Violette Szabo

The ugly: Nazis. The bad: a husband killed in battle. The good: one spunky, silly, kinda-loopy, very brave young woman. Meet Violette Szabo, the secret agent who packed a machine gun…just in case she ran into any Nazis on her mission.   ___ ****STAY IN TOUCH!**** toritelfer.com toritelfer@gmail.com tinyletter.com/toridotgov instagram.com/tori__telfer ___ Support the podcast by supporting its sponsors! Go to calm.com/criminalbroads for 40% off Calm’s entire library of soothing meditations. Go to dameproducts.com/criminalbroads for 15% off sitewide. Or become a patron at patreon.com/criminalbroads. Follow on Instagram: Instagram.com/criminalbroads Find sources here: criminalbroads.com/sources/episode68 Music: Matthew Noble and Stereodog Productions (Dan Pierson &amp; Peter Manheim). Intro and conclusion: “Guilty” by Richard A. Whiting, Harry Akst, and Gus Kahn, sung by Anna Telfer. Ad break:  “The Great One Step” by Victor Dance Orchestra, via Free Music Archive, licensed under Public Domain Mark 1.0.    Learn more about your ad choices. Visit megaphone.fm/adchoices

The ugly: Nazis. The bad: a husband killed in battle. The good: one spunky, silly, kinda-loopy, very brave young woman. Meet Violette Szabo, the secret agent who packed a machine gun…just in case she ran into any Nazis on her mission.   ___ ****STAY IN TOUCH!**** <a href="http://toritelfer.com" rel="nofollow" target="_blank">toritelfer.com</a> <a href="mailto:toritelfer@gmail.com">toritelfer@gmail.com</a> <a href="http://tinyletter.com/toridotgov" rel="nofollow" target="_blank">tinyletter.com/toridotgov</a> <a href="http://instagram.com/tori__telfer" rel="nofollow" target="_blank">instagram.com/tori__telfer</a> ___ Support the podcast by supporting its sponsors! Go to <a href="http://calm.com/criminalbroads" rel="nofollow" target="_blank">calm.com/criminalbroads</a> for 40% off Calm’s entire library of soothing meditations. Go to <a href="http://dameproducts.com/criminalbroads" rel="nofollow" target="_blank">dameproducts.com/criminalbroads</a> for 15% off sitewide. Or become a patron at <a href="http://patreon.com/criminalbroads" rel="nofollow" target="_blank">patreon.com/criminalbroads</a>. Follow on Instagram: <a href="http://instagram.com/criminalbroads" rel="nofollow" target="_blank">Instagram.com/criminalbroads</a> Find sources here: <a href="http://criminalbroads.com/sources/episode68" rel="nofollow" target="_blank">criminalbroads.com/sources/episode68</a> Music: <a href="http://www.matthewnoble.com/" rel="nofollow" target="_blank">Matthew Noble</a> and Stereodog Productions (Dan Pierson &amp; Peter Manheim). Intro and conclusion: “Guilty” by Richard A. Whiting, Harry Akst, and Gus Kahn, sung by <a href="https://www.instagram.com/anna.telfer/" rel="nofollow" target="_blank">Anna Telfer</a>. Ad break:  “The Great One Step” by Victor Dance Orchestra, via Free Music Archive, licensed under <a href="https://creativecommons.org/publicdomain/mark/1.0/" rel="nofollow" target="_blank">Public Domain Mark 1.0</a>.  Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices" rel="nofollow" target="_blank">megaphone.fm/adchoices</a>

Crime-Fighting Broad 009: Violette Szabo, Secret Agent

Sharon Wiggins

Sharon Wiggins killed a man in a bank robbery gone wrong when she was seventeen. Her state locked her up for life, no chance of parole. Then the Supreme Court stepped in, and Sharon started dreaming. This is the story of a woman with a dubious superlative: the longest-serving juvenile lifer in the world.__Subscribe to my newsletter: tinyletter.com/toridotgovSupport the podcast by supporting its sponsors! Go to dameproducts.com/criminalbroads for 15% off sitewide. Or become a patron at patreon.com/criminalbroads.Follow on Instagram: Instagram.com/criminalbroadsFind sources here: criminalbroads.com/sources/episode70Music: Matthew Noble and Stereodog Productions (Dan Pierson &amp; Peter Manheim). Intro and conclusion: “Guilty” by Richard A. Whiting, Harry Akst, and Gus Kahn, sung by Anna Telfer. Ad break:  “The Great One Step” by Victor Dance Orchestra, via Free Music Archive, licensed under Public Domain Mark 1.0.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Sharon Wiggins killed a man in a bank robbery gone wrong when she was seventeen. Her state locked her up for life, no chance of parole. Then the Supreme Court stepped in, and Sharon started dreaming. This is the story of a woman with a dubious superlative: the longest-serving juvenile lifer in the world.__Subscribe to my newsletter: <a href="http://tinyletter.com/toridotgov" rel="nofollow" target="_blank">tinyletter.com/toridotgov</a>Support the podcast by supporting its sponsors! Go to <a href="http://dameproducts.com/criminalbroads" rel="nofollow" target="_blank">dameproducts.com/criminalbroads</a> for 15% off sitewide. Or become a patron at <a href="http://patreon.com/criminalbroads" rel="nofollow" target="_blank">patreon.com/criminalbroads</a>.Follow on Instagram: <a href="http://instagram.com/criminalbroads" rel="nofollow" target="_blank">Instagram.com/criminalbroads</a>Find sources here: <a href="http://criminalbroads.com/sources/episode70" rel="nofollow" target="_blank">criminalbroads.com/sources/episode70</a>Music: <a href="http://www.matthewnoble.com/" rel="nofollow" target="_blank">Matthew Noble</a> and Stereodog Productions (Dan Pierson &amp; Peter Manheim). Intro and conclusion: “Guilty” by Richard A. Whiting, Harry Akst, and Gus Kahn, sung by <a href="https://www.instagram.com/anna.telfer/" rel="nofollow" target="_blank">Anna Telfer</a>. Ad break:  “The Great One Step” by Victor Dance Orchestra, via Free Music Archive, licensed under <a href="https://creativecommons.org/publicdomain/mark/1.0/" rel="nofollow" target="_blank">Public Domain Mark 1.0</a>.  Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices" rel="nofollow" target="_blank">megaphone.fm/adchoices</a>

Juvenile for Life: Sharon Wiggins

Mary Vincent

In 1978, a man left Mary Vincent for dead. Ten years later, she told a journalist she’d never get over it. This is a story about surviving and about the narrative of the survivor—what we want from her, what she can’t always give us.Support the podcast by supporting its sponsors! Go to dameproducts.com/criminalbroads for 15% off sitewide. Or become a patron at patreon.com/criminalbroads.Follow on Instagram: Instagram.com/criminalbroadsFind sources here: criminalbroads.com/sources/episode69Music: Matthew Noble and Stereodog Productions (Dan Pierson &amp; Peter Manheim). Intro and conclusion: “Guilty” by Richard A. Whiting, Harry Akst, and Gus Kahn, sung by Anna Telfer. Ad break:  “The Great One Step” by Victor Dance Orchestra, via Free Music Archive, licensed under Public Domain Mark 1.0.  Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1978, a man left Mary Vincent for dead. Ten years later, she told a journalist she’d never get over it. This is a story about surviving and about the narrative of the survivor—what we want from her, what she can’t always give us.Support the podcast by supporting its sponsors! Go to <a href="http://dameproducts.com/criminalbroads" rel="nofollow" target="_blank">dameproducts.com/criminalbroads</a> for 15% off sitewide. Or become a patron at <a href="http://patreon.com/criminalbroads" rel="nofollow" target="_blank">patreon.com/criminalbroads</a>.Follow on Instagram: <a href="http://instagram.com/criminalbroads" rel="nofollow" target="_blank">Instagram.com/criminalbroads</a>Find sources here: <a href="http://criminalbroads.com/sources/episode69" rel="nofollow" target="_blank">criminalbroads.com/sources/episode69</a>Music: <a href="http://www.matthewnoble.com/" rel="nofollow" target="_blank">Matthew Noble</a> and Stereodog Productions (Dan Pierson &amp; Peter Manheim). Intro and conclusion: “Guilty” by Richard A. Whiting, Harry Akst, and Gus Kahn, sung by <a href="https://www.instagram.com/anna.telfer/" rel="nofollow" target="_blank">Anna Telfer</a>. Ad break:  “The Great One Step” by Victor Dance Orchestra, via Free Music Archive, licensed under <a href="https://creativecommons.org/publicdomain/mark/1.0/" rel="nofollow" target="_blank">Public Domain Mark 1.0</a>.  Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices" rel="nofollow" target="_blank">megaphone.fm/adchoices</a>

Crime-Fighting Broad 008: Mary Vincent and the Survivor Narrative

In the 1950s, two lonely, imaginative teenage girls became best friends. Before long they had convinced themselves that they were the most mad, genius girls in the world. And then they began to dream of murder.—Support the podcast by supporting its sponsors! Go to calm.com/criminalbroads for 40% off Calm’s entire library of soothing meditations. Or become a patron at patreon.com/criminalbroads.Follow on Instagram: Instagram.com/criminalbroadsFind sources here: criminalbroads.com/sources/episode68Music: Matthew Noble and Stereodog Productions (Dan Pierson &amp; Peter Manheim). Intro and conclusion: “Guilty” by Richard A. Whiting, Harry Akst, and Gus Kahn, sung by Anna Telfer. Ad break:  “The Great One Step” by Victor Dance Orchestra, via Free Music Archive, licensed under Public Domain Mark 1.0.  Learn more about your ad choices. Visit megaphone.fm/adchoices

In the 1950s, two lonely, imaginative teenage girls became best friends. Before long they had convinced themselves that they were the most mad, genius girls in the world. And then they began to dream of murder.—Support the podcast by supporting its sponsors! Go to <a href="http://calm.com/criminalbroads" rel="nofollow" target="_blank">calm.com/criminalbroads</a> for 40% off Calm’s entire library of soothing meditations. Or become a patron at <a href="http://patreon.com/criminalbroads" rel="nofollow" target="_blank">patreon.com/criminalbroads</a>.Follow on Instagram: <a href="http://instagram.com/criminalbroads" rel="nofollow" target="_blank">Instagram.com/criminalbroads</a>Find sources here: <a href="http://criminalbroads.com/sources/episode68" rel="nofollow" target="_blank">criminalbroads.com/sources/episode68</a>Music: <a href="http://www.matthewnoble.com/" rel="nofollow" target="_blank">Matthew Noble</a> and Stereodog Productions (Dan Pierson &amp; Peter Manheim). Intro and conclusion: “Guilty” by Richard A. Whiting, Harry Akst, and Gus Kahn, sung by <a href="https://www.instagram.com/anna.telfer/" rel="nofollow" target="_blank">Anna Telfer</a>. Ad break:  “The Great One Step” by Victor Dance Orchestra, via Free Music Archive, licensed under <a href="https://creativecommons.org/publicdomain/mark/1.0/" rel="nofollow" target="_blank">Public Domain Mark 1.0</a>.  Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices" rel="nofollow" target="_blank">megaphone.fm/adchoices</a>

The Parker-Hulme Murder Case

Cyntoia Brown

“Imagine at the age of 16 being sex-trafficked by a pimp named Kutthroat.” That was how the meme about Cyntoia Brown started. Cyntoia herself couldn’t believe it when she heard Kim Kardashian was tweeting about her. After a lifetime of being thought of as a bad kid—people were suddenly on her side?Cyntoia’s Instagram: https://www.instagram.com/cyntoiabrownofficial/?hl=enFalicia Blakely episode: https://www.criminalbroads.com/episodes/2018/11/28/episode-14-teenager-in-love-falicia-blakelySupport the podcast by supporting its sponsors! Go to dameproducts.com/criminalbroads for 15% off sitewide, and modernfertility.com/criminalbroads for $20 off your fertility test. Or become a patron at patreon.com/criminalbroads.Follow on Instagram: Instagram.com/criminalbroadsFind sources here: criminalbroads.com/sources/episode66Music: Matthew Noble and Stereodog Productions (Dan Pierson &amp; Peter Manheim). Intro and conclusion: “Guilty” by Richard A. Whiting, Harry Akst, and Gus Kahn, sung by Anna Telfer. Ad break:  “The Great One Step” by Victor Dance Orchestra, via Free Music Archive, licensed under Public Domain Mark 1.0.  Learn more about your ad choices. Visit megaphone.fm/adchoices

“Imagine at the age of 16 being sex-trafficked by a pimp named Kutthroat.” That was how the meme about Cyntoia Brown started. Cyntoia herself couldn’t believe it when she heard Kim Kardashian was tweeting about her. After a lifetime of being thought of as a bad kid—people were suddenly on her side?Cyntoia’s Instagram: <a href="https://www.instagram.com/cyntoiabrownofficial/?hl=en" rel="nofollow" target="_blank">https://www.instagram.com/cyntoiabrownofficial/?hl=en</a>Falicia Blakely episode: <a href="https://www.criminalbroads.com/episodes/2018/11/28/episode-14-teenager-in-love-falicia-blakely" rel="nofollow" target="_blank">https://www.criminalbroads.com/episodes/2018/11/28/episode-14-teenager-in-love-falicia-blakely</a>Support the podcast by supporting its sponsors! Go to <a href="http://dameproducts.com/criminalbroads" rel="nofollow" target="_blank">dameproducts.com/criminalbroads</a> for 15% off sitewide, and <a href="http://modernfertility.com/criminalbroads" rel="nofollow" target="_blank">modernfertility.com/criminalbroads</a> for $20 off your fertility test. Or become a patron at <a href="http://patreon.com/criminalbroads" rel="nofollow" target="_blank">patreon.com/criminalbroads</a>.Follow on Instagram: <a href="http://instagram.com/criminalbroads" rel="nofollow" target="_blank">Instagram.com/criminalbroads</a>Find sources here: <a href="http://criminalbroads.com/sources/episode66" rel="nofollow" target="_blank">criminalbroads.com/sources/episode66</a>Music: <a href="http://www.matthewnoble.com/" rel="nofollow" target="_blank">Matthew Noble</a> and Stereodog Productions (Dan Pierson &amp; Peter Manheim). Intro and conclusion: “Guilty” by Richard A. Whiting, Harry Akst, and Gus Kahn, sung by <a href="https://www.instagram.com/anna.telfer/" rel="nofollow" target="_blank">Anna Telfer</a>. Ad break:  “The Great One Step” by Victor Dance Orchestra, via Free Music Archive, licensed under <a href="https://creativecommons.org/publicdomain/mark/1.0/" rel="nofollow" target="_blank">Public Domain Mark 1.0</a>.  Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices" rel="nofollow" target="_blank">megaphone.fm/adchoices</a>

American Juvenile: Cyntoia Brown

One night in September, a white lady in a long green dress reported that she’d been the victim of a horrific crime. Her story transformed Hawaii—some people were outraged, some were sure she was lying. And then her mother got involved.Read David Stannard’s book on the Massie case here: https://www.penguinrandomhouse.com/books/291248/honor-killing-by-david-e-stannard/Become a patron: patreon.com/criminalbroadsFollow on Instagram: Instagram.com/criminalbroadsFind sources here: criminalbroads.com/sources/episode66Music: Matthew Noble and Stereodog Productions (Dan Pierson &amp; Peter Manheim). Intro and conclusion: “Guilty” by Richard A. Whiting, Harry Akst, and Gus Kahn, sung by Anna Telfer.    Learn more about your ad choices. Visit megaphone.fm/adchoices

One night in September, a white lady in a long green dress reported that she’d been the victim of a horrific crime. Her story transformed Hawaii—some people were outraged, some were sure she was lying. And then her mother got involved.Read David Stannard’s book on the Massie case here: <a href="https://www.penguinrandomhouse.com/books/291248/honor-killing-by-david-e-stannard/" rel="nofollow" target="_blank">https://www.penguinrandomhouse.com/books/291248/honor-killing-by-david-e-stannard/</a>Become a patron: <a href="http://patreon.com/criminalbroads" rel="nofollow" target="_blank">patreon.com/criminalbroads</a>Follow on Instagram: <a href="http://instagram.com/criminalbroads" rel="nofollow" target="_blank">Instagram.com/criminalbroads</a>Find sources here: <a href="http://criminalbroads.com/sources/episode66" rel="nofollow" target="_blank">criminalbroads.com/sources/episode66</a>Music: <a href="http://www.matthewnoble.com/" rel="nofollow" target="_blank">Matthew Noble</a> and Stereodog Productions (Dan Pierson &amp; Peter Manheim). Intro and conclusion: “Guilty” by Richard A. Whiting, Harry Akst, and Gus Kahn, sung by <a href="https://www.instagram.com/anna.telfer/" rel="nofollow" target="_blank">Anna Telfer</a>.  Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices" rel="nofollow" target="_blank">megaphone.fm/adchoices</a>

The Massie Affair

Hannah Overton

Hannah Overton loved kids. Everyone who knew her thought she was a wonderful mother. But then she found herself in court, with the media calling her a baby-killer and people on the witness stand saying she was a psychopath.Read Pamela Colloff’s article here: https://www.texasmonthly.com/news-politics/hannah-and-andrew/Support Hannah Overton’s nonprofit here: https://www.syndeoministries.com/Support the podcast by supporting its sponsors! Go to dameproducts.com/criminalbroads for 15% off sitewide. Or become a patron at patreon.com/criminalbroads.Follow on Instagram: Instagram.com/criminalbroadsFind sources here: criminalbroads.com/sources/episode65Music: Matthew Noble and Stereodog Productions (Dan Pierson &amp; Peter Manheim). Intro and conclusion: “Sisters” by Irving Berlin, sung by Anna Telfer. Ad break:  “The Great One Step” by Victor Dance Orchestra, via Free Music Archive, licensed under Public Domain Mark 1.0.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Hannah Overton loved kids. Everyone who knew her thought she was a wonderful mother. But then she found herself in court, with the media calling her a baby-killer and people on the witness stand saying she was a psychopath.Read Pamela Colloff’s article here: <a href="https://www.texasmonthly.com/news-politics/hannah-and-andrew/" rel="nofollow" target="_blank">https://www.texasmonthly.com/news-politics/hannah-and-andrew/</a>Support Hannah Overton’s nonprofit here: <a href="https://www.syndeoministries.com/" rel="nofollow" target="_blank">https://www.syndeoministries.com/</a>Support the podcast by supporting its sponsors! Go to <a href="http://dameproducts.com/criminalbroads" rel="nofollow" target="_blank">dameproducts.com/criminalbroads</a> for 15% off sitewide. Or become a patron at <a href="http://patreon.com/criminalbroads" rel="nofollow" target="_blank">patreon.com/criminalbroads</a>.Follow on Instagram: <a href="http://instagram.com/criminalbroads" rel="nofollow" target="_blank">Instagram.com/criminalbroads</a>Find sources here: <a href="http://criminalbroads.com/sources/episode65" rel="nofollow" target="_blank">criminalbroads.com/sources/episode65</a>Music: <a href="http://www.matthewnoble.com/" rel="nofollow" target="_blank">Matthew Noble</a> and Stereodog Productions (Dan Pierson &amp; Peter Manheim). Intro and conclusion: “Sisters” by Irving Berlin, sung by <a href="https://www.instagram.com/anna.telfer/" rel="nofollow" target="_blank">Anna Telfer</a>. Ad break:  “The Great One Step” by Victor Dance Orchestra, via Free Music Archive, licensed under <a href="https://creativecommons.org/publicdomain/mark/1.0/" rel="nofollow" target="_blank">Public Domain Mark 1.0</a>.  Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices" rel="nofollow" target="_blank">megaphone.fm/adchoices</a>

Mother of Six: Hannah Overton

Pamela Hupp

Poor Pam Hupp and her bad luck. First her best friend Betsy gets stabbed 55 times. Then her mother falls off a balcony. Then she gets KIDNAPPED. And now Pam, who wouldn’t hurt a fly, is in prison for life?! Some people just can’t catch a break, no matter how hard they lie.Read Jeanette Cooperman’s longform piece on Pam: https://www.stlmag.com/longform/pam-hupp/Support the podcast by supporting its sponsors! Go to modernfamily.com/criminalbroads for $20 off your fertility test, and dipseastories.com/criminalbroads for 30 free days of sensual stories. Or become a patron at patreon.com/criminalbroads.Follow on Instagram: Instagram.com/criminalbroadsFind sources here: criminalbroads.com/sources/episode64 Music: Matthew Noble and Stereodog Productions (Dan Pierson &amp; Peter Manheim). Intro and conclusion: “Sisters” by Irving Berlin, sung by Anna Telfer. Ad break:  “The Great One Step” by Victor Dance Orchestra, via Free Music Archive, licensed under Public Domain Mark 1.0.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Poor Pam Hupp and her bad luck. First her best friend Betsy gets stabbed 55 times. Then her mother falls off a balcony. Then she gets KIDNAPPED. And now Pam, who wouldn’t hurt a fly, is in prison for life?! Some people just can’t catch a break, no matter how hard they lie.Read Jeanette Cooperman’s longform piece on Pam: <a href="https://www.stlmag.com/longform/pam-hupp/" rel="nofollow" target="_blank">https://www.stlmag.com/longform/pam-hupp/</a>Support the podcast by supporting its sponsors! Go to <a href="http://modernfamily.com/criminalbroads" rel="nofollow" target="_blank">modernfamily.com/criminalbroads</a> for $20 off your fertility test, and <a href="http://dipseastories.com/criminalbroads" rel="nofollow" target="_blank">dipseastories.com/criminalbroads</a> for 30 free days of sensual stories. Or become a patron at <a href="http://patreon.com/criminalbroads" rel="nofollow" target="_blank">patreon.com/criminalbroads</a>.Follow on Instagram: <a href="http://instagram.com/criminalbroads" rel="nofollow" target="_blank">Instagram.com/criminalbroads</a>Find sources here: <a href="https://www.criminalbroads.com/sources/episode55" rel="nofollow" target="_blank">criminalbroads.com/sources/episode64</a> Music: <a href="http://www.matthewnoble.com/" rel="nofollow" target="_blank">Matthew Noble</a> and Stereodog Productions (Dan Pierson &amp; Peter Manheim). Intro and conclusion: “Sisters” by Irving Berlin, sung by <a href="https://www.instagram.com/anna.telfer/" rel="nofollow" target="_blank">Anna Telfer</a>. Ad break:  “The Great One Step” by Victor Dance Orchestra, via Free Music Archive, licensed under <a href="https://creativecommons.org/publicdomain/mark/1.0/" rel="nofollow" target="_blank">Public Domain Mark 1.0</a>.  Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices" rel="nofollow" target="_blank">megaphone.fm/adchoices</a>

No Drama Pam: Pamela Hupp

Catherine PiIeggi

Catherine Pileggi went from a flight attendant to a multimillionaire’s girlfriend. But after eighteen years, her relationship was on the rocks. Then one night—someone cracked. Was it him? Or was it her?Check out: lastprisonerproject.orgSupport the podcast at: patreon.com/criminalbroadsFollow on Instagram: Instagram.com/criminalbroadsFind sources here: criminalbroads.com/sources/episode63Music: Matthew Noble and Stereodog Productions (Dan Pierson &amp; Peter Manheim). Intro and conclusion: “Sisters” by Irving Berlin, sung by Anna Telfer. Ad break:  “The Great One Step” by Victor Dance Orchestra, via Free Music Archive, licensed under Public Domain Mark 1.0.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Catherine Pileggi went from a flight attendant to a multimillionaire’s girlfriend. But after eighteen years, her relationship was on the rocks. Then one night—someone cracked. Was it him? Or was it her? Check out: <a href="http://lastprisonerproject.org" rel="nofollow" target="_blank">lastprisonerproject.org</a> Support the podcast at: <a href="http://patreon.com/criminalbroads" rel="nofollow" target="_blank">patreon.com/criminalbroads</a> Follow on Instagram: <a href="http://instagram.com/criminalbroads" rel="nofollow" target="_blank">Instagram.com/criminalbroads</a> Find sources here: <a href="https://www.criminalbroads.com/sources/episode55" rel="nofollow" target="_blank">criminalbroads.com/sources/episode63</a> Music: <a href="http://www.matthewnoble.com/" rel="nofollow" target="_blank">Matthew Noble</a> and Stereodog Productions (Dan Pierson &amp; Peter Manheim). Intro and conclusion: “Sisters” by Irving Berlin, sung by <a href="https://www.instagram.com/anna.telfer/" rel="nofollow" target="_blank">Anna Telfer</a>. Ad break:  “The Great One Step” by Victor Dance Orchestra, via Free Music Archive, licensed under <a href="https://creativecommons.org/publicdomain/mark/1.0/" rel="nofollow" target="_blank">Public Domain Mark 1.0</a>.  Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices" rel="nofollow" target="_blank">megaphone.fm/adchoices</a>

The Quietest Girlfriend: Catherine PiIeggi

Blanche Wright

When Blanche Wright was captured in 1980, police said they’d found a vicious killer. And for decades, no one dug any further to find out who the real Blanche was. Michael Wilson of the New York Times comes on the podcast to tell us her story. Read Michael’s article on Blanche here: https://www.nytimes.com/2019/04/26/nyregion/prince-charming-hit-man.html?searchResultPosition=1 Read more of Michael’s work here: https://www.nytimes.com/by/michael-wilson *** Support the podcast by supporting its sponsors! Go to Nutrafol.com and use the promo code BROADS to save fifteen dollars off your first month’s subscription! Or become a patron at patreon.com/criminalbroads! *** Follow on Instagram: Instagram.com/criminalbroads Find sources here: criminalbroads.com/sources/episode62 Music: Matthew Noble and Stereodog Productions (Dan Pierson &amp; Peter Manheim). Intro and conclusion: “Sisters” by Irving Berlin, sung by Anna Telfer. Ad break:  “The Great One Step” by Victor Dance Orchestra, via Free Music Archive, licensed under Public Domain Mark 1.0.    Learn more about your ad choices. Visit megaphone.fm/adchoices

When Blanche Wright was captured in 1980, police said they’d found a vicious killer. And for decades, no one dug any further to find out who the real Blanche was. Michael Wilson of the New York Times comes on the podcast to tell us her story. Read Michael’s article on Blanche here: <a href="https://www.nytimes.com/2019/04/26/nyregion/prince-charming-hit-man.html?searchResultPosition=1" rel="nofollow" target="_blank">https://www.nytimes.com/2019/04/26/nyregion/prince-charming-hit-man.html?searchResultPosition=1</a> Read more of Michael’s work here: <a href="https://www.nytimes.com/by/michael-wilson" rel="nofollow" target="_blank">https://www.nytimes.com/by/michael-wilson</a> *** Support the podcast by supporting its sponsors! Go to <a href="http://Nutrafol.com" rel="nofollow" target="_blank">Nutrafol.com</a> and use the promo code BROADS to save fifteen dollars off your first month’s subscription! Or become a patron at <a href="http://patreon.com/criminalbroads!" rel="nofollow" target="_blank">patreon.com/criminalbroads!</a> *** Follow on Instagram: <a href="http://instagram.com/criminalbroads" rel="nofollow" target="_blank">Instagram.com/criminalbroads</a> Find sources here: <a href="https://www.criminalbroads.com/sources/episode55" rel="nofollow" target="_blank">criminalbroads.com/sources/episode62</a> Music: <a href="http://www.matthewnoble.com/" rel="nofollow" target="_blank">Matthew Noble</a> and Stereodog Productions (Dan Pierson &amp; Peter Manheim). Intro and conclusion: “Sisters” by Irving Berlin, sung by <a href="https://www.instagram.com/anna.telfer/" rel="nofollow" target="_blank">Anna Telfer</a>. Ad break:  “The Great One Step” by Victor Dance Orchestra, via Free Music Archive, licensed under <a href="https://creativecommons.org/publicdomain/mark/1.0/" rel="nofollow" target="_blank">Public Domain Mark 1.0</a>.  Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices" rel="nofollow" target="_blank">megaphone.fm/adchoices</a>

The Hitwoman Who Wasn’t: Blanche Wright

Criminal Broads is a true crime + history podcast about wild women who’ve ended up on the wrong side of the law, whether for leading a cult, serially murdering their husbands, swindling billionaires, or faking ectoplasm. The podcast is hosted by Tori Telfer, author of “Lady Killers: Deadly Women Throughout History.”

Enjoy this podcast. One of my favorites. Only negative comment “music”

Road dog

Really like the podcast but the music is dreadful and almost makes me stop the episode.

I can’t handle the musicmusic

Criminal Broads

The Gonzalez Valenzuela sisters did not have an easy childhood, but when they grew up, they proceeded to steadily destroy the childhoods of other young women. When their “horror ranch” was discovered, the people of Mexico were appalled at the secrets that began to emerge. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Gonzalez Valenzuela sisters did not have an easy childhood, but when they grew up, they proceeded to steadily destroy the childhoods of other young women. When their “horror ranch” was discovered, the people of Mexico were appalled at the secrets that began to emerge. Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices" rel="nofollow" target="_blank">megaphone.fm/adchoices</a>

Horror Ranch: The Gonzalez Valenzuela Sisters, or "Las Poquianchis"

Jasmuheen, an Australian guru who became media catnip in the 90s, seemed kind of spacey and silly. Sure, her belief system was totally wild—she told the world that she lived off energy alone, and hadn’t eaten actual food in years—but her teachings didn’t seem all that serious. After all, her fridge was stocked with food, and her website was covered in purple fonts, and no one really believed her, right? Then people started dying.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Jasmuheen, an Australian guru who became media catnip in the 90s, seemed kind of spacey and silly. Sure, her belief system was totally wild—she told the world that she lived off energy alone, and hadn’t eaten actual food in years—but her teachings didn’t seem all that serious. After all, her fridge was stocked with food, and her website was covered in purple fonts, and no one really believed her, right? Then people started dying.  Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices" rel="nofollow" target="_blank">megaphone.fm/adchoices</a>

Dangerous Lady of Light: Jasmuheen

Amy Archer Gilligan

Bestselling true crime author M. William Phelps comes onto the podcast to tell us the story of Amy Archer Gilligan, a turn-of-the-century serial killer who disguised her sociopathic tendencies beneath a kind, neighborly facade. Her lemonade was laced with arsenic, and her convalescent home was not a place where anyone could get better. Also discussed: hot tub horrors, female criminals’ skyrocketing brutality (eek), and an amazing undercover lady cop named Zola. Learn more about your ad choices. Visit megaphone.fm/adchoices

Bestselling true crime author M. William Phelps comes onto the podcast to tell us the story of Amy Archer Gilligan, a turn-of-the-century serial killer who disguised her sociopathic tendencies beneath a kind, neighborly facade. Her lemonade was laced with arsenic, and her convalescent home was not a place where anyone could get better. Also discussed: hot tub horrors, female criminals’ skyrocketing brutality (eek), and an amazing undercover lady cop named Zola. Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices" rel="nofollow" target="_blank">megaphone.fm/adchoices</a>

Sister Amy’s Murder Factory: Amy Archer Gilligan, feat. M. William Phelps

Adelaide Bartlett

Victorian women were expected to be wives and mothers—not killers. Enter Adelaide Bartlett. In her middle-class Victorian world of green wallpaper, taxidermy, and submissive wifehood, the beautiful Adelaide was an enigma. Was she telling the truth about her husband’s weirdness? Was she really as good as she seemed? And most importantly: did she do it? (Become a Patreon supporter for rewards and bonus content!) Learn more about your ad choices. Visit megaphone.fm/adchoices

Victorian women were expected to be wives and mothers—not killers. Enter Adelaide Bartlett. In her middle-class Victorian world of green wallpaper, taxidermy, and submissive wifehood, the beautiful Adelaide was an enigma. Was she telling the truth about her husband’s weirdness? Was she really as good as she seemed? And most importantly: did she do it? (Become a Patreon supporter for rewards and bonus content!) Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices" rel="nofollow" target="_blank">megaphone.fm/adchoices</a>

Dark Angel in the House: Adelaide Bartlett

Anne Hamilton-Byrne

In 1960s Melbourne, a lot of very wealthy people found themselves wondering if there was more to life, and wouldn’t you know, a gorgeous yoga teacher was there to tell them: yes, yes there is. But this yoga teacher with her warm, appealing aphorisms would soon become a voracious cult leader with a penchant for pretending like she was the best mama in the world. This is the story of Anne Hamilton-Byrne, a woman who wanted to be an actress and a mother, but ended up playing God on a purple throne, ruining the life of every child she touched. This episode features interviews with Chris Johnston and Rosie Jones, authors of "The Family." Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1960s Melbourne, a lot of very wealthy people found themselves wondering if there was more to life, and wouldn’t you know, a gorgeous yoga teacher was there to tell them: yes, yes there is. But this yoga teacher with her warm, appealing aphorisms would soon become a voracious cult leader with a penchant for pretending like she was the best mama in the world. This is the story of Anne Hamilton-Byrne, a woman who wanted to be an actress and a mother, but ended up playing God on a purple throne, ruining the life of every child she touched. This episode features interviews with Chris Johnston and Rosie Jones, authors of "The Family." Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices" rel="nofollow" target="_blank">megaphone.fm/adchoices</a>

Mama: Anne Hamilton-Byrne

Falicia Blakely was only 16 when she met the man who would change the course of her life. At first, Mike Berry was the perfect boyfriend—bringing her flowers, treating her little boy as his own son. But then came the brainwashing, the manipulation, and the fire. Before long, Falicia would find herself holding a phone and a pistol, with Mike on the other end of the call, urging her to shoot. Learn more about your ad choices. Visit megaphone.fm/adchoices

Falicia Blakely was only 16 when she met the man who would change the course of her life. At first, Mike Berry was the perfect boyfriend—bringing her flowers, treating her little boy as his own son. But then came the brainwashing, the manipulation, and the fire. Before long, Falicia would find herself holding a phone and a pistol, with Mike on the other end of the call, urging her to shoot. Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices" rel="nofollow" target="_blank">megaphone.fm/adchoices</a>

Teenager in Love: Falicia Blakely

Harold Schechter

Bestselling true crime author Harold Schechter comes on the podcast to tell us the story of Belle Gunness, a Norwegian-American serial dater who had a thing for butcher’s tools. Or perhaps you know her as the author of the best dating profile line ever: “Triflers need not apply.” Belle’s story is covered at length in Schechter’s new book, Hell's Princess: The Mystery of Belle Gunness, Butcher of Men. Also discussed: why female psychopaths are more psychopathic than people give them credit for; how male serial killers are “undiscriminating”; why poisoners are worse than Jack the Ripper; and the old “meat grinder falls on head” trick.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Bestselling true crime author Harold Schechter comes on the podcast to tell us the story of Belle Gunness, a Norwegian-American serial dater who had a thing for butcher’s tools. Or perhaps you know her as the author of the best dating profile line ever: “Triflers need not apply.” Belle’s story is covered at length in Schechter’s new book, Hell's Princess: The Mystery of Belle Gunness, Butcher of Men. Also discussed: why female psychopaths are more psychopathic than people give them credit for; how male serial killers are “undiscriminating”; why poisoners are worse than Jack the Ripper; and the old “meat grinder falls on head” trick.  Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices" rel="nofollow" target="_blank">megaphone.fm/adchoices</a>

Hell’s Princess: Belle Gunness, feat. Harold Schechter

Once upon a time, in 1930s Texas, a girl named Blanche fell desperately in love with a boy named Buck. She thought they had a shot at a good life together, but everything went off the rails one night when Buck’s brother and his brother’s girlfriend—Clyde Barrow and Bonnie Parker—showed up drunk at their door. Before long, Blanche was swept up in the on-the-run world of Bonnie and Clyde, terrified that their outlaw lifestyle would take her love away from her. Learn more about your ad choices. Visit megaphone.fm/adchoices

Once upon a time, in 1930s Texas, a girl named Blanche fell desperately in love with a boy named Buck. She thought they had a shot at a good life together, but everything went off the rails one night when Buck’s brother and his brother’s girlfriend—Clyde Barrow and Bonnie Parker—showed up drunk at their door. Before long, Blanche was swept up in the on-the-run world of Bonnie and Clyde, terrified that their outlaw lifestyle would take her love away from her. Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices" rel="nofollow" target="_blank">megaphone.fm/adchoices</a>

Lonely Baby: Blanche Barrow

We remember Jack the Ripper as a man who did the brutal work of a typical male serial killer, de-feminizing his victims by hacking up their bodies. But in this two-part series, let’s take a look at the women who circle around the Ripper legend. First up, the admittedly controversial and kinda odd theory that perhaps Jack the Ripper is the wrong nickname for the killer—perhaps, some writers insist, we should have been looking for a Jill all along! This episode features an interview with Jonathan Menges of Casebook.org and the Rippercast. Learn more about your ad choices. Visit megaphone.fm/adchoices

We remember Jack the Ripper as a man who did the brutal work of a typical male serial killer, de-feminizing his victims by hacking up their bodies. But in this two-part series, let’s take a look at the women who circle around the Ripper legend. First up, the admittedly controversial and kinda odd theory that perhaps Jack the Ripper is the wrong nickname for the killer—perhaps, some writers insist, we should have been looking for a Jill all along! This episode features an interview with Jonathan Menges of <a href="http://Casebook.org" rel="nofollow" target="_blank">Casebook.org</a> and the Rippercast. Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices" rel="nofollow" target="_blank">megaphone.fm/adchoices</a>

The Women of Jack the Ripper, Part 1: JILL

Meet Irma Grese. She likes boys, girls, movies, makeup, and sadistic torture. She hates her dad, but loves Adolf Hitler. This is horrific story of the story of how propaganda—and a large dose of teenage boredom—transformed an unskilled peasant girl into one of the Holocaust’s most successful concentration camp guards.(Become a Patreon supporter.) Sources: The Beautiful Beast: The Life &amp; Crimes of SS-Aufseherin Irma Grese, by Daniel Patrick Brown “The Violence of Female Guards in Nazi Concentration Camps (1939-1945): Reflections on the Dynamics and Logics of Power,” by Elissa Mailänder in SciencesPo “Nazi Bride Schools: ‘These girls were the nucleus of the Reich,’” Telegraph, 16 August 2013 “Auschwitz II-Birkenau,” from Auschwitz.org “Life for young people in Nazi Germany,” BBC Bitesize, accessed 6/31/2019 “Gendering the Holocaust: A case study of Irma Grese: Constructing the ‘evil’ and the ‘ordinary’ through digital oral testimonies and written trial testimonies of the Holocaust survivors,” by Bianka Vida, Kaleidoscope Music: “Guilty” by Richard A. Whiting, Harry Akst, and Gus Kahn, sung by Anna Telfer“Shake It and Break It” by Lanin's Southern Serenaders, licensed under a Public Domain / Sound Recording Common Law Protection License“Death Is Our Only God” by Silent Carrion, licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License. Learn more about your ad choices. Visit megaphone.fm/adchoices

Meet Irma Grese. She likes boys, girls, movies, makeup, and sadistic torture. She hates her dad, but loves Adolf Hitler. This is horrific story of the story of how propaganda—and a large dose of teenage boredom—transformed an unskilled peasant girl into one of the Holocaust’s most successful concentration camp guards.(Become a <a href="http://patreon.com/criminalbroads" rel="nofollow" target="_blank">Patreon supporter</a>.) Sources: The Beautiful Beast: The Life &amp; Crimes of SS-Aufseherin Irma Grese, by Daniel Patrick Brown “The Violence of Female Guards in Nazi Concentration Camps (1939-1945): Reflections on the Dynamics and Logics of Power,” by Elissa Mailänder in SciencesPo “Nazi Bride Schools: ‘These girls were the nucleus of the Reich,’” Telegraph, 16 August 2013 “Auschwitz II-Birkenau,” from <a href="http://Auschwitz.org" rel="nofollow" target="_blank">Auschwitz.org</a> “Life for young people in Nazi Germany,” BBC Bitesize, accessed 6/31/2019 “Gendering the Holocaust: A case study of Irma Grese: Constructing the ‘evil’ and the ‘ordinary’ through digital oral testimonies and written trial testimonies of the Holocaust survivors,” by Bianka Vida, Kaleidoscope Music: “Guilty” by Richard A. Whiting, Harry Akst, and Gus Kahn, sung by <a href="https://www.annatelfer.com/" rel="nofollow" target="_blank">Anna Telfer</a>“Shake It and Break It” by <a href="http://freemusicarchive.org/music/Lanins_Southern_Serenaders/" rel="nofollow" target="_blank">Lanin's Southern Serenaders</a>, licensed under a <a href="http://freemusicarchive.org/Sound_Recording_Common_Law" rel="nofollow" target="_blank">Public Domain / Sound Recording Common Law Protection License</a>“Death Is Our Only God” by <a href="http://freemusicarchive.org/music/Silent_Carrion/" rel="nofollow" target="_blank">Silent Carrion</a>, licensed under a <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="nofollow" target="_blank">Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License</a>. Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices" rel="nofollow" target="_blank">megaphone.fm/adchoices</a>

Hyena of Auschwitz: Irma Grese

Kazuko Fukuda

In 1982, Kazuko Fukuda strangled her coworker, changed her name, and went on the run—for fifteen years. She was playing a game of chicken with the law, trying to stay free until the statute of limitations for her crime ran out. To do this, she had to go under the knife. (Become a Patreon supporter for rewards and bonus content!) Sources: Crime stats for Japan and the US: The Japanese Industrial System (De Gruyter Studies in Organization, 3rd Edition), Page 46, and “The U.S. Murder Rate Is Up But Still Far Below Its 1980 Peak,” FiveThirtyEight, 25 Sept 2017 “Staying Healthy in Japan: Jujin Hospital,” Tokyo Weekender,  20 May 1888“A Modest Proposal for Capturing Fugitives,” The Japan Times, Aug 07, 1997“Informant donates reward to charity,” The Japan Times, 24 Aug 1997“After 14 years on run, murder suspect arrested,” The Japan Times, 30 Jul 1997 “Japanese police scramble to catch up with criminals,” The Washington Post, Tokyo, 13 September 1997“Ex-fugitive admits killing,” The Japan Times, 28 Oct 1997“Life term for ex-fugitive upheld,” The Japan Times, 14 Dec 2000“The rules of hostessing,” Japan Today, 3 November 2009 “Japan: Statute of Limitations for Murder Abolished,” Global Legal Monitor, The Law Library of Congress, 21 May 2010 “Heisei flashback: Kazuko Fukuda, ‘The Woman of Seven Faces,’” Tokyo Reporter, 19 April 2019Music: “Guilty” by Richard A. Whiting, Harry Akst, and Gus Kahn, sung by Anna Telfer.“Moon-kana – Tsuki Kinoko (Yaka-anima Slow Mix)” by Yaka-anima from Broken Doll (2018), used with permission from archive.org under license Attribution-NonCommercial-NoDerivs 4.0 International. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1982, Kazuko Fukuda strangled her coworker, changed her name, and went on the run—for fifteen years. She was playing a game of chicken with the law, trying to stay free until the statute of limitations for her crime ran out. To do this, she had to go under the knife. (Become a <a href="http://patreon.com/criminalbroads" rel="nofollow" target="_blank">Patreon supporter</a> for rewards and bonus content!) Sources: Crime stats for Japan and the US: The Japanese Industrial System (De Gruyter Studies in Organization, 3rd Edition), Page 46, and “The U.S. Murder Rate Is Up But Still Far Below Its 1980 Peak,” FiveThirtyEight, 25 Sept 2017 “Staying Healthy in Japan: Jujin Hospital,” Tokyo Weekender,  20 May 1888“A Modest Proposal for Capturing Fugitives,” The Japan Times, Aug 07, 1997“Informant donates reward to charity,” The Japan Times, 24 Aug 1997“After 14 years on run, murder suspect arrested,” The Japan Times, 30 Jul 1997 “Japanese police scramble to catch up with criminals,” The Washington Post, Tokyo, 13 September 1997“Ex-fugitive admits killing,” The Japan Times, 28 Oct 1997“Life term for ex-fugitive upheld,” The Japan Times, 14 Dec 2000“The rules of hostessing,” Japan Today, 3 November 2009 “Japan: Statute of Limitations for Murder Abolished,” Global Legal Monitor, The Law Library of Congress, 21 May 2010 “Heisei flashback: Kazuko Fukuda, ‘The Woman of Seven Faces,’” Tokyo Reporter, 19 April 2019Music: “Guilty” by Richard A. Whiting, Harry Akst, and Gus Kahn, sung by <a href="https://www.annatelfer.com/" rel="nofollow" target="_blank">Anna Telfer</a>.<a href="https://archive.org/details/yaka-19-broken-doll/05+-+Moon-kana+-+Tsuki+Kinoko+(Yaka-anima+Slow+Mix).mp3" rel="nofollow" target="_blank">“Moon-kana – Tsuki Kinoko (Yaka-anima Slow Mix)”</a> by Yaka-anima from Broken Doll (2018), used with permission from <a href="http://archive.org" rel="nofollow" target="_blank">archive.org</a> under license Attribution-NonCommercial-NoDerivs 4.0 International. Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices" rel="nofollow" target="_blank">megaphone.fm/adchoices</a>

Woman of Seven Faces: Kazuko Fukuda

Tanya Nelson

Tanya Nelson believed everything her fortuneteller, Ha Jade Smith, told her—until Tanya’s life spiraled out of control, and Ha couldn’t seem to help her. With that, Tanya decided that someone was going to have to pay for the wreckage that was her life. Someone was going to have to die.  *** SUPPORT THE PODCAST! Become a Patreon supporter and get a cool postcard. Support Crimibox on Kickstarter. Get 25% off your Care/of order by heading to takecareof.com and using code CRIMINALBROADS. And check out the new Nevertheless She Existed podcast!*** Sources: “Police Seek Pair Seen Leaving the Home of Two Slain O.C. Women,” Los Angeles Times, 03 May 2005 “Seeking Clues in Shadowy World; Trying to solve killings of a fortuneteller and her daughter in Little Saigon, police ask for help understanding ethnic nuances,” Los Angeles Times, 05 May 2005 “Charges Filed in O.C. Double Slaying; North Carolina woman is being held in the slayings of fortuneteller and her daughter in Westminster. A man will be extradited, police say,” Los Angeles Times, 04 June 2005 “Man said to have confessed to slayings,” The Orange County Register, 12 April 2006 “Woman enticed accomplice into murder plot, prosecutor says,” The Orange County Register, 14 January 2010 “Witness testifies bad ‘fortune’ led to murders,” The Orange County Register, 1 February 2010 “Prosecutor: Fortune-teller, daughter killed over prediction,” The Orange County Register, 10 February 2010 “Sister of slain fortune teller breaks down,” The Orange County Register, 24 February 2010 “Sister of murderer pleads for mercy,” The Orange County Register, 25 February 2010 “Woman sentenced to death in fortune teller slayings,” The Orange County Register, 23 April 2010 “Tanya Nelson Irks Judge Frank F. Fasel, Who Sends Double-Killer to Death Row,” OC Weekly, 26 April 2010 Music: “Guilty” by Richard A. Whiting, Harry Akst, and Gus Kahn, sung by Anna Telfer “Shake It and Break It” by Lanin's Southern Serenaders, licensed under a Public Domain / Sound Recording Common Law Protection License “Spirit’s Cradle ft. Leah Song,” by saQi, licensed under a Attribution-Noncommercial-Share Alike 3.0 United States License and used with permission.   Learn more about your ad choices. Visit megaphone.fm/adchoices

Tanya Nelson believed everything her fortuneteller, Ha Jade Smith, told her—until Tanya’s life spiraled out of control, and Ha couldn’t seem to help her. With that, Tanya decided that someone was going to have to pay for the wreckage that was her life. Someone was going to have to die.  *** SUPPORT THE PODCAST! Become a <a href="http://patreon.com/criminalbroads" rel="nofollow" target="_blank">Patreon supporter</a> and get a cool postcard. Support Crimibox on Kickstarter. Get 25% off your Care/of order by heading to <a href="http://takecareof.com/" rel="nofollow" target="_blank">takecareof.com</a> and using code CRIMINALBROADS. And check out the new Nevertheless She Existed podcast!*** Sources: “Police Seek Pair Seen Leaving the Home of Two Slain O.C. Women,” Los Angeles Times, 03 May 2005 “Seeking Clues in Shadowy World; Trying to solve killings of a fortuneteller and her daughter in Little Saigon, police ask for help understanding ethnic nuances,” Los Angeles Times, 05 May 2005 “Charges Filed in O.C. Double Slaying; North Carolina woman is being held in the slayings of fortuneteller and her daughter in Westminster. A man will be extradited, police say,” Los Angeles Times, 04 June 2005 “Man said to have confessed to slayings,” The Orange County Register, 12 April 2006 “Woman enticed accomplice into murder plot, prosecutor says,” The Orange County Register, 14 January 2010 “Witness testifies bad ‘fortune’ led to murders,” The Orange County Register, 1 February 2010 “Prosecutor: Fortune-teller, daughter killed over prediction,” The Orange County Register, 10 February 2010 “Sister of slain fortune teller breaks down,” The Orange County Register, 24 February 2010 “Sister of murderer pleads for mercy,” The Orange County Register, 25 February 2010 “Woman sentenced to death in fortune teller slayings,” The Orange County Register, 23 April 2010 “Tanya Nelson Irks Judge Frank F. Fasel, Who Sends Double-Killer to Death Row,” OC Weekly, 26 April 2010 Music: “Guilty” by Richard A. Whiting, Harry Akst, and Gus Kahn, sung by <a href="https://www.annatelfer.com/" rel="nofollow" target="_blank">Anna Telfer</a> “Shake It and Break It” by <a href="http://freemusicarchive.org/music/Lanins_Southern_Serenaders/" rel="nofollow" target="_blank">Lanin's Southern Serenaders</a>, licensed under a <a href="http://freemusicarchive.org/Sound_Recording_Common_Law" rel="nofollow" target="_blank">Public Domain / Sound Recording Common Law Protection License</a> “Spirit’s Cradle ft. Leah Song,” by <a href="https://jumpsuitrecords.bandcamp.com/album/quests-end" rel="nofollow" target="_blank">saQi</a>, licensed under a <a href="http://creativecommons.org/licenses/by-nc-sa/3.0/us/" rel="nofollow" target="_blank">Attribution-Noncommercial-Share Alike 3.0 United States License</a> and used with permission. Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices" rel="nofollow" target="_blank">megaphone.fm/adchoices</a>

The Betrayer: Tanya Nelson

Griselda Blanco

At the end of the 1970s, body after dead body began appearing on the streets and sidewalks and parking lots of Miami. Many of those bodies were linked to the Colombian cocaine trade, which was in turn linked to one incredibly powerful woman with a love of gangster movies and a penchant for drive-by shootings. Meet Griselda Blanco: the Black Widow, La Madrina, the Godmother of Cocaine.  Learn more about your ad choices. Visit megaphone.fm/adchoices

At the end of the 1970s, body after dead body began appearing on the streets and sidewalks and parking lots of Miami. Many of those bodies were linked to the Colombian cocaine trade, which was in turn linked to one incredibly powerful woman with a love of gangster movies and a penchant for drive-by shootings. Meet Griselda Blanco: the Black Widow, La Madrina, the Godmother of Cocaine.  Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices" rel="nofollow" target="_blank">megaphone.fm/adchoices</a>

The Godmother: Griselda Blanco

Beatrice Munyenyezi

In 1998, Beatrice Munyenyezi came from Rwanda to New Hampshire, claiming that she needed sanctuary from the horrific genocide that had recently happened in her home country. On her immigration forms, she swore that she’d had nothing to do with the violence. She was a mother, after all! But when an agent from the Department of Homeland Security began looking into her past, he couldn’t believe the brutal stories that emerged.  Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1998, Beatrice Munyenyezi came from Rwanda to New Hampshire, claiming that she needed sanctuary from the horrific genocide that had recently happened in her home country. On her immigration forms, she swore that she’d had nothing to do with the violence. She was a mother, after all! But when an agent from the Department of Homeland Security began looking into her past, he couldn’t believe the brutal stories that emerged.  Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices" rel="nofollow" target="_blank">megaphone.fm/adchoices</a>

The Commander: Beatrice Munyenyezi

Lizzie Borden

We all know the story: Lizzie Borden may or may not have taken an ax (okay, a hatchet) and given her mother (okay, stepmother) forty whacks (okay, nineteen). We know for sure that there were two deaths, and a lot of blood. But something sprung to life the day of those brutal double murders: the Lizzie Borden industry. For the very special tenth episode of Criminal Broads, let’s dive into the wild and endlessly enduring legend of alleged ax murderess Lizzie Borden, tackling her not as a killer, but as a cultural touchstone. We’ll cover the crimes themselves, but also the myths, misinformation, and weird products that have sprung up around the Lizzie Borden biz. Today, you can buy a pair of Lizzie Borden earrings, watch a Lizzie Borden rock opera, see a couple of Lizzie Borden-themed horror movies, go to a Lizzie Borden ballet, buy a Lizzie Borden Candle, drink a Lizzie Borden Cocktail, and stay at the Lizzie Borden B&amp;B—but the one thing you can never, ever do is know exactly what Lizzie Borden was thinking on August 4, 1892.  Learn more about your ad choices. Visit megaphone.fm/adchoices

We all know the story: Lizzie Borden may or may not have taken an ax (okay, a hatchet) and given her mother (okay, stepmother) forty whacks (okay, nineteen). We know for sure that there were two deaths, and a lot of blood. But something sprung to life the day of those brutal double murders: the Lizzie Borden industry. For the very special tenth episode of Criminal Broads, let’s dive into the wild and endlessly enduring legend of alleged ax murderess Lizzie Borden, tackling her not as a killer, but as a cultural touchstone. We’ll cover the crimes themselves, but also the myths, misinformation, and weird products that have sprung up around the Lizzie Borden biz. Today, you can buy a pair of Lizzie Borden earrings, watch a Lizzie Borden rock opera, see a couple of Lizzie Borden-themed horror movies, go to a Lizzie Borden ballet, buy a Lizzie Borden Candle, drink a Lizzie Borden Cocktail, and stay at the Lizzie Borden B&amp;B—but the one thing you can never, ever do is know exactly what Lizzie Borden was thinking on August 4, 1892.  Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices" rel="nofollow" target="_blank">megaphone.fm/adchoices</a>

Lizzie Borden, LLC

In 1958, Nebraska was terrified by a spree killing so brutal, so atrocious that it seemed impossible to believe it was pulled off by...teenagers. When Charles Starkweather and Caril Ann Fugate were apprehended, she ran screaming to the cops, telling them he was going to kill her. He told them she was a killer, too.  Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1958, Nebraska was terrified by a spree killing so brutal, so atrocious that it seemed impossible to believe it was pulled off by...teenagers. When Charles Starkweather and Caril Ann Fugate were apprehended, she ran screaming to the cops, telling them he was going to kill her. He told them she was a killer, too.  Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices" rel="nofollow" target="_blank">megaphone.fm/adchoices</a>

The Mad Dog Killer's Girlfriend: Caril Ann Fugate

Rhonda Belle Martin

Beneath the soft green grass of the Last Supper cemetery, most regular, God-fearing residents of Mobile, Alabama had one family member resting. Maybe two. Rhonda Belle Martin had eight. This is the story of a woman who the tabloids labeled a “redheaded hellcat,” whose urge to kill swept over her one day when her little daughter asked for a drink of water, and who was never able to explain why she gave her poisoned milk, instead.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Beneath the soft green grass of the Last Supper cemetery, most regular, God-fearing residents of Mobile, Alabama had one family member resting. Maybe two. Rhonda Belle Martin had eight. This is the story of a woman who the tabloids labeled a “redheaded hellcat,” whose urge to kill swept over her one day when her little daughter asked for a drink of water, and who was never able to explain why she gave her poisoned milk, instead.  Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices" rel="nofollow" target="_blank">megaphone.fm/adchoices</a>

The Redheaded Hellcat Who Wasn’t: Rhonda Belle Martin

There were plenty of jobs for women in WW2: nurse, ambulance driver, factory worker. But then there were the other jobs, the ones no one really talked about. Spy. Resistance fighter. Killer. These are the stories of five women—Nadezhda Popova, Vitka Kempner, Noor Inayat Khan, Nancy Wake, and Lyudmila Pavlichenko—who fought the Nazis. They terrorized them from the sky, blew up their trains, endured their torture, rode bikes through their territory, and shot them down with their rifles. In a world that threatened to be consumed by evil, they fought back.  *** SUPPORT THE PODCAST! Become a Patreon supporter and get a cool postcard. Get a free month of Stitcher Premium at stitcherpremium.com with code BROADS. And get 25% off your Care/of order by heading to takecareof.com and using code CRIMINALBROADS. *** Sources: “Nadezhda Popova, WWII ‘Night Witch,’ Dies at 91,” New York Times, 14 July 2013 “Nadezhda Popova, celebrated Soviet ‘Night Witch’ aviator of World War II, dies at 91,” The Washington Post, 13 July 2013 “Vilna Jewish Partisans Led By Young Girl,” The Wisconsin Jewish Chronicle, 8 Sept 1944 “VITKA KEMPNER-KOVNER,” The Encyclopedia of Jewish Women “Vitka Kovner, partisan, passes away at the age of 92,” Yad Vashem, 15 Feb 2012 “Overlooked No More: Noor Inayat Khan, Indian Princess and British Spy,” New York Times, 28 Nov 2018 “One Woman, Many Surprises: Pacifist Muslim, British Spy, WWII Hero,” NPR, 6 Sept 2014 “Noor Inayat Khan: The Indian princess who spied for Britain,” BBC, 8 Nov 2012 “Nancy Wake, Proud Spy and Nazi Foe, Dies at 98,” New York Times, 13 Aug 2011 “Farewell to Nancy Wake, the mouse who ran rings around the Nazis,” The Guardian, 8 Aug 2011 “War hero Nancy Wake's ashes scattered in France,” ABC Australia, 10 Mar 2013 “Eleanor Roosevelt and the Soviet Sniper,” Smithsonian, 21 Feb 2013 “The life and myths of Lyudmila Pavlichenko, Soviet Russia's deadliest sniper,” Public Radio International, 9 March 2018 “By the Numbers: End of World War II,” CNN, 2 Sept 2013 World War II Foundation (for statistics)   Music: “Guilty” by Richard A. Whiting, Harry Akst, and Gus Kahn, sung by Anna Telfer “Shake It and Break It” by Lanin's Southern Serenaders, licensed under a Public Domain / Sound Recording Common Law Protection License “Piano Concerto No. 2 in C minor, Op. 16” by Sergei Rachmaninoff (Sviatoslav Richter, piano; Warsaw National Philharmonic Orchestra, Stanislaw Wislocki, cond.), via archive.org. Samples played from “Miss Pavlichenko” by Woody Guthrie and Inglorious Bastards by Quentin Tarantino.    Learn more about your ad choices. Visit megaphone.fm/adchoices

There were plenty of jobs for women in WW2: nurse, ambulance driver, factory worker. But then there were the other jobs, the ones no one really talked about. Spy. Resistance fighter. Killer. These are the stories of five women—Nadezhda Popova, Vitka Kempner, Noor Inayat Khan, Nancy Wake, and Lyudmila Pavlichenko—who fought the Nazis. They terrorized them from the sky, blew up their trains, endured their torture, rode bikes through their territory, and shot them down with their rifles. In a world that threatened to be consumed by evil, they fought back.  *** SUPPORT THE PODCAST! Become a <a href="http://patreon.com/criminalbroads" rel="nofollow" target="_blank">Patreon supporter</a> and get a cool postcard. Get a free month of Stitcher Premium at <a href="http://stitcherpremium.com/" rel="nofollow" target="_blank">stitcherpremium.com</a> with code BROADS. And get 25% off your Care/of order by heading to <a href="http://takecareof.com/" rel="nofollow" target="_blank">takecareof.com</a> and using code CRIMINALBROADS. *** Sources: “Nadezhda Popova, WWII ‘Night Witch,’ Dies at 91,” New York Times, 14 July 2013 “Nadezhda Popova, celebrated Soviet ‘Night Witch’ aviator of World War II, dies at 91,” The Washington Post, 13 July 2013 “Vilna Jewish Partisans Led By Young Girl,” The Wisconsin Jewish Chronicle, 8 Sept 1944 “VITKA KEMPNER-KOVNER,” The Encyclopedia of Jewish Women “Vitka Kovner, partisan, passes away at the age of 92,” Yad Vashem, 15 Feb 2012 “Overlooked No More: Noor Inayat Khan, Indian Princess and British Spy,” New York Times, 28 Nov 2018 “One Woman, Many Surprises: Pacifist Muslim, British Spy, WWII Hero,” NPR, 6 Sept 2014 “Noor Inayat Khan: The Indian princess who spied for Britain,” BBC, 8 Nov 2012 “Nancy Wake, Proud Spy and Nazi Foe, Dies at 98,” New York Times, 13 Aug 2011 “Farewell to Nancy Wake, the mouse who ran rings around the Nazis,” The Guardian, 8 Aug 2011 “War hero Nancy Wake's ashes scattered in France,” ABC Australia, 10 Mar 2013 “Eleanor Roosevelt and the Soviet Sniper,” Smithsonian, 21 Feb 2013 “The life and myths of Lyudmila Pavlichenko, Soviet Russia's deadliest sniper,” Public Radio International, 9 March 2018 “By the Numbers: End of World War II,” CNN, 2 Sept 2013 World War II Foundation (for statistics) Music: “Guilty” by Richard A. Whiting, Harry Akst, and Gus Kahn, sung by <a href="https://www.annatelfer.com/" rel="nofollow" target="_blank">Anna Telfer</a> “Shake It and Break It” by <a href="http://freemusicarchive.org/music/Lanins_Southern_Serenaders/" rel="nofollow" target="_blank">Lanin's Southern Serenaders</a>, licensed under a <a href="http://freemusicarchive.org/Sound_Recording_Common_Law" rel="nofollow" target="_blank">Public Domain / Sound Recording Common Law Protection License</a> “Piano Concerto No. 2 in C minor, Op. 16” by Sergei Rachmaninoff (Sviatoslav Richter, piano; Warsaw National Philharmonic Orchestra, Stanislaw Wislocki, cond.), via <a href="https://archive.org/details/RachmaninoffPianoConcertoNo.2InCMinorOp.16/02Rachmaninov_PianoConcerto2InCMinorOp.18-2.AdagioSostenuto.mp3" rel="nofollow" target="_blank">archive.org</a>. Samples played from “Miss Pavlichenko” by Woody Guthrie and Inglorious Bastards by Quentin Tarantino.  Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices" rel="nofollow" target="_blank">megaphone.fm/adchoices</a>

Crime-Fighting Broads 004: The Nazi-Killers

Juanita Spinelli

Juanita Spinelli ran a gang of embarrassingly awful Northern Californian crooks who could barely rob enough gas stations to stay afloat. And yet three years after forming her gang, she was walking toward the gas chamber, while citizens across the country clamored that it wasn’t right to execute a woman. (Become a Patreon supporter for rewards and bonus content! And here’s the slideshow of California’s death row inmates that I mention at the end of the episode…) Sources:All Juanita Spinelli coverage from The San Francisco Examiner, 1940-1941“Murder Ring in State Broken,” Santa Maria Times, 16 April 1940“Robbery-Gang Killing Explained,” The Los Angeles Times, 17 April 1940“Woman Seized as Murder Ring Head,” Leader-Telegram, 17 April 1940“Gang is Indicted in Sacramento For Slaying of Youth,” Reno Gazette-Journal, 23 April 1940“Aided Slayers to Save Child,” Muncie Evening Press, 25 May 1940“'Duchess’ Gang Aid Admits Throwing Victim Into River,” Oakland Tribune, 27 May 1940“A Woman Condemned to Die,” Lincoln News Messenger, 13 Feb 1941“‘The Duchess’ to Die for Gang Slaying,” The Press Democrat, 19 June 1941“Murderess Snatched from Death’s Shadow,” The Press Democrat, 20 June 1941“Death Awaits Mrs. Spinelli,” The Los Angeles Times, 20 Nov 1941“‘The Duchess’ Dies in Gas Chamber,” The Roseville Press, 21 Nov 1941“Many Pleas Made For Duchess’ Life,” Oakland Tribune, 21 Nov 1941“‘Duchess’ Quiet in Execution,” Santa Cruz Evening News, 21 Nov 1941“Aides to ‘Duchess’ Executed; Laugh and Pray at Finish,” The Los Angeles Times, 29 Nov 1941“These Interesting People,” Oakland Tribune, 4 Nov 1946"Big Names from the Big House,” Santa Cruz Sentinel, 17 Dec 2000“The Death of a Duchess,” Daily News, 29 June 2003“Timeline: Capital Punishment in California,” Southern California Public Radio“California Death Penalty Suspended; 737 Inmates Get Stay of Execution,” New York Times, 12 March 2019“The most notorious inmates on California's death row,” SF Gate, 13 March 2019“These are the 737 inmates on California's death row,” LA Times, 13 March 2019 Music: “Guilty” by Richard A. Whiting, Harry Akst, and Gus Kahn, sung by Anna Telfer.“Me and the Blues,” sung by Mildred Bailey, from archive.org Learn more about your ad choices. Visit megaphone.fm/adchoices

Juanita Spinelli ran a gang of embarrassingly awful Northern Californian crooks who could barely rob enough gas stations to stay afloat. And yet three years after forming her gang, she was walking toward the gas chamber, while citizens across the country clamored that it wasn’t right to execute a woman. (Become a <a href="http://patreon.com/criminalbroads" rel="nofollow" target="_blank">Patreon supporter</a> for rewards and bonus content! And <a href="https://www.latimes.com/projects/la-me-death-row/" rel="nofollow" target="_blank">here’s the slideshow</a> of California’s death row inmates that I mention at the end of the episode…) Sources:All Juanita Spinelli coverage from The San Francisco Examiner, 1940-1941“Murder Ring in State Broken,” Santa Maria Times, 16 April 1940“Robbery-Gang Killing Explained,” The Los Angeles Times, 17 April 1940“Woman Seized as Murder Ring Head,” Leader-Telegram, 17 April 1940“Gang is Indicted in Sacramento For Slaying of Youth,” Reno Gazette-Journal, 23 April 1940“Aided Slayers to Save Child,” Muncie Evening Press, 25 May 1940“'Duchess’ Gang Aid Admits Throwing Victim Into River,” Oakland Tribune, 27 May 1940“A Woman Condemned to Die,” Lincoln News Messenger, 13 Feb 1941“‘The Duchess’ to Die for Gang Slaying,” The Press Democrat, 19 June 1941“Murderess Snatched from Death’s Shadow,” The Press Democrat, 20 June 1941“Death Awaits Mrs. Spinelli,” The Los Angeles Times, 20 Nov 1941“‘The Duchess’ Dies in Gas Chamber,” The Roseville Press, 21 Nov 1941“Many Pleas Made For Duchess’ Life,” Oakland Tribune, 21 Nov 1941“‘Duchess’ Quiet in Execution,” Santa Cruz Evening News, 21 Nov 1941“Aides to ‘Duchess’ Executed; Laugh and Pray at Finish,” The Los Angeles Times, 29 Nov 1941“These Interesting People,” Oakland Tribune, 4 Nov 1946"Big Names from the Big House,” Santa Cruz Sentinel, 17 Dec 2000“The Death of a Duchess,” Daily News, 29 June 2003“Timeline: Capital Punishment in California,” Southern California Public Radio“California Death Penalty Suspended; 737 Inmates Get Stay of Execution,” New York Times, 12 March 2019“The most notorious inmates on California's death row,” SF Gate, 13 March 2019“These are the 737 inmates on California's death row,” LA Times, 13 March 2019 Music: “Guilty” by Richard A. Whiting, Harry Akst, and Gus Kahn, sung by <a href="https://www.annatelfer.com/" rel="nofollow" target="_blank">Anna Telfer</a>.“Me and the Blues,” sung by Mildred Bailey, from <a href="https://archive.org/details/NelsonEddyJeanetteMacDonaldMaytime1944/Mildred+Bailey+-+St.+Louis+blues.mp3" rel="nofollow" target="_blank">archive.org</a> Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices" rel="nofollow" target="_blank">megaphone.fm/adchoices</a>

The Duchess: Juanita Spinelli

Beulah Annan

Belva Gaertner

History remembers them as beautiful booze-hounds. Hollywood turned them into fame-hungry starlets. But who were these murderesses, really? With Emilie Le Beau Lucchesi, author of UGLY PREY: An Innocent Woman and the Death Sentence That Scandalized Jazz Age Chicago, we dive into the stories of Belva Gaertner and Beulah Annan, the most infamous lady killers of 1920s Chicago. What did the press get wrong about them? What do we get wrong about them today? WHY WERE THEIR JURIES SO UTTERLY MAD? And honestly, was the whole thing just a gin-soaked joke, or were real crimes committed? Find Emilie on her website and Instagram. Buy her books here. And become a Patreon supporter for rewards and bonus content! Sources: Interview withEmilie Le Beau Lucchesi, 6/14/19UGLY PREY: An Innocent Woman and the Death Sentence That Scandalized Jazz Age Chicago, by Emilie Le Beau LucchesiThe Girls of Murder City: Fame, Lust, and the Beautiful Killers Who Inspired Chicago, by Douglas PerryLady Killers, by Tori Telfer Music: “Guilty” by Richard A. Whiting, Harry Akst, and Gus Kahn, sung by Anna Telfer“Shake It and Break It” by Lanin's Southern Serenaders, licensed under a Public Domain / Sound Recording Common Law Protection License“One Night Alone With You” via archive.orgBrief clips played for educational purposes: “Cell Block Tango” from Chicago and “Hula Lou” by Danny Kaye Learn more about your ad choices. Visit megaphone.fm/adchoices

History remembers them as beautiful booze-hounds. Hollywood turned them into fame-hungry starlets. But who were these murderesses, really? With Emilie Le Beau Lucchesi, author of <a href="https://www.amazon.com/Ugly-Prey-Innocent-Sentence-Scandalized/dp/1613736967" rel="nofollow" target="_blank">UGLY PREY: An Innocent Woman and the Death Sentence That Scandalized Jazz Age Chicago</a>, we dive into the stories of Belva Gaertner and Beulah Annan, the most infamous lady killers of 1920s Chicago. What did the press get wrong about them? What do we get wrong about them today? WHY WERE THEIR JURIES SO UTTERLY MAD? And honestly, was the whole thing just a gin-soaked joke, or were real crimes committed? Find Emilie on her <a href="http://www.emilie-lucchesi.com/" rel="nofollow" target="_blank">website</a> and <a href="https://www.instagram.com/emilie.lucchesi/?hl=en" rel="nofollow" target="_blank">Instagram</a>. Buy her books <a href="https://www.indiebound.org/search/book?keys=emilie+le+beau+lucchesi" rel="nofollow" target="_blank">here</a>. And become a <a href="http://patreon.com/criminalbroads" rel="nofollow" target="_blank">Patreon supporter</a> for rewards and bonus content! Sources: Interview withEmilie Le Beau Lucchesi, 6/14/19UGLY PREY: An Innocent Woman and the Death Sentence That Scandalized Jazz Age Chicago, by Emilie Le Beau LucchesiThe Girls of Murder City: Fame, Lust, and the Beautiful Killers Who Inspired Chicago, by Douglas PerryLady Killers, by Tori Telfer Music: “Guilty” by Richard A. Whiting, Harry Akst, and Gus Kahn, sung by <a href="https://www.annatelfer.com/" rel="nofollow" target="_blank">Anna Telfer</a>“Shake It and Break It” by <a href="http://freemusicarchive.org/music/Lanins_Southern_Serenaders/" rel="nofollow" target="_blank">Lanin's Southern Serenaders</a>, licensed under a <a href="http://freemusicarchive.org/Sound_Recording_Common_Law" rel="nofollow" target="_blank">Public Domain / Sound Recording Common Law Protection License</a>“One Night Alone With You” via <a href="https://archive.org/details/78rpmCollection1920s1930sPopularMusic/1-24+Sally's+Got+The+Blues.m4a" rel="nofollow" target="_blank">archive.org</a>Brief clips played for educational purposes: “Cell Block Tango” from Chicago and “Hula Lou” by Danny Kaye Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices" rel="nofollow" target="_blank">megaphone.fm/adchoices</a>

Making a Murderess: Belva Gaertner and Beulah Annan (feat. Emilie Le Beau Lucchesi)

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