Who is responsible for making a work of art? In each episode of this collaborative podcast series, one anthropologist, specialising in a particular cultural context, has a conversation with an artist of their choosing, exploring issues of authorship and responsibility in art. Ranging across geographical locations and creative practices, discussions address and unpack the conceptualisation of the artistic person, authorship as centred upon an individual or bounded group, and the development of responsibility for artworks during and after their making. Each episode brings a fresh perspective on where ideas come from, what agency an artist feels in the creation of their work, and how, and in which contexts, ownership and responsibility for the artwork are claimed. Ultimately, as a collection, the series encourages listeners to think about ‘the artist’ and ‘the artwork’ as dynamic processes in a relationship of authoring.Episode 5 features Nazli Tabatabai-Khatambakhsh with Anonymous AnthropologistNazli Tabatabai-Khatambakhsh BSc. Hons, MLitt, MA is a practice-based opera doctoral researcher at the Guildhall School of Music and Drama, in London where she also teaches. Her research engages with the opera “Carmen” drawing on the Tehran Opera Company to forecast what new socio-political futures could be dreamt through opera. Her new libretto of “Carmen” in 2025 will coincide with the 150th anniversary of “Carmen’s” premiere in Paris. In this episode, as the librettist, Nazli reflects upon the production of the opera "Paradise Garden" (2021).Nazli Tabatabai-Khatambakhsh is an experienced transdisciplinary and interdisciplinary artist with a portfolio spanning live and recorded arts, both place based and touring. Currently she is associate director of the Glasgow based Queer Sanctuary Arts with a focus on future artistic planning. She is a member of the Governance Committee for the New York based International Society for the Performing Arts (ISPA), of which she was an Arts Council England Fellow. At the Royal Central School of Speech and Drama she is the Deputy Chair of the inaugural Independent Equity Committee.Twitter: @Nazli_TabatabaiAnonymous AnthropologistBy anonymising herself, she hopes to highlight that artists are constantly asked to do things for free. As anthropologists are keen to collaborate with artists (sometimes for free), she hopes her small act could highlight the issue and help fellow anthropologists reflect on the ‘friendship’ convention in Social Anthropology.More info: http://www.payingartists.org.uk/Artery is a podcast organised by Iza Kavedžija (University of Cambridge) and Robert Simpkins (SOAS, London) and supported by the AHRC.Music: Footsteps, by Robert Simpkins.

Who is responsible for making a work of art? In each episode of this collaborative podcast series, one anthropologist, specialising in a particular cultural context, has a conversation with an artist of their choosing, exploring issues of authorship and responsibility in art. Ranging across geographical locations and creative practices, discussions address and unpack the conceptualisation of the artistic person, authorship as centred upon an individual or bounded group, and the development of responsibility for artworks during and after their making. Each episode brings a fresh perspective on where ideas come from, what agency an artist feels in the creation of their work, and how, and in which contexts, ownership and responsibility for the artwork are claimed. Ultimately, as a collection, the series encourages listeners to think about ‘the artist’ and ‘the artwork’ as dynamic processes in a relationship of authoring. Episode 5 features Nazli Tabatabai-Khatambakhsh with Anonymous Anthropologist Nazli Tabatabai-Khatambakhsh BSc. Hons, MLitt, MA is a practice-based opera doctoral researcher at the Guildhall School of Music and Drama, in London where she also teaches. Her research engages with the opera “Carmen” drawing on the Tehran Opera Company to forecast what new socio-political futures could be dreamt through opera. Her new libretto of “Carmen” in 2025 will coincide with the 150th anniversary of “Carmen’s” premiere in Paris. In this episode, as the librettist, Nazli reflects upon the production of the opera "Paradise Garden" (2021). Nazli Tabatabai-Khatambakhsh is an experienced transdisciplinary and interdisciplinary artist with a portfolio spanning live and recorded arts, both place based and touring. Currently she is associate director of the Glasgow based Queer Sanctuary Arts with a focus on future artistic planning. She is a member of the Governance Committee for the New York based International Society for the Performing Arts (ISPA), of which she was an Arts Council England Fellow. At the Royal Central School of Speech and Drama she is the Deputy Chair of the inaugural Independent Equity Committee. Twitter: @Nazli_Tabatabai Anonymous Anthropologist By anonymising herself, she hopes to highlight that artists are constantly asked to do things for free. As anthropologists are keen to collaborate with artists (sometimes for free), she hopes her small act could highlight the issue and help fellow anthropologists reflect on the ‘friendship’ convention in Social Anthropology. More info: <a href="http://www.payingartists.org.uk/" rel="nofollow" target="_blank">http://www.payingartists.org.uk/</a> Artery is a podcast organised by Iza Kavedžija (University of Cambridge) and Robert Simpkins (SOAS, London) and supported by the AHRC. Music: Footsteps, by Robert Simpkins.

Episode 31. Artery: Nazli Tabatabai-Khatambakhsh with Anonymous Anthropologist

Alanna Cant

Jesús Guevara Rico

Who is responsible for making a work of art? In each episode of this collaborative podcast series, one anthropologist, specialising in a particular cultural context, has a conversation with an artist of their choosing, exploring issues of authorship and responsibility in art. Ranging across geographical locations and creative practices, discussions address and unpack the conceptualisation of the artistic person, authorship as centred upon an individual or bounded group, and the development of responsibility for artworks during and after their making. Each episode brings a fresh perspective on where ideas come from, what agency an artist feels in the creation of their work, and how, and in which contexts, ownership and responsibility for the artwork are claimed. Ultimately, as a collection, the series encourages listeners to think about ‘the artist’ and ‘the artwork’ as dynamic processes in a relationship of authoring.Episode 4 features Jesús Guevara Rico with Alanna CantJesús Guevara Rico is an artist and art conservator, originally from San José Tateposco in the state of Jalisco, Mexico. He trained at the prestigious Western School of Conservation and Restoration (Escuela de Conservación y Restauración de Occidente) in Guadalajara. Now based in Oaxaca City, Jesús works on and oversees the conservation and restoration of colonial heritage throughout the state, especially religious paintings, frescos, and carvings. Novohispano art also provides inspiration for the content, materials, and techniques of Jesús’s oil paintings, murals, and tattoos.Find him on Twitter @JesusGuevaraRi3Alanna Cant is an anthropologist in the Department of Archaeology at the University of Reading. Her work is about aesthetics, identity, material culture, and religion within the ‘economies of culture’ of Mexico and the United Kingdom. Her book The Value of Aesthetics: Oaxacan woodcarvers in global economies of culture was published in 2019 by the University of Texas Press. https://www.reading.ac.uk/archaeology/staff/alanna-cant https://www.alannacant.com/Voice credit: Alfredo NarváezArtery is a podcast organised by Iza Kavedžija (University of Cambridge) and Robert Simpkins (SOAS, London) and supported by the AHRC.Music: Footsteps, by Robert Simpkins.

Who is responsible for making a work of art? In each episode of this collaborative podcast series, one anthropologist, specialising in a particular cultural context, has a conversation with an artist of their choosing, exploring issues of authorship and responsibility in art. Ranging across geographical locations and creative practices, discussions address and unpack the conceptualisation of the artistic person, authorship as centred upon an individual or bounded group, and the development of responsibility for artworks during and after their making. Each episode brings a fresh perspective on where ideas come from, what agency an artist feels in the creation of their work, and how, and in which contexts, ownership and responsibility for the artwork are claimed. Ultimately, as a collection, the series encourages listeners to think about ‘the artist’ and ‘the artwork’ as dynamic processes in a relationship of authoring. Episode 4 features Jesús Guevara Rico with Alanna Cant Jesús Guevara Rico is an artist and art conservator, originally from San José Tateposco in the state of Jalisco, Mexico. He trained at the prestigious Western School of Conservation and Restoration (Escuela de Conservación y Restauración de Occidente) in Guadalajara. Now based in Oaxaca City, Jesús works on and oversees the conservation and restoration of colonial heritage throughout the state, especially religious paintings, frescos, and carvings. Novohispano art also provides inspiration for the content, materials, and techniques of Jesús’s oil paintings, murals, and tattoos. Find him on Twitter @JesusGuevaraRi3 Alanna Cant is an anthropologist in the Department of Archaeology at the University of Reading. Her work is about aesthetics, identity, material culture, and religion within the ‘economies of culture’ of Mexico and the United Kingdom. Her book The Value of Aesthetics: Oaxacan woodcarvers in global economies of culture was published in 2019 by the University of Texas Press. <a href="https://www.reading.ac.uk/archaeology/staff/alanna-cant" rel="nofollow" target="_blank">https://www.reading.ac.uk/archaeology/staff/alanna-cant</a> <a href="https://www.alannacant.com/" rel="nofollow" target="_blank">https://www.alannacant.com/</a> Voice credit: Alfredo Narváez Artery is a podcast organised by Iza Kavedžija (University of Cambridge) and Robert Simpkins (SOAS, London) and supported by the AHRC. Music: Footsteps, by Robert Simpkins.

Episode 30. Artery: Jesús Guevara Rico with Alanna Cant

Sean French

This podcast examines the shifting sonic politics of the marching band scene in Derry, Northern Ireland. 20 years ago, Protestant parading in Derry was a source of intense political conflict but over the years it has become less controversial due to inter-community collaboration. However, tensions remain. Sean French and his interlocutors discuss how different political styles sound and how acoustic experience intersects with political marginalization. Through ideas around rowdiness, volume, and voice, French shows how marching band members in contemporary Northern Ireland negotiate different political stances and forms of identification.Acknowledgements:Special thanks to Richard Holland and the East Bank Protestant Boys, everyone at Bready Ulster Scots Pipe Band, and everyone at the North West Cultural Partnership. I am so grateful for all you've done for me, and I would be nowhere without your kindness letting me be a temporary part of the marching band world in Derry. Sean French is a third year Social Anthropology PhD student at the University of Cambridge. (https://www.socanth.cam.ac.uk/staff/sean-french-2020)

This podcast examines the shifting sonic politics of the marching band scene in Derry, Northern Ireland. 20 years ago, Protestant parading in Derry was a source of intense political conflict but over the years it has become less controversial due to inter-community collaboration. However, tensions remain. Sean French and his interlocutors discuss how different political styles sound and how acoustic experience intersects with political marginalization. Through ideas around rowdiness, volume, and voice, French shows how marching band members in contemporary Northern Ireland negotiate different political stances and forms of identification. Acknowledgements: Special thanks to Richard Holland and the East Bank Protestant Boys, everyone at Bready Ulster Scots Pipe Band, and everyone at the North West Cultural Partnership. I am so grateful for all you've done for me, and I would be nowhere without your kindness letting me be a temporary part of the marching band world in Derry. Sean French is a third year Social Anthropology PhD student at the University of Cambridge. (<a href="https://www.socanth.cam.ac.uk/staff/sean-french-2020" rel="nofollow" target="_blank">https://www.socanth.cam.ac.uk/staff/sean-french-2020</a>)

Episode 29: The 'Political' in Northern Irish Protestant Marching Bands, by Sean French.

Hermione Spriggs

Tuguldur Yondonjamts

Who is responsible for making a work of art? In each episode of this collaborative podcast series, one anthropologist, specialising in a particular cultural context, has a conversation with an artist of their choosing, exploring issues of authorship and responsibility in art. Ranging across geographical locations and creative practices, discussions address and unpack the conceptualisation of the artistic person, authorship as centred upon an individual or bounded group, and the development of responsibility for artworks during and after their making. Each episode brings a fresh perspective on where ideas come from, what agency an artist feels in the creation of their work, and how, and in which contexts, ownership and responsibility for the artwork are claimed. Ultimately, as a collection, the series encourages listeners to think about ‘the artist’ and ‘the artwork’ as dynamic processes in a relationship of authoring.Episode 3 features Tuguldur Yondonjamts with Hermione SpriggsTuguldur Yondonjamts (b.1977, Ulaanbaatar, Mongolia) lives and works in Ulaanbaatar and in New York. His work is very much dependent on research and careful analysis of certain environments and materials, often responding to the nomadic culture of Central Asia and the issues affecting Mongolia’s society and economic development. By using investigational logic, he is able to create large scale drawings and diagrams, representing imagined journeys. His work is widely exhibited in Mongolia, the US and internationally. https://tugulduryondonjamts.com/tuguldur_yondonjamts_Hermione Spriggs is an artist and anthropologist based between London and Yorkshire. She is currently undertaking practice-based PhD research with an ethnographic focus on trapping and pest control in North Yorkshire. Her edited volume Five Heads: Art, Anthropology and Mongol-Futurism (2018) is published by Sternberg Press.  https://hermione-spriggs.comhermione.spriggsArtery is a podcast organised by Iza Kavedžija (University of Cambridge) and Robert Simpkins (SOAS, London) and supported by the AHRC.Music: Footsteps, by Robert Simpkins.

Who is responsible for making a work of art? In each episode of this collaborative podcast series, one anthropologist, specialising in a particular cultural context, has a conversation with an artist of their choosing, exploring issues of authorship and responsibility in art. Ranging across geographical locations and creative practices, discussions address and unpack the conceptualisation of the artistic person, authorship as centred upon an individual or bounded group, and the development of responsibility for artworks during and after their making. Each episode brings a fresh perspective on where ideas come from, what agency an artist feels in the creation of their work, and how, and in which contexts, ownership and responsibility for the artwork are claimed. Ultimately, as a collection, the series encourages listeners to think about ‘the artist’ and ‘the artwork’ as dynamic processes in a relationship of authoring. Episode 3 features Tuguldur Yondonjamts with Hermione Spriggs Tuguldur Yondonjamts (b.1977, Ulaanbaatar, Mongolia) lives and works in Ulaanbaatar and in New York. His work is very much dependent on research and careful analysis of certain environments and materials, often responding to the nomadic culture of Central Asia and the issues affecting Mongolia’s society and economic development. By using investigational logic, he is able to create large scale drawings and diagrams, representing imagined journeys. His work is widely exhibited in Mongolia, the US and internationally. <a href="https://tugulduryondonjamts.com/" rel="nofollow" target="_blank">https://tugulduryondonjamts.com/</a> tuguldur_yondonjamts_ Hermione Spriggs is an artist and anthropologist based between London and Yorkshire. She is currently undertaking practice-based PhD research with an ethnographic focus on trapping and pest control in North Yorkshire. Her edited volume Five Heads: Art, Anthropology and Mongol-Futurism (2018) is published by Sternberg Press. <a href="https://hermione-spriggs.com" rel="nofollow" target="_blank">https://hermione-spriggs.com</a> hermione.spriggs Artery is a podcast organised by Iza Kavedžija (University of Cambridge) and Robert Simpkins (SOAS, London) and supported by the AHRC. Music: Footsteps, by Robert Simpkins.

Episode 28. Artery: Tuguldur Yondonjamts with Hermione Spriggs

Marlene Schäfers

What does it mean to have a voice? And how does a voice need to sound like if it is going to matter? In this episode, Marlene Schäfers (Utrecht University) discusses her research with Kurdish women singers and poets to explore what makes the voice an object of desire and appeal in the contemporary world, particularly for historically marginalized subjects. Field recordings of Kurdish classical and recent repertoires reveal how contemporary politics of voice shape what voices mean, how they sound, and how they impact listeners.   Marlene Schäfers is Assistant Professor in Cultural Anthropology at Utrecht University, Netherlands. She obtained her PhD at the Department of Social Anthropology at the University of Cambridge. Her first monograph, Voices that Matter: Kurdish Women at the Limits of Representation in Contemporary Turkey was published with the University of Chicago Press in 2022. You can find more information, including additional field recordings on her website: www.marleneschafers.com   Acknowledgements: My thanks are due to the Kurdish women who so generously shared their time with me and let me record their voices. The recordings featured in this podcast were made in Wan, Turkey, in 2011-12.

What does it mean to have a voice? And how does a voice need to sound like if it is going to matter? In this episode, Marlene Schäfers (Utrecht University) discusses her research with Kurdish women singers and poets to explore what makes the voice an object of desire and appeal in the contemporary world, particularly for historically marginalized subjects. Field recordings of Kurdish classical and recent repertoires reveal how contemporary politics of voice shape what voices mean, how they sound, and how they impact listeners. Marlene Schäfers is Assistant Professor in Cultural Anthropology at Utrecht University, Netherlands. She obtained her PhD at the Department of Social Anthropology at the University of Cambridge. Her first monograph, Voices that Matter: Kurdish Women at the Limits of Representation in Contemporary Turkey was published with the University of Chicago Press in 2022. You can find more information, including additional field recordings on her website: <a href="http://www.marleneschafers.com" rel="nofollow" target="_blank">www.marleneschafers.com</a> Acknowledgements: My thanks are due to the Kurdish women who so generously shared their time with me and let me record their voices. The recordings featured in this podcast were made in Wan, Turkey, in 2011-12.

Episode 27. Kurdish Women and Desires for Voice by Marlene Schäfers

Jeannine-Madeleine Fischer

Who is responsible for making a work of art? In each episode of this collaborative podcast series, one anthropologist, specialising in a particular cultural context, has a conversation with an artist of their choosing, exploring issues of authorship and responsibility in art. Ranging across geographical locations and creative practices, discussions address and unpack the conceptualisation of the artistic person, authorship as centred upon an individual or bounded group, and the development of responsibility for artworks during and after their making. Each episode brings a fresh perspective on where ideas come from, what agency an artist feels in the creation of their work, and how, and in which contexts, ownership and responsibility for the artwork are claimed. Ultimately, as a collection, the series encourages listeners to think about ‘the artist’ and ‘the artwork’ as dynamic processes in a relationship of authoring.Episode 2 features Mzuzile Mduduzi Xakaza with Jeannine-Madeleine FischerMzuzile Mduduzi Xakaza works as Director of the Durban Art Gallery and also paints and draws on a part-time basis. He has participated in numerous group and solo exhibitions in South Africa and abroad since the early 1990s. His art is inspired mainly by the love and appreciation of his social and physical environment (landscape) as well as social issues that are subtly evoked by such a theme. However, there is always something enigmatic about some of the creative ideas that flow into his mind whilst creating - something that seems to defy definition of any sort.https://asai.co.za/artist/mduduzi-xakaza/Jeannine-Madeleine Fischer is a cultural anthropologist at the University of Konstanz and is currently researching aesthetic activism in South Africa. She is part of the interdisciplinary research group "Traveling Forms".https://www.uni-konstanz.de/en/research/research-institutions/nomis-research-project-traveling-forms/research-fields/activism-as-a-mobile-aesthetic-form/Artery is a podcast organised by Iza Kavedžija (University of Cambridge) and Robert Simpkins (SOAS, London) and supported by the AHRC.Music: Footsteps, by Robert Simpkins.

Who is responsible for making a work of art? In each episode of this collaborative podcast series, one anthropologist, specialising in a particular cultural context, has a conversation with an artist of their choosing, exploring issues of authorship and responsibility in art. Ranging across geographical locations and creative practices, discussions address and unpack the conceptualisation of the artistic person, authorship as centred upon an individual or bounded group, and the development of responsibility for artworks during and after their making. Each episode brings a fresh perspective on where ideas come from, what agency an artist feels in the creation of their work, and how, and in which contexts, ownership and responsibility for the artwork are claimed. Ultimately, as a collection, the series encourages listeners to think about ‘the artist’ and ‘the artwork’ as dynamic processes in a relationship of authoring. Episode 2 features Mzuzile Mduduzi Xakaza with Jeannine-Madeleine Fischer Mzuzile Mduduzi Xakaza works as Director of the Durban Art Gallery and also paints and draws on a part-time basis. He has participated in numerous group and solo exhibitions in South Africa and abroad since the early 1990s. His art is inspired mainly by the love and appreciation of his social and physical environment (landscape) as well as social issues that are subtly evoked by such a theme. However, there is always something enigmatic about some of the creative ideas that flow into his mind whilst creating - something that seems to defy definition of any sort. <a href="https://asai.co.za/artist/mduduzi-xakaza/" rel="nofollow" target="_blank">https://asai.co.za/artist/mduduzi-xakaza/</a> Jeannine-Madeleine Fischer is a cultural anthropologist at the University of Konstanz and is currently researching aesthetic activism in South Africa. She is part of the interdisciplinary research group "Traveling Forms". <a href="https://www.uni-konstanz.de/en/research/research-institutions/nomis-research-project-traveling-forms/research-fields/activism-as-a-mobile-aesthetic-form/" rel="nofollow" target="_blank">https://www.uni-konstanz.de/en/research/research-institutions/nomis-research-project-traveling-forms/research-fields/activism-as-a-mobile-aesthetic-form/</a> Artery is a podcast organised by Iza Kavedžija (University of Cambridge) and Robert Simpkins (SOAS, London) and supported by the AHRC. Music: Footsteps, by Robert Simpkins.

Episode 26. Artery: Mzuzile Mduduzi Xakaza with Jeannine-Madeleine Fischer

Episode 25. The Future of the Anthropological Journal. by Cambridge Anthropology

Episode 25. The Future of the Anthropological Journal.

Fran Edmonds

Maree Clarke

Who is responsible for making a work of art? In each episode of this collaborative podcast series, one anthropologist, specialising in a particular cultural context, has a conversation with an artist of their choosing, exploring issues of authorship and responsibility in art. Ranging across geographical locations and creative practices, discussions address and unpack the conceptualisation of the artistic person, authorship as centred upon an individual or bounded group, and the development of responsibility for artworks during and after their making. Each episode brings a fresh perspective on where ideas come from, what agency an artist feels in the creation of their work, and how, and in which contexts, ownership and responsibility for the artwork are claimed. Ultimately, as a collection, the series encourages listeners to think about ‘the artist’ and ‘the artwork’ as dynamic processes in a relationship of authoring.Maree Clarke is a Mutti Mutti/Wemba Wemba/Boonwurrung/Yorta Yorta artist, from Mildura in northwest Victoria, Australia, now living and working in Naarm (Melbourne).  With over 30 years experience as an artist, Clarke’s work focuses on new ways of telling old/ongoing stories through art-making, much of which occurs in her backyard.https://www.ngv.vic.gov.au/exhibition/maree-clarke/ https://vivienandersongallery.com/artists/maree-clarke/Fran Edmonds is an interdisciplinary scholar who has worked extensively with Aboriginal artists, community organisations and galleries, libraries, archives and museums (GLAMs) for almost 30 years. Her work supports First Nations people to reclaim their stories from the ‘archives’.https://blogs.unimelb.edu.au/livingarchiveofaboriginalart/ https://omeka.cloud.unimelb.edu.au/livingarchivenaidoc/blog https://www.facebook.com/LivingArchiveofAboriginalArtandKnowledge/Artery is a podcast organised by Iza Kavedžija (University of Cambridge) and Robert Simpkins (SOAS, London) and supported by the AHRC.Music: Footsteps, by Robert Simpkins.

Who is responsible for making a work of art? In each episode of this collaborative podcast series, one anthropologist, specialising in a particular cultural context, has a conversation with an artist of their choosing, exploring issues of authorship and responsibility in art. Ranging across geographical locations and creative practices, discussions address and unpack the conceptualisation of the artistic person, authorship as centred upon an individual or bounded group, and the development of responsibility for artworks during and after their making. Each episode brings a fresh perspective on where ideas come from, what agency an artist feels in the creation of their work, and how, and in which contexts, ownership and responsibility for the artwork are claimed. Ultimately, as a collection, the series encourages listeners to think about ‘the artist’ and ‘the artwork’ as dynamic processes in a relationship of authoring. Maree Clarke is a Mutti Mutti/Wemba Wemba/Boonwurrung/Yorta Yorta artist, from Mildura in northwest Victoria, Australia, now living and working in Naarm (Melbourne). With over 30 years experience as an artist, Clarke’s work focuses on new ways of telling old/ongoing stories through art-making, much of which occurs in her backyard. <a href="https://www.ngv.vic.gov.au/exhibition/maree-clarke/" rel="nofollow" target="_blank">https://www.ngv.vic.gov.au/exhibition/maree-clarke/</a> <a href="https://vivienandersongallery.com/artists/maree-clarke/" rel="nofollow" target="_blank">https://vivienandersongallery.com/artists/maree-clarke/</a> Fran Edmonds is an interdisciplinary scholar who has worked extensively with Aboriginal artists, community organisations and galleries, libraries, archives and museums (GLAMs) for almost 30 years. Her work supports First Nations people to reclaim their stories from the ‘archives’. <a href="https://blogs.unimelb.edu.au/livingarchiveofaboriginalart/" rel="nofollow" target="_blank">https://blogs.unimelb.edu.au/livingarchiveofaboriginalart/</a> <a href="https://omeka.cloud.unimelb.edu.au/livingarchivenaidoc/blog" rel="nofollow" target="_blank">https://omeka.cloud.unimelb.edu.au/livingarchivenaidoc/blog</a> <a href="https://www.facebook.com/LivingArchiveofAboriginalArtandKnowledge/" rel="nofollow" target="_blank">https://www.facebook.com/LivingArchiveofAboriginalArtandKnowledge/</a> Artery is a podcast organised by Iza Kavedžija (University of Cambridge) and Robert Simpkins (SOAS, London) and supported by the AHRC. Music: Footsteps, by Robert Simpkins.

Episode 24. Artery: on art, authorship and anthropology. Maree Clarke with Fran Edmonds.

Timothy Cooper

With the arrival of home recording technology in the early 1980s, many Shi’i Muslims in Pakistan started to record the majlis mourning assemblies and processions that are central to their faith. Soon after, some established family-run religious media stores beside Muslim shrines or in Shi’a-majority neighbourhoods. In this episode, Dr Timothy Cooper (Research Fellow at the Department of Social Anthropology) examines the distinct sonic aesthetic of Shi’i religious media in Pakistan through interviews with his interlocutors in Lahore, as well as through extracts from their personal archives of Shi’i majlis assemblies, rituals, and recitations. He is joined by Karen Ruffle from the University of Toronto and Charles Hirschkind from the University of California, Berkeley, who help to put Shi’i relationships with sound in a wider geographic and disciplinary context.This podcast forms the final part of a three-part multi-platform sound essay titled The Recorded and the Live that examines Shi’i faith, ritual, and recording media in Pakistan. It was produced through the support of an Economic and Social Research Council (ESRC) Postdoctoral Fellowship (ES/V011669/1).Part 1 is an ethnographic film titled This is a Majlis: A Sound Essay co-directed with Abeera Arif-Bashir that was screened at the 2021 Royal Anthropological Institute Film Festival. https://festival.raifilm.org.uk/film/decolonising-the-archive-shorts-2/ Part 2 is an hour-long collection of laments and elegies from the collections of Shi’i media traders in Pakistan titled Recitations for Muharram and Ashura, broadcast and archived on NTS Radio. https://www.nts.live/shows/pirate-modernity/episodes/pirate-modernity-2nd-august-2021 Acknowledgements: My immense gratitude goes to Karen Ruffle, Charles Hirschkind, and Abeera Arif-Bashir for taking the time to work with me on this podcast, and to my interlocutors in Lahore, Muhammad Shehzad, Muhammad Ashiq, Ali Raza, Hurr Abbas, whose patience and intellectual generosity knows no bounds. The interviews featured in this podcast were conducted in Lahore between January and February 2020.

With the arrival of home recording technology in the early 1980s, many Shi’i Muslims in Pakistan started to record the majlis mourning assemblies and processions that are central to their faith. Soon after, some established family-run religious media stores beside Muslim shrines or in Shi’a-majority neighbourhoods. In this episode, Dr Timothy Cooper (Research Fellow at the Department of Social Anthropology) examines the distinct sonic aesthetic of Shi’i religious media in Pakistan through interviews with his interlocutors in Lahore, as well as through extracts from their personal archives of Shi’i majlis assemblies, rituals, and recitations. He is joined by Karen Ruffle from the University of Toronto and Charles Hirschkind from the University of California, Berkeley, who help to put Shi’i relationships with sound in a wider geographic and disciplinary context. This podcast forms the final part of a three-part multi-platform sound essay titled The Recorded and the Live that examines Shi’i faith, ritual, and recording media in Pakistan. It was produced through the support of an Economic and Social Research Council (ESRC) Postdoctoral Fellowship (ES/V011669/1). Part 1 is an ethnographic film titled This is a Majlis: A Sound Essay co-directed with Abeera Arif-Bashir that was screened at the 2021 Royal Anthropological Institute Film Festival. <a href="https://festival.raifilm.org.uk/film/decolonising-the-archive-shorts-2/" rel="nofollow" target="_blank">https://festival.raifilm.org.uk/film/decolonising-the-archive-shorts-2/</a> Part 2 is an hour-long collection of laments and elegies from the collections of Shi’i media traders in Pakistan titled Recitations for Muharram and Ashura, broadcast and archived on NTS Radio. https://www.nts.live/shows/pirate-modernity/episodes/pirate-modernity-2nd-august-2021 Acknowledgements: My immense gratitude goes to Karen Ruffle, Charles Hirschkind, and Abeera Arif-Bashir for taking the time to work with me on this podcast, and to my interlocutors in Lahore, Muhammad Shehzad, Muhammad Ashiq, Ali Raza, Hurr Abbas, whose patience and intellectual generosity knows no bounds. The interviews featured in this podcast were conducted in Lahore between January and February 2020.

Episode 23. The Recorded and the Live, by Timothy Cooper

Laura Tradii

On the 9th of November 2019, Germany celebrated the 30th anniversary of the fall of the Berlin Wall. Yet, the country appeared to be once more divided along political lines as the far-right party Alternative for Germany gained enormous success in the Eastern regions. Laura Tradii was on fieldwork in rural Brandenburg as the electoral campaign unfolded, and she discusses the debates that emerged around the failures and successes of the German Reunification.

Episode 22. 30 years of German unity. Insights from fieldwork in Eastern Germany, by Laura Tradii

Max Bolt

Kevin Yildirim

In November 2019, Max Bolt came to the department of Social Anthropology at Cambridge to deliver the weekly senior seminar. Kevin Yildirim spoke with him beforehand to learn more about his recent work in Johannesburg, which concerns inheritance laws and custom in post-apartheid South Africa. The interview was recorded by Javier Ruiz. Max Bolt is Reader in Anthropology and African Studies at the University of Birmingham. He is the author of the book Zimbabwe's Migrants and South Africa's Border Farms: The Roots of Impermanence, published by Cambridge University Press in 2015.

In November 2019, Max Bolt came to the department of Social Anthropology at Cambridge to deliver the weekly senior seminar. Kevin Yildirim spoke with him beforehand to learn more about his recent work in Johannesburg, which concerns inheritance laws and custom in post-apartheid South Africa. The interview was recorded by Javier Ruiz. Max Bolt is Reader in Anthropology and African Studies at the University of Birmingham. He is the author of the book Zimbabwe's Migrants and South Africa's Border Farms: The Roots of Impermanence, published by Cambridge University Press in 2015.

Episode 21. An Interview with Max Bolt, by Kevin Yildirim and Javier Ruiz

Alisi Mekatoa and Nina Fudge are health researchers. They came to Cambridge to speak about how their undergraduate anthropology degree has informed their careers in and outside of academia. They spoke with Sian Lazar about general practice and primary health care in the UK, and the role of anthropological approaches in health research.

Episode 20. Anthropology Beyond the Academy: Public Health

Gareth Ward visited Cambridge just before he began his appointment as British Ambassador to Vietnam. He spoke with David Sneath about how anthropology has informed his career in the diplomatic service.(We are sorry that the recording quality of this interview is not as good as we would usually aim for.)

Gareth Ward visited Cambridge just before he began his appointment as British Ambassador to Vietnam. He spoke with David Sneath about how anthropology has informed his career in the diplomatic service. (We are sorry that the recording quality of this interview is not as good as we would usually aim for.)

Episode 19. Anthropology Beyond the Academy. Diplomacy

Laura Byng

Tropes of 'running away' abound in popular notions of the circus, but how true is this to the lived experiences of circus folk? In this episode of the podcast, Laura Byng uses interviews with different members of a contemporary UK circus to explore they ways in which they came to work in the circus, and, once there, why they stayed. What emerges is a varied set of relationships to the circus, but a shared passion for this way of life.

Episode 18. Circus Stories, by Laura Byng

Michael Puett

Beth Turk

In November 2017, Michael Puett, Professor of Chinese History and Anthropology at Harvard University, gave two talks at the Centre for Research in the Arts, Social Sciences and Humanities (CRASSH) at Cambridge on the subject of neoliberalism in China. Beth met with Professor Puett after his talks to discuss Puett’s critical stance on the naturalness of neoliberalism, and his assertion that comparative analysis can help us create alternative models by which to organize our world. They also talked about how to contextualize the particular version of neoliberalism found in China today.

Episode 17. An interview with Michael Puett, by Beth Turk

David MacDougall

Rafael Dernbach

David MacDougall visited Cambridge University this year for a series of talks and screenings and to open an exhibition of stills from his films at King's College. After the opening Rafael Dernbach met MacDougall to talk about the particular knowledge visual anthropology can produce and his practice as a filmmaker.David MacDougall is one of the world’s leading ethnographic filmmakers. He also writes regularly on documentary and ethnographic cinema and is the author of Transcultural Cinema (Princeton University Press, 1998) and The Corporeal Image: Film, Ethnography, and the Senses (Princeton, 2006).  He is presently Adjunct Professor at the Research School of Humanities, Australian National University, Canberra.

David MacDougall visited Cambridge University this year for a series of talks and screenings and to open an exhibition of stills from his films at King's College. After the opening Rafael Dernbach met MacDougall to talk about the particular knowledge visual anthropology can produce and his practice as a filmmaker. David MacDougall is one of the world’s leading ethnographic filmmakers. He also writes regularly on documentary and ethnographic cinema and is the author of Transcultural Cinema (Princeton University Press, 1998) and The Corporeal Image: Film, Ethnography, and the Senses (Princeton, 2006). He is presently Adjunct Professor at the Research School of Humanities, Australian National University, Canberra.

Episode 16. An interview with David MacDougall, by Rafael Dernbach

Ilana Gershon

Oliver Balch

Ilana Gershon visited Cambridge University this summer, and after her Senior Research seminar at the department, Oliver Balch caught up with her to talk about her research on new media and the contemporary world of work, and her latest book Down and Out in the New Economy: How People Find (or Don't Find) Work Today.  Ilana is Associate Professor of Anthropology at Indiana University. Her intellectual interests range from linguistic anthropology, science studies, media studies, legal anthropology, anthropology of democracy, and anthropology of work.

Ilana Gershon visited Cambridge University this summer, and after her Senior Research seminar at the department, Oliver Balch caught up with her to talk about her research on new media and the contemporary world of work, and her latest book Down and Out in the New Economy: How People Find (or Don't Find) Work Today. Ilana is Associate Professor of Anthropology at Indiana University. Her intellectual interests range from linguistic anthropology, science studies, media studies, legal anthropology, anthropology of democracy, and anthropology of work.

Episode 15. An interview with Ilana Gershon, by Oliver Balch

Harsha Balasubramanian

This podcast asks what vision means to those who describe theatre for blind and partially-sighted audiences. Harsha Balasubramanian shares some of the findings from her undergraduate dissertation, and argues that these audio describers' understandings of vision are revealed through their practices. These shape the experiences of sight-impaired theatre-goers.With editing by Christina Woolner and voice acting from Rebecca Vaa, Francesca Firth, and Sian Lazar.I am hugely indebted to everyone who has helped with this podcast: all its participants and my friends and former teachers from university.

This podcast asks what vision means to those who describe theatre for blind and partially-sighted audiences. Harsha Balasubramanian shares some of the findings from her undergraduate dissertation, and argues that these audio describers' understandings of vision are revealed through their practices. These shape the experiences of sight-impaired theatre-goers. With editing by Christina Woolner and voice acting from Rebecca Vaa, Francesca Firth, and Sian Lazar. I am hugely indebted to everyone who has helped with this podcast: all its participants and my friends and former teachers from university.

Episode 14. Thinking about Vision, by Harsha Balasubramanian

The processing and storage of data underpins the digital economy. With 2.5 exabytes of data being produced every day, storing and securing this highly valuable asset is an increasingly challenging task. But where exactly is all this data stored and how is it secured? In this episode, Alexander Taylor visits The Bunker, a subterranean data centre in south-east England and talks with Al Webb, the Head of Physical Security, about the increasingly extreme measures being taken to store and secure data within ‘the cloud’.

Episode 13. Welcome to Dataworld, by Alexander Taylor

Ryan Davey

Carl Packman

When credit is an essential means of getting by, how can debt advice organisations help those who are struggling to repay? This episode of the podcast considers some of the conundrums that debt advisers face in Britain today, as a result of credit having become a vital means of subsistence for millions of people. It is an attempt to explore the normative implications of anthropological research for this particular field of social practice, and considers the viability of advocating debt refusal and debt cancellation. The episode comprises a conversation between Carl Packman, Research and Good Practice Manager at the anti-poverty charity Toynbee Hall, and Ryan Davey, a researcher in the Anthropology Department at the London School of Economics.  The presenters would love to hear from any debt advisers who listen to the podcast, to find out your views about what’s being discussed. Please contact Ryan at r.davey@lse.ac.uk or Carl at carl.packman@toynbeehall.org.uk. Further information about the research can be found here: http://www.lse.ac.uk/anthropology/research/An-Ethnography-of-Advice

When credit is an essential means of getting by, how can debt advice organisations help those who are struggling to repay? This episode of the podcast considers some of the conundrums that debt advisers face in Britain today, as a result of credit having become a vital means of subsistence for millions of people. It is an attempt to explore the normative implications of anthropological research for this particular field of social practice, and considers the viability of advocating debt refusal and debt cancellation. The episode comprises a conversation between Carl Packman, Research and Good Practice Manager at the anti-poverty charity Toynbee Hall, and Ryan Davey, a researcher in the Anthropology Department at the London School of Economics. The presenters would love to hear from any debt advisers who listen to the podcast, to find out your views about what’s being discussed. Please contact Ryan at r.davey@lse.ac.uk or Carl at carl.packman@toynbeehall.org.uk. Further information about the research can be found here: <a href="http://www.lse.ac.uk/anthropology/research/An-Ethnography-of-Advice" rel="nofollow" target="_blank">http://www.lse.ac.uk/anthropology/research/An-Ethnography-of-Advice</a>

Episode 12. Wicked problems in the world of debt advice, by Ryan Davey and Carl Packman

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Camthropod

Anna Tsing

Corinna Howland

Christina Woolner

Anna Tsing visited our department to give the Marilyn Strathern lecture for CUSAS in 2015. Corinna Howland took the opportunity to sit down with her to discuss her classic book Friction: An Ethnography of Global Connection, and to find out a bit more about her thinking on issues of globalization, scale, environmental politics, and capitalism.

4. An Interview with Anna Tsing, by Corinna Howland and Christina Woolner

Patrick O’Hare is a PhD student in social anthropology researching waste-pickers, the landfill economy and the recycling industry in Montevideo, Uruguay. In this podcast he visits Save the Date in London, a Dalston café which forms part of the ‘Real Junk Food Network’ dedicated to diverting food from landfill and transforming it into wholesome, affordable meals. With its founders James and Ruth, Patrick explores why so much edible waste makes it into the trash and how food activists like them are challenging wasteful practices and people’s perceptions about what is good to eat.

2. Save the Date, by Patrick O’Hare

Farhan Samanani

On April 8th 2015, in North West London, without any warning or permission a buzzing local pub was torn down by developers hoping to erect luxury flats in its place. The resulting scandal made national headlines, feeding into an intense debate around gentrification and property speculation in London. But what exactly was lost? This episode looks at the demolition of the Carlton Tavern through the eyes of those who used to frequent it, uncovering the value of spaces like pubs in bringing communities together in rich and often unexpected ways.

8. Your Local, by Farhan Samanani

Richard Werbner

Joe Philp

Earlier this year Professor Richard Werbner gave a senior research seminar in the Department entitled 'The Poetics of Wisdom Divination: Renewing the Moral Imagination'. PhD student Joe Philp caught up with Professor Werbner afterwards to ask him more about his recent book, Divination's Grasp: African Encounters with the Almost Said (Indiana University Press: 2015). In the interview, Professor Werbner explains what divination can reveal about moral peril and the moral imagination in contemporary Botswana.

Episode 10. An interview with Richard Werbner, by Joe Philp

Jonathan Woolley

Hugh Williamson

Birdsong is a ubiquitous feature of the British countryside. But what is the cultural significance of this much-loved part of our landscape? Jonathan Woolley reflects upon the meanings made by birds - as omens, as signs, as proxies, and as music - from the Norfolk Broads, to Bosavi in Papua New Guinea.This podcast uses audio from freesound.org:Lapwing.wav by Juskiddink(http://freesound.org/people/juskiddink/sounds/72560/)120319_001_L4 Rooks and some magpies.mp3 by Nemark(http://freesound.org/people/nemark/sounds/150176/)Blackcap01_13-03-2016.wav by Tim_Lomas(http://freesound.org/people/Tim_Lomas/sounds/342098/)20080321.warbler.wav by dobroide(http://freesound.org/people/dobroide/sounds/51028/)The full version of Hanna Tuulikki’s ‘At Sing, Two Birds’ is availablehere: https://www.youtube.com/watch?v=pKcETcbf8Es

Birdsong is a ubiquitous feature of the British countryside. But what is the cultural significance of this much-loved part of our landscape? Jonathan Woolley reflects upon the meanings made by birds - as omens, as signs, as proxies, and as music - from the Norfolk Broads, to Bosavi in Papua New Guinea. This podcast uses audio from <a href="http://freesound.org" rel="nofollow" target="_blank">freesound.org</a>: Lapwing.wav by Juskiddink (<a href="http://freesound.org/people/juskiddink/sounds/72560/" rel="nofollow" target="_blank">http://freesound.org/people/juskiddink/sounds/72560/</a>) 120319_001_L4 Rooks and some magpies.mp3 by Nemark (<a href="http://freesound.org/people/nemark/sounds/150176/" rel="nofollow" target="_blank">http://freesound.org/people/nemark/sounds/150176/</a>) Blackcap01_13-03-2016.wav by Tim_Lomas (<a href="http://freesound.org/people/Tim_Lomas/sounds/342098/" rel="nofollow" target="_blank">http://freesound.org/people/Tim_Lomas/sounds/342098/</a>) 20080321.warbler.wav by dobroide (<a href="http://freesound.org/people/dobroide/sounds/51028/" rel="nofollow" target="_blank">http://freesound.org/people/dobroide/sounds/51028/</a>) The full version of Hanna Tuulikki’s ‘At Sing, Two Birds’ is available here: <a href="https://www.youtube.com/watch?v=pKcETcbf8Es" rel="nofollow" target="_blank">https://www.youtube.com/watch?v=pKcETcbf8Es</a>

Episode 11. Birdsong, by Jonathan Woolley and Hugh Williamson

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