In this episode for Asian/Pacific American Heritage Month, John Fenn and Steve Winick invite guests to talk about Asian collections in the American Folklife Center.  Allina Migoni talks about the earliest known recordings of Korean music, playing segments of a lecture by Robert Provine and a song sung by Ahn Jeong-Sik. Sara Ludewig discusses the Linda LaMacchia collection, including recordings made of Tibetan singers in India. Steve discusses Asian and Pacific Island collections in the Homegrown concert series, and plays a song, a story, and a flute composition by Grammy-nominated Tibetan musician Tenzin Choegyal. More information on the performers and the selections can be found at https://blogs.loc.gov/folklife

In this episode for Asian/Pacific American Heritage Month, John Fenn and Steve Winick invite guests to talk about Asian collections in the American Folklife Center.  Allina Migoni talks about the earliest known recordings of Korean music, playing segments of a lecture by Robert Provine and a song sung by Ahn Jeong-Sik. Sara Ludewig discusses the Linda LaMacchia collection, including recordings made of Tibetan singers in India. Steve discusses Asian and Pacific Island collections in the Homegrown concert series, and plays a song, a story, and a flute composition by Grammy-nominated Tibetan musician Tenzin Choegyal. More information on the performers and the selections can be found at <a href="https://blogs.loc.gov/folklife" rel="nofollow" target="_blank">https://blogs.loc.gov/folklife</a>

Asian Pacific American Heritage

In this episode for Women’s History Month, Allina Migoni and Michelle Stefano take a look through the collections of the American Folklife Center to find insights into how women have shaped those around them and passed down their cultural traditions, and to listen to reflections about their identities and lives.  The episode honors women in the American Folklife Center archive, including homemaker and cook Yoshiko Nagashima, craftsperson Iyo Nagashima, farmer Sarah Sohn, quilters Donna Choate and Zenna Todd, hooked rug artist Mary Sheppard Burton, and ethnographers Theadocia Austen, Geraldine Niva Johnson, Kay Turner, Miiko Toelken, and Christine Cartwright. More information on the performers and the selections can be found at https://blogs.loc.gov/folklife

In this episode for Women’s History Month, Allina Migoni and Michelle Stefano take a look through the collections of the American Folklife Center to find insights into how women have shaped those around them and passed down their cultural traditions, and to listen to reflections about their identities and lives.  The episode honors women in the American Folklife Center archive, including homemaker and cook Yoshiko Nagashima, craftsperson Iyo Nagashima, farmer Sarah Sohn, quilters Donna Choate and Zenna Todd, hooked rug artist Mary Sheppard Burton, and ethnographers Theadocia Austen, Geraldine Niva Johnson, Kay Turner, Miiko Toelken, and Christine Cartwright. More information on the performers and the selections can be found at <a href="https://blogs.loc.gov/folklife" rel="nofollow" target="_blank">https://blogs.loc.gov/folklife</a>

Celebrating Women Who Tell Our Stories

In this episode, John Fenn, Michelle Stefano, and Stephen Winick discuss Groundhog Day traditions. Drawing on the research of Don Yoder, they discuss the history and folklore of the holiday, including groundhog traditions among the Pennsylvania Dutch, groundhog songs, weather proverbs, and even cooking and eating groundhogs! Songs include two versions of “Groundhog,” one of “Fod,” and one of “Prowling Groundhog.” More information on the performers and the selections can be found at https://blogs.loc.gov/folklife.

In this episode, John Fenn, Michelle Stefano, and Stephen Winick discuss Groundhog Day traditions. Drawing on the research of Don Yoder, they discuss the history and folklore of the holiday, including groundhog traditions among the Pennsylvania Dutch, groundhog songs, weather proverbs, and even cooking and eating groundhogs! Songs include two versions of “Groundhog,” one of “Fod,” and one of “Prowling Groundhog.” More information on the performers and the selections can be found at <a href="https://blogs.loc.gov/folklife" rel="nofollow" target="_blank">https://blogs.loc.gov/folklife</a>.

Groundhog Day

In this episode, hosts John Fenn and Stephen Winick introduce three scary stories for you to enjoy: a witch tale told by Appalachian singer and activist Aunt Molly Jackson, a ghost story told by blues musician and gravedigger John Jackson, and the story of Jack O Lantern told by folklorist Jack Santino. Steve and John also discuss a little of the history of Halloween, and introduce the Library of Congress’s updated Halloween research guide. More information on the performers and the selections can be found at https://blogs.loc.gov/folklife.

In this episode, hosts John Fenn and Stephen Winick introduce three scary stories for you to enjoy: a witch tale told by Appalachian singer and activist Aunt Molly Jackson, a ghost story told by blues musician and gravedigger John Jackson, and the story of Jack O Lantern told by folklorist Jack Santino. Steve and John also discuss a little of the history of Halloween, and introduce the Library of Congress’s updated Halloween research guide. More information on the performers and the selections can be found at <a href="https://blogs.loc.gov/folklife" rel="nofollow" target="_blank">https://blogs.loc.gov/folklife</a>.

Scary Stories for Halloween 2022

Mick Moloney

In this episode, hosts John Fenn and Stephen Winick talk with Jennifer Cutting about items that caught their eyes and ears. Cutting discusses commercial recordings of tunes collected by Cecil Sharp, and Winick tells stories of the recording sessions, which Sharp personally supervised and described in his diaries. Cutting discusses her friend, the late Tony Barrand, an important collector of morris dances. John Fenn discusses the Nagra IV portable tape deck, and Winick discusses a picture of the late Mick Moloney using the Nagra in 1977. Winick discusses Moloney, and they play music recorded by Moloney on the Nagra, including jigs played on fiddle and accordion by Liz Carroll and Tommy Maguire, and reels played on the flute by Michael Flatley. More information on the performers and the selections can be found at https://blogs.loc.gov/folklife.

In this episode, hosts John Fenn and Stephen Winick talk with Jennifer Cutting about items that caught their eyes and ears. Cutting discusses commercial recordings of tunes collected by Cecil Sharp, and Winick tells stories of the recording sessions, which Sharp personally supervised and described in his diaries. Cutting discusses her friend, the late Tony Barrand, an important collector of morris dances. John Fenn discusses the Nagra IV portable tape deck, and Winick discusses a picture of the late Mick Moloney using the Nagra in 1977. Winick discusses Moloney, and they play music recorded by Moloney on the Nagra, including jigs played on fiddle and accordion by Liz Carroll and Tommy Maguire, and reels played on the flute by Michael Flatley. More information on the performers and the selections can be found at <a href="https://blogs.loc.gov/folklife" rel="nofollow" target="_blank">https://blogs.loc.gov/folklife</a>.

Caught My Eye, Caught My Ear, Staff Edition, Including Tributes to Tony Barrand and Mick Moloney

In this episode, hosts John Fenn and Stephen Winick interview American Folklife Center interns Bryan Jenkins and Elisa Alfonso. Jenkins discusses AFC’s Web Cultures Web Archive, and interviews AFC reference librarian Allina Migoni about it. Alfonso discusses several versions of the Latin American children’s song “Señora Santana,” and speaks of its association with the 1960s Cuban children’s exodus that later became known as Operación Pedro Pan. The episode presents several versions of the song from Cuban, Mexican, and Spanish Americans in Florida, Texas, and California. More information on the performers and the selections can be found at https://blogs.loc.gov/folklife.

In this episode, hosts John Fenn and Stephen Winick interview American Folklife Center interns Bryan Jenkins and Elisa Alfonso. Jenkins discusses AFC’s Web Cultures Web Archive, and interviews AFC reference librarian Allina Migoni about it. Alfonso discusses several versions of the Latin American children’s song “Señora Santana,” and speaks of its association with the 1960s Cuban children’s exodus that later became known as Operación Pedro Pan. The episode presents several versions of the song from Cuban, Mexican, and Spanish Americans in Florida, Texas, and California. More information on the performers and the selections can be found at <a href="https://blogs.loc.gov/folklife" rel="nofollow" target="_blank">https://blogs.loc.gov/folklife</a>.

Caught My Eye: Intern Edition!

In this episode, hosts John Fenn and Michelle Stefano, with guest Thea Austen, explore Ukrainian materials in the American Folklife Center Archive. Interview segments include a discussion of Ukrainian embroidery and dance, between Geraldine Johnson and Taissa Decyk; and a discussion of a Ukrainian family bandura band who immigrated to the United States as refugees in the late 1940s, between Stephen Winick and Julian Kytasty. Musical selections include a song with bandura accompaniment by Kytasty and a set of instrumental tunes by Gerdan ensemble. More information on the performers and the selections can be found at https://blogs.loc.gov/folklife.

In this episode, hosts John Fenn and Michelle Stefano, with guest Thea Austen, explore Ukrainian materials in the American Folklife Center Archive. Interview segments include a discussion of Ukrainian embroidery and dance, between Geraldine Johnson and Taissa Decyk; and a discussion of a Ukrainian family bandura band who immigrated to the United States as refugees in the late 1940s, between Stephen Winick and Julian Kytasty. Musical selections include a song with bandura accompaniment by Kytasty and a set of instrumental tunes by Gerdan ensemble. More information on the performers and the selections can be found at <a href="https://blogs.loc.gov/folklife" rel="nofollow" target="_blank">https://blogs.loc.gov/folklife</a>.

Ukrainian Traditions at the American Folklife Center

In this episode, hosts Stephen Winick and John Fenn, with guests Betsy Peterson, Jennifer Cutting, and Melanie Zeck, explore songs and music from Irish American women in the American Folklife Center archive. Performances include Maggie Hammons Parker singing “Ireland’s Green Shore,” Hattie Scott Gould playing “The Irish Washerwoman” on the fiddle, May Mulcahy playing “Nori from Gibberland” and “Put Your Little Foot Right There” on the concertina, Carrie Grover singing “Arthur McBride,” Eileen Gannon playing “O’Carolan’s Receipt” and “Niall Gannon’s Favorite” on the Celtic harp, and Liz Carroll and Tommy Maguire playing a set of reels on the fiddle and the accordion. More information on the performers and the selections can be found at https://blogs.loc.gov/folklife.

In this episode, hosts Stephen Winick and John Fenn, with guests Betsy Peterson, Jennifer Cutting, and Melanie Zeck, explore songs and music from Irish American women in the American Folklife Center archive. Performances include Maggie Hammons Parker singing “Ireland’s Green Shore,” Hattie Scott Gould playing “The Irish Washerwoman” on the fiddle, May Mulcahy playing “Nori from Gibberland” and “Put Your Little Foot Right There” on the concertina, Carrie Grover singing “Arthur McBride,” Eileen Gannon playing “O’Carolan’s Receipt” and “Niall Gannon’s Favorite” on the Celtic harp, and Liz Carroll and Tommy Maguire playing a set of reels on the fiddle and the accordion. More information on the performers and the selections can be found at <a href="https://blogs.loc.gov/folklife" rel="nofollow" target="_blank">https://blogs.loc.gov/folklife</a>.

A Tribute to Irish American Women

In this episode, hosts Stephen Winick and John Fenn, with guest Theadocia Austen, talk about songs of springtime, from agricultural and pastoral songs about farms and flowers to love ballads…and one dance tune. They also play the songs, including Pearl Nye’s version of “Early in the Spring,” the Copper Family’s rendition of “When Spring Comes On,” Baptiste Pierre’s version of the Haitian song “Fleurs, Certaines Jolies Fleurs” Rubén Cobos’s version of the alabanza hymn “El Alba,” Warde Ford’s version of “Nightingales of Spring,” and the Chicago Zither Club’s “Spring Polka.” More information on the songs can be found at https://blogs.loc.gov/folklife.

In this episode, hosts Stephen Winick and John Fenn, with guest Theadocia Austen, talk about songs of springtime, from agricultural and pastoral songs about farms and flowers to love ballads…and one dance tune. They also play the songs, including Pearl Nye’s version of “Early in the Spring,” the Copper Family’s rendition of “When Spring Comes On,” Baptiste Pierre’s version of the Haitian song “Fleurs, Certaines Jolies Fleurs” Rubén Cobos’s version of the alabanza hymn “El Alba,” Warde Ford’s version of “Nightingales of Spring,” and the Chicago Zither Club’s “Spring Polka.” More information on the songs can be found at <a href="https://blogs.loc.gov/folklife" rel="nofollow" target="_blank">https://blogs.loc.gov/folklife</a>.

Songs of Spring

This episode examines the story of La Llorona, the Weeping Woman of Mexican and Latin American ghostlore. Hosts Stephen Winick and John Fenn discuss Winick’s research into the legend for the Folklife Today blog, and interview three guests. Camille Acosta, who wrote a thesis about the Llorona legend, talks about her research and the meanings the story has for kids and adults. Allina Migoni, the Latinx subject specialist for the American Folklife Center, talks about the importance of the La Llorona story for Mexican and Mexican American identity, as well as the connections between La Llorona and La Malinche, the enslaved Indigenous woman whose work as a translator helped Hernán Cortés conquer Mexico. Juan Dies speaks about La Llorona songs, as well as the figure of La Llorona in Mexican pop culture. More information on the songs as well as photos of some the singers and links to all the archival sources, can be found at https://blogs.loc.gov/folklife.

This episode examines the story of La Llorona, the Weeping Woman of Mexican and Latin American ghostlore. Hosts Stephen Winick and John Fenn discuss Winick’s research into the legend for the Folklife Today blog, and interview three guests. Camille Acosta, who wrote a thesis about the Llorona legend, talks about her research and the meanings the story has for kids and adults. Allina Migoni, the Latinx subject specialist for the American Folklife Center, talks about the importance of the La Llorona story for Mexican and Mexican American identity, as well as the connections between La Llorona and La Malinche, the enslaved Indigenous woman whose work as a translator helped Hernán Cortés conquer Mexico. Juan Dies speaks about La Llorona songs, as well as the figure of La Llorona in Mexican pop culture. More information on the songs as well as photos of some the singers and links to all the archival sources, can be found at <a href="https://blogs.loc.gov/folklife" rel="nofollow" target="_blank">https://blogs.loc.gov/folklife</a>.

La Llorona: Looking at a Ghost Story for Día de Muertos and Halloween

Folklife Today tells stories about the cultural traditions and folklore of diverse communities, combining brand-new interviews and narration with songs, stories, music, and oral history from the collections of the Library of Congress's American Folklife Center.

Folklife Today Podcast

Hosts Stephen Winick and John Fenn interview American Folklife Center staff members about what inspires them about AFC collections while they are working from home during the stay-at-home orders imposed by the covid-19 virus crisis. Alda Allina Migoni speaks about Spanish-language collections from California recorded in 1939 by Sidney Robertson Cowell, including versions of “Cielito Lindo.” Michelle Stefano speaks about blues musicians interviewed as part of the Chicago Ethnic Arts Project survey in 1977. Stephen Winick speaks about recordings of Zora Neale Hurston made in 1939, including one of her singing the song “Uncle Bud.” Maya Lerman speaks about the John Cohen collection and the Blue Ridge Parkway Folklife Project Collection, including the old-time music in the collections and especially interviews with Tommy Jarrell. John Fenn speaks about the Juan B. Rael Collection of Hispano music and culture from New Mexico and Colorado. More information on the songs as well as full audio and videos of some of the performances, photos of some the singers, and links to all the archival sources, can be found at https://blogs.loc.gov/folklife.

Hosts Stephen Winick and John Fenn interview American Folklife Center staff members about what inspires them about AFC collections while they are working from home during the stay-at-home orders imposed by the covid-19 virus crisis. Alda Allina Migoni speaks about Spanish-language collections from California recorded in 1939 by Sidney Robertson Cowell, including versions of “Cielito Lindo.” Michelle Stefano speaks about blues musicians interviewed as part of the Chicago Ethnic Arts Project survey in 1977. Stephen Winick speaks about recordings of Zora Neale Hurston made in 1939, including one of her singing the song “Uncle Bud.” Maya Lerman speaks about the John Cohen collection and the Blue Ridge Parkway Folklife Project Collection, including the old-time music in the collections and especially interviews with Tommy Jarrell. John Fenn speaks about the Juan B. Rael Collection of Hispano music and culture from New Mexico and Colorado. More information on the songs as well as full audio and videos of some of the performances, photos of some the singers, and links to all the archival sources, can be found at <a href="https://blogs.loc.gov/folklife" rel="nofollow" target="_blank">https://blogs.loc.gov/folklife</a>.

What’s Inspiring the American Folklife Center Staff During the Virus Crisis

With the help of colleagues from the National Museum of African American History and Culture as well as AFC staff, Stephen Winick and John Fenn explore the collaborative collection known as the Civil Rights History Project. You’ll learn about the piece of Congressional legislation that mandated the project, as well as the various roles that the Smithsonian Institution and Library of Congress have played in generating and maintaining the collection. You’ll find out about some of the fieldwork behind the interviews, as well as the more technical concerns that run through a born-digital collection. And you’ll hear several interview clips from the collection, all chosen by guests on the episode. The Civil Rights History Project is a valuable and rich collection hosted on the Library’s website, and this episode will help you understand a bit about what goes on behind the scenes when it comes to making such a collection available to the public.

Civil Rights History Project

Aaron Copland

Hosts Stephen Winick and Thea Austen and guest Jennifer Cutting discuss the folksong “The Candidate’s a Dodger,” also known as “The Dodger.” They talk about the song’s meanings in oral tradition, its use by Aaron Copland as an art song, and its involvement in political controversy in the 1930s, when Charles Seeger first published it. They examine the song’s history and lay out brand-new evidence about its relationships to other folksongs and to a musical theater song from 1840s England. They also discuss the possibility that Charles Seeger, a founder of ethnomusicology and a pioneering federal folklorist, was himself a “dodger!” The episode includes performances by folksingers Pete Seeger, Mike Seeger, and Peggy Seeger, as well as baritone Thomas Hampson, and five field recordings from the Library of Congress. More information on “The Dodger,” as well as videos of some of the performances, photos of the singers, and links to all the archival sources, can be found at https://blogs.loc.gov/folklife.

Hosts Stephen Winick and Thea Austen and guest Jennifer Cutting discuss the folksong “The Candidate’s a Dodger,” also known as “The Dodger.” They talk about the song’s meanings in oral tradition, its use by Aaron Copland as an art song, and its involvement in political controversy in the 1930s, when Charles Seeger first published it. They examine the song’s history and lay out brand-new evidence about its relationships to other folksongs and to a musical theater song from 1840s England. They also discuss the possibility that Charles Seeger, a founder of ethnomusicology and a pioneering federal folklorist, was himself a “dodger!” The episode includes performances by folksingers Pete Seeger, Mike Seeger, and Peggy Seeger, as well as baritone Thomas Hampson, and five field recordings from the Library of Congress. More information on “The Dodger,” as well as videos of some of the performances, photos of the singers, and links to all the archival sources, can be found at <a href="https://blogs.loc.gov/folklife" rel="nofollow" target="_blank">https://blogs.loc.gov/folklife</a>.

“The Candidate’s a Dodger”: An American Folksong from Oral Tradition to Aaron Copland and Beyond

Hosts John Fenn and Stephen Winick introduce three spooky stories to celebrate Halloween: Award-winning storyteller and author Jackie Torrence telling "The Golden Arm," groundbreaking folklorist Mary Celestia Parler telling "The Witch Who Kept a Hotel," and Connie Regan Blake, one of today's leading professional storytellers, telling "Mr. Fox." Much more about the storytellers and the tales can be found at the blog Folklife Today, https://blogs.loc.gov/folklife.

Hosts John Fenn and Stephen Winick introduce three spooky stories to celebrate Halloween: Award-winning storyteller and author Jackie Torrence telling "The Golden Arm," groundbreaking folklorist Mary Celestia Parler telling "The Witch Who Kept a Hotel," and Connie Regan Blake, one of today's leading professional storytellers, telling "Mr. Fox." Much more about the storytellers and the tales can be found at the blog Folklife Today, <a href="https://blogs.loc.gov/folklife" rel="nofollow" target="_blank">https://blogs.loc.gov/folklife</a>.

Scary Stories for Halloween 2019

Hosts John Fenn and Stephen Winick discuss children's songs, and in particular "Ring Around the Rosie." They interview Carolyn Bennett, the Library of Congress Teacher-in-Residence, and play versions of children's songs recorded in the field in 1939 and in 2019. They talk about the story that the origin of "Ring Around the Rosie" is related to plague symptoms in English history. They conclude that the plague story is folklore, and that specifically it is "metafolklore," meaning folklore about folklore. They also conclude that it's probably not true. Nevertheless it tells us interesting things about the way folklore is told, spread, and used by various kinds of people, including children.

"Is 'Ring Around the Rosie' About the Plague?" A Look at Children's Songs.

With the help of AFC archivists, Stephen Winick and John Fenn reveal the history of a great work of African American folk creativity: the spiritual "Kumbaya" or "Come By Here." You'll hear how it was collected from oral tradition in Georgia and North Carolina in the 1920s, and hear it become the first State Historical Song of Georgia on the floor of the Georgia State Senate. You'll find out how the words "come by here," sung in a regional dialect, came to be spelled "Kumbaya" around the world. You'll hear how some people came to believe the song was written by a white evangelist from New York, while others thought it came to America from Angola. And you'll enjoy performances and commentary from Grammy-winning recording artists, expert archivists, and self-described library nerds. This is the story that got the Folklife Today blog covered by the New York Times!

Kumbaya: Stories of an African American Spiritual

With the help of AFC staff, John Fenn and Stephen Winick will finally get to the bottom of the pesky question: what is the origin of folklore? They will also explore the infamous holiday of April Fools' Day. You'll learn about the history of April Fools' day along with the legends that accompany it. John, Stephen, and AFC staff will talk about the different tricks and pranks associated with the Fools' day, specifically the pranks that students played on their teachers in the early 20th century. You'll also learn about the intricate April Fools' pranks AFC staff play on each other at the Library, and hear a traditional Irish ballad associated with April Fools' Day.

The Origin of All Folklore Everywhere

Hosts Stephen Winick and John Fenn, along with guests Stephanie Hall and Jennifer Cutting discuss and play their favorite songs of winter. Songs include “Footprints in the Snow,” “Ice Skating Song,” “Fair Charlotte,” “Young Charlotte,” “The Wind Blows High,” and “Time to Remember the Poor.”  More information on the songs as well as videos of some of the performances, photos of some the singers, and links to all the archival sources, can be found at https://blogs.loc.gov/folklife.

Hosts Stephen Winick and John Fenn, along with guests Stephanie Hall and Jennifer Cutting discuss and play their favorite songs of winter. Songs include “Footprints in the Snow,” “Ice Skating Song,” “Fair Charlotte,” “Young Charlotte,” “The Wind Blows High,” and “Time to Remember the Poor.”  More information on the songs as well as videos of some of the performances, photos of some the singers, and links to all the archival sources, can be found at <a href="https://blogs.loc.gov/folklife" rel="nofollow" target="_blank">https://blogs.loc.gov/folklife</a>.

Winter Songs Part 2

Hosts John Fenn and Stephen Winick discuss occupational folklife in general, and the American Folklife Center's Occupational Folklife Project in particular. Topics covered include occupational songs, labor scholar and activist Archie Green, and the Occupational Folklife Project's oral histories with American workers. Speaker of the House Nancy Pelosi provides a moving tribute to labor folklorist Archie Green. Other interviewees include American Folklife center director Betsy Peterson, who was a fieldworker on the Occupational Folklife Project, archivists who take care of the recordings, and the coordinator of the project, Nancy Groce. The program includes excerpts from three workers in the Port of Houston, and with one circus worker reminiscing about elephants. It also includes a mining song performed by Blind Jim Howard and two versions of the railroad song "Rock Island Line," one by Kelly Pace and the other by the popular singer-songwriter Billy Bragg.

Occupational Folklife

Hosts John Fenn and Stephen Winick, along with Library of Congress staff members Stephanie Hall, Michelle Stefano, and Muhannad Salhi, explore the work of "hidden folklorists," that is, people whose folklore work is sometimes overlooked because they came from marginalized communities and/or were more famous for other activities. This episode looks at four folklorists or folklore families. The famous 19th century detective Allan Pinkerton and his wife Joan compiled an early book of Scottish ballads, and were featured in a blog post by Stephen Winick. King David Kalakaua and his sister Queen Liliuokalani, last monarchs of Hawai'i, published and translated the sacred chants of their people, and were featured in blogs by Stephanie Hall. Sarah P. Jamali, an English professor and wife of an Iraqi prime minister, collected audio recordings of Iraqi folktales and published them in English translation, and was written about by Michelle Stefano; and Ralph Ellison, prominent novelist, whose Invisible Man was partly inspired by a story he collected in New York, as revealed by Stephen Winick.

Hidden Folklorists

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