JON KITLEY

This episode we are joined by Jon Kitley to talk about his love of and history with Paul Naschy! Readers of Horror Hound magazine are aware of his regular column ‘They Came from the Krypt’ but he has also published the book ‘Discover The Horror’ which is part genre exploration and part autobiography. Both Troy and I recommend it.   As you might expect from such a conversation, the three of us range all over the place touching on more topics than we could comfortably list. Suffice to say that we discuss horror conventions (where we all met), non-fiction horror genre books (which we all collect) and our shared fascination with movies and monstrous stories. Of course, we do finally get around to talking about Naschy with Jon falling squarely on my side of the critical Mummy divide! It is about time I had someone to stand with me on that hill!  HORROR RISES FROM THE TOMB was our guest’s introduction to the great man’s work and it becomes a big part of our chat. As a bonus, the legendary Spanish character actor Victor Israel gets more than a few minutes of glowing examination too. We had a great time talking Naschy and we hope you’ll enjoy listening.   If you have any comments or question naschycast@gmail.com is the place to send your emails. Thank you for checking out the show and we’ll be back soon. 

This episode we are joined by Jon Kitley to talk about his love of and history with Paul Naschy! Readers of Horror Hound magazine are aware of his regular column ‘They Came from the Krypt’ but he has also published the book ‘Discover The Horror’ which is part genre exploration and part autobiography. Both Troy and I recommend it. As you might expect from such a conversation, the three of us range all over the place touching on more topics than we could comfortably list. Suffice to say that we discuss horror conventions (where we all met), non-fiction horror genre books (which we all collect) and our shared fascination with movies and monstrous stories. Of course, we do finally get around to talking about Naschy with Jon falling squarely on my side of the critical Mummy divide! It is about time I had someone to stand with me on that hill!  HORROR RISES FROM THE TOMB was our guest’s introduction to the great man’s work and it becomes a big part of our chat. As a bonus, the legendary Spanish character actor Victor Israel gets more than a few minutes of glowing examination too. We had a great time talking Naschy and we hope you’ll enjoy listening.  If you have any comments or question naschycast@gmail.com is the place to send your emails. Thank you for checking out the show and we’ll be back soon.

Naschycast 72 - Jon Kitley Visits!

Marc McCloud

Marc McCloud drops by the show to discuss Naschy’s tale of the Inquisition in France. Marc is the owner of Orbit DVD and a longtime friend of Troy and I, but this is the first time we’ve ever talked about our mutual love of the films of Paul Naschy. Our guest chose Naschy’s directorial debut as the topic and we were happy to oblige.   Religious hypocrisy is a big part of our conversation and this gets us into the thorny area of what to call the subset of exploitation films of which this is a part. We note the influence of the Catholic Church on the nature of the fears that undergird the horrors of the film and wonder about the connections to the Nunsploitation genre. The villains of the story come under scrutiny with an eye toward how they use their relative places of power to extract their desires from those around them. And we speak a little about the ways that women had to work to accomplish things in the society ruled by male religious leaders. Join us for what I will refuse to call a ‘romp’ through INQUSISTION.   We end the show with a short email from Kurt and if you’d like to send us your thoughts naschycast@gmail.com is the address. Thank you for listening!

Marc McCloud drops by the show to discuss Naschy’s tale of the Inquisition in France. Marc is the owner of Orbit DVD and a longtime friend of Troy and I, but this is the first time we’ve ever talked about our mutual love of the films of Paul Naschy. Our guest chose Naschy’s directorial debut as the topic and we were happy to oblige. Religious hypocrisy is a big part of our conversation and this gets us into the thorny area of what to call the subset of exploitation films of which this is a part. We note the influence of the Catholic Church on the nature of the fears that undergird the horrors of the film and wonder about the connections to the Nunsploitation genre. The villains of the story come under scrutiny with an eye toward how they use their relative places of power to extract their desires from those around them. And we speak a little about the ways that women had to work to accomplish things in the society ruled by male religious leaders. Join us for what I will refuse to call a ‘romp’ through INQUSISTION. We end the show with a short email from Kurt and if you’d like to send us your thoughts <a href="mailto:naschycast@gmail.com">naschycast@gmail.com</a> is the address. Thank you for listening!

Naschycast #71 - INQUISTION with Marc McCloud

We return to the Beyond Naschy series with guest Bob Sargent making the choice of film this time out. ORLOFF AND THE INVISIBLE MAN (1970) is not a movie that is often called out as a favorite of even the most hardened Euro-Cult horror fanatics. In the past it has been mistaken as a Jess Franco effort with the director’s name, Pierre Chevalier, suspected of being another of the prolific filmmaker’s many pseudonyms. This appears to not be factual but anyone stumbling across this movie unaware couldn’t be blamed for making that assumption. It shares many of the standard tropes and oddities of one of Franco’s color gothics from the period which makes it a good companion piece of Franco’s EROTIC RITES OF FRANKENSTEIN (1973) and DRACULA, PRISONER OF FRANKENSTEIN (1972). It even sports Franco’s original Orloff actor Howard Vernon as ‘Professor’ Orloff who has somehow created an invisible man for the usual mad scientist reasons. The film’s story is a mish-mash of prematurely buried daughters, accidental murders and greedy servants who are not above a bit of graverobbing. Add to that one of the strangest rape sequences in cinema history and some obviously missing story pieces and you have an entertaining if often confusing 76 minutes. We talk about the cast and crew, including their various Naschy connections. We discuss the missing scenes that can be glimpsed in the French trailer for the film and in the extras included on the old Image DVD. We find some moments of real beauty in the cinematography and some unintentionally funny scenes that just don’t work. The English dialog causes quite a few laughs as we quote some standout circular conversations. Part of our discussion centers on the term ‘guilty pleasure’ and how each of the three of us feel about applying that overused phrase to our love of Euro-Cult cinema. As you might expect, there are more than a few verbal trips down barely connected cinema paths with the final forty-five minute mailbag section becoming a memory lane remembrance of our late friend Craig Ledbetter. If you’d like to add you voice to the show naschycast@gmail.com is the place to send your thoughts and questions. Troy and I are very happy that Bob has joined us again and with a little luck we will have around for the rest of this year’s shows! Thanks for listening

We return to the Beyond Naschy series with guest Bob Sargent making the choice of film this time out. ORLOFF AND THE INVISIBLE MAN (1970) is not a movie that is often called out as a favorite of even the most hardened Euro-Cult horror fanatics. In the past it has been mistaken as a Jess Franco effort with the director’s name, Pierre Chevalier, suspected of being another of the prolific filmmaker’s many pseudonyms. This appears to not be factual but anyone stumbling across this movie unaware couldn’t be blamed for making that assumption. It shares many of the standard tropes and oddities of one of Franco’s color gothics from the period which makes it a good companion piece of Franco’s EROTIC RITES OF FRANKENSTEIN (1973) and DRACULA, PRISONER OF FRANKENSTEIN (1972). It even sports Franco’s original Orloff actor Howard Vernon as ‘Professor’ Orloff who has somehow created an invisible man for the usual mad scientist reasons. The film’s story is a mish-mash of prematurely buried daughters, accidental murders and greedy servants who are not above a bit of graverobbing. Add to that one of the strangest rape sequences in cinema history and some obviously missing story pieces and you have an entertaining if often confusing 76 minutes. We talk about the cast and crew, including their various Naschy connections. We discuss the missing scenes that can be glimpsed in the French trailer for the film and in the extras included on the old Image DVD. We find some moments of real beauty in the cinematography and some unintentionally funny scenes that just don’t work. The English dialog causes quite a few laughs as we quote some standout circular conversations. Part of our discussion centers on the term ‘guilty pleasure’ and how each of the three of us feel about applying that overused phrase to our love of Euro-Cult cinema. As you might expect, there are more than a few verbal trips down barely connected cinema paths with the final forty-five minute mailbag section becoming a memory lane remembrance of our late friend Craig Ledbetter. If you’d like to add you voice to the show <a href="mailto:naschycast@gmail.com">naschycast@gmail.com</a> is the place to send your thoughts and questions. Troy and I are very happy that Bob has joined us again and with a little luck we will have around for the rest of this year’s shows! Thanks for listening

Beyond Naschy 36 - ORLOFF AND THE INVISIBLE MAN (1970)

Troy and I bring you a brief email episode to round out October. There are questions to address and opinions to discuss so check it out. We do take some occasional editorial privilege but are happy to pass along information about a subtitled DVD of THE TRANSEXUAL (1977) out there on the world wide web. Some talk of Monster Bash is on tap along with some news about upcoming episodes of Wild, Wild Podcast. And what is this we are told about a film in which Victor Israel plays the lead? This must be found! Also, a listener passes along information about a Laurel and Hardy podcast that has escaped our attention until now.  But luckily, we remain the rumbling tummy ache of podcasting!   If you want to add your voice to the show naschycast@gmail.com is the place to send all missives. We look forward to your notes and thank you listening to the podcast. Oh – and Happy Halloween!

Troy and I bring you a brief email episode to round out October. There are questions to address and opinions to discuss so check it out. We do take some occasional editorial privilege but are happy to pass along information about a subtitled DVD of THE TRANSEXUAL (1977) out there on the world wide web. Some talk of Monster Bash is on tap along with some news about upcoming episodes of Wild, Wild Podcast. And what is this we are told about a film in which Victor Israel plays the lead? This must be found! Also, a listener passes along information about a Laurel and Hardy podcast that has escaped our attention until now.  But luckily, we remain the rumbling tummy ache of podcasting! If you want to add your voice to the show <a href="mailto:naschycast@gmail.com">naschycast@gmail.com</a> is the place to send all missives. We look forward to your notes and thank you listening to the podcast. Oh – and Happy Halloween!

Mailbag Show for October

Bob Sargent

Troy and I once again welcome Bob Sargent to the Naschycast! This time we discuss one of our favorite Paul Naschy’s horror tales, THE HUNCHBACK OF THE MORGUE (1973). This film’s inspired madness is certainly worth talking about and we find some fresh areas to explore. The relative ease that Naschy’s poor hunchback Gotho has kidnapping women for the mad doctor’s experiments is a topic of some debate. Also, the fact that several characters have some knowledge of what is going on but they never compare notes well enough to raise the necessary alarm is something puzzled over. We notice that it doesn’t help that the local cops can’t seem to find a clue when it’s sitting right in front of them lying straight to their faces! Seriously – how suspicious does Orla have to be before you follow that nutcase around just to check up on things? Bob brings up some interesting questions that we’ve never examined before including the presence of some very odd decorations in a certain apartment. I think I’ve solved one of them but the other is still a mystery. Maybe you can help us out. If you have any comments or suggestions or if you have a guess about what that strange hanging object in Rosanna Yanni’s place might be naschycast@gmail.com is the place to send them. Thank you for listening!

Troy and I once again welcome Bob Sargent to the Naschycast! This time we discuss one of our favorite Paul Naschy’s horror tales, THE HUNCHBACK OF THE MORGUE (1973). This film’s inspired madness is certainly worth talking about and we find some fresh areas to explore. The relative ease that Naschy’s poor hunchback Gotho has kidnapping women for the mad doctor’s experiments is a topic of some debate. Also, the fact that several characters have some knowledge of what is going on but they never compare notes well enough to raise the necessary alarm is something puzzled over. We notice that it doesn’t help that the local cops can’t seem to find a clue when it’s sitting right in front of them lying straight to their faces! Seriously – how suspicious does Orla have to be before you follow that nutcase around just to check up on things? Bob brings up some interesting questions that we’ve never examined before including the presence of some very odd decorations in a certain apartment. I think I’ve solved one of them but the other is still a mystery. Maybe you can help us out. If you have any comments or suggestions or if you have a guess about what that strange hanging object in Rosanna Yanni’s place might be <a href="mailto:naschycast@gmail.com">naschycast@gmail.com</a> is the place to send them. Thank you for listening!

Naschycast 70 - HUNCHBACK OF THE MORGUE with Bob Sargent

Bob Sargent returns to the show to discuss a very early Paul Naschy screen appearance. Rescued from Spanish language-only obscurity by the online fan-subbing community AGONIZANDO EN EL CRIMEN (1968) is a strange crime story centered on a serial killer obsessed with medical professionals - and their hands! This one is not easy to see but is it worth seeking out? Boy, do we have a lot to say.   Troy, Bob and I dig into the production of the film and how Naschy’s original job on this project was behind the camera. We spot a few interesting locations including a very familiar set of steps that are a big part of Naschy’s cinematic legacy. The film’s writer/star comes under scrutiny with Naschy’s pointed comments about fellow leaving no doubt about why these two men never worked together again. On the other hand, this movie’s director, Enrique López Eguiluz, played a major role in making Jacinto Molina into the horror movie star we know and love to this day.   We take our time and really pull this one apart with occasional sideroads into the Hammer Dracula films and the on-set shenanigans of Klaus Kinski. It can’t be helped! We have a lot to say about the Juan Logar’s wide-eyed, maniacal but still somehow detached performance. We chuckle over the casual 1960’s style of misogyny and the silly idea that a woman might become a surgeon. Madness! And it all circles round to an embarrassing discussion of how best to hide a murder boner. We are a strange trio.   We end the episode with a few new pieces of mail sent to naschycast@gmail.com and if you have anything you’d like to tell us, that is the place. Thank you for listening to the show and we’ll be back soon. 

Bob Sargent returns to the show to discuss a very early Paul Naschy screen appearance. Rescued from Spanish language-only obscurity by the online fan-subbing community AGONIZANDO EN EL CRIMEN (1968) is a strange crime story centered on a serial killer obsessed with medical professionals - and their hands! This one is not easy to see but is it worth seeking out? Boy, do we have a lot to say. Troy, Bob and I dig into the production of the film and how Naschy’s original job on this project was behind the camera. We spot a few interesting locations including a very familiar set of steps that are a big part of Naschy’s cinematic legacy. The film’s writer/star comes under scrutiny with Naschy’s pointed comments about fellow leaving no doubt about why these two men never worked together again. On the other hand, this movie’s director, Enrique López Eguiluz, played a major role in making Jacinto Molina into the horror movie star we know and love to this day. We take our time and really pull this one apart with occasional sideroads into the Hammer Dracula films and the on-set shenanigans of Klaus Kinski. It can’t be helped! We have a lot to say about the Juan Logar’s wide-eyed, maniacal but still somehow detached performance. We chuckle over the casual 1960’s style of misogyny and the silly idea that a woman might become a surgeon. Madness! And it all circles round to an embarrassing discussion of how best to hide a murder boner. We are a strange trio. We end the episode with a few new pieces of mail sent to naschycast@gmail.com and if you have anything you’d like to tell us, that is the place. Thank you for listening to the show and we’ll be back soon.

Naschycast 69 - AGONIZANDO EN EL CRIMEN (1968

This short show is comprised of two segments of Troy and I reading several emails and answering questions sent to the podcast. Many topics are hashed over.   Originally this was to be an even briefer episode but I waited long enough that more emails came in allowing us to add extra responses. Never say that procrastination doesn’t sometimes have an upside!   If you have any comments, questions or ideas about the show naschycast@gmail.com is the place to let us know. I think we’ll continue to handle new emails in this way as we go forward. Unless the listeners don’t like the shorter shows. We’ll see. Thanks for listening! 

This short show is comprised of two segments of Troy and I reading several emails and answering questions sent to the podcast. Many topics are hashed over. Originally this was to be an even briefer episode but I waited long enough that more emails came in allowing us to add extra responses. Never say that procrastination doesn’t sometimes have an upside! If you have any comments, questions or ideas about the show naschycast@gmail.com is the place to let us know. I think we’ll continue to handle new emails in this way as we go forward. Unless the listeners don’t like the shorter shows. We’ll see. Thanks for listening!

Mini-Naschycast - Email Episode

The NaschyCast returns with a long episode to reward your patience.   Bob Sargent was the man behind the excellent 1990’s cult movie fanzine Videooze. His issue devoted to Paul Naschy was a major contributor to my early knowledge of the man’s filmography and allowed for fans to have a roadmap to his career. Mr. Sargent is a huge fan of Naschy and reached out recently to gab about our shared fascination with the great Spanish Horror icon. Of course, Troy and I couldn’t wait to get him in front of a Zoom mic and pick his brain about Euro-Horror in general and Naschy in specific. He was even kind enough to put together a list of his personal Top Ten favorite films by Senor Molina! This a is a lively conversation and it ranges over the decades and across a dozen different topics. You might even learn a little about how Videooze came about and who Mr. Sargent credits with pushing him into self-publishing.   If you have any comments or questions naschycast@gmail.com is still the address to send things to. We’ll be back soon with a short episode focused on answering a few emails.

The NaschyCast returns with a long episode to reward your patience. Bob Sargent was the man behind the excellent 1990’s cult movie fanzine Videooze. His issue devoted to Paul Naschy was a major contributor to my early knowledge of the man’s filmography and allowed for fans to have a roadmap to his career. Mr. Sargent is a huge fan of Naschy and reached out recently to gab about our shared fascination with the great Spanish Horror icon. Of course, Troy and I couldn’t wait to get him in front of a Zoom mic and pick his brain about Euro-Horror in general and Naschy in specific. He was even kind enough to put together a list of his personal Top Ten favorite films by Senor Molina! This a is a lively conversation and it ranges over the decades and across a dozen different topics. You might even learn a little about how Videooze came about and who Mr. Sargent credits with pushing him into self-publishing. If you have any comments or questions <a href="mailto:naschycast@gmail.com">naschycast@gmail.com</a> is still the address to send things to. We’ll be back soon with a short episode focused on answering a few emails.

Naschycast 68 - Bob Sargent Interview

Troy and I (finally) return with a new episode! This time we dive back into the Franco pool of cool and look longingly at the luminous Soledad Miranda. SHE KILLED IN ECSTASY (1971) was the final collaboration between the young actress and Jess Franco before her untimely passing. While it is generally not considered their best film together it contains many scenes that display the brilliance that they could achieve. Soledad’s skills are on full display in her role as a vengeful wife extracting blood from the people who hounded her husband into suicide. As the story plays out, she runs the gamut of human emotions from deep concern and grief-stricken to seductively aloof and finally filled with violent rage. Her performance is mesmerizing and is carried out so well that she could have embodied her character without dialog and still communicated every nuance necessary to engage the viewer. She was a powerhouse screen presence and her loss is only more deeply felt when watching her in this film. We dig into why we enjoy this film as much as we do with much attention paid to the strength of the central performance. We point to reoccurring plot elements within Franco’s work and his love of a certain visual metaphor involving boats at sea. We discuss the movie’s odd choice to rush past the possible mad scientist idea at the beginning to get to the righteous vengeance at the heart of things. We try to define what makes Soledad such a memorable screen actress even as this film refuses to even give her character a first name. Each of the murders is dissected as we try to understand what Franco might have had in mind as his story gains force, climaxing in a fascinating sequence in which the director is himself the victim. It certainly raises some questions about Jess’ sexual desires and points toward what might have been included in future unrealized projects. We hope you enjoy the episode and if you have any comments naschycast@gmail.com is the show’s address. Thank you for listening and we’ll be back soon. I promise!

Troy and I (finally) return with a new episode! This time we dive back into the Franco pool of cool and look longingly at the luminous Soledad Miranda. SHE KILLED IN ECSTASY (1971) was the final collaboration between the young actress and Jess Franco before her untimely passing. While it is generally not considered their best film together it contains many scenes that display the brilliance that they could achieve. Soledad’s skills are on full display in her role as a vengeful wife extracting blood from the people who hounded her husband into suicide. As the story plays out, she runs the gamut of human emotions from deep concern and grief-stricken to seductively aloof and finally filled with violent rage. Her performance is mesmerizing and is carried out so well that she could have embodied her character without dialog and still communicated every nuance necessary to engage the viewer. She was a powerhouse screen presence and her loss is only more deeply felt when watching her in this film. We dig into why we enjoy this film as much as we do with much attention paid to the strength of the central performance. We point to reoccurring plot elements within Franco’s work and his love of a certain visual metaphor involving boats at sea. We discuss the movie’s odd choice to rush past the possible mad scientist idea at the beginning to get to the righteous vengeance at the heart of things. We try to define what makes Soledad such a memorable screen actress even as this film refuses to even give her character a first name. Each of the murders is dissected as we try to understand what Franco might have had in mind as his story gains force, climaxing in a fascinating sequence in which the director is himself the victim. It certainly raises some questions about Jess’ sexual desires and points toward what might have been included in future unrealized projects. We hope you enjoy the episode and if you have any comments naschycast@gmail.com is the show’s address. Thank you for listening and we’ll be back soon. I promise!

Beyond Naschy #35 - SHE KILLED IN ECSTASY (1971)

Post-apocalyptic stories don’t turn up in the Golden Age of Spanish Horror as frequently as I would like and until a listener asked us about REFUGE OF FEAR (1974) neither of us were aware of it being part of that sub-genre. Of course, once we learned about the cast, we immediately tracked down a copy and here we are!   Also known as CREATION OF THE DAMNED the film tells the story of a small group of survivors of a possible nuclear war. These five people live in a cramped underground complex while trying to wait out the effects of radiation on the world above. The teenage son of one couple is obsessed with trying to stay in contact with the outside by shortwave radio. He lives in the hope that his girlfriend is somehow still alive but is becoming less sure of that possibility while the pair of married couples are having problems of their own. The husbands are ex-military so are using their training to maintain order but as the film begins tensions are in evidence. One wife drinks and knits while the other tries to sleep away as many hours as she can. Soon, the cracks that begin to appear in the walls of their concrete bunker aren’t the most dangerous breaks in their lives as mentally fragile people start to fracture.   REFUGE OF FEAR (1974) has a generally bad reputation which both Troy and I feel is a shame. We were drawn to see this film because it stars the wonderful Patty Shepard who, along with Craig Hill, appeared in a couple of Paul Naschy’s films. She and Hill have he most screentime and are good in their roles with the script giving them some juicy dramatic meat to chew on. The interesting script comes under discussion even as we try to not spoil the turns things take in the final act. We both feel that the director lets the film down a bit and we dig into the possible reasons for that. And we once again find a film that is richly deserving of a quality Blu-Ray release. I think this could be considered a much better film if a good print was made available.   If you have any comments on the film or anything else naschycast@gmail.com is the address. Or we can be found lurking over at the show’s FaceBook page as well. Thanks for listening! 

Post-apocalyptic stories don’t turn up in the Golden Age of Spanish Horror as frequently as I would like and until a listener asked us about REFUGE OF FEAR (1974) neither of us were aware of it being part of that sub-genre. Of course, once we learned about the cast, we immediately tracked down a copy and here we are! Also known as CREATION OF THE DAMNED the film tells the story of a small group of survivors of a possible nuclear war. These five people live in a cramped underground complex while trying to wait out the effects of radiation on the world above. The teenage son of one couple is obsessed with trying to stay in contact with the outside by shortwave radio. He lives in the hope that his girlfriend is somehow still alive but is becoming less sure of that possibility while the pair of married couples are having problems of their own. The husbands are ex-military so are using their training to maintain order but as the film begins tensions are in evidence. One wife drinks and knits while the other tries to sleep away as many hours as she can. Soon, the cracks that begin to appear in the walls of their concrete bunker aren’t the most dangerous breaks in their lives as mentally fragile people start to fracture. REFUGE OF FEAR (1974) has a generally bad reputation which both Troy and I feel is a shame. We were drawn to see this film because it stars the wonderful Patty Shepard who, along with Craig Hill, appeared in a couple of Paul Naschy’s films. She and Hill have he most screentime and are good in their roles with the script giving them some juicy dramatic meat to chew on. The interesting script comes under discussion even as we try to not spoil the turns things take in the final act. We both feel that the director lets the film down a bit and we dig into the possible reasons for that. And we once again find a film that is richly deserving of a quality Blu-Ray release. I think this could be considered a much better film if a good print was made available.  If you have any comments on the film or anything else naschycast@gmail.com is the address. Or we can be found lurking over at the show’s FaceBook page as well. Thanks for listening!

Beyond Naschy 34 - REFUGE OF FEAR (1974)

Spanish Horror Icon Paul Naschy and Other Films from the Golden Age of Spanish Horror

Excellent podcast. Both hosts (Troy and Rod) are very knowledgeable about the films they review. They point out the good and the bad about the films, no favoritism at all. They have great chemistry together and are entertaining to listen to. Definitely give the cast a shot even if you aren’t a huge Naschy fan you’ll enjoy it.

Naschycast

What&#39;s not to like about two guys from Tennessee with an obsessive love for and extensive knowledge of Eurocult cinema giving play-by-play run downs on Paul Naschy flicks and other Spanish horror? They are classy guys, generous to their peers and contemporaries, funny, and so far they haven&#39;t said anything to irritate me, which is actually rare. So many podcasts pick the best, most obscure old films out there to cover but then say stupid things about them to ruin it. These guys have the right chemistry, are humble and knowledgeable, and know how to ENJOY films for what they have to offer taken seriously on their own terms. The only warning I would give is do not listen to episodes about movies you haven&#39;t seen yet, as they go scene by scene through each entire film they cover. Would love to see .5&#39;s about BELL FROM HELL and WHO CAN KILL A CHILD.

Knowledgeable, Funny, Obsessively Complete

NaschyCast

Jess Franco

This month we bring you a special episode of the show. If you've listened to many of our shows you will have heard us mention the magazine Video Watchdog in reference to something or some movie. Both Troy and I have been readers of the 'Perfectionist's Guide to Fantastic Video' for decades now and each issue brings new delights. The depth and breadth of the coverage in the pages of this digest sized joy is incredible. Several years ago we met duo behind the magazine and became great friends with them resulting in many fun evenings of movie (and music) discussion that often saw the sun rise before we called things to a halt. Call them publishers, editors, writers, film historians or just great folks Tim and Donna Lucas are two of the nicest people in the world and we're proud to bring you a chance to sit in on a conversation with each of them. First up, Donna takes the opportunity to explain the details of Video Watchdog's move to the digital world. Luckily this does not mean the end of the print version of VW (Thank the stars!) but the bells and whistles added to the online versions of each issue are astonishing. And proving just how nice a lady she is, Donna let's you in on an amazing deal - By using coupon code PODCAST at the Video Watchdog online store checkout you receive 50% off the Digital Archive (176 issues) until December 31, 2016. That's right! For the rest of this year you can grab the VW Digital Archive for half off the (already low) digital price! And did I mention that each new issue is online to read free for the first two months after it's published for FREE! Amazing. So go check out the latest issue inline and see what's going on! The current issue has tons of reviews and a huge article on Carmilla and the various screen adaptations of that classic female vampire tale. Longtime listeners will know that back in 2011 I got Tim Lucas to sit down for a couple of chats about Naschy's films resulting in some great discussion. I still think his defense of several aspects of BEAST AND THE MAGIC SWORD are eye opening and it is just such differing, knowledgeable opinions that I want when talking about genre film. Of course, Tim is one of the top genre film writers working today and his recent awards for his Mario Bava commentary tracks show that his skills translate from page to audio very well. Here we spend some time discussing several Jess Franco films and a few of their variations. Movies we touch on include THE OBSCENE MIRROR and it's non-porn Spanish language version THE OTHER SIDE OF THE MIRROR, FURY IN THE TROPICS, THE DIABOLICAL DOCTOR Z, THE EROTIC RITES OF FRANKENSTEIN and Franco's two Fu Manchu films. I think that in my excitement I may have babbled too much but just listen in for the pearls of insight and wisdom Tim brings to the table and it will all even out! I hope! Here are the links to take advantage of the Video Watchdog Digital Archive Sale and look over the newest issue for free! Use coupon code PODCAST at checkout to receive 50% off the Digital Archive (176 issues) until December 31, 2016. Digital Editions: http://www.videowatchdog.com/home/digital/library.html Free Issue: http://videowatchdog.com/vw Free Keeper Issue: http://videowatchdog.com/home/digital/keeper Digital 'Dog Blog: http://vwdigitaldog.blogspot.com/ Link to your Naschy Cast page in VW 175: http://content.yudu.com/A2idht/current/resources/94.htm Video Watchdog Website: www.videowatchdog.com

This month we bring you a special episode of the show. If you've listened to many of our shows you will have heard us mention the magazine Video Watchdog in reference to something or some movie. Both Troy and I have been readers of the 'Perfectionist's Guide to Fantastic Video' for decades now and each issue brings new delights. The depth and breadth of the coverage in the pages of this digest sized joy is incredible. Several years ago we met duo behind the magazine and became great friends with them resulting in many fun evenings of movie (and music) discussion that often saw the sun rise before we called things to a halt. Call them publishers, editors, writers, film historians or just great folks Tim and Donna Lucas are two of the nicest people in the world and we're proud to bring you a chance to sit in on a conversation with each of them. First up, Donna takes the opportunity to explain the details of Video Watchdog's move to the digital world. Luckily this does not mean the end of the print version of VW (Thank the stars!) but the bells and whistles added to the online versions of each issue are astonishing. And proving just how nice a lady she is, Donna let's you in on an amazing deal - By using coupon code PODCAST at the Video Watchdog online store checkout you receive 50% off the Digital Archive (176 issues) until December 31, 2016. That's right! For the rest of this year you can grab the VW Digital Archive for half off the (already low) digital price! And did I mention that each new issue is online to read free for the first two months after it's published for FREE! Amazing. So go check out the latest issue inline and see what's going on! The current issue has tons of reviews and a huge article on Carmilla and the various screen adaptations of that classic female vampire tale. Longtime listeners will know that back in 2011 I got Tim Lucas to sit down for a couple of chats about Naschy's films resulting in some great discussion. I still think his defense of several aspects of BEAST AND THE MAGIC SWORD are eye opening and it is just such differing, knowledgeable opinions that I want when talking about genre film. Of course, Tim is one of the top genre film writers working today and his recent awards for his Mario Bava commentary tracks show that his skills translate from page to audio very well. Here we spend some time discussing several Jess Franco films and a few of their variations. Movies we touch on include THE OBSCENE MIRROR and it's non-porn Spanish language version THE OTHER SIDE OF THE MIRROR, FURY IN THE TROPICS, THE DIABOLICAL DOCTOR Z, THE EROTIC RITES OF FRANKENSTEIN and Franco's two Fu Manchu films. I think that in my excitement I may have babbled too much but just listen in for the pearls of insight and wisdom Tim brings to the table and it will all even out! I hope! Here are the links to take advantage of the Video Watchdog Digital Archive Sale and look over the newest issue for free! Use coupon code PODCAST at checkout to receive 50% off the Digital Archive (176 issues) until December 31, 2016. Digital Editions: <a href="http://www.videowatchdog.com/home/digital/library.html" rel="nofollow" target="_blank">http://www.videowatchdog.com/home/digital/library.html</a> Free Issue: <a href="http://videowatchdog.com/vw" rel="nofollow" target="_blank">http://videowatchdog.com/vw</a> Free Keeper Issue: <a href="http://videowatchdog.com/home/digital/keeper" rel="nofollow" target="_blank">http://videowatchdog.com/home/digital/keeper</a> Digital 'Dog Blog: <a href="http://vwdigitaldog.blogspot.com/" rel="nofollow" target="_blank">http://vwdigitaldog.blogspot.com/</a> Link to your Naschy Cast page in VW 175: <a href="http://content.yudu.com/A2idht/current/resources/94.htm" rel="nofollow" target="_blank">http://content.yudu.com/A2idht/current/resources/94.htm</a> Video Watchdog Website: <a href="http://www.videowatchdog.com" rel="nofollow" target="_blank">www.videowatchdog.com</a>

Beyond Naschy Special - Video Watchdog and Jess Franco!

It's October again and time for us to cover a horror film with Spanish connections. This time we tackle one of the best zombie films of all time - that's right - I said it! LIVING DEAD AT MANCHESTER MORGUE was conceived as a way to cash in on the popularity of NIGHT OF THE LIVING DEAD but it goes in its own direction to great effect. Indeed, it is such a creative and intriguing variation on the cannibalistic walking dead that both Troy and I mark it as a favorite of the subgenre. It plays with lots of ideas that can tickle the intellect but never skimps on the atmosphere or scares. One of the themes of the movie seems to be man's breach of trust in our dealings with nature with the film wasting no time showing us images of our ecological crimes to drive this thought home. As George leaves London director Jorge Grau focuses his camera on car tailpipes, smoke stacks, piles of garbage and venting sewer grates forcing us to look at our daily polluting of the earth. These things are not dwelled upon as the movie continues but the ideas lurk behind everything that happens. This film also presents a colorful and beautifully shot series of images that can be enjoyed just as fine cinematography and lovely framing so you don't have to be a gore hound to be entertained by this one. As usual we can't stay on a single subject for an entire podcast so we start with a discussion of the proposed Universal Monster-verse and our hopes for it. During the mail section we talk about Eli Roth's new film and our reactions to his earlier movies; the concept of the MacGuffin and various other things that we are asked about in emails. If you would like to write us and prompt further discussions the address is naschycast@gmail.com or join us on the Facebook page. Thank you for downloading and listening and have a happy Halloween! Spoon!

It's October again and time for us to cover a horror film with Spanish connections. This time we tackle one of the best zombie films of all time - that's right - I said it! LIVING DEAD AT MANCHESTER MORGUE was conceived as a way to cash in on the popularity of NIGHT OF THE LIVING DEAD but it goes in its own direction to great effect. Indeed, it is such a creative and intriguing variation on the cannibalistic walking dead that both Troy and I mark it as a favorite of the subgenre. It plays with lots of ideas that can tickle the intellect but never skimps on the atmosphere or scares. One of the themes of the movie seems to be man's breach of trust in our dealings with nature with the film wasting no time showing us images of our ecological crimes to drive this thought home. As George leaves London director Jorge Grau focuses his camera on car tailpipes, smoke stacks, piles of garbage and venting sewer grates forcing us to look at our daily polluting of the earth. These things are not dwelled upon as the movie continues but the ideas lurk behind everything that happens. This film also presents a colorful and beautifully shot series of images that can be enjoyed just as fine cinematography and lovely framing so you don't have to be a gore hound to be entertained by this one. As usual we can't stay on a single subject for an entire podcast so we start with a discussion of the proposed Universal Monster-verse and our hopes for it. During the mail section we talk about Eli Roth's new film and our reactions to his earlier movies; the concept of the MacGuffin and various other things that we are asked about in emails. If you would like to write us and prompt further discussions the address is naschycast@gmail.com or join us on the Facebook page. Thank you for downloading and listening and have a happy Halloween! Spoon!

Beyond Naschy #12  - LIVING DEAD AT MANCHESTER MORGUE  (1974)

Troy and I are proud to present the second episode of The NaschyCast! This time we run through HORROR RISES FROM THE TOMB and discover even more madness than we had thought might be there. How did we manage to link THE EXORCIST, NIGHT OF THE LIVING DEAD and DIRTY HARRY to this film? Were we able to pronounce the actor’s names any better this time out? Did we get distracted by the copious nudity on display? How much does religion play a part in the symbolism used in the film? Were we able to make sense out of the jumble of crazed ideas tossed around in this Euro-horror classic? All of these questions and more will be answered (or at least mentioned and picked at) in this show!   Truly, HORROR RISES FROM THE TOMB is one of the most enjoyable of Paul Naschy’s movies and was part of an amazing string of entertaining pictures that showed him and his collaborators working at the top of their game. In the end I have to agree with Troy that this may be one of the best to introduce newcomers to the joys of the Mad Spaniard’s horror output. It’s certainly impossible to be bored by the movie.   Keep in mind that this is a spoiler packed Podcast and that we discuss the entire film from start to finish so if you haven't seen HRFTT yet you might want to be wary. And once again feel free to give us your thoughts on the Podcast –pro or con- at our email address naschycast@gmail.com or in the comments below.

Troy and I are proud to present the second episode of The NaschyCast! This time we run through HORROR RISES FROM THE TOMB and discover even more madness than we had thought might be there. How did we manage to link THE EXORCIST, NIGHT OF THE LIVING DEAD and DIRTY HARRY to this film? Were we able to pronounce the actor’s names any better this time out? Did we get distracted by the copious nudity on display? How much does religion play a part in the symbolism used in the film? Were we able to make sense out of the jumble of crazed ideas tossed around in this Euro-horror classic? All of these questions and more will be answered (or at least mentioned and picked at) in this show! Truly, HORROR RISES FROM THE TOMB is one of the most enjoyable of Paul Naschy’s movies and was part of an amazing string of entertaining pictures that showed him and his collaborators working at the top of their game. In the end I have to agree with Troy that this may be one of the best to introduce newcomers to the joys of the Mad Spaniard’s horror output. It’s certainly impossible to be bored by the movie. Keep in mind that this is a spoiler packed Podcast and that we discuss the entire film from start to finish so if you haven't seen HRFTT yet you might want to be wary. And once again feel free to give us your thoughts on the Podcast –pro or con- at our email address naschycast@gmail.com or in the comments below.

NaschyCast #2 - HORROR RISES FROM THE TOMB (1973) 

I've been a big fan of the films of Paul Naschy for about 20 years. I read about him and his work for years before I finally got to see any of it but, unlike many things longed for or anticipated, these movies were well worth seeking out and rewarded the attention paid to them. For the last few years my friend Troy and I have gotten together a few times a year for Naschy Nights during which we check out a couple of these cinematic efforts and, afterward, discuss them. With the recent passing of the great man we’ve decided to make a record of these little talks and let anyone who might be interested listen in as we ramble on. We’ll present these as audio PodCasts in MP3 format downloadable from right here. Our plan is to focus on a single film once a month and discuss it from stem to stern hopefully bringing some more attention to these often overlooked and still (in some cases) hard to find horror classics. With any luck we’ll be able to stick to our proposed schedule and in one year we’ll have an even dozen of these for your listening pleasure. For the inaugural show we’ve chosen to start at the beginning with Naschy’s first monster film THE MARK OF THE WOLFMAN or, as it was known in the US, FRANKENSTEIN’S BLOODY TERROR. Next month’s episode will focus on HORROR RISES FROM THE TOMB. We hope you’ll check out our humble effort and let us know what you think, at our email address - naschycast@gmail.com - grab the show at the link below or subscribe through iTunes.

I've been a big fan of the films of Paul Naschy for about 20 years. I read about him and his work for years before I finally got to see any of it but, unlike many things longed for or anticipated, these movies were well worth seeking out and rewarded the attention paid to them. For the last few years my friend Troy and I have gotten together a few times a year for Naschy Nights during which we check out a couple of these cinematic efforts and, afterward, discuss them. With the recent passing of the great man we’ve decided to make a record of these little talks and let anyone who might be interested listen in as we ramble on. We’ll present these as audio PodCasts in MP3 format downloadable from right here. Our plan is to focus on a single film once a month and discuss it from stem to stern hopefully bringing some more attention to these often overlooked and still (in some cases) hard to find horror classics. With any luck we’ll be able to stick to our proposed schedule and in one year we’ll have an even dozen of these for your listening pleasure. For the inaugural show we’ve chosen to start at the beginning with Naschy’s first monster film THE MARK OF THE WOLFMAN or, as it was known in the US, FRANKENSTEIN’S BLOODY TERROR. Next month’s episode will focus on HORROR RISES FROM THE TOMB. We hope you’ll check out our humble effort and let us know what you think, at our email address - naschycast@gmail.com - grab the show at the link below or subscribe through iTunes.

NaschyCast #1 - THE MARK OF THE WOLFMAN (1968) 

You don't need to go to Texas to have a chainsaw massacre! Finally bowing to listener pressure Troy and I are covering our first Juan Piquer Simón movie. To say that PIECES (1982) is a unique film is to undersell it's many odd qualities and the strange pleasures that can be derived from this incredible horror effort. Simón is infamous for directing several terrible movies in the 1980's that are usually hidden behind his Anglicized pseudonym J. P. Simon. Besides this film he is responsible for the movie at the heart of the classic Mystery Science Theater 3000 episode 'Pod People' as well as SLUGS (1988). Simon's films often got distribution outside of Spain because of his insistence on filming in English knowing that America was the biggest market for genre pictures - don't ever sell the man short when it comes to business! Simon's original title for his script was 'Mil gritos tiene la noche' which translates to 'A Thousand Screams in the Night' and while that might be an interesting name for this tale, PIECES truly sums it up perfectly. Pulling inspiration (to be generous) from several different sources (The Shadow, Texas Chainsaw Massacre, Psycho, anything that might occur on set, etc.) the movie might not be very original but it is also never boring. I have a personal affinity for PIECES that stems from having seen it on the big screen in its American theatrical run in 1983. We touch on this tale of teenaged movie going and how it might have been the beginnings of my adult fascination with Euro-Trash cinema as well as Troy's earliest impressions of this gore drenched classic. We have a great time discussing this crazed film and I get so excited I spend several minutes referring to Lynda Day George as Susan George! Jeeze! Luckily Troy notices and steers me back to the correct name and then we publically embarrass the poor actress by playing her most cringe inducing line from this film. We can be bastards! Bastards. Bastards. The mailbag is light this month but we do have some interesting comments from a listener who has gone and created his own podcast - Fandom Radio Podcast! Go check it out! I also relate the discovery that the novel on which ROTTWEILER (2004) was based was actually filmed once before in 1979 with EXORCIST star Jason Miller in the lead role. I now need to watch this version and report back to compare and contrast. You can reach us over on the Naschycast Facebook page or email us your thoughts at naschycast@gmail.com if you so desire. We'll be back next month with a very obscure Naschy film from the 1970's. Thanks for downloading and listening.

You don't need to go to Texas to have a chainsaw massacre! Finally bowing to listener pressure Troy and I are covering our first Juan Piquer Simón movie. To say that PIECES (1982) is a unique film is to undersell it's many odd qualities and the strange pleasures that can be derived from this incredible horror effort. Simón is infamous for directing several terrible movies in the 1980's that are usually hidden behind his Anglicized pseudonym J. P. Simon. Besides this film he is responsible for the movie at the heart of the classic Mystery Science Theater 3000 episode 'Pod People' as well as SLUGS (1988). Simon's films often got distribution outside of Spain because of his insistence on filming in English knowing that America was the biggest market for genre pictures - don't ever sell the man short when it comes to business! Simon's original title for his script was 'Mil gritos tiene la noche' which translates to 'A Thousand Screams in the Night' and while that might be an interesting name for this tale, PIECES truly sums it up perfectly. Pulling inspiration (to be generous) from several different sources (The Shadow, Texas Chainsaw Massacre, Psycho, anything that might occur on set, etc.) the movie might not be very original but it is also never boring. I have a personal affinity for PIECES that stems from having seen it on the big screen in its American theatrical run in 1983. We touch on this tale of teenaged movie going and how it might have been the beginnings of my adult fascination with Euro-Trash cinema as well as Troy's earliest impressions of this gore drenched classic. We have a great time discussing this crazed film and I get so excited I spend several minutes referring to Lynda Day George as Susan George! Jeeze! Luckily Troy notices and steers me back to the correct name and then we publically embarrass the poor actress by playing her most cringe inducing line from this film. We can be bastards! Bastards. Bastards. The mailbag is light this month but we do have some interesting comments from a listener who has gone and created his own podcast - Fandom Radio Podcast! Go check it out! I also relate the discovery that the novel on which ROTTWEILER (2004) was based was actually filmed once before in 1979 with EXORCIST star Jason Miller in the lead role. I now need to watch this version and report back to compare and contrast. You can reach us over on the Naschycast Facebook page or email us your thoughts at naschycast@gmail.com if you so desire. We'll be back next month with a very obscure Naschy film from the 1970's. Thanks for downloading and listening.

Beyond Naschy #15 - PIECES (1982)

In the 4th episode of NaschyCast we unravel THE VENGEANCE OF THE MUMMY a.k.a. THE MUMMY'S REVENGE. Occasionally slow but packed with Egyptian lore and mystery this film is one of my favorite mummy movies and Troy (despite a lack of mummy movie love) actually feels the same way. Of course, calling it the second best mummy movie of all time is like claiming to be the leper with the most fingers but it’s still one Hell of a fun movie. Bloody, sexy and filled with murder set pieces that rival what was being done in gore films of the same vintage it’s a fun, furious ride with a few surprises along the way. Crushed heads for everyone!  Back from HORROR RISES FROM THE TOMB is director Carlos Aured, lovely co-star Helga Line and Naschy his own bad self is again playing two separate roles. Hey! When you can play both the villain and his main henchman why not do it? I wonder if he got two paychecks?  Anyway- this is a great Naschy horror film and we have a lot of fun with it so enjoy!

In the 4th episode of NaschyCast we unravel THE VENGEANCE OF THE MUMMY a.k.a. THE MUMMY'S REVENGE. Occasionally slow but packed with Egyptian lore and mystery this film is one of my favorite mummy movies and Troy (despite a lack of mummy movie love) actually feels the same way. Of course, calling it the second best mummy movie of all time is like claiming to be the leper with the most fingers but it’s still one Hell of a fun movie. Bloody, sexy and filled with murder set pieces that rival what was being done in gore films of the same vintage it’s a fun, furious ride with a few surprises along the way. Crushed heads for everyone! Back from HORROR RISES FROM THE TOMB is director Carlos Aured, lovely co-star Helga Line and Naschy his own bad self is again playing two separate roles. Hey! When you can play both the villain and his main henchman why not do it? I wonder if he got two paychecks? Anyway- this is a great Naschy horror film and we have a lot of fun with it so enjoy!

NaschyCast #4 - THE MUMMY'S REVENGE (1973) 

Proving that there are no obstacles that we won’t overcome to bring you Naschy film discussion here is number Ocho. One of the most talked about of his non-Daninsky films COUNT DRACULA’S GREAT LOVE is an amazing mix of the clunky and the sublime. In a way, this film is a succinct summation of all that is usually praised in a Naschy film and all that is usually criticized. A mangled mess of a story with elements that don’t come together it still shines as an atmospheric horror piece with some truly brilliant moments that often distract you from a script that seems to be running in two directions at once. This film might be the perfect Rorschach test for fans- What do you remember from the film when it’s over?   We discuss vampire tears, non-existent sequels, the variable speed of vampirism, mad voice-overs, active vs. passive film viewing and the relative merits of a script with too many contributors.   You will find the sound quite variable as I had to cull the entire show from multiple sources. I apologize for the occasional distortion and changes in sonic quality. The uphill battle to get these shows made is often surprising for us untutored computer illiterates. Drop us a line at naschycast@gmail.com if you please! 

Proving that there are no obstacles that we won’t overcome to bring you Naschy film discussion here is number Ocho. One of the most talked about of his non-Daninsky films COUNT DRACULA’S GREAT LOVE is an amazing mix of the clunky and the sublime. In a way, this film is a succinct summation of all that is usually praised in a Naschy film and all that is usually criticized. A mangled mess of a story with elements that don’t come together it still shines as an atmospheric horror piece with some truly brilliant moments that often distract you from a script that seems to be running in two directions at once. This film might be the perfect Rorschach test for fans- What do you remember from the film when it’s over?  We discuss vampire tears, non-existent sequels, the variable speed of vampirism, mad voice-overs, active vs. passive film viewing and the relative merits of a script with too many contributors.  You will find the sound quite variable as I had to cull the entire show from multiple sources. I apologize for the occasional distortion and changes in sonic quality. The uphill battle to get these shows made is often surprising for us untutored computer illiterates. Drop us a line at naschycast@gmail.com if you please!

NaschyCast #8 - COUNT DRACULA'S GREAT LOVE (1972) 

While most films made in Spain during The Golden Age of Spanish Horror could be seen as comments about the repressive fascist government of that countrY, few films so blatantly addressed the clash of conservative ideas with modernity as A CANDLE FOR THE DEVIL. Set in a small country town outside of Madrid, the film casts two middle aged spinsters as hypocritical defenders of the old ways. These sisters make their living running an inn that seems to mostly attract young, sexually liberated women. When an accidental death is interpreted to have been divinely intended, the ladies dispose of the body and pretend nothing happened. Their rationalization is that if God wishes them punished, it is his will. But crime often has unexpected consequences so soon the duo's lies are piling up as well as more young corpses. Is there any horrible act for which these two deluded women can't find a religious justification? Time and the symbolic secrets in the cellar will eventually tell all.       The Golden Age of Spanish Horror is renowned for it's variations on classic monster movie tropes but there are other less well remembered sub-genres that got attention as well. Although this film could be easily seen as a proto-slasher it also fits nicely into the short lived Psycho-Biddy or Hag Horror genre best exemplified by WHATEVER HAPPENED TO BABY JANE (1962). We discuss this film's connections to that long dead type of scary movie noting the specific Catholic tone imparted by the influence of the Spanish government. This was director Eugenio Martín's second horror film after the exceptionally fun HORROR EXPRESS (1972) showing that he had the touch necessary for the genre. His marriage to Lone Fleming also explains her very sexy presence here. The entire very talented cast comes under discussion as we marvel at the female performances and wonder at Vic Winner's inability to survive a Spanish horror film. We can be reached at naschycast@gmail.com where we'll be happy to hear from you. Send along any comments, suggestions or questions and we'll try to answer them next month. If you subscribe to the show in iTunes we'd be thrilled if you could rate &amp; review us there. it helps other people discover what we're doing. Thank you for downloading and listening!

While most films made in Spain during The Golden Age of Spanish Horror could be seen as comments about the repressive fascist government of that countrY, few films so blatantly addressed the clash of conservative ideas with modernity as A CANDLE FOR THE DEVIL. Set in a small country town outside of Madrid, the film casts two middle aged spinsters as hypocritical defenders of the old ways. These sisters make their living running an inn that seems to mostly attract young, sexually liberated women. When an accidental death is interpreted to have been divinely intended, the ladies dispose of the body and pretend nothing happened. Their rationalization is that if God wishes them punished, it is his will. But crime often has unexpected consequences so soon the duo's lies are piling up as well as more young corpses. Is there any horrible act for which these two deluded women can't find a religious justification? Time and the symbolic secrets in the cellar will eventually tell all.       The Golden Age of Spanish Horror is renowned for it's variations on classic monster movie tropes but there are other less well remembered sub-genres that got attention as well. Although this film could be easily seen as a proto-slasher it also fits nicely into the short lived Psycho-Biddy or Hag Horror genre best exemplified by WHATEVER HAPPENED TO BABY JANE (1962). We discuss this film's connections to that long dead type of scary movie noting the specific Catholic tone imparted by the influence of the Spanish government. This was director Eugenio Martín's second horror film after the exceptionally fun HORROR EXPRESS (1972) showing that he had the touch necessary for the genre. His marriage to Lone Fleming also explains her very sexy presence here. The entire very talented cast comes under discussion as we marvel at the female performances and wonder at Vic Winner's inability to survive a Spanish horror film. We can be reached at naschycast@gmail.com where we'll be happy to hear from you. Send along any comments, suggestions or questions and we'll try to answer them next month. If you subscribe to the show in iTunes we'd be thrilled if you could rate &amp; review us there. it helps other people discover what we're doing. Thank you for downloading and listening!

Beyond Naschy #24 - A CANDLE FOR THE DEVIL (1973) 

I thought it might be fun to make a list of favorite non-Naschy Spanish Horror films and also get Troy to make one of his own so we could argue the various qualities of the films we love. Then I realized how much fun it might be to get others to play along! So, Cort Psyops joins us again this time out to indulge in one of fandom's great games - the making and comparing of lists of favorites! No conversation about shared passions can go on for too long before people are arguing their favorites and explaining the reasons for rating one beloved thing over another. It is in these discussions that fans come to know each other. The communal exploration of Spanish Horror is something that we've tried to foster with the Naschycast and shows like this might be one of the best ways to bring more people to the party. I know we had a blast trying to name our three favorite of this very thin slice of the genre! Of course, only one of us was able stick the limit of three so the conversation ranges across the decades with many extra titles getting honorable mentions. And the sidetracks are numerous! Be warned - we digress from the topic more than once. We just hope that our ramblings are amusing enough keep your entertained. One note - when Troy and I return near the end to talk about the Lists left on the Naschycast Facebook page there is a strange crackling on the audio that I could not remove. It only lasts for the first few minutes but it is distracting. Sorry! Technical difficulties are sometimes unavoidable (and mysterious). If you've never heard Cort's excellent podcast Cinema Psyops you are cheating yourself out of a damned good time. Head on over there and give that show a listen. If you have any comments about this episode or just want to give us your list of favorite non-Naschy Spanish Horror films the email address is naschycast@gmail.com. We'd be glad to hear from you. The music this time comes from Jonathan Coulton, Piero Piccioni and The Decemberists. 

I thought it might be fun to make a list of favorite non-Naschy Spanish Horror films and also get Troy to make one of his own so we could argue the various qualities of the films we love. Then I realized how much fun it might be to get others to play along! So, Cort Psyops joins us again this time out to indulge in one of fandom's great games - the making and comparing of lists of favorites! No conversation about shared passions can go on for too long before people are arguing their favorites and explaining the reasons for rating one beloved thing over another. It is in these discussions that fans come to know each other. The communal exploration of Spanish Horror is something that we've tried to foster with the Naschycast and shows like this might be one of the best ways to bring more people to the party. I know we had a blast trying to name our three favorite of this very thin slice of the genre! Of course, only one of us was able stick the limit of three so the conversation ranges across the decades with many extra titles getting honorable mentions. And the sidetracks are numerous! Be warned - we digress from the topic more than once. We just hope that our ramblings are amusing enough keep your entertained. One note - when Troy and I return near the end to talk about the Lists left on the Naschycast Facebook page there is a strange crackling on the audio that I could not remove. It only lasts for the first few minutes but it is distracting. Sorry! Technical difficulties are sometimes unavoidable (and mysterious). If you've never heard Cort's excellent podcast Cinema Psyops you are cheating yourself out of a damned good time. Head on over there and give that show a listen. If you have any comments about this episode or just want to give us your list of favorite non-Naschy Spanish Horror films the email address is naschycast@gmail.com. We'd be glad to hear from you. The music this time comes from Jonathan Coulton, Piero Piccioni and The Decemberists.

Beyond Naschy #23 - Spanish Horror Favorites with Cort! 

In our first ‘Beyond Naschy’ episode we take a look at Leon Klimovosky’s bizarre gender switch film I HATE MY BODY (1974). To call this a strange film is to undervalue the concept of weird cinema. I have no idea how folks who might have seen this movie at a drive-in theater in the 1970s actually reacted but I can guess that stunned shock would be at least a fairly common response. Until I can dig up a detailed interview with director Klimovsky we will just have to speculate on the reasons for choosing such an outlandish story but that doesn’t stop us from enjoying ourselves and it shouldn’t stop you either. We make sure to not spoil too much of this hard-to-find bit of sleazy Euro-trash even as our discussion rambles all over the place. We talk about the use and misuse of voiceovers, the definition of lesbian sex and the choice of pet names in a relationship. Please forgive my occasional cough as I work my way through a headcold and be glad that, unlike Troy, you weren’t in the room when I had to blow my nose. We can be reached at naschycast@gmail.com and the podcast can be found on iTunes. We look forward to your thoughts. 

In our first ‘Beyond Naschy’ episode we take a look at Leon Klimovosky’s bizarre gender switch film I HATE MY BODY (1974). To call this a strange film is to undervalue the concept of weird cinema. I have no idea how folks who might have seen this movie at a drive-in theater in the 1970s actually reacted but I can guess that stunned shock would be at least a fairly common response. Until I can dig up a detailed interview with director Klimovsky we will just have to speculate on the reasons for choosing such an outlandish story but that doesn’t stop us from enjoying ourselves and it shouldn’t stop you either. We make sure to not spoil too much of this hard-to-find bit of sleazy Euro-trash even as our discussion rambles all over the place. We talk about the use and misuse of voiceovers, the definition of lesbian sex and the choice of pet names in a relationship. Please forgive my occasional cough as I work my way through a headcold and be glad that, unlike Troy, you weren’t in the room when I had to blow my nose. We can be reached at naschycast@gmail.com and the podcast can be found on iTunes. We look forward to your thoughts.

NaschyCast #13.5 - Beyond Naschy - I HATE MY BODY (1974) 

Amando de Ossorio is the man best known for his quartet of Blind Dead films but he made quite a few other worthy movies as well. This horror fantasy combines a couple of European myths with elements from Stoker's Dracula story to create a creepy and unique monster tale. And, being a man with an eye for beauty, Ossorio populates his scary movie with about a dozen completely gorgeous ladies and the supremely hunky Tony Kendal to keep everyone distracted. Of course, any film featuring the amazing Helga Liné has my attention from the beginning!  THE LORELEY'S GRASP also features some surprisingly gory violence with no regard for keeping the carnage confined to the bikini clad young ladies. In fact, the victim choice seems to be entirely unpredictable adding to the shock value of the monster's various stalking scenes. This film's nasty reptilian beast is not just after female hearts to eat - even bearded hippies are on the menu! Since this is our first Beyond Naschy in a few months we have a backlog of comments and letters to sift through. We get to those in the show's last segment but we actually start the episode with the live opening of several stunning gifts from a dear listener. This is a first for us and - as you will hear - we were overwhelmed with the generosity of these presents. And, like the whores we are, we couldn't help but turn this into an open plea for more! Who wants to be our Number 1 fan? Send money! But, in all seriousness, we are so happy to have you folks out there willing to listen to us. We're just two Tennessee boys with a love for cinema and the desire to find out more about what we enjoy. It is wonderful to know our efforts are appreciated as we share the love. You people keep us going. So, stock up on irradiated cutlery just in case a mythical murdering monster comes calling and drop us a line.

Amando de Ossorio is the man best known for his quartet of Blind Dead films but he made quite a few other worthy movies as well. This horror fantasy combines a couple of European myths with elements from Stoker's Dracula story to create a creepy and unique monster tale. And, being a man with an eye for beauty, Ossorio populates his scary movie with about a dozen completely gorgeous ladies and the supremely hunky Tony Kendal to keep everyone distracted. Of course, any film featuring the amazing Helga Liné has my attention from the beginning!  THE LORELEY'S GRASP also features some surprisingly gory violence with no regard for keeping the carnage confined to the bikini clad young ladies. In fact, the victim choice seems to be entirely unpredictable adding to the shock value of the monster's various stalking scenes. This film's nasty reptilian beast is not just after female hearts to eat - even bearded hippies are on the menu! Since this is our first Beyond Naschy in a few months we have a backlog of comments and letters to sift through. We get to those in the show's last segment but we actually start the episode with the live opening of several stunning gifts from a dear listener. This is a first for us and - as you will hear - we were overwhelmed with the generosity of these presents. And, like the whores we are, we couldn't help but turn this into an open plea for more! Who wants to be our Number 1 fan? Send money! But, in all seriousness, we are so happy to have you folks out there willing to listen to us. We're just two Tennessee boys with a love for cinema and the desire to find out more about what we enjoy. It is wonderful to know our efforts are appreciated as we share the love. You people keep us going. So, stock up on irradiated cutlery just in case a mythical murdering monster comes calling and drop us a line.

Beyond Naschy #16 - THE LORELEY'S GRASP (1974)

Oh my goodness! Naschy tries his hand at the giallo genre and hits one out of the park. In this episode we celebrate and analyze this thriller with more twists and turns than a mountain road. BLUE EYES OF THE BROKEN DOLL is a stylish but sleazy murder mystery sure to keep you guessing up until the final scene. Naschy places his character Gilles in a bad spot as a man with personal demons of the mind and a nasty past and in a big house surrounded by a group of beautiful sisters. But is it a good place or a dangerous spot? When the cast features four of the most beautiful ladies working in Euro-Trash film in the early 1970s it’s a good place for us at least! Naschy squeezes udders, chops wood, rakes yards and does other things that might be considered sexual metaphors while the color red dances through his life. How many of the siblings will Gilles seduce? How many times will he be threatened with violence? How often will he have to take off his shirt to get his hard work done? Oh my.Troy and I sing the praises of the high quality work involved and lament (repeatedly) the execrable score that attempts to undermine nearly every one of the story's emotional highlights. If a film can be said to be deeply flawed but still brilliant then BLUE EYES OF THE BROKEN DOLL fits that description. As we dissect the film the attentive listener might ask many questions, such as - How many times will I mispronounce Gilles’ name? How often will the Blind Dead movies be mentioned? When will we break down and do a podcast on I HATE MY BODY? What is the connection this film has to both Hitchcock and the Coen Brothers? The answers to some of these are waiting within. You can also contact us at naschycast@gmail.com and subscribe through iTunes. Thanks! 

Oh my goodness! Naschy tries his hand at the giallo genre and hits one out of the park. In this episode we celebrate and analyze this thriller with more twists and turns than a mountain road. BLUE EYES OF THE BROKEN DOLL is a stylish but sleazy murder mystery sure to keep you guessing up until the final scene. Naschy places his character Gilles in a bad spot as a man with personal demons of the mind and a nasty past and in a big house surrounded by a group of beautiful sisters. But is it a good place or a dangerous spot? When the cast features four of the most beautiful ladies working in Euro-Trash film in the early 1970s it’s a good place for us at least! Naschy squeezes udders, chops wood, rakes yards and does other things that might be considered sexual metaphors while the color red dances through his life. How many of the siblings will Gilles seduce? How many times will he be threatened with violence? How often will he have to take off his shirt to get his hard work done? Oh my.Troy and I sing the praises of the high quality work involved and lament (repeatedly) the execrable score that attempts to undermine nearly every one of the story's emotional highlights. If a film can be said to be deeply flawed but still brilliant then BLUE EYES OF THE BROKEN DOLL fits that description. As we dissect the film the attentive listener might ask many questions, such as - How many times will I mispronounce Gilles’ name? How often will the Blind Dead movies be mentioned? When will we break down and do a podcast on I HATE MY BODY? What is the connection this film has to both Hitchcock and the Coen Brothers? The answers to some of these are waiting within. You can also contact us at naschycast@gmail.com and subscribe through iTunes. Thanks!

NaschyCast #11 - BLUE EYES OF THE BROKEN DOLL (1973) 

After putting it off for months we finally take aim at one of Naschy’s best known and most beloved Waldemar Daninsky tales. Mostly seen in the US on television under its alternate title of THE WEREWOLF VS THE VAMPIRE WOMEN it’s a film near and dear to fans for its sexy bloodsuckers as well as its monster battle. It sports the usual mix of romantic angst, tragic fate, and gory throat ripping violence all whipped together into a heady, unique creature feature that could only have been produced in the swinging 70s. While far from perfect it has more than enough horror entertainment value to keep most anyone staring at the screen – often in amazement and sometimes in complete confusion. But as with most Naschy scripts the story does eventually make a sort of mad sense and this scary suspense tale finds multiple ways to satisfy its audience.   This was the first time Naschy worked with director Leon Klimovsky and his skill makes WEREWOLF SHADOW a truly mesmerizing visual effort. He’s able to craft a fantastic dreamlike/nightmarish feel to many sequences that give the entire film a haunting quality. The cast is strong and the lovely ladies are very good but I’m really surprised old Waldemar only manages to sleep with one of them. It’s like he wasn’t even trying! The same can’t be said of his acting performance, though. Naschy is very good throughout with his ability to emote getting better and better as he learned his craft on the job. His earnest work here points toward the great work he would do over the course of the next few years.   Among the astonishing things we learn in this episode is that there is more than one way to kill a vampire; that neck meat is the tastiest kind of meat; that mini-skirted women roam the French woodlands at all hours of the night; that full moons don’t necessarily come in threes and for some reason Satan fears werewolves.   Please drop us a line at nashcycast@gmail.com and tell us how we're doing. 

After putting it off for months we finally take aim at one of Naschy’s best known and most beloved Waldemar Daninsky tales. Mostly seen in the US on television under its alternate title of THE WEREWOLF VS THE VAMPIRE WOMEN it’s a film near and dear to fans for its sexy bloodsuckers as well as its monster battle. It sports the usual mix of romantic angst, tragic fate, and gory throat ripping violence all whipped together into a heady, unique creature feature that could only have been produced in the swinging 70s. While far from perfect it has more than enough horror entertainment value to keep most anyone staring at the screen – often in amazement and sometimes in complete confusion. But as with most Naschy scripts the story does eventually make a sort of mad sense and this scary suspense tale finds multiple ways to satisfy its audience.  This was the first time Naschy worked with director Leon Klimovsky and his skill makes WEREWOLF SHADOW a truly mesmerizing visual effort. He’s able to craft a fantastic dreamlike/nightmarish feel to many sequences that give the entire film a haunting quality. The cast is strong and the lovely ladies are very good but I’m really surprised old Waldemar only manages to sleep with one of them. It’s like he wasn’t even trying! The same can’t be said of his acting performance, though. Naschy is very good throughout with his ability to emote getting better and better as he learned his craft on the job. His earnest work here points toward the great work he would do over the course of the next few years.  Among the astonishing things we learn in this episode is that there is more than one way to kill a vampire; that neck meat is the tastiest kind of meat; that mini-skirted women roam the French woodlands at all hours of the night; that full moons don’t necessarily come in threes and for some reason Satan fears werewolves.  Please drop us a line at nashcycast@gmail.com and tell us how we're doing.

NaschyCast #10 - WEREWOLF SHADOW (1971)

It's that time once again my friends, so gather around! The moon is rising and so is our favorite hairy beast. This time out Naschy indulges his love for the Monster Mash and combines two unlikely members of the classic horror gallery for a romp through swinging London. Knowing that putting these two together requires some work Naschy first takes us to the rural villages of the Carpathian Mountains for a gothic tinged introduction to our old friend Waldemar Daninksy before his trip to England in search of a cure for his unfortunate problem. The grandson of the infamous Dr. Jekyll agrees to try an unorthodox (and completely nutty) method of dealing with lycanthropy, but, as is usual in a Paul Naschy script, things don’t go quite as well as our poor cursed man might hope.   This was the sixth Waldemar Daninsky adventure and it’s a good one. Once again rebooting the character from scratch we have the tortured soul hoping for deliverance from a hellish life and given some small measure of happiness by the love of a beautiful woman. It’s a shame the village people hate him so! Troy and I have a great time going through this one point by point finding pleasures both large and small even if I have to be reminded that Hombre Loco is a very different thing from Hombre Lobo! 

It's that time once again my friends, so gather around! The moon is rising and so is our favorite hairy beast. This time out Naschy indulges his love for the Monster Mash and combines two unlikely members of the classic horror gallery for a romp through swinging London. Knowing that putting these two together requires some work Naschy first takes us to the rural villages of the Carpathian Mountains for a gothic tinged introduction to our old friend Waldemar Daninksy before his trip to England in search of a cure for his unfortunate problem. The grandson of the infamous Dr. Jekyll agrees to try an unorthodox (and completely nutty) method of dealing with lycanthropy, but, as is usual in a Paul Naschy script, things don’t go quite as well as our poor cursed man might hope.  This was the sixth Waldemar Daninsky adventure and it’s a good one. Once again rebooting the character from scratch we have the tortured soul hoping for deliverance from a hellish life and given some small measure of happiness by the love of a beautiful woman. It’s a shame the village people hate him so! Troy and I have a great time going through this one point by point finding pleasures both large and small even if I have to be reminded that Hombre Loco is a very different thing from Hombre Lobo!

NaschyCast #6 - DR JEKYLL AND THE WOLFMAN (1972) 

Chris Miller

The Naschycast returns for October! Barely. And we work diligently to NOT spoil this film for newcomers!  THE CORRUPTION OF CHRIS MILLER (1973) is one of the most overlooked and least talked about of the Spanish horror films of the 1970’s. In a way this is good because its rarity leaves its many secrets and revelations unknown to modern viewers. There’s a good debate to be had about how the film should be labeled. Is it a thriller or a horror film? Often the line between those two symbiotic genres can be teased apart but I think this film straddles the fence right up until the mid-point farmhouse set-piece. That is a sequence that is sure to impress even the most jaded of horror fans! Mark this film down as another precursor of the slasher genre.    We start off this show with some news and a sad goodbye to a good friend and contributor to the podcast. As stated, Troy and I do our best to not spoil the many third act disclosures that twist this amazingly well written thriller into new and wholly unexpected shapes. We talk a little about the three actors at the center of this pressure cooker drama with some attention to the earlier careers of the two female leads. Jean Seberg is a screen legend with a dozen films on her resume that would be the highlight of any actor’s life. The lovely Marisol is great here but it’s fascinating to learn of her very successful music career as a young woman. And we speculate that Barry Stokes may have been asked by a British director to essentially play exactly the same role he does here in a later film. I’d love to find out how much this movie influenced that 1977 picture. We marvel over the fine direction and cinematography, the sharp dialog and nuanced characters as we strain to keep from discussing the end of the story. It is not easy!  If you have any thoughts about THE CORRUPTION OF CHRIS MILLER or anything else we discuss in this episode please drop us a line at naschycast@gmail.com and we’ll include them in the next episode. Thank you for listening and we’ll talk to you again soon.

The Naschycast returns for October! Barely. And we work diligently to NOT spoil this film for newcomers!  THE CORRUPTION OF CHRIS MILLER (1973) is one of the most overlooked and least talked about of the Spanish horror films of the 1970’s. In a way this is good because its rarity leaves its many secrets and revelations unknown to modern viewers. There’s a good debate to be had about how the film should be labeled. Is it a thriller or a horror film? Often the line between those two symbiotic genres can be teased apart but I think this film straddles the fence right up until the mid-point farmhouse set-piece. That is a sequence that is sure to impress even the most jaded of horror fans! Mark this film down as another precursor of the slasher genre.    We start off this show with some news and a sad goodbye to a good friend and contributor to the podcast. As stated, Troy and I do our best to not spoil the many third act disclosures that twist this amazingly well written thriller into new and wholly unexpected shapes. We talk a little about the three actors at the center of this pressure cooker drama with some attention to the earlier careers of the two female leads. Jean Seberg is a screen legend with a dozen films on her resume that would be the highlight of any actor’s life. The lovely Marisol is great here but it’s fascinating to learn of her very successful music career as a young woman. And we speculate that Barry Stokes may have been asked by a British director to essentially play exactly the same role he does here in a later film. I’d love to find out how much this movie influenced that 1977 picture. We marvel over the fine direction and cinematography, the sharp dialog and nuanced characters as we strain to keep from discussing the end of the story. It is not easy!  If you have any thoughts about THE CORRUPTION OF CHRIS MILLER or anything else we discuss in this episode please drop us a line at <a href="mailto:naschycast@gmail.com">naschycast@gmail.com</a> and we’ll include them in the next episode. Thank you for listening and we’ll talk to you again soon.

Beyond Naschy #29 - THE CORRUPTION OF CHRIS MILLER (1973) 

Rarely have we been as confused, flabbergasted and frustrated as we were by FURY OF THE WOLFMAN even though we went into this one with our eyes wide open, knowing full well that Naschy himself hated the film and decried what was done to his script. We weren’t completely surprised but it is still a kick in the head to watch the film ramble itself apart. Trying to figure out what might have been intended is kind of fascinating which probably explains why we babbled for over two hours about what has to be labeled the weakest of the Waldemar Daninksy films.  We attempt to understand what the hell is happening as ideas are brought up and dropped, characters slip in and out of the film randomly and crypt orgies are popped indiscriminately throughout the second half. Plant monsters, werewolf sex, Nazi scientists and the question of crazy love possibly being ‘true love’ are all topics that we discuss as we navigate this muddled misadventure.  You'll hear the film start to take its toll on us near the end as our stated goal of mentioning the good things in the movie begins to wear us down. But there is a female werewolf! Strap in and join us if you dare! The email address is naschycast@gmail.com and we'd love to hear from you. 

Rarely have we been as confused, flabbergasted and frustrated as we were by FURY OF THE WOLFMAN even though we went into this one with our eyes wide open, knowing full well that Naschy himself hated the film and decried what was done to his script. We weren’t completely surprised but it is still a kick in the head to watch the film ramble itself apart. Trying to figure out what might have been intended is kind of fascinating which probably explains why we babbled for over two hours about what has to be labeled the weakest of the Waldemar Daninksy films. We attempt to understand what the hell is happening as ideas are brought up and dropped, characters slip in and out of the film randomly and crypt orgies are popped indiscriminately throughout the second half. Plant monsters, werewolf sex, Nazi scientists and the question of crazy love possibly being ‘true love’ are all topics that we discuss as we navigate this muddled misadventure. You'll hear the film start to take its toll on us near the end as our stated goal of mentioning the good things in the movie begins to wear us down. But there is a female werewolf! Strap in and join us if you dare! The email address is naschycast@gmail.com and we'd love to hear from you.

NaschyCast #13 - FURY OF THE WOLFMAN (1970) 

With this episode we cross the one decade mark! Neither Troy or I thought we’d still be making this podcast ten years after we began, but here we are! We realized that, although our enthusiasm for Paul Naschy’s work has only grown, it was time to actively seek out more new voices to include on the show. So, our goal for 2020 is to speak to a host of people who have never been on the podcast to get their perspectives on his movies. A diversity of opinion is always food for thought and we think this will be the perfect way to start new discussions about the long legacy of Jacinto Molina. These are great days for Senor Naschy as more and more of his films are available on Blu-Ray bringing a whole new generation of fans to his mad world of monsters and horror. That means people are discovering El Hombre Lobo and his other creations every day so its time to kick open the doors and see what his influence is a full decade after his passing. This giant-sized episode includes four new voices to the podcast. I asked each participant to talk about one of the Waldemar Daninsky films and they (luckily) jumped at the chance. Adrian Smith has podcasted with me over on The Bloody Pit discussing INSEMINOID and CANNIBAL HOLOCAUST but he steps up to discuss his first Naschy werewolf film - WEREWOLF SHADOW. Derek Koch is a podcasting O.G. with his incredibly popular Monster Kid Radio serving as a focal point for these kinds of classic (and not so classic) movies. He joins us to talk about the Naschy monster mash ASSIGNMENT TERROR. Author Steven Sullivan has been on the Bloody Pit in the past talking about the colorful Doctor Who films made in the 1960’s, but his love of all things Naschy bubbles over in our conversation about CURSE OF THE DEVIL. Matthew Kowalski is a longtime fan of the podcast and has often written in to give us his thoughts on the various Spanish horror topics we dig into on the show. He sat down to talk about his favorite of the Daninsky films – WEREWOLF SHADOW - giving us a different look at that iconic movie. Afterward, Troy and I tackle an email and makes plans to get to our backlogged correspondence over the next couple of shows. We promise! I’ve already got a couple more guests for future episodes lined up including some folks I’ve never spoken with before. So exciting! This is going to be a great year for the Naschycast even if I don’t think we’ll produce another four-and-a-half-hour episode! Seriously, I’ll try to break things up as we go forward. If you have any comments or suggestion please write us at naschycast@gmail.com or message us on the Facebook page. Thank you for listening and we’ll be back soon!

With this episode we cross the one decade mark! Neither Troy or I thought we’d still be making this podcast ten years after we began, but here we are! We realized that, although our enthusiasm for Paul Naschy’s work has only grown, it was time to actively seek out more new voices to include on the show. So, our goal for 2020 is to speak to a host of people who have never been on the podcast to get their perspectives on his movies. A diversity of opinion is always food for thought and we think this will be the perfect way to start new discussions about the long legacy of Jacinto Molina. These are great days for Senor Naschy as more and more of his films are available on Blu-Ray bringing a whole new generation of fans to his mad world of monsters and horror. That means people are discovering El Hombre Lobo and his other creations every day so its time to kick open the doors and see what his influence is a full decade after his passing. This giant-sized episode includes four new voices to the podcast. I asked each participant to talk about one of the Waldemar Daninsky films and they (luckily) jumped at the chance. Adrian Smith has podcasted with me over on The Bloody Pit discussing INSEMINOID and CANNIBAL HOLOCAUST but he steps up to discuss his first Naschy werewolf film - WEREWOLF SHADOW. Derek Koch is a podcasting O.G. with his incredibly popular Monster Kid Radio serving as a focal point for these kinds of classic (and not so classic) movies. He joins us to talk about the Naschy monster mash ASSIGNMENT TERROR. Author Steven Sullivan has been on the Bloody Pit in the past talking about the colorful Doctor Who films made in the 1960’s, but his love of all things Naschy bubbles over in our conversation about CURSE OF THE DEVIL. Matthew Kowalski is a longtime fan of the podcast and has often written in to give us his thoughts on the various Spanish horror topics we dig into on the show. He sat down to talk about his favorite of the Daninsky films – WEREWOLF SHADOW - giving us a different look at that iconic movie. Afterward, Troy and I tackle an email and makes plans to get to our backlogged correspondence over the next couple of shows. We promise! I’ve already got a couple more guests for future episodes lined up including some folks I’ve never spoken with before. So exciting! This is going to be a great year for the Naschycast even if I don’t think we’ll produce another four-and-a-half-hour episode! Seriously, I’ll try to break things up as we go forward. If you have any comments or suggestion please write us at <a href="mailto:naschycast@gmail.com">naschycast@gmail.com</a> or message us on the Facebook page. Thank you for listening and we’ll be back soon!

Naschycast #62 - 10th Anniversary Show! 

Leon Klimovsky directed dozens of films of all genres but will forever be remembered for his substantial contributions to Spanish Horror. In collaboration with Paul Naschy he made some of the most successful and effective monster movies to come out of Europe in the 1970's. The horror tales he made without Naschy are often overlooked with THE DRACULA SAGA (1973) being a perfect example. Graced with a literate, intelligent script and the music of Bach, Klimovsky brings all of his impressive skill to making a smart and, in the end, surprising take on classic vampire mythology. This one doesn't end the way you might think it will!  Troy and I are clearly thrilled to be back in the Golden Age of Spanish Horror again. We marvel over the very strong cast that includes an actor who played Dracula multiple times over the years but is rarely talked about when discussing screen vampires. Working with the director again is the always wonderful Helga Liné as the matriarch of the cursed family, Maria Kosty as a young, dangerous part of the clan and Betsabé Ruiz as a local bar wench gone vamp. Add in Tony Isbert as a husband with a wandering eye and the talented Tina Sáinz in the lead role and you have a great group of actors giving this story their full attention. And how many Dracula films add the lamia myths to the mix?  If you have any comments or suggestions we can be reached at naschycast@gmail.com or on the show's FaceBook page. Thank you for listening and we'll be back soon with another very rare Naschy film!

Leon Klimovsky directed dozens of films of all genres but will forever be remembered for his substantial contributions to Spanish Horror. In collaboration with Paul Naschy he made some of the most successful and effective monster movies to come out of Europe in the 1970's. The horror tales he made without Naschy are often overlooked with THE DRACULA SAGA (1973) being a perfect example. Graced with a literate, intelligent script and the music of Bach, Klimovsky brings all of his impressive skill to making a smart and, in the end, surprising take on classic vampire mythology. This one doesn't end the way you might think it will!   Troy and I are clearly thrilled to be back in the Golden Age of Spanish Horror again. We marvel over the very strong cast that includes an actor who played Dracula multiple times over the years but is rarely talked about when discussing screen vampires. Working with the director again is the always wonderful Helga Liné as the matriarch of the cursed family, Maria Kosty as a young, dangerous part of the clan and Betsabé Ruiz as a local bar wench gone vamp. Add in Tony Isbert as a husband with a wandering eye and the talented Tina Sáinz in the lead role and you have a great group of actors giving this story their full attention. And how many Dracula films add the lamia myths to the mix?    If you have any comments or suggestions we can be reached at naschycast@gmail.com or on the show's FaceBook page. Thank you for listening and we'll be back soon with another very rare Naschy film!

Beyond Naschy #28 - THE DRACULA SAGA (1973) 

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