In this episode of Trading Stocks Made Easy, Tyrone Jackson, The Wealthy Investor, interviews Dr. Schubert Perott on how he uses the Wealthy Investor approach to trade in today's market. 

In this episode of Trading Stocks Made Easy, Tyrone Jackson, The Wealthy Investor, interviews Dr. Schubert Perott on how he uses the Wealthy Investor approach to trade in today's market.

Episode 51: Three Secrets to Success for Online Trading 

Debra Mark was born and raised in Southern California, Debra always knew she wanted to be behind the mic or the camera in some way. She was the student who loved to read out loud; loved to be heard. She thought maybe she would become an actor or a news anchor so she went to college for broadcast journalism. Both of these dreams came true in different ways because now Debra is a jack of all trades! You can hear her on KFI 640 AM and KPCC 89.3 as well as see and/or hear her on shows like House of Cards. Debra's three pieces of advice for being a broadcast journalist or radio personality are to be a good writer, to read a newspaper out loud and work on making it as conversational as possible, and lastly to be natural - be who you are. 

Debra Mark was born and raised in Southern California, Debra always knew she wanted to be behind the mic or the camera in some way. She was the student who loved to read out loud; loved to be heard. She thought maybe she would become an actor or a news anchor so she went to college for broadcast journalism. Both of these dreams came true in different ways because now Debra is a jack of all trades! You can hear her on KFI 640 AM and KPCC 89.3 as well as see and/or hear her on shows like House of Cards. Debra's three pieces of advice for being a broadcast journalist or radio personality are to be a good writer, to read a newspaper out loud and work on making it as conversational as possible, and lastly to be natural - be who you are.

TSME #014: Entertainment Reporting

Ben Pronsky grew up in Houston, Texas. He was born to a yoga instructor and a military man. He had studied theater and was doing a co-op theater audition in Houston, where he performed monologues that had a lot of distinct characters. One of the directors introduced him to the director of ADV Films who did a lot of anime and dubbing. After recording his first job for anime, he put together a voice over reel, got an agent and began working in the Houston market. Eleven years ago he made the move to Los Angeles for more opportunity. He feels that his work is all about coming from a place of authentic genuine creation of characters. Ben has studied regularly at the Larry Moss Studio and is currently a member of the Edgemar Theatre Company in Santa Monica. Ben has been lucky enough to work in video games as well as looping and ADR. Looping, or Wala work, is the background noise in a movie. Productions hire voice actors for call-outs, incidental voices and crowd noises. This is necessary for scenes in public such as restaurants, airports, or hospitals. Looping requires a very specific skill set. Ben says, “It is the perfect marriage of improvisation, voice over and stage. You feel like you are in a theater because you are on this big sound stage.” You can hear Ben’s looping work in the recent movie Deadpool. Ben’s advice is to take classes, work on your technique and your craft, and learn what your unique skill set really is. Secondly, don’t let the self-doubt in. Never second guess yourself. Third, surround yourself with a really good team; meaning your agent and representation, but also your colleagues, friends and families who are rooting for you. Find out more about Ben Pronsky at www.BenPronsky.com and @BenPronsky on twitter. For more advice on enhancing your voice over career, visit SixFigureVoice.com.

Ben Pronsky grew up in Houston, Texas. He was born to a yoga instructor and a military man. He had studied theater and was doing a co-op theater audition in Houston, where he performed monologues that had a lot of distinct characters. One of the directors introduced him to the director of ADV Films who did a lot of anime and dubbing. After recording his first job for anime, he put together a voice over reel, got an agent and began working in the Houston market. Eleven years ago he made the move to Los Angeles for more opportunity. He feels that his work is all about coming from a place of authentic genuine creation of characters. Ben has studied regularly at the Larry Moss Studio and is currently a member of the Edgemar Theatre Company in Santa Monica. Ben has been lucky enough to work in video games as well as looping and ADR. Looping, or Wala work, is the background noise in a movie. Productions hire voice actors for call-outs, incidental voices and crowd noises. This is necessary for scenes in public such as restaurants, airports, or hospitals. Looping requires a very specific skill set. Ben says, “It is the perfect marriage of improvisation, voice over and stage. You feel like you are in a theater because you are on this big sound stage.” You can hear Ben’s looping work in the recent movie Deadpool. Ben’s advice is to take classes, work on your technique and your craft, and learn what your unique skill set really is. Secondly, don’t let the self-doubt in. Never second guess yourself. Third, surround yourself with a really good team; meaning your agent and representation, but also your colleagues, friends and families who are rooting for you. Find out more about Ben Pronsky at <a href="http://www.benpronsky.com" rel="nofollow" target="_blank">www.BenPronsky.com</a> and <a href="https://twitter.com/benpronsky" rel="nofollow" target="_blank">@BenPronsky</a> on twitter. For more advice on enhancing your voice over career, visit <a href="http://www.sixfigurevoice.com" rel="nofollow" target="_blank">SixFigureVoice.com</a>.

SFV #013: ADR, Looping, and Voice Matching

Tyrone Jackson and Alyson Steel discuss voice-over coaching. Alyson reveals that she prefers to coach students who are gung-ho about the industry. She says that it can be a very psychological industry and as actors, voice over artists have to access their emotions as tools, and if they have any emotional blocks its something they have to deal with.  To give our audience a taste of voice-over coaching, Alyson guides our producer, Lexi, through a piece of ad-copy. Alyson gives some great advice for beginners: 1) Stand up when reading copy. Either wear flats or take off your shoes in the booth to feel grounded. 2) Start by anchoring, which means reading each word in the copy without inflection.  3) Figure out who you are in this situation and who are you talking to. 4) Know where you are in the commercial. A coffee shop? A bar? Inside a car?  5) When working on the mic it's not about volume, it's about intimacy.    For more great advice like this visit SixFigureVoice.com! Take your career to the next level! 

Tyrone Jackson and Alyson Steel discuss voice-over coaching. Alyson reveals that she prefers to coach students who are gung-ho about the industry. She says that it can be a very psychological industry and as actors, voice over artists have to access their emotions as tools, and if they have any emotional blocks its something they have to deal with.  To give our audience a taste of voice-over coaching, Alyson guides our producer, Lexi, through a piece of ad-copy. Alyson gives some great advice for beginners: 1) Stand up when reading copy. Either wear flats or take off your shoes in the booth to feel grounded. 2) Start by anchoring, which means reading each word in the copy without inflection.  3) Figure out who you are in this situation and who are you talking to. 4) Know where you are in the commercial. A coffee shop? A bar? Inside a car?  5) When working on the mic it's not about volume, it's about intimacy.  For more great advice like this visit <a href="http://www.sixfigurevoice.com" rel="nofollow" target="_blank">SixFigureVoice.com</a>! Take your career to the next level!

SFV #012: Voice-Over Coaching and Training

Our hosts Tyrone Jackson and Alyson Steel surprise each other with some interview questions about the voice-over "biz" and their industry secrets.  Back by popular demand, here's another episode where Tyrone and Alyson ask each other questions they have never heard before, making for honest and organic answers. Listen to hear tools that are helpful for making it in the industry, trends that Tyrone has seen throughout his career, how Alyson deals with being a woman in the industry and much much more!  To learn more about the voice-over industry visit www.sixfigurevoice.com!

Our hosts Tyrone Jackson and Alyson Steel surprise each other with some interview questions about the voice-over "biz" and their industry secrets.  Back by popular demand, here's another episode where Tyrone and Alyson ask each other questions they have never heard before, making for honest and organic answers. Listen to hear tools that are helpful for making it in the industry, trends that Tyrone has seen throughout his career, how Alyson deals with being a woman in the industry and much much more!  To learn more about the voice-over industry visit <a href="http://www.sixfigurevoice.com" rel="nofollow" target="_blank">www.sixfigurevoice.com</a>!

SFV #011: The Voice-Over Industry and The Biz  

American Idol's Blake Lewis opened up to our hosts Tyrone Jackson and Alyson Steel. Blake was always a fan of voice over as a kid. Growing up in Bothell, Washington, he was always mimicking people-- he had a knack for impressions and sound effects. When he got into high school Blake found out that beat boxing was a legitimate skill and he dove in head first. Blake believes that beat boxing, voice over, sound effects and singing all bleed together because they are all ways of using the same instrument - the human voice!  Right out of high school Blake started touring with bands and it wasn't until a friend at a video game company asked him to come in to record some voices that he started to think about voice over as a career. Just as that was happening, he got on American Idol.   After all his musical success, Blake is now expanding into voice over once again. He has a huge range and no filter, which makes him uberly fun to be around, but he needs his coach to reel him in for commercial voice over. Alyson Steel coaches him in setting the boundaries and playing within those boundaries. He is learning how to use the attitutudes from his characters in his normal speaking voice to help color his commercial reads.  Blake Lewis is launching his voice over career and so can you. Visit SixFigureVoice.com to learn how. Download Blake's latest album Portrait of a Chameleon from his website here: BlakeLewisOfficial.com

American Idol's Blake Lewis opened up to our hosts Tyrone Jackson and Alyson Steel.   Blake was always a fan of voice over as a kid. Growing up in Bothell, Washington, he was always mimicking people-- he had a knack for impressions and sound effects. When he got into high school Blake found out that beat boxing was a legitimate skill and he dove in head first. Blake believes that beat boxing, voice over, sound effects and singing all bleed together because they are all ways of using the same instrument - the human voice!    Right out of high school Blake started touring with bands and it wasn't until a friend at a video game company asked him to come in to record some voices that he started to think about voice over as a career. Just as that was happening, he got on American Idol.     After all his musical success, Blake is now expanding into voice over once again. He has a huge range and no filter, which makes him uberly fun to be around, but he needs his coach to reel him in for commercial voice over. Alyson Steel coaches him in setting the boundaries and playing within those boundaries. He is learning how to use the attitutudes from his characters in his normal speaking voice to help color his commercial reads.    Blake Lewis is launching his voice over career and so can you. Visit <a href="http://www.sixfigurevoice.com/products/" rel="nofollow" target="_blank">SixFigureVoice.com </a>to learn how.   Download Blake's latest album Portrait of a Chameleon from his website here: <a href="http://blakelewisofficial.com" rel="nofollow" target="_blank">BlakeLewisOfficial.com</a>

SFV #010: An American Idol Star's Journey to Voice Over

Roger Leopardi started out in the music business. He and his brother were recording artists known as MVP with a popular single in 1991 called Do It To Me. Because of contracts and bad management, MVP didn't end up taking off.  As Roger was leaving the music business he met his wife and decided to get a "regular" job. He worked in retail for years but always wanted to work for himself. When he decided he could not work retail ever again, a customer who Roger had always helped with programs like Pro Tools came back into his store and Roger asked him, "How come you've never asked me if I wanted a job?" He got an interview with an ad agency the next day.  Roger began his career producing commercials at this ad agency in Fort Lauderdale. He learned the environment and increased their productivity, making 30 - 50 commercials per day. There were about three voice over actors that he worked with on a daily basis. He built relationships with the them and eventually the voice actors started to tell him that he had a good voice that was popular right now.  With this encouragement and the need for growth, Roger told his bosses that he was never going to be satisfied. They never had to pay him a dime over what he was making at that moment, as long as they gave him the flexibility to pursue his voice over career.  Years later, Roger now lives in Los Angeles as a successful voice over artist.  Want to get your voice over career started? Visit SixFigureVoice.com for articles, advice, and much much more that will help put you on the fast track. 

Roger Leopardi started out in the music business. He and his brother were recording artists known as MVP with a popular single in 1991 called Do It To Me. Because of contracts and bad management, MVP didn't end up taking off.  As Roger was leaving the music business he met his wife and decided to get a "regular" job. He worked in retail for years but always wanted to work for himself. When he decided he could not work retail ever again, a customer who Roger had always helped with programs like Pro Tools came back into his store and Roger asked him, "How come you've never asked me if I wanted a job?" He got an interview with an ad agency the next day.  Roger began his career producing commercials at this ad agency in Fort Lauderdale. He learned the environment and increased their productivity, making 30 - 50 commercials per day. There were about three voice over actors that he worked with on a daily basis. He built relationships with the them and eventually the voice actors started to tell him that he had a good voice that was popular right now.  With this encouragement and the need for growth, Roger told his bosses that he was never going to be satisfied. They never had to pay him a dime over what he was making at that moment, as long as they gave him the flexibility to pursue his voice over career.  Years later, Roger now lives in Los Angeles as a successful voice over artist.  Want to get your voice over career started? Visit <a href="http://www.sixfigurevoice.com" rel="nofollow" target="_blank">SixFigureVoice.com</a> for articles, advice, and much much more that will help put you on the fast track.

SFV #009: A Producer's Journey to Being a Voice Over Artist

Kyle McCarley has been a Los Angeles voice actor for about six years. He is represented by 90210 Talent in Los Angeles and DB Talent in Texas. He regularly works in anime, cartoons, video games, audiobooks, commercials, podcasts, radio plays, learning software, and phone promts. After taking classes in Burbank and getting a home recording studio set-up Kyle started reaching out to industry professionals, producers, audio books, and video game creators to book work on his own before he found representation. He believes that you have to be willing to do the work, because the business side of the industry is at least 80% of this career.  Listen to hear his insight on the industry and his great advice!  For more great information visit SixFigureVoice.com! 

Kyle McCarley has been a Los Angeles voice actor for about six years. He is represented by 90210 Talent in Los Angeles and DB Talent in Texas. He regularly works in anime, cartoons, video games, audiobooks, commercials, podcasts, radio plays, learning software, and phone promts. After taking classes in Burbank and getting a home recording studio set-up Kyle started reaching out to industry professionals, producers, audio books, and video game creators to book work on his own before he found representation. He believes that you have to be willing to do the work, because the business side of the industry is at least 80% of this career.  Listen to hear his insight on the industry and his great advice!  For more great information visit <a href="http://www.sixfigurevoice.com" rel="nofollow" target="_blank">SixFigureVoice.com</a>!

SFV #008: Voice Over and Video Games

Our hosts Tyrone Jackson and Alyson Steel know from experience that it is critically important to have a good engineer when you are in the recording studio. Alyson says that even pyschologically speaking it puts you at ease to know that someone is there to catch your eye and be on your side if there is a problem. And most importantly, the engineers make you sound good!  Luckily, successful hollywood engineer Bryan Showalter was able to join us and share his insight from the other side of the glass.  Bryan grew up in Oklahoma City with a musician father who had a recording studio in the house. He grew up around music and recording, ended up becoming a musician himself, and moved out to LA with his band. After his band "imploded" as he says, Bryan decided to get into recording, with which he was already familiar. He started recording for musicians and segued into recording voice over after working with voice actor Ashton Smith.  Bryan believes being a musician helps you to be a good engineer because you already have an ear for cadence and timing. Tyrone and Alyson agree that a good engineer is also a buffer between the talent and directors/producers. The engineer conducts the orchestra that is the recording session and plays the part of the diplomat. Having a good personality goes a long way.  From his years of experience in the booth, Bryan knows what makes a successful voice actor. Listen to find out what he thinks are the top four characteristics of a great voice artist. He also tells us stories of grown men crying during a recording session! For more great advice on how to amp up your voice-over career, visit www.SixFigureVoice.com. 

Our hosts Tyrone Jackson and Alyson Steel know from experience that it is critically important to have a good engineer when you are in the recording studio. Alyson says that even pyschologically speaking it puts you at ease to know that someone is there to catch your eye and be on your side if there is a problem. And most importantly, the engineers make you sound good!  Luckily, successful hollywood engineer Bryan Showalter was able to join us and share his insight from the other side of the glass.  Bryan grew up in Oklahoma City with a musician father who had a recording studio in the house. He grew up around music and recording, ended up becoming a musician himself, and moved out to LA with his band. After his band "imploded" as he says, Bryan decided to get into recording, with which he was already familiar. He started recording for musicians and segued into recording voice over after working with voice actor Ashton Smith.  Bryan believes being a musician helps you to be a good engineer because you already have an ear for cadence and timing. Tyrone and Alyson agree that a good engineer is also a buffer between the talent and directors/producers. The engineer conducts the orchestra that is the recording session and plays the part of the diplomat. Having a good personality goes a long way.  From his years of experience in the booth, Bryan knows what makes a successful voice actor. Listen to find out what he thinks are the top four characteristics of a great voice artist. He also tells us stories of grown men crying during a recording session! For more great advice on how to amp up your voice-over career, visit <a href="http://www.sixfigurevoice.com" rel="nofollow" target="_blank">www.SixFigureVoice.com</a>.

SFV #007: A Recording Engineer's Secrets

Tyrone Jackson and Alyson Steel chat with Larry Morgan. Larry is a writer, director, DJ, voice artist, producer and associate programmer who has worked in radio for 20 years. He has worked on many of the top radio stations in Los Angeles. He considers himself an LA cliché because he does a little bit of everything and always has a script up his sleeve.  Larry started in radio at a small station in Texas before moving out to LA to go to USC Film School. After school he pursued a career in radio. When he decided to add voice-over work to his skill set he really had to concentrate on having conversational reads because the tendency in radio is to push.  Larry explains that the program director of a radio station is the person who is directly responsible for programming. He has a hand in everything from managing the on-air personalities to the execution of promotions and contests. The program director is basically the radio version of a producer.  To find out more about the voice-over world from radio to television, film, and more visit www.sixfigurevoice.com. Six Figure Voice is your one stop shop for everything VO.  Click here for more!

Tyrone Jackson and Alyson Steel chat with Larry Morgan. Larry is a writer, director, DJ, voice artist, producer and associate programmer who has worked in radio for 20 years. He has worked on many of the top radio stations in Los Angeles. He considers himself an LA cliché because he does a little bit of everything and always has a script up his sleeve.  Larry started in radio at a small station in Texas before moving out to LA to go to USC Film School. After school he pursued a career in radio. When he decided to add voice-over work to his skill set he really had to concentrate on having conversational reads because the tendency in radio is to push.  Larry explains that the program director of a radio station is the person who is directly responsible for programming. He has a hand in everything from managing the on-air personalities to the execution of promotions and contests. The program director is basically the radio version of a producer.  To find out more about the voice-over world from radio to television, film, and more visit <a href="http://www.sixfigurevoice.com" rel="nofollow" target="_blank">www.sixfigurevoice.com</a>. Six Figure Voice is your one stop shop for everything VO.  <a href="http://www.sixfigurevoice.com" rel="nofollow" target="_blank">Click here for more!</a>

SFV #006: Inside the TV & Radio Business

Six Figure Voice is the podcast that teaches actors and performing artist  how to break into the voice-over business. Hosted by successful voice-over artists Alyson Steel and Tyrone Jackson, listen to hear great tips on how to get your career started or vamp it up to the next level. Our guests include experienced voice-actors, sound engineers, writers, and agents that will tell you everything you need to know to grow your career.

Six Figure Voice, The Voice Actors Podcast

Alyson Steel and Tyrone Jackson get to sit down with Dave Sebastian Williams of Dave &amp; Dave Recording Studio and 93 KHJ to talk about how the voice-over business has changed over the years.  Back when Dave had his radio show on 93 KHJ, it was the number one radio station in the city and it retained 40% of the Los Angeles audience. He felt like he had made it to the top. But Dave always felt that he needed to be prepared to expand—you don’t just do one thing in this industry. So he used some of the money he was making to take acting classes. The acting classes helped him train his voice for the transition from radio to voice-over acting, which are two very different crafts.   In the 1980’s Dave owned his own studio in Hollywood. All the recording technology was tape. He came kicking and screaming into the digital age. One of the differences he has noticed since digital became mainstream, is that recording sessions have become longer. Now the directors and the writers have more opportunity to change things on the spot. They record more so that they have a myriad of options.  He has also seen technology change the agent scene. Since the scope of voice over is now so big, covering commercials, promos, trailers, live shows, cartoons, and video games, he has seen actors have specific agents for each type of work. For example, you might have one agent for promos and a different agent for video games. Also, it can help to have different agents in different cities, because an agent in Dallas might have better relationships with the casting directors in that area.  Dave has been a drummer since he was in the fourth grade, and he has found that this has helped with his timing as a voice-over artist. To improve your timing, he advises to sleep with a metronome by your bed. Change up the beats, and after doing it for a month, see how you walk and talk differently  Dave also recommends going to every class that you can and recording yourself for 3 minutes every day. List to yesterday’s performance to see how you can make it better.  For more great tips like this, visit SixFigureVoice.com. 

Alyson Steel and Tyrone Jackson get to sit down with Dave Sebastian Williams of Dave &amp; Dave Recording Studio and 93 KHJ to talk about how the voice-over business has changed over the years.  Back when Dave had his radio show on 93 KHJ, it was the number one radio station in the city and it retained 40% of the Los Angeles audience. He felt like he had made it to the top. But Dave always felt that he needed to be prepared to expand—you don’t just do one thing in this industry. So he used some of the money he was making to take acting classes. The acting classes helped him train his voice for the transition from radio to voice-over acting, which are two very different crafts.  In the 1980’s Dave owned his own studio in Hollywood. All the recording technology was tape. He came kicking and screaming into the digital age. One of the differences he has noticed since digital became mainstream, is that recording sessions have become longer. Now the directors and the writers have more opportunity to change things on the spot. They record more so that they have a myriad of options.  He has also seen technology change the agent scene. Since the scope of voice over is now so big, covering commercials, promos, trailers, live shows, cartoons, and video games, he has seen actors have specific agents for each type of work. For example, you might have one agent for promos and a different agent for video games. Also, it can help to have different agents in different cities, because an agent in Dallas might have better relationships with the casting directors in that area.  Dave has been a drummer since he was in the fourth grade, and he has found that this has helped with his timing as a voice-over artist. To improve your timing, he advises to sleep with a metronome by your bed. Change up the beats, and after doing it for a month, see how you walk and talk differently  Dave also recommends going to every class that you can and recording yourself for 3 minutes every day. List to yesterday’s performance to see how you can make it better.  For more great tips like this, visit <a href="http://www.sixfigurevoice.com" rel="nofollow" target="_blank">SixFigureVoice.com</a>.

SFV #003: Transitioning from Radio to Commercials

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