http://globaltlcteam.comTotal Life Changes TLC Your Total Life Changes start now. Get in shape for summer 2018. Iaso Tea, TLCWe are so sure it will make a positive difference in your life that it is backed by a 30-Day, No Questions Asked, 100% Money Back Guarantee.The Abbott and Costello Show is an American television sitcom starring the popular comedy team of Bud Abbott and Lou Costello that premiered in syndication in the fall of 1952 to 1954.

<a href="http://globaltlcteam.com" rel="nofollow" target="_blank">http://globaltlcteam.com</a> Total Life Changes TLC Your Total Life Changes start now. Get in shape for summer 2018. Iaso Tea, TLC We are so sure it will make a positive difference in your life that it is backed by a 30-Day, No Questions Asked, 100% Money Back Guarantee.The Abbott and Costello Show is an American television sitcom starring the popular comedy team of Bud Abbott and Lou Costello that premiered in syndication in the fall of 1952 to 1954.

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George Burns

Bill Goodwin

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V3 Diet pills | Voyager health Technologies | Order V3 DietRed Skelton, born Richard Bernard Skelton, was an American comedian who was best known as a top radio and television star from 1937 to 1971. Skelton's show business career began in his teens as a   circus clown and went on to vaudeville, Broadway, films, radio, TV, night clubs and casinos, all while pursuing another career as a painter.On October 7, 1941, Skelton premiered his own radio show, The Raleigh Cigarette Program, developing a number of recurring characters including punch-drunk boxer "Cauliflower McPugg," inebriated   "Willy Lump-Lump" and "'Mean Widdle Kid' Junior," whose favorite phrase ("I dood it!") soon became part of the American lexicon. That, along with "He bwoke my widdle arm!" (or other body part) and   "He don't know me vewy well, do he?" all found their way into various Warner Bros. cartoons.Skelton himself was referenced in a Popeye cartoon in which the title character enters a haunted house and encounters a "red skeleton." The Three Stooges also referenced Skelton in Creeps (1956):   Shemp: "Who are you?" Talking Skeleton: "Me? I’m Red." Shemp: "Oh, Red Skeleton."Ready to try V3 for yourself? scroll down below and buy the 225.00 package and get the 6 bottles, or you can get any of the higher packages, --V3 wholesale option---Rather pay the LOWER Wholesale prices for your V3?Voyager Health members always save up to 40% on V3!CLICK HERE to become a Voyager Health V3 Member!If so, CLICK HERE to   visit our main Voyager Health V3 ordering and product information website!CLICK HERE   TO ORDER V3 If you have any questions, call us toll free at: 1.800.706.0162--V3 wholesale option---Rather pay the LOWER Wholesale prices for your V3?Voyager Health members always save up to 40% on V3!CLICK HERE to become a Voyager Health V3 Member! New Package   specials for 2013 order them nowOur most popular V3 at wholesale packageItem #: VOY004 - V3 Diet 6-PAKConsisting of 6 V3 Weight Management System 30-Capsule Bottles. Only $37.50 per bottle! *when purchased by the 6-PAK *Sign up now and receive up to 40% off this order, plus all future V3 orders. In addition, you'll receive         your own website and a Voyager Health Welcome Package!

V3 Diet pills | Voyager health Technologies | Order V3 Diet Red Skelton, born Richard Bernard Skelton, was an American comedian who was best known as a top radio and television star from 1937 to 1971. Skelton's show business career began in his teens as a circus clown and went on to vaudeville, Broadway, films, radio, TV, night clubs and casinos, all while pursuing another career as a painter. On October 7, 1941, Skelton premiered his own radio show, The Raleigh Cigarette Program, developing a number of recurring characters including punch-drunk boxer "Cauliflower McPugg," inebriated "Willy Lump-Lump" and "'Mean Widdle Kid' Junior," whose favorite phrase ("I dood it!") soon became part of the American lexicon. That, along with "He bwoke my widdle arm!" (or other body part) and "He don't know me vewy well, do he?" all found their way into various Warner Bros. cartoons. Skelton himself was referenced in a Popeye cartoon in which the title character enters a haunted house and encounters a "red skeleton." The Three Stooges also referenced Skelton in Creeps (1956): Shemp: "Who are you?" Talking Skeleton: "Me? I’m Red." Shemp: "Oh, Red Skeleton." Ready to try V3 for yourself? scroll down below and buy the 225.00 package and get the 6 bottles, or you can get any of the higher packages, --V3 wholesale option--- Rather pay the LOWER Wholesale prices for your V3? Voyager Health members always save up to 40% on V3! CLICK HERE to become a Voyager Health V3 Member! If so, CLICK HERE to visit our main Voyager Health V3 ordering and product information website! CLICK HERE TO ORDER V3 If you have any questions, call us toll free at: 1.800.706.0162 --V3 wholesale option--- Rather pay the LOWER Wholesale prices for your V3? Voyager Health members always save up to 40% on V3! CLICK HERE to become a Voyager Health V3 Member! New Package specials for 2013 order them now Our most popular V3 at wholesale package Item #: VOY004 - V3 Diet 6-PAK Consisting of 6 V3 Weight Management System 30-Capsule Bottles. Only $37.50 per bottle! *when purchased by the 6-PAK *Sign up now and receive up to 40% off this order, plus all future V3 orders. In addition, you'll receive your own website and a Voyager Health Welcome Package!

Red Skelton Careless Driving with Radioamerica

This quick easy download takes your skills to the next level and beyond, with no stress and zero aggravation. http://internetcoachpro.com For the first time ever learning is actually fun quick and very easy. A huge library of the world's best free software is also included! Speed Gibson of the International Secret Police was a radio adventure series written by Virginia Cooke. It was centered on the adventures of Speed Gibson, a fifteen year old pilot who, through his uncle Clint Barlow, becomes a member of the International Secret Police. Speed was described as “a typical American boy: interested in short wave radio, aviation and most of all - The International Secret Police . More of the FRee Otr Visit http://radioamerica.podomatic.comAre you needing to Promote your Business Please    Send HD Video With Talk Fusion

This quick easy download takes your skills to the next level and beyond, with no stress and zero aggravation. <a href="http://internetcoachpro.com" rel="nofollow" target="_blank">http://internetcoachpro.com</a> For the first time ever learning is actually fun quick and very easy. A huge library of the world's best free software is also included! Speed Gibson of the International Secret Police was a radio adventure series written by Virginia Cooke. It was centered on the adventures of Speed Gibson, a fifteen year old pilot who, through his uncle Clint Barlow, becomes a member of the International Secret Police. Speed was described as “a typical American boy: interested in short wave radio, aviation and most of all - The International Secret Police . More of the FRee Otr Visit <a href="http://radioamerica.podomatic.com" rel="nofollow" target="_blank">http://radioamerica.podomatic.com</a> Are you needing to Promote your Business Please Send HD Video With Talk Fusion

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UntitledFind out how to make money Sending Video http://myprofitbuilder.org or call me 704-269-8183 Also For your Free Video Professor University dl this Great  software and Video http://smartmedialearninguniversity.com  Fibber McGee and Molly was a popular radio show during the era of classic, old-time radio. It was one of the longest-running comedies in the history of classic radio in the United States. The  series premiered on NBC in 1935 and remained popular until its demise in 1959, long after radio had ceased to be the dominant form of entertainment in American popular culture.

Untitled Find out how to make money Sending Video <a href="http://myprofitbuilder.org" rel="nofollow" target="_blank">http://myprofitbuilder.org</a> or call me 704-269-8183 Also For your Free Video Professor University dl this Great software and Video <a href="http://smartmedialearninguniversity.com" rel="nofollow" target="_blank">http://smartmedialearninguniversity.com</a> Fibber McGee and Molly was a popular radio show during the era of classic, old-time radio. It was one of the longest-running comedies in the history of classic radio in the United States. The series premiered on NBC in 1935 and remained popular until its demise in 1959, long after radio had ceased to be the dominant form of entertainment in American popular culture.

Fibber Mcgee And Molly 310600 Smackout fibber-molly

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This quick easy download takes your skills to the next level and beyond, with no stress and zero aggravation. http://internetcoachpro.comFor the first time ever learning is actually fun quick and very easy.A huge library of the world's best free software is also included!The Six Shooter was a weekly old-time radio program in the USA. It was created by Frank Burt, who also wrote many of the episodes, and lasted only one season of 39 episodes on NBC (Sept. 20, 1953-June 24, 1954). Through March 21, 1954 it was broadcast Sundays at 8 p.m. Beginning April 1, 1954 through the final episode it was on Thursdays at 8 p.m.Also Visit http://radioamerica.biz

This quick easy download takes your skills to the next level and beyond, with no stress and zero aggravation. <a href="http://internetcoachpro.com" rel="nofollow" target="_blank">http://internetcoachpro.com</a> For the first time ever learning is actually fun quick and very easy. A huge library of the world's best free software is also included! The Six Shooter was a weekly old-time radio program in the USA. It was created by Frank Burt, who also wrote many of the episodes, and lasted only one season of 39 episodes on NBC (Sept. 20, 1953-June 24, 1954). Through March 21, 1954 it was broadcast Sundays at 8 p.m. Beginning April 1, 1954 through the final episode it was on Thursdays at 8 p.m. Also Visit <a href="http://radioamerica.biz" rel="nofollow" target="_blank">http://radioamerica.biz</a>

Jimmy Stewart as The Six_Shooter_540624_Myra_Barker 

Get your Free Tutor Software now http://internetcoachpro.comBlondie was a radio situation comedy adapted from the long-run Blondie comic strip by Chic Young. The radio program had a long run on several networks from 1939 to 1950. After Penny Singleton was cast in the title role of the feature film Blondie (1938), co-starring with Arthur Lake as Dagwood, she and Lake repeated their roles December 20, 1938, on The Bob Hope Show. The appearance with Hope led to their own show, beginning July 3, 1939, on CBS as a summer replacement for The Eddie Cantor Show. However, Cantor did not return in the fall, so the sponsor, Camel Cigarettes chose to keep Blondie on the air Mondays at 7:30pm. Camel remained the sponsor through the early WWII years until June 26, 1944.In 1944, Blondie was on the Blue Network, sponsored by Super Suds, airing Fridays at 7pm from July 21 to September 1. The final three weeks of that run overlapped with Blondie's return to CBS on Sundays at 8pm from August 13, 1944, to September 26, 1948, still sponsored by Super Suds. Beginning in mid-1945, the 30-minute program was heard Mondays at 7:30pm. Super Suds continued as the sponsor when the show moved to NBC on Wednesdays at 8pm from October 6, 1948, to June 29, 1949. For all your Health Need Visit http://allnaturalhealthyliving.com

Get your Free Tutor Software now <a href="http://internetcoachpro.com" rel="nofollow" target="_blank">http://internetcoachpro.com</a> Blondie was a radio situation comedy adapted from the long-run Blondie comic strip by Chic Young. The radio program had a long run on several networks from 1939 to 1950. After Penny Singleton was cast in the title role of the feature film Blondie (1938), co-starring with Arthur Lake as Dagwood, she and Lake repeated their roles December 20, 1938, on The Bob Hope Show. The appearance with Hope led to their own show, beginning July 3, 1939, on CBS as a summer replacement for The Eddie Cantor Show. However, Cantor did not return in the fall, so the sponsor, Camel Cigarettes chose to keep Blondie on the air Mondays at 7:30pm. Camel remained the sponsor through the early WWII years until June 26, 1944. In 1944, Blondie was on the Blue Network, sponsored by Super Suds, airing Fridays at 7pm from July 21 to September 1. The final three weeks of that run overlapped with Blondie's return to CBS on Sundays at 8pm from August 13, 1944, to September 26, 1948, still sponsored by Super Suds. Beginning in mid-1945, the 30-minute program was heard Mondays at 7:30pm. Super Suds continued as the sponsor when the show moved to NBC on Wednesdays at 8pm from October 6, 1948, to June 29, 1949. For all your Health Need Visit <a href="http://allnaturalhealthyliving.com" rel="nofollow" target="_blank">http://allnaturalhealthyliving.com</a>

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http://radioamerica.biz Market your Business with Talk Fusion Video http://myprofitbuilder.org Duffy's Tavern, an American radio situation comedy (CBS, 1941-1942; NBC-Blue Network, 1942-1944; NBC, 1944â??1951), often featured top-name stage and film guest stars but always hooked those around the misadventures, get-rich-quick-scheming, and romantic missteps of the title establishment's malaprop-prone, metaphor-mixing manager, Archie, played by the writer/actor who co-created the show, Ed Gardner. The final show on radio was broadcast on December 28, 1951.For your Free Smart media Tools http://internetcoachpro.com

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 Free Old Time Radio Duffys Tavern

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Remember the good old Days, when we could just sit down and listen to a good ole' story, the days of glory and honor, come join us at the living room and listen to some fun times. How we could let our hair down and relax.

The episodes are of good quality, but some are incomplete (ie, Sad Cypress).

Not Quite

I wish I could give this two ratings. A 5 for content and 1 for production quality.  I&#39;m not talking about the original material.  I understand the limitations of the old source material.  Throughout the series, you hear computer sounds (&#34;Youv&#39;e got mail.&#34;) and other notifications.   Modern ads overlay content, so the overdub isn&#39;t in the source material.

Lead-in identification audio is excessively loud comparied to content, so be prepaired to turn volume down to protect your ears at the beginning, then back up to hear the programming.

Production problems aside, the old radio stories are worth the problems.

Good content, bad production quality

Radio America

clickhere Visit the Radio America Store web site.Buy your 50 mp3 for &amp;5.00 Enemy to those who make him an enemy, friend to those who have no friend, his specialty was making fools of the police, a simple task with Inspector Faraday heading the official investigation. Boston Blackie is a rather peculiar character as he wasn't a private investigator in his original incarnation at all. It was only later, in film, radio, and eventually television, that he morphed into a private eye. In the original Boston Black story by Jack Boyle, written way back in 1919, Blackie was a hardened criminal serving time in a hellish California prison.

clickhere Visit the Radio America Store web site.Buy your 50 mp3 for &amp;5.00 Enemy to those who make him an enemy, friend to those who have no friend, his specialty was making fools of the police, a simple task with Inspector Faraday heading the official investigation. Boston Blackie is a rather peculiar character as he wasn't a private investigator in his original incarnation at all. It was only later, in film, radio, and eventually television, that he morphed into a private eye. In the original Boston Black story by Jack Boyle, written way back in 1919, Blackie was a hardened criminal serving time in a hellish California prison.

Boston Blackie

clickhere Visit the Radio America Store web site.Buy your 50 mp3 for &amp;5.00Affordable Web Hosting $5.99 A monthThe Abbott and Costello Show was heard on radio throughout the 1940s. They began by hosting a summer replacement series for Fred Allen on NBC in 1940, then joined Edgar Bergen and Charlie McCarthy on The Chase and Sanborn Hour in 1941. During the same period, two of their films, Buck Privates and Hold That Ghost, were adapted for radio and presented on Lux Radio Theater.On October 8, 1942 they launched their weekly NBC show, sponsored by Camel cigarettes, moving five years later to ABC, the former NBC Blue Network,). The additional cast and crew on that series included Sid Fields as the Melonheads, Artie Auerbrook as Ketsel, regulars Elvira Allman, Iris Adrian, Mel Blanc, Wally Brown, Sharon Douglas, Verna Felton, Lou Krogman, Pat McGeehan, Frank Nelson, Martha Wentworth and Benay Venuta. The featured vocalists were Amy Arnell, Connie Haines, Marilyn Maxwell, Susan Miller, Marilyn Williams, the Delta Rhythm Boys and the Les Baxter Singers with the orchestras of Skinnay Ennis, Charles Hoff, Matty Matlock, Jack Meakin, Will Osborne, Freddie Rich, Leith Stevens and Peter van Streeden. Frank Bingman, Jim Doyle, Ken Niles and Michael Roy did the announcing, Writers included Howard Harris, Hal Fimberg, Don Prindle, Ed Cherokee, Len Stern, Martin Ragaway, Paul Conlan and Ed Forman and producer Martin Gosch. Sound effects were supplied by Floyd Caton. At ABC, they also hosted a 30-minute children's radio program, the The Abbott and Costello Children's Show), which aired Saturday mornings with vocalist Anna Mae Slaughter and announcer Johnny McGovern.

clickhere Visit the Radio America Store web site.Buy your 50 mp3 for &amp;5.00 Affordable Web Hosting $5.99 A month The Abbott and Costello Show was heard on radio throughout the 1940s. They began by hosting a summer replacement series for Fred Allen on NBC in 1940, then joined Edgar Bergen and Charlie McCarthy on The Chase and Sanborn Hour in 1941. During the same period, two of their films, Buck Privates and Hold That Ghost, were adapted for radio and presented on Lux Radio Theater. On October 8, 1942 they launched their weekly NBC show, sponsored by Camel cigarettes, moving five years later to ABC, the former NBC Blue Network,). The additional cast and crew on that series included Sid Fields as the Melonheads, Artie Auerbrook as Ketsel, regulars Elvira Allman, Iris Adrian, Mel Blanc, Wally Brown, Sharon Douglas, Verna Felton, Lou Krogman, Pat McGeehan, Frank Nelson, Martha Wentworth and Benay Venuta. The featured vocalists were Amy Arnell, Connie Haines, Marilyn Maxwell, Susan Miller, Marilyn Williams, the Delta Rhythm Boys and the Les Baxter Singers with the orchestras of Skinnay Ennis, Charles Hoff, Matty Matlock, Jack Meakin, Will Osborne, Freddie Rich, Leith Stevens and Peter van Streeden. Frank Bingman, Jim Doyle, Ken Niles and Michael Roy did the announcing, Writers included Howard Harris, Hal Fimberg, Don Prindle, Ed Cherokee, Len Stern, Martin Ragaway, Paul Conlan and Ed Forman and producer Martin Gosch. Sound effects were supplied by Floyd Caton. At ABC, they also hosted a 30-minute children's radio program, the The Abbott and Costello Children's Show), which aired Saturday mornings with vocalist Anna Mae Slaughter and announcer Johnny McGovern.

Abbott &amp; Costello

clickhere Visit the Radio America Store web site.Buy your 50 mp3 for &amp;5.00Affordable Web Hosting $5.99 A monthRadio Listeners in Panic, Taking War Drama as FactMany Flee Homes to Escape 'Gas Raid From Mars'--Phone Calls Swamp Police at Broadcast of Wells FantasyThis article appeared in the New York Times on Oct. 31, 1938.A wave of mass hysteria seized thousands of radio listeners between 8:15 and 9:30 o'clock last night when a broadcast of a dramatization of H. G. Wells's fantasy, "The War of the Worlds," led thousands to believe that an interplanetary conflict had started with invading Martians spreading wide death and destruction in New Jersey and New York.The broadcast, which disrupted households, interrupted religious services, created traffic jams and clogged communications systems, was made by Orson Welles, who as the radio character, "The Shadow," used to give "the creeps" to countless child listeners. This time at least a score of adults required medical treatment for shock and hysteria.In Newark, in a single block at Heddon Terrace and Hawthorne Avenue, more than twenty families rushed out of their houses with wet handkerchiefs and towels over their faces to flee from what they believed was to be a gas raid. Some began moving household furniture.Throughout New York families left their homes, some to flee to near-by parks. Thousands of persons called the police, newspapers and radio stations here and in other cities of the United States and Canada seeking advice on protective measures against the raids.The program was produced by Mr. Welles and the Mercury Theatre on the Air over station WABC and the Columbia Broadcasting System's coast-to-coast network, from 8 to 9 o'clock.The radio play, as presented, was to simulate a regular radio program with a "break-in" for the material of the play. The radio listeners, apparently, missed or did not listen to the introduction, which was: "The Columbia Broadcasting System and its affiliated stations present Orson Welles and the Mercury Theatre on the Air in 'The War of the Worlds' by H. G. Wells."They also failed to associate the program with the newspaper listening of the program, announced as "Today: 8:00-9:00--Play: H. G. Wells's 'War of the Worlds'--WABC." They ignored three additional announcements made during the broadcast emphasizing its fictional nature.Mr. Welles opened the program with a description of the series of which it is a part. The simulated program began. A weather report was given, prosaically. An announcer remarked that the program would be continued from a hotel, with dance music. For a few moments a dance program was given in the usual manner. Then there was a "break-in" with a "flash" about a professor at an observatory noting a series of gas explosions on the planet Mars.News bulletins and scene broadcasts followed, reporting, with the technique in which the radio had reported actual events, the landing of a "meteor" near Princeton N. J., "killing" 1,500 persons, the discovery that the "meteor" was a "metal cylinder" containing strange creatures from Mars armed with "death rays" to open hostilities against the inhabitants of the earth.Despite the fantastic nature of the reported "occurrences," the program, coming after the recent war scare in Europe and a period in which the radio frequently had interrupted regularly scheduled programs to report developments in the Czechoslovak situation, caused fright and panic throughout the area of the broadcast.Telephone lines were tied up with calls from listeners or persons who had heard of the broadcasts. Many sought first to verify the reports. But large numbers, obviously in a state of terror, asked how they could follow the broadcast's advice and flee from the city, whether they would be safer in the "gas raid" in the cellar or on the roof, how they could safeguard their children, and many of the questions which had been worrying residents of London and Paris during the tense days before the Munich agreement.So many calls came to newspapers and so many newspapers found it advisable to check on the reports despite their fantastic content that The Associated Press sent out the following at 8:48 P. M.:"Note to Editors: Queries to newspapers from radio listeners throughout the United States tonight, regarding a reported meteor fall which killed a number of New Jerseyites, are the result of a studio dramatization. The A. P."Similarly police teletype systems carried notices to all stationhouses, and police short-wave radio stations notified police radio cars that the event was imaginary.

clickhere Visit the Radio America Store web site.Buy your 50 mp3 for &amp;5.00 Affordable Web Hosting $5.99 A month Radio Listeners in Panic, Taking War Drama as Fact Many Flee Homes to Escape 'Gas Raid From Mars'--Phone Calls Swamp Police at Broadcast of Wells Fantasy This article appeared in the New York Times on Oct. 31, 1938. A wave of mass hysteria seized thousands of radio listeners between 8:15 and 9:30 o'clock last night when a broadcast of a dramatization of H. G. Wells's fantasy, "The War of the Worlds," led thousands to believe that an interplanetary conflict had started with invading Martians spreading wide death and destruction in New Jersey and New York. The broadcast, which disrupted households, interrupted religious services, created traffic jams and clogged communications systems, was made by Orson Welles, who as the radio character, "The Shadow," used to give "the creeps" to countless child listeners. This time at least a score of adults required medical treatment for shock and hysteria. In Newark, in a single block at Heddon Terrace and Hawthorne Avenue, more than twenty families rushed out of their houses with wet handkerchiefs and towels over their faces to flee from what they believed was to be a gas raid. Some began moving household furniture. Throughout New York families left their homes, some to flee to near-by parks. Thousands of persons called the police, newspapers and radio stations here and in other cities of the United States and Canada seeking advice on protective measures against the raids. The program was produced by Mr. Welles and the Mercury Theatre on the Air over station WABC and the Columbia Broadcasting System's coast-to-coast network, from 8 to 9 o'clock. The radio play, as presented, was to simulate a regular radio program with a "break-in" for the material of the play. The radio listeners, apparently, missed or did not listen to the introduction, which was: "The Columbia Broadcasting System and its affiliated stations present Orson Welles and the Mercury Theatre on the Air in 'The War of the Worlds' by H. G. Wells." They also failed to associate the program with the newspaper listening of the program, announced as "Today: 8:00-9:00--Play: H. G. Wells's 'War of the Worlds'--WABC." They ignored three additional announcements made during the broadcast emphasizing its fictional nature. Mr. Welles opened the program with a description of the series of which it is a part. The simulated program began. A weather report was given, prosaically. An announcer remarked that the program would be continued from a hotel, with dance music. For a few moments a dance program was given in the usual manner. Then there was a "break-in" with a "flash" about a professor at an observatory noting a series of gas explosions on the planet Mars. News bulletins and scene broadcasts followed, reporting, with the technique in which the radio had reported actual events, the landing of a "meteor" near Princeton N. J., "killing" 1,500 persons, the discovery that the "meteor" was a "metal cylinder" containing strange creatures from Mars armed with "death rays" to open hostilities against the inhabitants of the earth. Despite the fantastic nature of the reported "occurrences," the program, coming after the recent war scare in Europe and a period in which the radio frequently had interrupted regularly scheduled programs to report developments in the Czechoslovak situation, caused fright and panic throughout the area of the broadcast. Telephone lines were tied up with calls from listeners or persons who had heard of the broadcasts. Many sought first to verify the reports. But large numbers, obviously in a state of terror, asked how they could follow the broadcast's advice and flee from the city, whether they would be safer in the "gas raid" in the cellar or on the roof, how they could safeguard their children, and many of the questions which had been worrying residents of London and Paris during the tense days before the Munich agreement. So many calls came to newspapers and so many newspapers found it advisable to check on the reports despite their fantastic content that The Associated Press sent out the following at 8:48 P. M.: "Note to Editors: Queries to newspapers from radio listeners throughout the United States tonight, regarding a reported meteor fall which killed a number of New Jerseyites, are the result of a studio dramatization. The A. P." Similarly police teletype systems carried notices to all stationhouses, and police short-wave radio stations notified police radio cars that the event was imaginary.

The War of The worlds

Affordable Web Hosting $5.99 A monthclick here Visit the Radio America Store web site. Buy your 50 mp3 for &amp;5.00The Marx Brothers were a team of sibling comedians that appeared in vaudeville, stage plays, film, and television.Born in New York City, the Marx Brothers were the sons of Jewish immigrants from different parts of Germany (Plattdeutsch was the boys' first language). Their mother, Minnie Schönberg, hailed from Dornum in East Frisia, Germany, and their father Simon "Frenchie" Marrix (whose name was anglicized to Sam Marx) from Alsace, now a part of France. The family lived in the Upper East Side of New York City between the Irish, German and Italian Quarters.

Affordable Web Hosting $5.99 A month click here Visit the Radio America Store web site. Buy your 50 mp3 for &amp;5.00 The Marx Brothers were a team of sibling comedians that appeared in vaudeville, stage plays, film, and television. Born in New York City, the Marx Brothers were the sons of Jewish immigrants from different parts of Germany (Plattdeutsch was the boys' first language). Their mother, Minnie Schönberg, hailed from Dornum in East Frisia, Germany, and their father Simon "Frenchie" Marrix (whose name was anglicized to Sam Marx) from Alsace, now a part of France. The family lived in the Upper East Side of New York City between the Irish, German and Italian Quarters.

Marx Brothers  Radio America Sunday Show

Andy Griffith

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gunsmoke

Red Skelton

Gunsmoke is an American radio and television Western drama series created by director Norman MacDonnell and writer John Meston. The stories take place in and around Dodge City, Kansas, during the settlement of the American West.The radio version ran from 1952 to 1961 and, according to John Dunning[1], amongst old-time radio fans, "Gunsmoke is routinely placed among the best shows of any kind and any time." The television version ran from 1955 to 1975 and is the longest running prime time drama and the second-longest running prime time fictional program in U.S. television history, its record surpassed only by the Disney anthology television series and Hallmark Hall of Fame.Care for some needed energy try Whitelightninghttp://www.acaiplusenergy.com

Gunsmoke is an American radio and television Western drama series created by director Norman MacDonnell and writer John Meston. The stories take place in and around Dodge City, Kansas, during the settlement of the American West. The radio version ran from 1952 to 1961 and, according to John Dunning[1], amongst old-time radio fans, "Gunsmoke is routinely placed among the best shows of any kind and any time." The television version ran from 1955 to 1975 and is the longest running prime time drama and the second-longest running prime time fictional program in U.S. television history, its record surpassed only by the Disney anthology television series and Hallmark Hall of Fame. Care for some needed energy try Whitelightning <a href="http://www.acaiplusenergy.com" rel="nofollow" target="_blank">http://www.acaiplusenergy.com</a>

gunsmoke 56-10-21_Till Death Do Us

Abbott &amp; Costello   Whos on first

Jimmy Durante

clickhere Visit the Radio America Store web site.Buy your 50 mp3 for &amp;5.00Affordable Web Hosting $5.99 A monthBig-nosed and boisterous, Durante was a vaudeville favorite who remained a hit in the early days of radio and TV. Originally a saloon piano player, he combined his ragged musical talents with a rumpled charm and endless jokes about his nose, a mighty instrument which earned him the nickname "Schnozzola" or just "the Schnoz." The 1935 stage musical Jumbo paired Durante with an elephant and boosted his career; he was a popular guest on the radio shows of stars like Bob Hope and Bing Crosby, and eventually hosted his own shows as well. Durante's dese-and-dose New York accent was much parodied by impressionists of the day. He had a musical hit with the novelty tune "Inka Dinka Doo" and his famous sign-off phrase was "Goodnight, Mrs. Calabash, wherever you are."

clickhere Visit the Radio America Store web site.Buy your 50 mp3 for &amp;5.00 Affordable Web Hosting $5.99 A month Big-nosed and boisterous, Durante was a vaudeville favorite who remained a hit in the early days of radio and TV. Originally a saloon piano player, he combined his ragged musical talents with a rumpled charm and endless jokes about his nose, a mighty instrument which earned him the nickname "Schnozzola" or just "the Schnoz." The 1935 stage musical Jumbo paired Durante with an elephant and boosted his career; he was a popular guest on the radio shows of stars like Bob Hope and Bing Crosby, and eventually hosted his own shows as well. Durante's dese-and-dose New York accent was much parodied by impressionists of the day. He had a musical hit with the novelty tune "Inka Dinka Doo" and his famous sign-off phrase was "Goodnight, Mrs. Calabash, wherever you are."

The Jimmy Durante Show 

clickhere Visit the Radio America Store web site.Buy your 50 mp3 for &amp;5.00The Adventures of Ellery Queen: Famous for his mystery books, Ellery invites listeners to solve his radio mysteries. The show was heard on various networks between 1939 and 1948 (except for the 1941-1942 season, when it was off the air). Most of its sponsors still exist, except for Kolynos toothpaste. Even on radio   Marion Shockley   (1911-1981) was the first actress to portray Nikki Porter  , Ellery's secretary and low-key love interest. In the "Gum-Chewing Millionaire" she's a blonde professional typist who gets asked to work on Ellery's manuscripts. She then applies for the job of personal secretary.On radio, The Adventures of Ellery Queen was heard on all three networks from 1939 to 1948. During the 1970s, syndicated radio fillers, Ellery Queen's Minute Mysteries, began with an announcer saying, "This is Ellery Queen..." and would go on to describe a case in one minute. The radio station would then encourage callers to try to solve the mystery and win a sponsor's prize. Once they got a winner, the solution part of the spot would be played as confirmation.Helene Hanff, best-known for her book 84 Charing Cross Road, was a scripter for the television series version of The Adventures of Ellery Queen (1950-52), which began on the DuMont Television Network but soon moved to ABC. Shortly after the series began, Lee Hart, who played Queen, died and was replaced in the lead role by Lee Bowman. The series returned to DuMont in 1954 with Hugh Marlowe in the title role. George Nader then played Queen in The Further Adventures of Ellery Queen (1958-59), but he was replaced with Lee Philips in the final episodes.Peter Lawford starred in the television movie Ellery Queen: Don't Look Behind You (1971). The 1975 television movie Ellery Queen led into the 1975-76 television series starring Jim Hutton in the title role (with David Wayne as his widowed father). Each episode would end with Queen breaking the fourth wall to go over the facts of the case and invite the audience to solve the mystery on their own.The cousins, under their collective pseudonym, were given the Grand Master Award for achievements in the field of the mystery story by the Mystery Writers of America in 1961.Ellery Queen

clickhere Visit the Radio America Store web site.Buy your 50 mp3 for &amp;5.00 The Adventures of Ellery Queen: Famous for his mystery books, Ellery invites listeners to solve his radio mysteries. The show was heard on various networks between 1939 and 1948 (except for the 1941-1942 season, when it was off the air). Most of its sponsors still exist, except for Kolynos toothpaste. Even on radio Marion Shockley (1911-1981) was the first actress to portray Nikki Porter , Ellery's secretary and low-key love interest. In the "Gum-Chewing Millionaire" she's a blonde professional typist who gets asked to work on Ellery's manuscripts. She then applies for the job of personal secretary. On radio, The Adventures of Ellery Queen was heard on all three networks from 1939 to 1948. During the 1970s, syndicated radio fillers, Ellery Queen's Minute Mysteries, began with an announcer saying, "This is Ellery Queen..." and would go on to describe a case in one minute. The radio station would then encourage callers to try to solve the mystery and win a sponsor's prize. Once they got a winner, the solution part of the spot would be played as confirmation. Helene Hanff, best-known for her book 84 Charing Cross Road, was a scripter for the television series version of The Adventures of Ellery Queen (1950-52), which began on the DuMont Television Network but soon moved to ABC. Shortly after the series began, Lee Hart, who played Queen, died and was replaced in the lead role by Lee Bowman. The series returned to DuMont in 1954 with Hugh Marlowe in the title role. George Nader then played Queen in The Further Adventures of Ellery Queen (1958-59), but he was replaced with Lee Philips in the final episodes. Peter Lawford starred in the television movie Ellery Queen: Don't Look Behind You (1971). The 1975 television movie Ellery Queen led into the 1975-76 television series starring Jim Hutton in the title role (with David Wayne as his widowed father). Each episode would end with Queen breaking the fourth wall to go over the facts of the case and invite the audience to solve the mystery on their own. The cousins, under their collective pseudonym, were given the Grand Master Award for achievements in the field of the mystery story by the Mystery Writers of America in 1961. Ellery Queen

Ellery Queen 44-01-20 The Scarecrow and the snowman

Jack Benny

clickhere Visit the Radio America Store web site.Buy your 50 mp3 for &amp;5.00Benny had been only a minor vaudeville performer, but he became an enormously successful national figure with The Jack Benny Program, a weekly radio show which ran from 1932 to 1948 on NBC and from 1948 to 1955 on CBS, and was consistently among the most highly rated programs during most of that run.The CharactersBenny's stage character was a clever inversion of his actual self. Though the character was named Jack Benny, he was also just about everything the actual Jack Benny himself wasn't: cheap, petty, vain and self-congratulatory. His masterful comic rendering of these traits became the vital linchpin to the Benny show's success. Benny set himself up as the comedic foil, allowing his supporting characters to draw laughs at the expense of his stinginess, vanity, and pettiness. By allowing such a character to be seen as human and vulnerable, in an era where few male characters were allowed such obvious vulnerability, Benny made what might have been a despicable character into a lovable Everyman character. Benny himself said on several occasions: "I don't care who gets the laughs on my show, as long as the show is funny."The supporting characters who amplified that vulnerability only too gladly included wife Mary Livingstone as his wisecracking and not especially deferential female friend (not quite his girlfriend, since Benny would often try to date movie stars like Barbara Stanwyck, and occasionally had stage girlfriends such as Gladys Obispo); rotund announcer Don Wilson (who also served as announcer for Fanny Brice's hit, Baby Snooks); bandleader Phil Harris as a jive-talking, wine-and-women type whose repartee was rather risque for its time (Harris and Mahlon Merrick shared the actual musical chores of the show); boy tenor Dennis Day, who was cast as a sheltered, naive youth who still got the better of his boss as often as not (this character was originated by Kenny Baker, but perfected by Day); and, especially, Eddie Anderson as valet-chauffeur Rochester van Jones — who was as popular as Benny himself.

clickhere Visit the Radio America Store web site.Buy your 50 mp3 for &amp;5.00 Benny had been only a minor vaudeville performer, but he became an enormously successful national figure with The Jack Benny Program, a weekly radio show which ran from 1932 to 1948 on NBC and from 1948 to 1955 on CBS, and was consistently among the most highly rated programs during most of that run. The Characters Benny's stage character was a clever inversion of his actual self. Though the character was named Jack Benny, he was also just about everything the actual Jack Benny himself wasn't: cheap, petty, vain and self-congratulatory. His masterful comic rendering of these traits became the vital linchpin to the Benny show's success. Benny set himself up as the comedic foil, allowing his supporting characters to draw laughs at the expense of his stinginess, vanity, and pettiness. By allowing such a character to be seen as human and vulnerable, in an era where few male characters were allowed such obvious vulnerability, Benny made what might have been a despicable character into a lovable Everyman character. Benny himself said on several occasions: "I don't care who gets the laughs on my show, as long as the show is funny." The supporting characters who amplified that vulnerability only too gladly included wife Mary Livingstone as his wisecracking and not especially deferential female friend (not quite his girlfriend, since Benny would often try to date movie stars like Barbara Stanwyck, and occasionally had stage girlfriends such as Gladys Obispo); rotund announcer Don Wilson (who also served as announcer for Fanny Brice's hit, Baby Snooks); bandleader Phil Harris as a jive-talking, wine-and-women type whose repartee was rather risque for its time (Harris and Mahlon Merrick shared the actual musical chores of the show); boy tenor Dennis Day, who was cast as a sheltered, naive youth who still got the better of his boss as often as not (this character was originated by Kenny Baker, but perfected by Day); and, especially, Eddie Anderson as valet-chauffeur Rochester van Jones — who was as popular as Benny himself.

Jack Benny Fest.  33-06-09 Who Killed Mr x

Agatha Christie is known throughout the world as the Queen of crime. Her books have sold over a billion copies in the English language with another billion in 44 foreign languages. She is the most widely published author of all time in any language, out-sold by only the Bible and Shakespeare. She is the author of 79 crime novels and a short story collections, 19 plays, and 6 novels written under the name of Mary Westmacott.

Agatha Christie - Sad Cypress part 1 

clickhere Visit the Radio America Store web site.Buy your 50 mp3 for &amp;5.00This is for all my friends from http://www.electricsoupkitchen.com/enjoy the show and thanks for listeningLaunching a new range of "Classic Radio Sci-Fi" releases, this six-part BBC radio drama stars none other than Peter Cushing and Vincent Prince, who between them became two of the most famous horror film stars of the 1950s and 1960s. "Aliens in the Mind" is based on a story by the then-foremost "Doctor Who" script editor Robert Holmes. It centres around the discovery, on a remote Scottish island, of a community of 'human mutants' capable of telepathy. A plan is in place to use them to control the British Government, and friends Curtis Lark (Vincent Price) and Hugh Baxter (Peter Cushing) join forces to combat them. This renowned production from 1976 is sure to delight fans of science fiction, archive radio, horror films and "Doctor Who." This release forms part of BBC Audiobooks' "Classic Radio Sci-Fi" range. Other titles are "The Day of the Triffids" and "The Quatermass Memoirs."

clickhere Visit the Radio America Store web site.Buy your 50 mp3 for &amp;5.00 This is for all my friends from <a href="http://www.electricsoupkitchen.com/" rel="nofollow" target="_blank">http://www.electricsoupkitchen.com/</a> enjoy the show and thanks for listening Launching a new range of "Classic Radio Sci-Fi" releases, this six-part BBC radio drama stars none other than Peter Cushing and Vincent Prince, who between them became two of the most famous horror film stars of the 1950s and 1960s. "Aliens in the Mind" is based on a story by the then-foremost "Doctor Who" script editor Robert Holmes. It centres around the discovery, on a remote Scottish island, of a community of 'human mutants' capable of telepathy. A plan is in place to use them to control the British Government, and friends Curtis Lark (Vincent Price) and Hugh Baxter (Peter Cushing) join forces to combat them. This renowned production from 1976 is sure to delight fans of science fiction, archive radio, horror films and "Doctor Who." This release forms part of BBC Audiobooks' "Classic Radio Sci-Fi" range. Other titles are "The Day of the Triffids" and "The Quatermass Memoirs."

aliens in the mind part 2 

Marx Brothers

A Christmas Carol (full title: A Christmas Carol in Prose, Being a Ghost Story of Christmas) is Charles Dickens' "little Christmas Book" first published on December 19,] 1843 and illustrated by John Leech. The story met with instant success, selling six thousand copies within a week. Originally written as a potboiler to enable Dickens to pay off a debt, the tale has become one of the most popular and enduring Christmas stories of all time.In fact, contemporaries of the time noted that the popularity of the story played a critical role in redefining the importance of Christmas and the major sentiments associated with the holiday. Few modern readers realize that A Christmas Carol was written during a time of decline in the old Christmas traditions. "If Christmas, with its ancient and hospitable customs, its social and charitable observances, were in danger of decay, this is the book that would give them a new lease," said English poet Thomas Hood in his review in Hood's Magazine and Comic Review (January 1844, page 68).

A Christmas Carol (full title: A Christmas Carol in Prose, Being a Ghost Story of Christmas) is Charles Dickens' "little Christmas Book" first published on December 19,] 1843 and illustrated by John Leech. The story met with instant success, selling six thousand copies within a week. Originally written as a potboiler to enable Dickens to pay off a debt, the tale has become one of the most popular and enduring Christmas stories of all time. In fact, contemporaries of the time noted that the popularity of the story played a critical role in redefining the importance of Christmas and the major sentiments associated with the holiday. Few modern readers realize that A Christmas Carol was written during a time of decline in the old Christmas traditions. "If Christmas, with its ancient and hospitable customs, its social and charitable observances, were in danger of decay, this is the book that would give them a new lease," said English poet Thomas Hood in his review in Hood's Magazine and Comic Review (January 1844, page 68).

A Christmas Carol - 1939- Dicken Radio plays

clickhere Visit the Radio America Store web site.Buy your 50 mp3 for &amp;5.00The adventures of Amos 'n Andy presented the antics of Amos Jones, an Uncle Tom-like, conservative; Andy Brown, his zany business associate; Kingfish Stevens, a scheming smoothie; Lawyer Calhoun, an underhanded crook that no one trusted; Lightnin,' a slow-moving janitor; Sapphire Stevens, a nosey, loud-mouth; Mama, a domineering mother-in-law, and the infamous Madame Queen. The basis for these characters was derived largely from the stereotypic caricatures of African-Americans that had been communicated through several decades of popular American culture, most notably, motion pictures.

clickhere Visit the Radio America Store web site.Buy your 50 mp3 for &amp;5.00 The adventures of Amos 'n Andy presented the antics of Amos Jones, an Uncle Tom-like, conservative; Andy Brown, his zany business associate; Kingfish Stevens, a scheming smoothie; Lawyer Calhoun, an underhanded crook that no one trusted; Lightnin,' a slow-moving janitor; Sapphire Stevens, a nosey, loud-mouth; Mama, a domineering mother-in-law, and the infamous Madame Queen. The basis for these characters was derived largely from the stereotypic caricatures of African-Americans that had been communicated through several decades of popular American culture, most notably, motion pictures.

Amos And Andy  39-04-04  Andy is Shot

clickhere Visit the Radio America Store web site.Buy your 50 mp3 for &amp;5.00Affordable Web Hosting $5.99 A monthThe Great Gildersleeve (1941-1957) was arguably the first spin-off program, as well as one of the first true situation comedies (as opposed to sketch programs) in broadcast history. Built around a character who had been a staple on the classic radio sit-com, Fibber McGee and Molly, The Great Gildersleeve enjoyed its greatest success in the 1940s. Actor Harold Peary played the character during its transition from the parent show into the spin-off, and later in a quartet of feature films released at the height of the show's popularity.On Fibber McGee and Molly, Peary's Gildersleeve was a pompous windbag who became a consistent McGee nemesis ("You're a haa-aa-aa-aard man, McGee!" became a Gildersleeve catch phrase). But he also became a popular enough windbag that Kraft Foods — looking primarily to promote its Parkay margarine spread — sponsored a new series with Peary's Throckmorton P. Gildersleeve (the character was given several conflicting first names on Fibber McGee and Molly, and on one episode of that show revealed his middle name as Philharmonic) as the central, slightly softened, and slightly befuddled focus of a lively new family.COME CLICK THE BUTTON BELOW AND HERE RADIOAMERICA ON TALKSHOE

clickhere Visit the Radio America Store web site.Buy your 50 mp3 for &amp;5.00 Affordable Web Hosting $5.99 A month The Great Gildersleeve (1941-1957) was arguably the first spin-off program, as well as one of the first true situation comedies (as opposed to sketch programs) in broadcast history. Built around a character who had been a staple on the classic radio sit-com, Fibber McGee and Molly, The Great Gildersleeve enjoyed its greatest success in the 1940s. Actor Harold Peary played the character during its transition from the parent show into the spin-off, and later in a quartet of feature films released at the height of the show's popularity. On Fibber McGee and Molly, Peary's Gildersleeve was a pompous windbag who became a consistent McGee nemesis ("You're a haa-aa-aa-aard man, McGee!" became a Gildersleeve catch phrase). But he also became a popular enough windbag that Kraft Foods — looking primarily to promote its Parkay margarine spread — sponsored a new series with Peary's Throckmorton P. Gildersleeve (the character was given several conflicting first names on Fibber McGee and Molly, and on one episode of that show revealed his middle name as Philharmonic) as the central, slightly softened, and slightly befuddled focus of a lively new family. COME CLICK THE BUTTON BELOW AND HERE RADIOAMERICA ON TALKSHOE

The Great Gildersleeve - Radio America's Saturday Program

Bing Crosby

clickhere Visit the Radio America Store web site.Buy your 50 mp3 for &amp;5.00Affordable Web Hosting $5.99 A monthCrosby's biggest musical hit was his recording of Irving Berlin's "White Christmas" which he introduced through a 1941 Christmas-season radio broadcast and the movie Holiday Inn. Bing's recording hit the charts on 3 October 1942, and rose to #1 on 31 October, where it stayed for 11 weeks. In the following years Bing's recording hit the top-30 pop charts another 16 times, even topping the charts again in 1945 and January of '47. The song remains Bing's best-selling recording, and the best-selling single and best selling song of all time . In 1998 after a long absence, his 1947 version hit the charts in Britain, and as of 2006 remains the North American holiday-season standard. According to Guinness World Records, Bing Crosby's White Christmas has "sold over 100 million copies around the world, with at least 50 million sales as singles."

clickhere Visit the Radio America Store web site.Buy your 50 mp3 for &amp;5.00 Affordable Web Hosting $5.99 A month Crosby's biggest musical hit was his recording of Irving Berlin's "White Christmas" which he introduced through a 1941 Christmas-season radio broadcast and the movie Holiday Inn. Bing's recording hit the charts on 3 October 1942, and rose to #1 on 31 October, where it stayed for 11 weeks. In the following years Bing's recording hit the top-30 pop charts another 16 times, even topping the charts again in 1945 and January of '47. The song remains Bing's best-selling recording, and the best-selling single and best selling song of all time . In 1998 after a long absence, his 1947 version hit the charts in Britain, and as of 2006 remains the North American holiday-season standard. According to Guinness World Records, Bing Crosby's White Christmas has "sold over 100 million copies around the world, with at least 50 million sales as singles."

Bing Crosby _ Its a White Christmas special

The best podcast episodes about true crime. For any thrill seeking podcast listeners who just can't get enough of the captivating stories of murderers and criminals. This topic has all the best episodes from many different true crime podcasts.  Add episodes you're interested into your queue below!

Best True Crime Podcasts

The Best Multi-Part Documentaries, with documentaries on Obama, Federer vs Nadal, the making of Star Wars, Netflix vs Blockbuster and more. Add episodes you're interested into your queue below!