Ten years on from the ground-breaking Radio 4 series, "A History of The World in 100 Objects", former director of the British Museum Neil MacGregor looks back at the impact of the series, on how storytelling in museums has changed over a turbulent decade and asks which object from 2020 would best encapsulate our modern age.Producer: Paul Kobrak

Ten years on from the ground-breaking Radio 4 series, "A History of The World in 100 Objects", former director of the British Museum Neil MacGregor looks back at the impact of the series, on how storytelling in museums has changed over a turbulent decade and asks which object from 2020 would best encapsulate our modern age. Producer: Paul Kobrak

Object 101

The very last episode in Neil MacGregor's history of humanity as told through the things that time has left behind. The director of the British Museum in London has spent the past year choosing objects from the museum's vast collection to represent a two million year story of humanity. Throughout this week he has been with objects that that speak of the great shifts in human organisation and thinking in the modern world. Here he describes the object that he has picked as his last; it's a solar-powered lamp and charger that he believes can revolutionise the lives of poor people around the globe. The portable panel can provide up to 100 hours of light after just 8 hours of direct sunlight. It can also charge mobile phones and help bring power to millions of people around the world who have no access to an electrical grid. Simple, cheap and clean - this is revolutionary technology for the future. Professor Nick Stern, the expert on the economics of climate change, describes the potential impact of new solar technology - and we hear examples of how the technology is being adopted in Africa and India. Neil explains why he has chosen a solar-powered lamp and charger as his final object  - with examples of how it is already being used in rural Bengal and urban Kenya. Producer: Anthony Denselow

The very last episode in Neil MacGregor's history of humanity as told through the things that time has left behind. The director of the British Museum in London has spent the past year choosing objects from the museum's vast collection to represent a two million year story of humanity. Throughout this week he has been with objects that that speak of the great shifts in human organisation and thinking in the modern world. Here he describes the object that he has picked as his last; it's a solar-powered lamp and charger that he believes can revolutionise the lives of poor people around the globe. The portable panel can provide up to 100 hours of light after just 8 hours of direct sunlight. It can also charge mobile phones and help bring power to millions of people around the world who have no access to an electrical grid. Simple, cheap and clean - this is revolutionary technology for the future. Professor Nick Stern, the expert on the economics of climate change, describes the potential impact of new solar technology - and we hear examples of how the technology is being adopted in Africa and India. Neil explains why he has chosen a solar-powered lamp and charger as his final object - with examples of how it is already being used in rural Bengal and urban Kenya. Producer: Anthony Denselow

Solar-powered lamp and charger

Neil MacGregor's history of the world as told through things. Throughout this week he is examining objects that speak of the great shifts in human organisation and thinking in the modern world - objects that raise questions about human lives, the environment and global resources. So far this week he has chosen things that deal with political and sexual revolution and that confront the disaster of global arms proliferation. In today's episode he considers the morality of modern global finance and its implication for the future. He tells the story with a credit card that is compliant with Islamic Sharia law - what does that mean and how does it work?  He talks to the Governor of the Bank of England, Mervyn King, and to Razi Fakih of the HSBC bank.Producer: Anthony Denselow

Neil MacGregor's history of the world as told through things. Throughout this week he is examining objects that speak of the great shifts in human organisation and thinking in the modern world - objects that raise questions about human lives, the environment and global resources. So far this week he has chosen things that deal with political and sexual revolution and that confront the disaster of global arms proliferation. In today's episode he considers the morality of modern global finance and its implication for the future. He tells the story with a credit card that is compliant with Islamic Sharia law - what does that mean and how does it work? He talks to the Governor of the Bank of England, Mervyn King, and to Razi Fakih of the HSBC bank. Producer: Anthony Denselow

Credit card

The history of humanity, as told through one hundred objects from the British Museum in London, is drawing to an end. Throughout this week, Neil MacGregor, the director of the British Museum in London, has been with things that help explain the modern world. He has explored political and sexual politics and freedoms, and now reflects on the impact of guns and weapons in the modern world - especially in Africa where thousands of children have been participants in brutal conflicts. He tells the story through a work of art - a sculptured throne made from decommissioned guns like the ubiquitous AK47.  We hear from Kester, the artist from Mozambique who created theThrone of Weapons and test the reaction to the piece of Kofi Annan, the former Secretary-General of the United Nations.Producer: Anthony Denselow

The history of humanity, as told through one hundred objects from the British Museum in London, is drawing to an end. Throughout this week, Neil MacGregor, the director of the British Museum in London, has been with things that help explain the modern world. He has explored political and sexual politics and freedoms, and now reflects on the impact of guns and weapons in the modern world - especially in Africa where thousands of children have been participants in brutal conflicts. He tells the story through a work of art - a sculptured throne made from decommissioned guns like the ubiquitous AK47. We hear from Kester, the artist from Mozambique who created theThrone of Weapons and test the reaction to the piece of Kofi Annan, the former Secretary-General of the United Nations. Producer: Anthony Denselow

Throne of Weapons

This week Neil MacGregor's history of the world is examining the forces that helped shape our way of life and ways of thinking today. He began with the political revolution that exploded In Russia in the 1920s and today he moves on to the sexual revolution of the 1960s. He explores the emergence of legally enshrined human rights and the status of sexuality around the world. He tells the story with the aid of a David Hockney print, one of a series that was made in 1966 as the decriminalisation of homosexuality was being planned, at least in Britain. We hear from David Hockney on the spirit of the decade and from Shami Chakrabarti, the director of the human rights group Liberty Producer: Anthony Denselow

This week Neil MacGregor's history of the world is examining the forces that helped shape our way of life and ways of thinking today. He began with the political revolution that exploded In Russia in the 1920s and today he moves on to the sexual revolution of the 1960s. He explores the emergence of legally enshrined human rights and the status of sexuality around the world. He tells the story with the aid of a David Hockney print, one of a series that was made in 1966 as the decriminalisation of homosexuality was being planned, at least in Britain. We hear from David Hockney on the spirit of the decade and from Shami Chakrabarti, the director of the human rights group Liberty Producer: Anthony Denselow

Hockney's In the Dull Village

Neil MacGregor's history of the world as told through things that time has left behind. Throughout this closing week he is examining some of the major social and political movements that have helped shape our contemporary landscape. Today he tells the remarkable story of a Russian plate. It was made in 1901 in the Imperial Porcelain Factory in St Petersburg. Twenty years later it was painted over as a propaganda tool for the new Communist Revolution - decorated in the same factory that had become the State Porcelain Factory and in a city renamed as Petrograd. The director of the State Hermitage Museum in St Petersburg, Mikhail Piotrovsky, and the great historian of modern Russia, Eric Hobsbawn, help piece together this momentous history.Producer: Anthony Denselow

Neil MacGregor's history of the world as told through things that time has left behind. Throughout this closing week he is examining some of the major social and political movements that have helped shape our contemporary landscape. Today he tells the remarkable story of a Russian plate. It was made in 1901 in the Imperial Porcelain Factory in St Petersburg. Twenty years later it was painted over as a propaganda tool for the new Communist Revolution - decorated in the same factory that had become the State Porcelain Factory and in a city renamed as Petrograd. The director of the State Hermitage Museum in St Petersburg, Mikhail Piotrovsky, and the great historian of modern Russia, Eric Hobsbawn, help piece together this momentous history. Producer: Anthony Denselow

Russian revolutionary plate

Neil MacGregor's world history told through objects from the British Museum in London. The objects he has chosen this week have reflected on mass production and mass consumption in the 19th century. Today' he is with the first object from the 20th century, a coin that leads Neil to consider the rise of mass political engagement in Britain and the dramatic emergence of suffragette power. It's a penny coin from 1903 on which the image of King Edward V11 has been stamped with the words "Votes for Women".  The programme explores the rise of women's suffrage and the implications of the notorious suffragette protests. The human rights lawyer and reformer Helena Kennedy and the artist Felicity Powell react to this defaced penny coin.Producer: Anthony Denselow

Neil MacGregor's world history told through objects from the British Museum in London. The objects he has chosen this week have reflected on mass production and mass consumption in the 19th century. Today' he is with the first object from the 20th century, a coin that leads Neil to consider the rise of mass political engagement in Britain and the dramatic emergence of suffragette power. It's a penny coin from 1903 on which the image of King Edward V11 has been stamped with the words "Votes for Women". The programme explores the rise of women's suffrage and the implications of the notorious suffragette protests. The human rights lawyer and reformer Helena Kennedy and the artist Felicity Powell react to this defaced penny coin. Producer: Anthony Denselow

Suffragette-defaced penny

Neil MacGregor's history of the world as told through things. Throughout this week he is examining the great shifts in the global economy and in imperial power in the 19th century. Today he is with a large wooden drum that the legendary Kitchener of Khartoum brought from Sudan for Queen Victoria, just after his army had killed 11000 Sudanese soldiers in battle. The drum takes Neil back to the extraordinary history that has played out along the Nile and to the great internal power struggles of the period. The writer Dominic Green and the broadcaster Zeinab Badawi reflect on the meaning of the drum and its place in Sudanese history. Producer: Anthony Denselow

Neil MacGregor's history of the world as told through things. Throughout this week he is examining the great shifts in the global economy and in imperial power in the 19th century. Today he is with a large wooden drum that the legendary Kitchener of Khartoum brought from Sudan for Queen Victoria, just after his army had killed 11000 Sudanese soldiers in battle. The drum takes Neil back to the extraordinary history that has played out along the Nile and to the great internal power struggles of the period. The writer Dominic Green and the broadcaster Zeinab Badawi reflect on the meaning of the drum and its place in Sudanese history. Producer: Anthony Denselow

Sudanese slit drum

The history of humanity - as told through one hundred objects from the British Museum in London - is once again in Japan. This week Neil MacGregor, the museum's director, is looking at the global economy in the 19th century - at mass production and mass consumption. Today he is with an image that rapidly made its way around the world - Hokusai's print, The Great Wave, the now familiar seascape with a snow topped Mount Fuji in the background that became emblematic of the newly emerging Japan. Neil explores the conditions that produced this famous image - with help from Japan watchers Donald Keene and Christine Guth.Producer: Anthony Denselow

The history of humanity - as told through one hundred objects from the British Museum in London - is once again in Japan. This week Neil MacGregor, the museum's director, is looking at the global economy in the 19th century - at mass production and mass consumption. Today he is with an image that rapidly made its way around the world - Hokusai's print, The Great Wave, the now familiar seascape with a snow topped Mount Fuji in the background that became emblematic of the newly emerging Japan. Neil explores the conditions that produced this famous image - with help from Japan watchers Donald Keene and Christine Guth. Producer: Anthony Denselow

Hokusai's The Great Wave

This week Neil MacGregor's history of the world is looking at how the global economy became cemented in the 19th century, a time of mass production and mass consumption. He tells the story of how tea became the defining national drink in Britain - why have we become so closely associated with a brew made from leaves mainly grown in China and India?  The object he has chosen to reflect this curious history is an early Victorian tea set, made in Staffordshire and perfectly familiar to all of us. The historian Celina Fox and Monique Simmonds from Kew gardens find new meaning in the ubiquitous cuppa.Producer: Anthony Denselow

This week Neil MacGregor's history of the world is looking at how the global economy became cemented in the 19th century, a time of mass production and mass consumption. He tells the story of how tea became the defining national drink in Britain - why have we become so closely associated with a brew made from leaves mainly grown in China and India? The object he has chosen to reflect this curious history is an early Victorian tea set, made in Staffordshire and perfectly familiar to all of us. The historian Celina Fox and Monique Simmonds from Kew gardens find new meaning in the ubiquitous cuppa. Producer: Anthony Denselow

Early Victorian tea set

Director of the British Museum, Neil MacGregor, narrates 100 programmes that retell humanity's history through the objects we have made.

I learned so much - and on so many subjects... 100 objects are not enough!

Amazing

With all the objects in the museum, please consider doing more episodes.

Please do more!

A History of the World in 100 Objects

Neil MacGregor's world history as told through things. This week he is exploring the impact of Western European travel, trade and conquest between 1450 and 1600. He kicks off with an exquisite miniature version of the sort of high tech vessel that was to take Europeans right around the world. Today's object is a small clockwork version of the type of galleon that the Spanish sent against England in the Armada and that they  sent across the high seas. This one was made for a grand dinner table - it could move, make music, tell the time and fire tiny cannons. Neil discusses the significance of this new breed of sailing ships and describes the political state that this galleon symbolises - the Holy Roman Empire. The marine archaeologist Christopher Dobbs compares the tiny galleon to the Mary Rose in Portsmouth and the historian Lisa Jardine considers the European fascination with mechanics and technology throughout the 16th Century.Producer: Anthony DenselowMusic research specifically for the Akan drum: Michael Doran

Neil MacGregor's world history as told through things. This week he is exploring the impact of Western European travel, trade and conquest between 1450 and 1600. He kicks off with an exquisite miniature version of the sort of high tech vessel that was to take Europeans right around the world. Today's object is a small clockwork version of the type of galleon that the Spanish sent against England in the Armada and that they sent across the high seas. This one was made for a grand dinner table - it could move, make music, tell the time and fire tiny cannons. Neil discusses the significance of this new breed of sailing ships and describes the political state that this galleon symbolises - the Holy Roman Empire. The marine archaeologist Christopher Dobbs compares the tiny galleon to the Mary Rose in Portsmouth and the historian Lisa Jardine considers the European fascination with mechanics and technology throughout the 16th Century. Producer: Anthony Denselow Music research specifically for the Akan drum: Michael Doran

The mechanical galleon

Neil MacGregor's history of the world as told through things. Throughout this week he is examining the global economy of the 19th century - of mass production and mass consumption. Today he is with an instrument that first helped Europeans to navigate with precision around the world - a marine chronometer. The one Neil has chosen actually accompanied Darwin on his great voyage to South America and the Galapagos Islands - a journey that was to help lead him to his revolutionary theories on evolution.The geographer Nigel Thrift and the geneticist Steve Jones celebrate the chronometer and the profound changes it prompted.Producer: Anthony Denselow

Neil MacGregor's history of the world as told through things. Throughout this week he is examining the global economy of the 19th century - of mass production and mass consumption. Today he is with an instrument that first helped Europeans to navigate with precision around the world - a marine chronometer. The one Neil has chosen actually accompanied Darwin on his great voyage to South America and the Galapagos Islands - a journey that was to help lead him to his revolutionary theories on evolution. The geographer Nigel Thrift and the geneticist Steve Jones celebrate the chronometer and the profound changes it prompted. Producer: Anthony Denselow

Ship's chronometer from HMS Beagle

The history of humanity as told through one hundred objects from the British Museum in London is this week exploring the world at the time of European discovery - between 1450 and 1600. Today Neil MacGregor is with a pair of white elephants, the size of small dogs. They come from Japan, are made of fine porcelain and take Neil on a journey that connects Japan to Korea and China and to a growing trade network in Western Europe. How did the great skill of porcelain production spread across the Far East? Why elephants? And how did these objects become so desirable to the European elite? He discovers the specific technique of this porcelain style (and traces it to a Japanese potter called Kakiemon) and follows other examples of this same pottery to an English country house. Miranda Rock describes the Kakiemon collection at Burghley House, the present day Kakiemon potter discusses his work and the Korean porcelain expert Gina Ha-Gorian explains how the detailed technology for porcelain production spread. Producer: Anthony Denselow

The history of humanity as told through one hundred objects from the British Museum in London is this week exploring the world at the time of European discovery - between 1450 and 1600. Today Neil MacGregor is with a pair of white elephants, the size of small dogs. They come from Japan, are made of fine porcelain and take Neil on a journey that connects Japan to Korea and China and to a growing trade network in Western Europe. How did the great skill of porcelain production spread across the Far East? Why elephants? And how did these objects become so desirable to the European elite? He discovers the specific technique of this porcelain style (and traces it to a Japanese potter called Kakiemon) and follows other examples of this same pottery to an English country house. Miranda Rock describes the Kakiemon collection at Burghley House, the present day Kakiemon potter discusses his work and the Korean porcelain expert Gina Ha-Gorian explains how the detailed technology for porcelain production spread. Producer: Anthony Denselow

Kakiemon elephants

The history of humanity - as told through one hundred objects from the British Museum in London - is back in South America. This week Neil MacGregor, the museum's director, is with objects from around the world between 1450 and 1600. This is the time of huge European expansion thanks to the new developments in ship building. Today he is with an object made by the Aztecs of present day Mexico. He describes the Aztec world and the Spanish conquest of this culture, through a double-headed serpent made from tiny pieces of turquoise - one of the stars of the British Museum. The Aztec specialist Adriane Diaz Enciso discusses the role of the snake in Aztec belief while the conservator Rebecca Stacey describes the scientific detective work that the object has prompted. Producer: Anthony Denselow

The history of humanity - as told through one hundred objects from the British Museum in London - is back in South America. This week Neil MacGregor, the museum's director, is with objects from around the world between 1450 and 1600. This is the time of huge European expansion thanks to the new developments in ship building. Today he is with an object made by the Aztecs of present day Mexico. He describes the Aztec world and the Spanish conquest of this culture, through a double-headed serpent made from tiny pieces of turquoise - one of the stars of the British Museum. The Aztec specialist Adriane Diaz Enciso discusses the role of the snake in Aztec belief while the conservator Rebecca Stacey describes the scientific detective work that the object has prompted. Producer: Anthony Denselow

Double-headed serpent

The Director of the British Museum, Neil MacGregor, retells the history of human development from the first stone axe to the credit card using 100 selected objects from the Museum.  In this programme, Neil describes an object that dates from the earliest settlement of North America, around 13,000 years ago.  It's a deadly hunting weapon, used by the first inhabitants of the Americas.This sharp spearhead lets us understand how humans spread across the globe.  By 11,000 BC humans had moved from north east Asia into the uninhabited wilderness of north America; within 2000 years they had populated the whole continent.  How did these hunters live? And how does their Asian origin sit with the creation stories of modern day Native Americans?Neil MacGregor tells the story of the Clovis Point, with contributions from Michael Palin and American archaeologist Gary Haynes

The Director of the British Museum, Neil MacGregor, retells the history of human development from the first stone axe to the credit card using 100 selected objects from the Museum. In this programme, Neil describes an object that dates from the earliest settlement of North America, around 13,000 years ago. It's a deadly hunting weapon, used by the first inhabitants of the Americas. This sharp spearhead lets us understand how humans spread across the globe. By 11,000 BC humans had moved from north east Asia into the uninhabited wilderness of north America; within 2000 years they had populated the whole continent. How did these hunters live? And how does their Asian origin sit with the creation stories of modern day Native Americans? Neil MacGregor tells the story of the Clovis Point, with contributions from Michael Palin and American archaeologist Gary Haynes

Clovis Spear Point

The Director of the British Museum, Neil MacGregor, retells two million years of history of human development through the objects it has produced.  This programme follows early humans as they slowly begin to move beyond their African homeland taking with them one essential item - a handaxe.In the presence of the most widely used tool humans have created, Neil sees just how vital to our evolution this sharp, ingenious implement was and how it allowed the spread of humans across the globe.Today Neil MacGregor tells the story of the handaxe, with contributions from designer Sir James Dyson and archaeologist Nick Ashton

The Director of the British Museum, Neil MacGregor, retells two million years of history of human development through the objects it has produced. This programme follows early humans as they slowly begin to move beyond their African homeland taking with them one essential item - a handaxe. In the presence of the most widely used tool humans have created, Neil sees just how vital to our evolution this sharp, ingenious implement was and how it allowed the spread of humans across the globe. Today Neil MacGregor tells the story of the handaxe, with contributions from designer Sir James Dyson and archaeologist Nick Ashton

Olduvai Handaxe

Neil MacGregor, in his history of mankind as told through objects at the British Museum, selects four miniature clay cows to show the major changes that early man was undergoing at the end of the Ice Age. These four frail looking cows were made from Nile mud in Egypt 5,500 years ago, way before the time of the pyramids or the pharaohs.  Why did the Egyptians start burying objects like this one with their dead? Neil goes in search life and death on the Nile and discovers how the domestication of cattle made the humble cow transformed human existence.

Egyptian Clay Model of Cattle

This week Neil MacGregor is exploring the emergence of sophisticated new powers across the world 2500 years ago, from the Parthenon in Greece, to the great empire of Cyrus in Persia and the forgotten people of the Olmec in Mexico. Today he arrives in China at the time of Confucius. He explores the Confucian view of the world with a large bronze bell - with help from the writer Isabel Hilton and the percussionist Evelyn Glennie. Confucius believed in a society that worked in harmony. How do his teachings go down in China today?

This week Neil MacGregor is exploring the emergence of sophisticated new powers across the world 2500 years ago, from the Parthenon in Greece, to the great empire of Cyrus in Persia and the forgotten people of the Olmec in Mexico. Today he arrives in China at the time of Confucius. He explores the Confucian view of the world with a large bronze bell - with help from the writer Isabel Hilton and the percussionist Evelyn Glennie. Confucius believed in a society that worked in harmony. How do his teachings go down in China today?

Chinese Bronze Bell

This week the history of the world as told through one hundred objects is looking at how the world's great religions began trying to find the perfect way to visually express the divine, less than 2000 years ago. Today, Neil MacGregor looks at how a stone sculpture from modern day Pakistan can tell us about how Buddhism set about creating the classic image to represent the real life Buddha who lived and roamed around North India in the 5th Century BC. It was not until over five hundred years later when the classic seated image of the Buddha was first formulated. Before then the Buddha was represented only by symbols. How did the Buddha image come about and why do we need such images?  The Dalai Lama's official translator, Thupten Jinpa, and the historian Claudine Bautze-Picron help explain.Producer: Anthony Denselow

This week the history of the world as told through one hundred objects is looking at how the world's great religions began trying to find the perfect way to visually express the divine, less than 2000 years ago. Today, Neil MacGregor looks at how a stone sculpture from modern day Pakistan can tell us about how Buddhism set about creating the classic image to represent the real life Buddha who lived and roamed around North India in the 5th Century BC. It was not until over five hundred years later when the classic seated image of the Buddha was first formulated. Before then the Buddha was represented only by symbols. How did the Buddha image come about and why do we need such images? The Dalai Lama's official translator, Thupten Jinpa, and the historian Claudine Bautze-Picron help explain. Producer: Anthony Denselow

Seated Buddha from Gandhara

Neil MacGregor concludes the first week of the second part of his global history as told through objects from the British Museum. This week he has been exploring the lives and methods of powerful rulers around the world about 2000 years ago, from Alexander the Great in Egypt to Asoka in India. Today he introduces us to the great Roman emperor Augustus, whose powerful, God-like status is brilliantly enshrined in a larger than life bronze head with striking eyes. Neil MacGregor describes how Augustus dramatically enlarged the Roman Empire, establishing his image as one of its most familiar objects. The historian Susan Walker and the politician Boris Johnson help explain the power and methodology of Augustus.Producer: Anthony Denselow

Neil MacGregor concludes the first week of the second part of his global history as told through objects from the British Museum. This week he has been exploring the lives and methods of powerful rulers around the world about 2000 years ago, from Alexander the Great in Egypt to Asoka in India. Today he introduces us to the great Roman emperor Augustus, whose powerful, God-like status is brilliantly enshrined in a larger than life bronze head with striking eyes. Neil MacGregor describes how Augustus dramatically enlarged the Roman Empire, establishing his image as one of its most familiar objects. The historian Susan Walker and the politician Boris Johnson help explain the power and methodology of Augustus. Producer: Anthony Denselow

Head of Augustus

This week Neil MacGregor is exploring the growing importance of agriculture around the world at the end of the Ice Age, with objects that show and celebrate the key elements of the time; power, sex, worship and food. Today the series focuses on the world of the Mayan civilisation and a stone Maize God, discovered on the site of a major Mayan city in present-day Honduras. This large statue is wearing a headdress in the shape of a giant corn cob. Maize was not only worshipped at that time but the Maya also believed that all their ancestors were descended from maize. Neil MacGregor reveals why maize, which is notoriously difficult to refine for human consumption, becomes so important to the emerging agriculture of the region.  Neil is joined by the anthropologist Professor John Staller and the restaurateur Santiago Calva who explain the complexity of Mayan mythological belief and the ongoing power of maize in Central America today

This week Neil MacGregor is exploring the growing importance of agriculture around the world at the end of the Ice Age, with objects that show and celebrate the key elements of the time; power, sex, worship and food. Today the series focuses on the world of the Mayan civilisation and a stone Maize God, discovered on the site of a major Mayan city in present-day Honduras. This large statue is wearing a headdress in the shape of a giant corn cob. Maize was not only worshipped at that time but the Maya also believed that all their ancestors were descended from maize. Neil MacGregor reveals why maize, which is notoriously difficult to refine for human consumption, becomes so important to the emerging agriculture of the region. Neil is joined by the anthropologist Professor John Staller and the restaurateur Santiago Calva who explain the complexity of Mayan mythological belief and the ongoing power of maize in Central America today

Maya Maize God Statue

Neil MacGregor's telling of the story of humanity through individual objects at the British Museum. This week he is looking at the emergence of powerful new forces across the globe around the 5th Century BC, from Confucius in China to Cyrus in Persia. Today he looks at the emotionally charged sculptures that were made for the Parthenon in Athens. Carved out of marble around 440BC these beautiful figures continue to generate huge controversy around the world for the fact that they remain in London and have not been returned to Greece. In today's programme the British Museum's director acknowledges the political controversy of the Elgin Marbles (named after the British Lord who carried them off) but concentrates on their artistic story and on exploring the ancient Greek world that created them. He describes a culture besotted with the myths and imagery of battle. The Greek archaeologist Olga Palagia and the classicist Mary Beard help conjure up the extraordinary city of antiquity.

Neil MacGregor's telling of the story of humanity through individual objects at the British Museum. This week he is looking at the emergence of powerful new forces across the globe around the 5th Century BC, from Confucius in China to Cyrus in Persia. Today he looks at the emotionally charged sculptures that were made for the Parthenon in Athens. Carved out of marble around 440BC these beautiful figures continue to generate huge controversy around the world for the fact that they remain in London and have not been returned to Greece. In today's programme the British Museum's director acknowledges the political controversy of the Elgin Marbles (named after the British Lord who carried them off) but concentrates on their artistic story and on exploring the ancient Greek world that created them. He describes a culture besotted with the myths and imagery of battle. The Greek archaeologist Olga Palagia and the classicist Mary Beard help conjure up the extraordinary city of antiquity.

Parthenon Sculpture: Centaur + Lapith

The history of the world as told through one hundred objects from the British Museum. This week Neil MacGregor, the Museum's Director, has been looking at the collapse of old regimes and the emergence of new powers from the Middle East to China.  In today's programme, he describes how a powerful new state finds a dramatic way to help run its increasingly complex economy and trading networks - using coins.Croesus was a king in what is now Western Turkey and his kingdom was called Lydia. It's remarkable that over two thousand years later we still have an expression that celebrates his wealth. Neil MacGregor considers how money, in the form of coins, first came about and describes the (hugely complex) methods of creating them. And whatever happened to Croesus?

The history of the world as told through one hundred objects from the British Museum. This week Neil MacGregor, the Museum's Director, has been looking at the collapse of old regimes and the emergence of new powers from the Middle East to China. In today's programme, he describes how a powerful new state finds a dramatic way to help run its increasingly complex economy and trading networks - using coins. Croesus was a king in what is now Western Turkey and his kingdom was called Lydia. It's remarkable that over two thousand years later we still have an expression that celebrates his wealth. Neil MacGregor considers how money, in the form of coins, first came about and describes the (hugely complex) methods of creating them. And whatever happened to Croesus?

Gold Coin of Croesus

Another chance to hear the first programmes in the second part of Neil MacGregor's global history told through objects from the British Museum. This week Neil is exploring the lives and methods of powerful rulers around the world 2000 years ago, asking what enduring qualities are needed for the perfect projection of power. Contributors include the economist Amartya Sen, the politician Boris Johnson, political commentator Andrew Marr and the writer Ahdaf Soueif. Neil begins by telling the story of Alexander the Great through a small silver coin, one that was made years after his death but that portrays an idealised image of the great leader as a vigorous young man. Neil then considers how the great Indian ruler Ashoka turned his back on violence and plunder to promote the ethical codes inspired by Buddhism. Neil tells the life story of Ashoka through a remaining fragment of one of his great pillar edicts and considers his legacy in the Indian sub-continent today. The third object in today's omnibus is one of the best known in the British Museum, the Rosetta Stone. Neil takes us to the Egypt of Ptolemy V and describes the astonishing contest that led to the most famous bits of deciphering in history - the cracking of the hieroglyphics on the Rosetta Stone. An exquisite lacquer wine cup takes Neil to Han Dynasty China in the fourth programme and the omnibus concludes with the 2000 year old head of one of the world's most notorious rulers - Caesar Augustus. Producers: Anthony Denselow and Paul Kobrak.

Another chance to hear the first programmes in the second part of Neil MacGregor's global history told through objects from the British Museum. This week Neil is exploring the lives and methods of powerful rulers around the world 2000 years ago, asking what enduring qualities are needed for the perfect projection of power. Contributors include the economist Amartya Sen, the politician Boris Johnson, political commentator Andrew Marr and the writer Ahdaf Soueif. Neil begins by telling the story of Alexander the Great through a small silver coin, one that was made years after his death but that portrays an idealised image of the great leader as a vigorous young man. Neil then considers how the great Indian ruler Ashoka turned his back on violence and plunder to promote the ethical codes inspired by Buddhism. Neil tells the life story of Ashoka through a remaining fragment of one of his great pillar edicts and considers his legacy in the Indian sub-continent today. The third object in today's omnibus is one of the best known in the British Museum, the Rosetta Stone. Neil takes us to the Egypt of Ptolemy V and describes the astonishing contest that led to the most famous bits of deciphering in history - the cracking of the hieroglyphics on the Rosetta Stone. An exquisite lacquer wine cup takes Neil to Han Dynasty China in the fourth programme and the omnibus concludes with the 2000 year old head of one of the world's most notorious rulers - Caesar Augustus. Producers: Anthony Denselow and Paul Kobrak.

Head of Alexander

Neil MacGregor, in his history of mankind as told through objects at the British Museum, selects a miniature mask to tell the story of the Olmec - the mysterious people of ancient Mexico who lived before the time of the Aztecs or Maya. As the Parthenon was being created in Greece and the Persians were expanding the world's biggest empire, what was life like for the "mother culture" of Central America? Neil explores the life of the Olmec and visits the remains of one of their greatest legacies. He considers their remarkable skills in mask making with the Olmec specialist Karl Taube and the Mexican novelist Carlos Fuentes.

Neil MacGregor, in his history of mankind as told through objects at the British Museum, selects a miniature mask to tell the story of the Olmec - the mysterious people of ancient Mexico who lived before the time of the Aztecs or Maya. As the Parthenon was being created in Greece and the Persians were expanding the world's biggest empire, what was life like for the "mother culture" of Central America? Neil explores the life of the Olmec and visits the remains of one of their greatest legacies. He considers their remarkable skills in mask making with the Olmec specialist Karl Taube and the Mexican novelist Carlos Fuentes.

Olmec Stone Mask

A history of the world described through individual objects at the British Museum. This week Neil MacGregor, the Museum's Director, is looking at what was happening around the world between 2000-3000 years ago. The theme so far has been one of empires collapsing, new regimes and warfare. In South America there were no new empires and we still don't entirely understand the cultures that were thriving there.  In this programme, Neil MacGregor shows off some of the remarkably preserved textiles discovered in the Paracas peninsula on the southern coast of Peru and tries to piece together what life might have been like for these people living in around 500 BC. The early Peruvians went to astonishing lengths to make and decorate their textiles whose colours remain striking to this day. What were they for and what do they tell us about beliefs of this time?

A history of the world described through individual objects at the British Museum. This week Neil MacGregor, the Museum's Director, is looking at what was happening around the world between 2000-3000 years ago. The theme so far has been one of empires collapsing, new regimes and warfare. In South America there were no new empires and we still don't entirely understand the cultures that were thriving there. In this programme, Neil MacGregor shows off some of the remarkably preserved textiles discovered in the Paracas peninsula on the southern coast of Peru and tries to piece together what life might have been like for these people living in around 500 BC. The early Peruvians went to astonishing lengths to make and decorate their textiles whose colours remain striking to this day. What were they for and what do they tell us about beliefs of this time?

Paracas Textile Fragment

The history of the world as explained through objects arrives in North America 2000 years ago and a stone pipe used in ritual. It is one of hundreds of pipes shaped as animals that were found in huge mounds in present day Ohio.  Neil MacGregor pieces together the evidence for how these pipes were used. Tony Benn and the artist Maggie Hambling consider the allure of smoking from a modern perspective while Native American historian Gabrielle Tayac describes how the pipe formed a central role in traditional ritual and religious life. Producer: Anthony Denselow

The history of the world as explained through objects arrives in North America 2000 years ago and a stone pipe used in ritual. It is one of hundreds of pipes shaped as animals that were found in huge mounds in present day Ohio. Neil MacGregor pieces together the evidence for how these pipes were used. Tony Benn and the artist Maggie Hambling consider the allure of smoking from a modern perspective while Native American historian Gabrielle Tayac describes how the pipe formed a central role in traditional ritual and religious life. Producer: Anthony Denselow

North American otter pipe

Neil MacGregor's world history told through objects at the British Museum arrives in Britain at the time of the Roman collapse. Throughout this week he has been looking at how different cultures around the globe were pursuing pleasure, roughly 2000 years ago, from smoking in North America to team sports in Central America. Today, Neil looks at how the elite of Roman Britain sustained their appetite for luxury goods and good living in the years before their demise. He tells the story through a silver pepper pot that was discovered as part of a buried hoard - hidden possibly by Romans on the run. He describes the ambitions of the elite in Roman Britain and how they satisfied their particular taste for pepper, with contributions from the food writer Christine McFadden and historian Roberta Tomber.  Producer: Anthony Denselow

Neil MacGregor's world history told through objects at the British Museum arrives in Britain at the time of the Roman collapse. Throughout this week he has been looking at how different cultures around the globe were pursuing pleasure, roughly 2000 years ago, from smoking in North America to team sports in Central America. Today, Neil looks at how the elite of Roman Britain sustained their appetite for luxury goods and good living in the years before their demise. He tells the story through a silver pepper pot that was discovered as part of a buried hoard - hidden possibly by Romans on the run. He describes the ambitions of the elite in Roman Britain and how they satisfied their particular taste for pepper, with contributions from the food writer Christine McFadden and historian Roberta Tomber. Producer: Anthony Denselow

Hoxne pepper pot

The history of the world as told through objects at the British Museum arrives in India over 2000 years ago. Throughout this week Neil MacGregor is exploring the lives and methods of powerful new leaders. Today he looks at how the Indian ruler Ashoka turned his back on violence and plunder to promote the ethical codes inspired by Buddhism. He communicated to his vast new nation through a series of edicts written on rocks and pillars. Neil tells the life story of Ashoka through a remaining fragment of one of his great pillar edicts and considers his legacy in the Indian sub-continent today. Amartya Sen and the Bhutanese envoy to Britain, Michael Rutland, describe what happened when Buddhism and the power of the state come together. Producer: Anthony Denselow

The history of the world as told through objects at the British Museum arrives in India over 2000 years ago. Throughout this week Neil MacGregor is exploring the lives and methods of powerful new leaders. Today he looks at how the Indian ruler Ashoka turned his back on violence and plunder to promote the ethical codes inspired by Buddhism. He communicated to his vast new nation through a series of edicts written on rocks and pillars. Neil tells the life story of Ashoka through a remaining fragment of one of his great pillar edicts and considers his legacy in the Indian sub-continent today. Amartya Sen and the Bhutanese envoy to Britain, Michael Rutland, describe what happened when Buddhism and the power of the state come together. Producer: Anthony Denselow

Pillar of Ashoka

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