wasa harder-edged mix of broken techno and heavy snares, but still offeredthe sort of technicality and emotion that has always stood the Warpduo apart.In their mix for us they put all their many years of know-how into atimeless selection of tense and engaging electronic sounds. It toucheson far-gazing and futuristic techno, melancholic ambient passages andonto scintillatingly melodic IDM and twisted jungle. It's a realrollercoaster from two jedis of the scene.

Plaid's techno is some of the most thoughtful out there, and the way the British pair deliver it is often just as interesting. Take Ed Handley and Andy Turner's latest album, Polymer, which came with its own interactive web environment and encouraged us to think about the role artificial substances play in our lives. Musically it was a harder-edged mix of broken techno and heavy snares, but still offered the sort of technicality and emotion that has always stood the Warp duo apart. In their mix for us they put all their many years of know-how into a timeless selection of tense and engaging electronic sounds. It touches on far-gazing and futuristic techno, melancholic ambient passages and onto scintillatingly melodic IDM and twisted jungle. It's a real rollercoaster from two jedis of the scene.

Dekmantel Podcast 255 - Plaid

Jonas Rönnberg is full of ideas. Since 2013 he’s turned out 15 albums and a handful of EPs that find the Swede forever cooking up moody techno landscapes. His atmospheres are heavy, and there is always a bleakness to his work; a darkness to his drones that is cannot fail to suck you in. Labels like Northern Electronics and Semantica have proved perfect homes for his longform sounds, and serious as his music can be, the man himself is also very playful: his latest release is a romance inspired album that rushes with the excitement of falling in love and soars with acoustic guitars and lush pianos. Over the course of an hour here he shows off many contrasting sounds and offers a real snapshot of his hyper-active mind. One moment you’re up against of wall of glitch, then pop vocals and heavenly pianos, then suspensory ambient that is as beautiful as the beats that follow are brutal. It’s an ambitiously freeform session that never lets you settle in one place and, despite—or maybe because of—the strangeness of it all, cannot fail to hook you in.

Jonas Rönnberg is full of ideas. Since 2013 he’s turned out 15 albums and a handful of EPs that find the Swede forever cooking up moody techno landscapes. His atmospheres are heavy, and there is always a bleakness to his work; a darkness to his drones that is cannot fail to suck you in. Labels like Northern Electronics and Semantica have proved perfect homes for his longform sounds, and serious as his music can be, the man himself is also very playful: his latest release is a romance inspired album that rushes with the excitement of falling in love and soars with acoustic guitars and lush pianos. Over the course of an hour here he shows off many contrasting sounds and offers a real snapshot of his hyper-active mind. One moment you’re up against of wall of glitch, then pop vocals and heavenly pianos, then suspensory ambient that is as beautiful as the beats that follow are brutal. It’s an ambitiously freeform session that never lets you settle in one place and, despite—or maybe because of—the strangeness of it all, cannot fail to hook you in.

Dekmantel Podcast 190 - Varg

Lord Of The Isles is the alias of British born producer Neil McDonald. Since 2011 the man delivered a steady amount of quality releases on labels like Mule, Permanent Vacation, Phonica and Unthank. Having just released his debut album “In Waves” on the acclaimed Californian ESP Institute label, run by Lovefingers, his contribution to our series comes at the right time. For his mix, Lord Of The Isles comes up with an hour long live set consisting of own tracks, which gives us a coherent insight into his musical mind.

Dekmantel Podcast 098 - Lord Of The Isles

There are a great deal of things you can say about Dan Snaith. His list of achievements would burnish any CV: a doctorate in mathematics under one arm, and some of the 21st century’s most celebrated electronica albums under the other. He manages to juggle festival headline slots across the world with the live iteration of Caribou, while slipping out timeless dancefloor burners and one of the last ever FabricLive CDs as Daphni. Oh, and he’s a super friendly guy too.That experience – and crowd-charming magnetism – can be heard all over today’s Dekmantel Podcast, a three-hour tour de force of Daphni in peak-time mode at the peak of summer. Recorded on Sunday of Dekmantel Festival 2018, in the middle of a humble-superstar-sandwich of Jamie XX / Floating Points, Snaith glides between rave stabs, strutting funk, stirring soul, global grooves and everything else under the (very warm) sun. Here’s to the next decade of Dan’s dominance!

There are a great deal of things you can say about Dan Snaith. His list of achievements would burnish any CV: a doctorate in mathematics under one arm, and some of the 21st century’s most celebrated electronica albums under the other. He manages to juggle festival headline slots across the world with the live iteration of Caribou, while slipping out timeless dancefloor burners and one of the last ever FabricLive CDs as Daphni. Oh, and he’s a super friendly guy too. That experience – and crowd-charming magnetism – can be heard all over today’s Dekmantel Podcast, a three-hour tour de force of Daphni in peak-time mode at the peak of summer. Recorded on Sunday of Dekmantel Festival 2018, in the middle of a humble-superstar-sandwich of Jamie XX / Floating Points, Snaith glides between rave stabs, strutting funk, stirring soul, global grooves and everything else under the (very warm) sun. Here’s to the next decade of Dan’s dominance!

Dekmantel Podcast 210 - Daphni

Brazilian duo Selvagem is made up of Millos Kaiser and Trepanado. Their alias translates from Portuguese as “wild” and their collective output fits that word well: it is organic and from-the-jungle, littered with traditional instruments as well as weird synths, plus bird calls, naturalistic sounds and vocal chantings. As well as being colourful DJs and record collectors, the pair host their own much loved sunset parties and intimate club events in Sao Paolo and Rio de Janerio. Mostly they command the decks themselves, but guests like Optimo and Andy Blake have also stopped by. A genre-less approach informs their DJ style and finds the pair mixing up sounds from many worlds other than dance, including rock, soul and funk as well as house and techno and plenty of indescribable moods in between. All of this is laid bare in their podcast for us, which is a seventy five minute, sun-kissed trip though pan pipes and afro-disco, breezy house and kaleidoscopic grooves. One of the most erudite offerings in our series, this set really does invite you into a whole new musical realm.

Brazilian duo Selvagem is made up of Millos Kaiser and Trepanado. Their alias translates from Portuguese as “wild” and their collective output fits that word well: it is organic and from-the-jungle, littered with traditional instruments as well as weird synths, plus bird calls, naturalistic sounds and vocal chantings. As well as being colourful DJs and record collectors, the pair host their own much loved sunset parties and intimate club events in Sao Paolo and Rio de Janerio. Mostly they command the decks themselves, but guests like Optimo and Andy Blake have also stopped by. A genre-less approach informs their DJ style and finds the pair mixing up sounds from many worlds other than dance, including rock, soul and funk as well as house and techno and plenty of indescribable moods in between. All of this is laid bare in their podcast for us, which is a seventy five minute, sun-kissed trip though pan pipes and afro-disco, breezy house and kaleidoscopic grooves. One of the most erudite offerings in our series, this set really does invite you into a whole new musical realm.

Dekmantel Podcast 096 - Selvagem

Efdemin has all but perfected his deep, expertly reduced take on house and techno. The German artist has mastered his form over the course of numerous 12”s on various labels, including three albums on Dial Records. They are intricate, mind bending affairs that take you in on yourself and constantly explore new ground. His hybrid mix CD on his own Naïf imprint and Curle last year was another career high point, and recently he has turned himself towards experimental and microtonal composition with yet more fascinating results. February 2019 will see Ostgut Ton release New Atlantis, his latest album and one inspired by Francis Bacon’s unfinished 17th century novel of the same name. Promising to fuse his left-of-centre take on dance music with a new found passion for experimental sound art, it’s the latest chapter in a fascinating artistic story. His podcast for us is a decidedly club-focussed mix, featuring the sort of warped synths and underlapping grooves you would expect of the man. There are multi-layered tracks of percussion, sound design and stringy rhythms to start, then things slip into long, draw out passages of tunnel vision techno before the drums begin to hit harder to carry you home. At times playful, at others deadly serious, it sums up the career of Efdemin perfectly.

Efdemin has all but perfected his deep, expertly reduced take on house and techno. The German artist has mastered his form over the course of numerous 12”s on various labels, including three albums on Dial Records. They are intricate, mind bending affairs that take you in on yourself and constantly explore new ground. His hybrid mix CD on his own Naïf imprint and Curle last year was another career high point, and recently he has turned himself towards experimental and microtonal composition with yet more fascinating results. February 2019 will see Ostgut Ton release New Atlantis, his latest album and one inspired by Francis Bacon’s unfinished 17th century novel of the same name. Promising to fuse his left-of-centre take on dance music with a new found passion for experimental sound art, it’s the latest chapter in a fascinating artistic story. His podcast for us is a decidedly club-focussed mix, featuring the sort of warped synths and underlapping grooves you would expect of the man. There are multi-layered tracks of percussion, sound design and stringy rhythms to start, then things slip into long, draw out passages of tunnel vision techno before the drums begin to hit harder to carry you home. At times playful, at others deadly serious, it sums up the career of Efdemin perfectly.

Dekmantel Podcast 214 - Efdemin

The best self improvement podcast episodes. From improving productivity, to finding purpose in your life to what constitutes freedom, this topic is on anything and everything that can help people to improve their lives. Add episodes you're interested into your queue below!

Best Episodes on Self Improvement, Growth & Development

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