Warren Zanes

Calling all fans of The Boss! In this episode, Tyler Austin sits down with Warren Zanes, writer of Petty: The Biography, Dusty Springfield’s Dusty in Memphis (33 1/3), and, most recently, Deliver Me from Nowhere: The Making of Bruce Springsteen’s Nebraska.  Tyler and Warren talk about Bruce’s seminal album, the singular vision necessary to create its distinct sound, and the lead up to/aftermath of the release. Warren goes into detail about why most albums don’t deserve a full book, what it’s like spending the day at Springsteen’s house in New Jersey, and how Nebraska changed his life. So, hit that play button ‘cause tramps like us, baby, we were born to pod! Produced by Tyler Austin and Mick Kowaleski Music by Duck the Piano Wire

Calling all fans of The Boss! In this episode, Tyler Austin sits down with Warren Zanes, writer of Petty: The Biography, Dusty Springfield’s Dusty in Memphis (33 1/3), and, most recently, Deliver Me from Nowhere: The Making of Bruce Springsteen’s Nebraska.  Tyler and Warren talk about Bruce’s seminal album, the singular vision necessary to create its distinct sound, and the lead up to/aftermath of the release. Warren goes into detail about why most albums don’t deserve a full book, what it’s like spending the day at Springsteen’s house in New Jersey, and how Nebraska changed his life. So, hit that play button ‘cause tramps like us, baby, we were born to pod! Produced by Tyler Austin and Mick Kowaleski Music by Duck the Piano Wire

SKYLIT: Warren Zanes, DELIVER ME FROM NOWHERE

Kristen Lopez

Just when you thought it was safe to download a podcast... The BTTM fellas are back to talk JAWS with film writer and podcaster Kristen Lopez (who discussed her book about 52 classic film adaptations BUT HAVE YOU READ THE BOOK? on a recent Skylit episode). Steven Spielberg's film has become an American classic, but what about Peter Benchley's original novel? It's got more sex, more mafia enforcers, and more small town economic hardship -- but is it better than the movie?   Produced by Justin Remer, Allan Traylor, and Mick Kowaleski  Opening music: "Optimism (Instrumental)" by Duck the Piano Wire  Closing music: "Rule of 3s (Solemnity Child)" by Elastic No-No Band

Just when you thought it was safe to download a podcast... The BTTM fellas are back to talk JAWS with film writer and podcaster Kristen Lopez (who discussed her book about 52 classic film adaptations BUT HAVE YOU READ THE BOOK? on a recent Skylit episode). Steven Spielberg's film has become an American classic, but what about Peter Benchley's original novel? It's got more sex, more mafia enforcers, and more small town economic hardship -- but is it better than the movie? Produced by Justin Remer, Allan Traylor, and Mick Kowaleski Opening music: "Optimism (Instrumental)" by Duck the Piano Wire Closing music: "Rule of 3s (Solemnity Child)" by Elastic No-No Band

Better Than the Movie, Ep. 5: JAWS w/ Kristen Lopez

Artem Mozgovoy discusses his debut novel, Spring in Siberia, with the managing editor of Red Hen Press, Dr. Kate Gale. The work has been praised by Publishers Weekly as a "superb debut", "touching and well written, genuinely compelling and convincing" by Sir Stephen Fry, and "a capacious work of vision, courage, and thoroughness" by Ocean Vuong.   Artem takes Kate through his childhood in central Siberia, his career starting as a cadet reporter at 16 and the editor-in-chief by 26, and, eventually, his shift into creative writing. Produced by Tyler Austin and Mick Kowaleski Music by Duck the Piano Wire

Artem Mozgovoy discusses his debut novel, Spring in Siberia, with the managing editor of Red Hen Press, Dr. Kate Gale. The work has been praised by Publishers Weekly as a "superb debut", "touching and well written, genuinely compelling and convincing" by Sir Stephen Fry, and "a capacious work of vision, courage, and thoroughness" by Ocean Vuong. Artem takes Kate through his childhood in central Siberia, his career starting as a cadet reporter at 16 and the editor-in-chief by 26, and, eventually, his shift into creative writing. Produced by Tyler Austin and Mick Kowaleski Music by Duck the Piano Wire

SKYLIT: Artem Mozgovoy, SPRING IN SIBERIA

Millie De Chirico

Cinephiles, tune in! In this episode, Tyler Austin hosts Millie De Chirico and Quatoyiah Murray, co-writers of TCM Underground, a movie-lover's guide to 50 of the most campy, kitschy, shocking, and weirdly wonderful cult films you need to see. Millie and Quatoyiah take the Ty-Guy through the cult classics of the Turner Classic Movie series, and discuss everything from writing with a partner to buying Salo DVDs from the Italian Dark Web. Produced by Tyler Austin and Mick Kowaleski Music by Duck the Piano Wire.

Cinephiles, tune in! In this episode, Tyler Austin hosts Millie De Chirico and Quatoyiah Murray, co-writers of TCM Underground, a movie-lover's guide to 50 of the most campy, kitschy, shocking, and weirdly wonderful cult films you need to see. Millie and Quatoyiah take the Ty-Guy through the cult classics of the Turner Classic Movie series, and discuss everything from writing with a partner to buying Salo DVDs from the Italian Dark Web. Produced by Tyler Austin and Mick Kowaleski Music by Duck the Piano Wire.

SKYLIT: Millie De Chirico & Quatoyiah Murray, TCM UNDERGROUND

Charles Ardai

Listen here, gumshoes and femme fatales, we’re gonna give you the straight story on the QT and very hush hush. Skylight’s own torpedo, Tyler, tangles with Charles Ardai, mystery writer and founder of Hard Case Crime, a publishing imprint re-releasing classics of the pulp underworld and modern takes on the time-tested genre. Charles spills the beans about his journey into the publishing world, what it’s like to meet and work with your literary heroes, how he writes his own fiction, and when he knew the whole endeavor would not only survive but thrive. Over nearly two decades, the beautifully hand-painted covers of Hard Case Crime paperbacks have become synonymous with a mark of quality and a stamp of approval for readers around the world. This is the inside scoop on how it all came to be. ____________________________________________________________________ Produced by Mick Kowaleski and Tyler Austin Music by Duck, the Piano Wire

Listen here, gumshoes and femme fatales, we’re gonna give you the straight story on the QT and very hush hush. Skylight’s own torpedo, Tyler, tangles with Charles Ardai, mystery writer and founder of Hard Case Crime, a publishing imprint re-releasing classics of the pulp underworld and modern takes on the time-tested genre. Charles spills the beans about his journey into the publishing world, what it’s like to meet and work with your literary heroes, how he writes his own fiction, and when he knew the whole endeavor would not only survive but thrive. Over nearly two decades, the beautifully hand-painted covers of Hard Case Crime paperbacks have become synonymous with a mark of quality and a stamp of approval for readers around the world. This is the inside scoop on how it all came to be. ____________________________________________________________________ Produced by Mick Kowaleski and Tyler Austin Music by Duck, the Piano Wire

SKYLIT: Charles Ardai of Hard Case Crime

Alex Pappademas

Fire in the hole! Any major dude will tell you that this podcast is a hit. Were you thinking of skipping? Only a fool would say that! That's pretzel logic. On this episode, we host king of the world Alex Pappademas as he discusses his new Steely Dan book QUANTUM CRIMINALS with the razor boy himself, Tyler Austin. Hop in your midnite cruiser, turn that heartbeat over again, and hang with Alex as he discusses doing the dirty work with illustrator Joan Lemay and everything and anything Steely! Then do it again, night by night.  If you like this episode, make sure you stop by Skylight Books on May 31st to see Alex live and in person! Produced by Mick Kowaleski. Music by Duck the Piano Wire.

Fire in the hole! Any major dude will tell you that this podcast is a hit. Were you thinking of skipping? Only a fool would say that! That's pretzel logic. On this episode, we host king of the world Alex Pappademas as he discusses his new Steely Dan book QUANTUM CRIMINALS with the razor boy himself, Tyler Austin. Hop in your midnite cruiser, turn that heartbeat over again, and hang with Alex as he discusses doing the dirty work with illustrator Joan Lemay and everything and anything Steely! Then do it again, night by night.  If you like this episode, make sure you stop by Skylight Books on May 31st to see Alex live and in person! Produced by Mick Kowaleski. Music by Duck the Piano Wire.

SKYLIT: Alex Pappademas, QUANTUM CRIMINALS

It's Three Men and a Little Lady! Allan, Justin, and Tyler tackle the long-delayed feature film adaptation of the iconic "Are You There God? It's Me, Margaret" by legendary children's author Judy Blume. The flick has got a great creative team, including director Kelly Fremon Craig ("The Edge of Seventeen") and Oscar-winning producer James L. Brooks ("Terms of Endearment"). The BTTM fellas talk coming-of-age stories, Rachel McAdams's Oscar chances, Benny Safdie's unexpected suavity, Kathy Bates's Jewish grandmother qualities, and much more. (BTW the movie Justin can't remember around the 10-minute mark is a French-Canadian film called "Slut in a Good Way." Check it out, it's fun!) ______________________________________________________________________  Produced by Justin Remer and Mick Kowaleski Opening music: "Optimism (Instrumental)" by Duck the Piano Wire Closing music: "Rule of 3s (Solemnity Child)" by Elastic No-No Band

It's Three Men and a Little Lady! Allan, Justin, and Tyler tackle the long-delayed feature film adaptation of the iconic "Are You There God? It's Me, Margaret" by legendary children's author Judy Blume. The flick has got a great creative team, including director Kelly Fremon Craig ("The Edge of Seventeen") and Oscar-winning producer James L. Brooks ("Terms of Endearment"). The BTTM fellas talk coming-of-age stories, Rachel McAdams's Oscar chances, Benny Safdie's unexpected suavity, Kathy Bates's Jewish grandmother qualities, and much more. (BTW the movie Justin can't remember around the 10-minute mark is a French-Canadian film called "Slut in a Good Way." Check it out, it's fun!) ______________________________________________________________________  Produced by Justin Remer and Mick Kowaleski Opening music: "Optimism (Instrumental)" by Duck the Piano Wire Closing music: "Rule of 3s (Solemnity Child)" by Elastic No-No Band

Better Than the Movie, Ep.4: Are You There God? It’s Me, Margaret

One-third of the Better Than the Movie gang, Tyler Austin, sits down with Kristen Lopez to talk about her book of 52 essential page-to-film adaptations. In But Have You Read the Book?, presented by Turner Classic Movies, Lopez explores just what makes these works classics of both the page and screen, and why each made for an exceptional adaptation—whether faithful to the book or exemplifying cinematic creative license.   Produced by Mick Kowaleski and Tyler Austin Music by Duck the Piano Wire.

One-third of the Better Than the Movie gang, Tyler Austin, sits down with Kristen Lopez to talk about her book of 52 essential page-to-film adaptations. In But Have You Read the Book?, presented by Turner Classic Movies, Lopez explores just what makes these works classics of both the page and screen, and why each made for an exceptional adaptation—whether faithful to the book or exemplifying cinematic creative license.   Produced by Mick Kowaleski and Tyler Austin Music by Duck the Piano Wire.

SKYLIT: Kristen Lopez, ”But Have You Read the Book?”

Alena Saunders

It's Guest O'Clock, pardners! Skylight's own Alena Saunders (of LIT ANGELES fame) drops in to the back room to talk about one of her favorite books, The Sisters Brothers by Patrick deWitt, and its 2018 film adaptation directed by Jacques Audiard. The conversation gets heated in this one...Conflict between the BTTM Boys?? Say it ain't so! ______________________________________________________________________ Produced by Mick Kowaleski and Justin Remer Music by Duck the Piano Wire.

It's Guest O'Clock, pardners! Skylight's own Alena Saunders (of LIT ANGELES fame) drops in to the back room to talk about one of her favorite books, The Sisters Brothers by Patrick deWitt, and its 2018 film adaptation directed by Jacques Audiard. The conversation gets heated in this one...Conflict between the BTTM Boys?? Say it ain't so! ______________________________________________________________________ Produced by Mick Kowaleski and Justin Remer Music by Duck the Piano Wire.

Better Than the Movie, Ep. 3: THE SISTERS BROTHERS w/ Alena Saunders

The boys are back! Justin, Allan, and Tyler return for the second episode of Better Than the Movie. This time, they're going over not one, but TWO adaptations of Erich Maria Remarque's war classic All Quiet on the Western Front: the 1930 Best Picture winner, directed by Lewis Milestone, and the 2022 German-language version directed by Edward Berger. What are the gang's takes on the war movie canon? Does either adaptation stack up to the original novel? What did you, the fans decide? The anticipation is killing me! __________________________________________________________________ Produced by Mick Kowaleski and Justin Remer Music by Duck the Piano Wire

The boys are back! Justin, Allan, and Tyler return for the second episode of Better Than the Movie. This time, they're going over not one, but TWO adaptations of Erich Maria Remarque's war classic All Quiet on the Western Front: the 1930 Best Picture winner, directed by Lewis Milestone, and the 2022 German-language version directed by Edward Berger. What are the gang's takes on the war movie canon? Does either adaptation stack up to the original novel? What did you, the fans decide? The anticipation is killing me! __________________________________________________________________ Produced by Mick Kowaleski and Justin Remer Music by Duck the Piano Wire

Better Than the Movie, Ep. 2: ”All Quiet on the Western Front”

Download recent author events, interviews, and bookseller series. Visit our website to learn about more events: www.skylightbooks.com

I love this podcast and am so grateful for the show. I listen weekly. I feel like I have a community of readers and writers that I can plug into from wherever. But the sound quality of the recording is inconsistent at best, and inaudible at worst. Sometimes it’s so, so quiet- in the case of Nefertiti Austin’s talk, for example. Even with headphones and in my car it’s hard to hear what she’s saying.  And you can never hear the questions the audience asks of the speakers, so you have to intuit what they’re asking from the answers given. Sometimes the show is great. But most of the time I strain to listen. Do right by your speakers and audience-from-afar and check the levels (or something)! Thanks from Florida. :)

Love the Podcast, Sound is Inconsistent

sounds great skylight. i love all the authors you have...by the way who does the intro. music?

this is pod-a-licious!

Download recent author events, interviews, and bookseller series. Visit our website to learn about more events: <a href="http://www.skylightbooks.com" rel="nofollow" target="_blank">www.skylightbooks.com</a>

Skylight Books Podcast Series

Jacqueline Woodson

Kara Brown

As the book opens in 2001, it is the evening of sixteen-year-old Melody's coming of age ceremony in her grandparents' Brooklyn brownstone. Watched lovingly by her relatives and friends, making her entrance to the soundtrack of Prince, she wears a special custom-made dress. But the event is not without poignancy. Sixteen years earlier, that very dress was measured and sewn for a different wearer: Melody's mother, for her own ceremony-- a celebration that ultimately never took place. Unfurling the history of Melody's parents and grandparents to show how they all arrived at this moment, Jacqueline Woodson considers not just their ambitions and successes but also the costs, the tolls they've paid for striving to overcome expectations and escape the pull of history. As it explores sexual desire and identity, ambition, gentrification, education, class and status, and the life-altering facts of parenthood, Red at the Bone most strikingly looks at the ways in which young people must so often make long-lasting decisions about their lives--even before they have begun to figure out who they are and what they want to be. Woodson is in conversation with Kara Brown, writer, speaker and co-host of Crooked Media's pop culture podcast, Keep It!.

As the book opens in 2001, it is the evening of sixteen-year-old Melody's coming of age ceremony in her grandparents' Brooklyn brownstone. Watched lovingly by her relatives and friends, making her entrance to the soundtrack of Prince, she wears a special custom-made dress. But the event is not without poignancy. Sixteen years earlier, that very dress was measured and sewn for a different wearer: Melody's mother, for her own ceremony-- a celebration that ultimately never took place. Unfurling the history of Melody's parents and grandparents to show how they all arrived at this moment, Jacqueline Woodson considers not just their ambitions and successes but also the costs, the tolls they've paid for striving to overcome expectations and escape the pull of history. As it explores sexual desire and identity, ambition, gentrification, education, class and status, and the life-altering facts of parenthood, Red at the Bone most strikingly looks at the ways in which young people must so often make long-lasting decisions about their lives--even before they have begun to figure out who they are and what they want to be. Woodson is in conversation with Kara Brown, writer, speaker and co-host of Crooked Media's pop culture podcast, Keep It!.

Jacqueline Woodson, "RED AT THE BONE" w/ Kara Brown

Sarah Schulman

Conflict Is Not Abuse (Arsenal Pulp Press) From intimate relationships to global politics, Sarah Schulman observes a continuum: that inflated accusations of harm are used to avoid accountability. Illuminating the difference between Conflict and Abuse, Schulman directly addresses our contemporary culture of scapegoating. This deep, brave, and bold work reveals how punishment replaces personal and collective self-criticism, and shows why difference is so often used to justify cruelty and shunning. Rooting the problem of escalation in negative group relationships, Schulman illuminates the ways in which cliques, communities, families, and religious, racial, and national groups bond through the refusal to change their self-concept. She illustrates how Supremacy behaviour and Traumatized behaviour resemble each other, through a shared inability to tolerate difference. This important and sure to be controversial book brings insight into contemporary and historical issues of personal, racial and geo-political difference, as tools of escalation towards injustice, exclusion and punishment, whether the objects of dehumanization are other individuals in our families or communities, African Americans at the hands of police, people with HIV, and Palestinians. Conflict Is Not Abuse is a searing rejection of the cultural phenomenon of blame, cruelty, and scapegoating, revealing how those in positions of power exacerbate and manipulate fear of the "other" to avoid facing themselves. Praise for Conflict Is Not Abuse With awesome brilliance and insight, Sarah Schulman offers readers new strategies to intervene on all relations of domination both personal and political. The core of this book provides ways to think and move beyond blaming and/or assuming victimhood -- so that each of us may come to understand the role we assume in creating and sustaining conflicts in all our relations. Sharing myriad ways, critical vigilance can help us all understand that conflict need not be viewed as abuse that essential distinctions may be made between the hurt we experience in conflict and the violence of abuse, Schulman offers a vision of mutual recognition and accountability that liberates. —bell hooks  It's impossible to be invested in the world and not be invested in this groundbreaking and challenging book. From a position of artist and social critic, Sarah Schulman gives us a detailed and considered reading of some of our most overly determined and venomous conflicts. Conflict Is Not Abuse is a book to interrogate, ponder, and discuss. —Claudia Rankine Schulman's book could not have come at a better time ... Conflict is a balm against comforting explanations for violence and abuse, ones we know aren't true, just easy. —Village Voice Conflict's publication could not be timelier ... A sharply observant and relevant text that is already getting its wish for action granted. —Lambda Literary Conflict is Not Abuse should prove to be essential reading for people interested in psychology, group dynamics, and social justice activism. —Global Comment A compelling call out of call-out culture and everything that it messily dredges up, brings forward, and shunts away. —Canadian Art Schulman"s new work is a provocative rethinking of intimate and civil discourse for a rapidly shrinking world ... a rallying cry for civil engagement and engaged civility.—Gay City News Conflict Is Not Abuse presents a gestalt shift in thinking about conflict, power relations, harm and social responsibility. —The Globe and Mail Sarah Schulman is a novelist, nonfiction writer, playwright, screenwriter, journalist and AIDS historian, and the author of eighteen books. A Guggenheim and Fulbright Fellow, Sarah is a Distinguished Professor of the Humanities at the City University of New York, College of Staten Island. Her novels published by Arsenal include Rat Bohemia, Empathy, After Delores, and The Mere Future. She lives in New York.

Conflict Is Not Abuse (Arsenal Pulp Press) From intimate relationships to global politics, Sarah Schulman observes a continuum: that inflated accusations of harm are used to avoid accountability. Illuminating the difference between Conflict and Abuse, Schulman directly addresses our contemporary culture of scapegoating. This deep, brave, and bold work reveals how punishment replaces personal and collective self-criticism, and shows why difference is so often used to justify cruelty and shunning. Rooting the problem of escalation in negative group relationships, Schulman illuminates the ways in which cliques, communities, families, and religious, racial, and national groups bond through the refusal to change their self-concept. She illustrates how Supremacy behaviour and Traumatized behaviour resemble each other, through a shared inability to tolerate difference. This important and sure to be controversial book brings insight into contemporary and historical issues of personal, racial and geo-political difference, as tools of escalation towards injustice, exclusion and punishment, whether the objects of dehumanization are other individuals in our families or communities, African Americans at the hands of police, people with HIV, and Palestinians. Conflict Is Not Abuse is a searing rejection of the cultural phenomenon of blame, cruelty, and scapegoating, revealing how those in positions of power exacerbate and manipulate fear of the "other" to avoid facing themselves. Praise for Conflict Is Not Abuse With awesome brilliance and insight, Sarah Schulman offers readers new strategies to intervene on all relations of domination both personal and political. The core of this book provides ways to think and move beyond blaming and/or assuming victimhood -- so that each of us may come to understand the role we assume in creating and sustaining conflicts in all our relations. Sharing myriad ways, critical vigilance can help us all understand that conflict need not be viewed as abuse that essential distinctions may be made between the hurt we experience in conflict and the violence of abuse, Schulman offers a vision of mutual recognition and accountability that liberates. —bell hooks  It's impossible to be invested in the world and not be invested in this groundbreaking and challenging book. From a position of artist and social critic, Sarah Schulman gives us a detailed and considered reading of some of our most overly determined and venomous conflicts. Conflict Is Not Abuse is a book to interrogate, ponder, and discuss. —Claudia Rankine Schulman's book could not have come at a better time ... Conflict is a balm against comforting explanations for violence and abuse, ones we know aren't true, just easy. —Village Voice Conflict's publication could not be timelier ... A sharply observant and relevant text that is already getting its wish for action granted. —Lambda Literary Conflict is Not Abuse should prove to be essential reading for people interested in psychology, group dynamics, and social justice activism. —Global Comment A compelling call out of call-out culture and everything that it messily dredges up, brings forward, and shunts away. —Canadian Art Schulman"s new work is a provocative rethinking of intimate and civil discourse for a rapidly shrinking world ... a rallying cry for civil engagement and engaged civility.—Gay City News Conflict Is Not Abuse presents a gestalt shift in thinking about conflict, power relations, harm and social responsibility. —The Globe and Mail Sarah Schulman is a novelist, nonfiction writer, playwright, screenwriter, journalist and AIDS historian, and the author of eighteen books. A Guggenheim and Fulbright Fellow, Sarah is a Distinguished Professor of the Humanities at the City University of New York, College of Staten Island. Her novels published by Arsenal include Rat Bohemia, Empathy, After Delores, and The Mere Future. She lives in New York.

SARAH SCHULMAN DISCUSSES HER BOOK CONFLICT IS NOT ABUSE

Demetri Martin

Demetri Martin, comedian and New York Times bestselling author of This Is a Book and Point Your Face at This, is back with another collection of hilarious drawings and jokes. Packed with hundreds of new illustrations and one-liners, If It's Not Funny, It's Art is a peek into the ingenious mind of author/comedian/filmmaker Demetri Martin. Exploring the meaning of art, life, death, ennui and the elegant fart joke with a sensibility all its own, this collection is a perfect gift for word lovers, art appreciators and fans of Demetri's unique brand of comedy. Sure to make you laugh out loud, and if it doesn't, then you know it's art. 

Demetri Martin, comedian and New York Times bestselling author of This Is a Book and Point Your Face at This, is back with another collection of hilarious drawings and jokes. Packed with hundreds of new illustrations and one-liners, If It's Not Funny, It's Art is a peek into the ingenious mind of author/comedian/filmmaker Demetri Martin. Exploring the meaning of art, life, death, ennui and the elegant fart joke with a sensibility all its own, this collection is a perfect gift for word lovers, art appreciators and fans of Demetri's unique brand of comedy. Sure to make you laugh out loud, and if it doesn't, then you know it's art.

Demetri Martin, "IF IT'S NOT FUNNY, IT'S ART"

With the epic sweep of Min Jin Lee's Pachinko or Yaa Gyasi's Homegoing and the lyrical beauty of Vaddey Ratner's In the Shadow of the Banyan, The Mountains Sing tells an enveloping, multigenerational tale of the Trần family, set against the backdrop of the Việt Nam War. Trần Diệu Lan, who was born in 1920, was forced to flee her family farm with her six children during the Land Reform as the Communist government rose in the North. Years later in Hà Nội, her young granddaughter, Hương, comes of age as her parents and uncles head off down the Hồ Chí Minh Trail to fight in a conflict that tore not just her beloved country, but her family apart. Vivid, gripping, and steeped in the language and traditions of Việt Nam, The Mountains Sing brings to life the human costs of this conflict from the point of view of the Vietnamese people themselves, while showing us the true power of kindness and hope.  The Mountains Sing is celebrated Vietnamese poet Nguyễn Phan Quế Mai's first novel in English. Order The Mountains Sing from Skylight Books. Part of Skylight Books' "SKYLIT" series. _______________________________________________ Produced by Maddie Gobbo &amp; Michael Kowaleski Theme: "I Love All My Friends," a new, unreleased demo by Fragile Gang.

With the epic sweep of Min Jin Lee's Pachinko or Yaa Gyasi's Homegoing and the lyrical beauty of Vaddey Ratner's In the Shadow of the Banyan, The Mountains Sing tells an enveloping, multigenerational tale of the Trần family, set against the backdrop of the Việt Nam War. Trần Diệu Lan, who was born in 1920, was forced to flee her family farm with her six children during the Land Reform as the Communist government rose in the North. Years later in Hà Nội, her young granddaughter, Hương, comes of age as her parents and uncles head off down the Hồ Chí Minh Trail to fight in a conflict that tore not just her beloved country, but her family apart. Vivid, gripping, and steeped in the language and traditions of Việt Nam, The Mountains Sing brings to life the human costs of this conflict from the point of view of the Vietnamese people themselves, while showing us the true power of kindness and hope. The Mountains Sing is celebrated Vietnamese poet Nguyễn Phan Quế Mai's first novel in English. <a href="https://www.skylightbooks.com/book/9781616208189" rel="nofollow" target="_blank">Order The Mountains Sing from Skylight Books.</a> Part of Skylight Books' "SKYLIT" series. _______________________________________________ Produced by Maddie Gobbo &amp; Michael Kowaleski Theme: "I Love All My Friends," a new, unreleased demo by Fragile Gang.

Nguyễn Phan Quế Mai, "THE MOUNTAINS SING"

Caitlin Doughty

From Here To Eternity: Traveling the World to Find the Good Death (W.W. Norton) In From Here To Eternity: Traveling the World to Find the Good Death, mortician Caitlin Doughty explores the world’s funeral traditions—from robotic graves in Japan to an Indonesian village where families live with the bodies of their dead for months, even years, prior to the funeral. Following up on her New York Times best-selling book SMOKE GETS IN YOUR EYES, the author argues that in modern America, funerals have become procedural and impersonal, meant to sanitize and distance the survivors’ from confrontation with mortality—all in the name of profit and “dignity.” The result is a culture pervaded by death anxieties and bereft of traditions that would help people make sense of their own mortal ends. Doughty advocates for alternative rituals designed to save us from the funeral-industrial complex. In her travels, Doughty encounters funeral traditions that, to our eyes, may appear both beautiful and appalling. The ancient Greek historian Herodotus tells a story about two nations with very different perspectives on death: the Greeks and the Callatians. The Greeks cremate their dead and are repulsed by cannibalism, while the Callatians consume their dead and are repulsed by cremation. Herodotus’s lesson remains true to this day: the funeral traditions of other cultures almost always strike the outsider as barbaric. Doughty, however, goes beyond ghoulish spectacle to ask how different cultures benefit from their unique funeral traditions and to question how our own culture might learn from them. Readers travel with Doughty as she learns about, and even participates in: The Japanese tradition of kotsuage, the ritual removal of large bone fragments from cremated ashes by family members using chopsticks A nonprofit mobile funeral pyre operation in Colorado that dodged local ordinances to revive a funeral tradition that dates back to prehistory A museum in Guanajuato, Mexico, for the mummies of disinterred corpses whose relatives could not pay the cemetery’s fee for “perpetual” interment; the museum includes a section for Angelitos, dead children whose bodies were believed to connect survivors to favored souls who could advocate for the living in Heaven An American research effort aimed at composting the dead and returning the body to its natural position in the cycle of life, death, and renewal A Bolivian woman’s efforts to collect and care for ñatitas, preserved human skulls that are treated like community advisors and are alleged to grant wishes; the skulls are at the center of conflicts between traditional beliefs and Roman Catholic teachings and, occasionally, enjoy smoking a cigarette  In her encounters with these funeral rites and traditions, Doughty explores the profound value they hold for the community. From Here To Eternity is an eye-opening exploration of the many different, and often surprising, ways humanity embraces the inescapable fact of death, filled with vivid and sometimes shocking details about how diverse cultures send off their dead. But Doughty’s tour of the borderlands between the living and the dead is never simply morbid. As uncanny and surreal as some traditions may initially appear, when Doughty contrasts them to the vapid and emotionally sterile experiences promoted by America’s funeral industry, the depth and value of these ritualized customs is revealed. In a voice that is sympathetic, endlessly curious, and often engagingly humorous, Doughty advocates for a more humane and involved approach to mourning rituals. With lively illustrations by Landis Blair—whose style is a perfect match for Doughty’s humane and insightful prose—From Here To Eternity is a book about death for the living, and the importance of the rituals that help us understand how a meaningful end can enrich our sense of what it means to be alive. Mortician Caitlin Doughty—host and creator of “Ask a Mortician” and the New York Times bestselling author of Smoke Gets in Your Eyes—founded the Order of the Good Death. She lives in Los Angeles, where she runs the nonprofit funeral home Undertaking LA.

From Here To Eternity: Traveling the World to Find the Good Death (W.W. Norton) In From Here To Eternity: Traveling the World to Find the Good Death, mortician Caitlin Doughty explores the world’s funeral traditions—from robotic graves in Japan to an Indonesian village where families live with the bodies of their dead for months, even years, prior to the funeral. Following up on her New York Times best-selling book SMOKE GETS IN YOUR EYES, the author argues that in modern America, funerals have become procedural and impersonal, meant to sanitize and distance the survivors’ from confrontation with mortality—all in the name of profit and “dignity.” The result is a culture pervaded by death anxieties and bereft of traditions that would help people make sense of their own mortal ends. Doughty advocates for alternative rituals designed to save us from the funeral-industrial complex. In her travels, Doughty encounters funeral traditions that, to our eyes, may appear both beautiful and appalling. The ancient Greek historian Herodotus tells a story about two nations with very different perspectives on death: the Greeks and the Callatians. The Greeks cremate their dead and are repulsed by cannibalism, while the Callatians consume their dead and are repulsed by cremation. Herodotus’s lesson remains true to this day: the funeral traditions of other cultures almost always strike the outsider as barbaric. Doughty, however, goes beyond ghoulish spectacle to ask how different cultures benefit from their unique funeral traditions and to question how our own culture might learn from them. Readers travel with Doughty as she learns about, and even participates in: <ul><li>The Japanese tradition of kotsuage, the ritual removal of large bone fragments from cremated ashes by family members using chopsticks</li> <li>A nonprofit mobile funeral pyre operation in Colorado that dodged local ordinances to revive a funeral tradition that dates back to prehistory</li> <li>A museum in Guanajuato, Mexico, for the mummies of disinterred corpses whose relatives could not pay the cemetery’s fee for “perpetual” interment; the museum includes a section for Angelitos, dead children whose bodies were believed to connect survivors to favored souls who could advocate for the living in Heaven</li> <li>An American research effort aimed at composting the dead and returning the body to its natural position in the cycle of life, death, and renewal</li> <li>A Bolivian woman’s efforts to collect and care for ñatitas, preserved human skulls that are treated like community advisors and are alleged to grant wishes; the skulls are at the center of conflicts between traditional beliefs and Roman Catholic teachings and, occasionally, enjoy smoking a cigarette</li> </ul> In her encounters with these funeral rites and traditions, Doughty explores the profound value they hold for the community. From Here To Eternity is an eye-opening exploration of the many different, and often surprising, ways humanity embraces the inescapable fact of death, filled with vivid and sometimes shocking details about how diverse cultures send off their dead. But Doughty’s tour of the borderlands between the living and the dead is never simply morbid. As uncanny and surreal as some traditions may initially appear, when Doughty contrasts them to the vapid and emotionally sterile experiences promoted by America’s funeral industry, the depth and value of these ritualized customs is revealed. In a voice that is sympathetic, endlessly curious, and often engagingly humorous, Doughty advocates for a more humane and involved approach to mourning rituals. With lively illustrations by Landis Blair—whose style is a perfect match for Doughty’s humane and insightful prose—From Here To Eternity is a book about death for the living, and the importance of the rituals that help us understand how a meaningful end can enrich our sense of what it means to be alive. Mortician Caitlin Doughty—host and creator of “Ask a Mortician” and the New York Times bestselling author of Smoke Gets in Your Eyes—founded the Order of the Good Death. She lives in Los Angeles, where she runs the nonprofit funeral home Undertaking LA.

CAITLIN DOUGHTY DISCUSSES HER BOOK FROM HERE TO ETERNITYCAITLIN DOUGHTY DISCUSSES HER BOOK FROM HERE TO ETERNITY

Alex Dimitrov

Melissa Broder

Critically-acclaimed poets Alex Dimitrov (Sagittarius) and Dorothea Lasky (Aries) met at a party nearly a decade ago. There a lengthy conversation about their mutual love for astrology first planted the seed that would become @poetastrologers, a Twitter account they started for their own amusement.  The Twitter went viral and now has almost 500,000 followers. These online phenoms now bring us the first great astrology primer of the 21st century, Astro Poets: Your Guides to the Zodiac. With humor and insight, the Astro Poets are here to share astrology with everyone from the uninitiated to the firm believers, to help you see what's written in the stars and use it to navigate your friendships, your career, and your very complicated love life. The book opens with a general primer on astrology— which explains everything from what a rising sign actually is, to where each sign falls along the karmic wheel.  The rest of the book is devoted to each sign in turn and mixes classic components from the Linda Goodman playbook (“Pisces as a Lover”) with some fresher takes (“Texting with an Aquarius”). The references are equal parts high (Emily Dickinson) and low (Drake).   If you’ve ever wondered why your Gemini friend won't let you get a word in edge-wise at drinks, you've come to the right place. When will that Scorpio texting “u up?” at 2AM finally take the next step in your relationship? (Hint: they won’t.) What makes Andy Warhol a textbook Leo, or Beyoncé the ultimate example of a Virgo? Start with the chapter on your own sun sign, then move on to the signs of your partner, your children, your co-workers, your mortal enemy. You’ll walk away understanding them, and yourself, a little better. Dimitrov will be in conversation with Melissa Broder author of the essay collection So Sad Today and four poetry collections.

Critically-acclaimed poets Alex Dimitrov (Sagittarius) and Dorothea Lasky (Aries) met at a party nearly a decade ago. There a lengthy conversation about their mutual love for astrology first planted the seed that would become @poetastrologers, a Twitter account they started for their own amusement.  The Twitter went viral and now has almost 500,000 followers. These online phenoms now bring us the first great astrology primer of the 21st century, Astro Poets: Your Guides to the Zodiac. With humor and insight, the Astro Poets are here to share astrology with everyone from the uninitiated to the firm believers, to help you see what's written in the stars and use it to navigate your friendships, your career, and your very complicated love life. The book opens with a general primer on astrology— which explains everything from what a rising sign actually is, to where each sign falls along the karmic wheel.  The rest of the book is devoted to each sign in turn and mixes classic components from the Linda Goodman playbook (“Pisces as a Lover”) with some fresher takes (“Texting with an Aquarius”). The references are equal parts high (Emily Dickinson) and low (Drake).   If you’ve ever wondered why your Gemini friend won't let you get a word in edge-wise at drinks, you've come to the right place. When will that Scorpio texting “u up?” at 2AM finally take the next step in your relationship? (Hint: they won’t.) What makes Andy Warhol a textbook Leo, or Beyoncé the ultimate example of a Virgo? Start with the chapter on your own sun sign, then move on to the signs of your partner, your children, your co-workers, your mortal enemy. You’ll walk away understanding them, and yourself, a little better. Dimitrov will be in conversation with Melissa Broder author of the essay collection So Sad Today and four poetry collections.

Alex Dimitrov, "ASTRO POETS" w/ Melissa Broder

Carmen Maria Machado

Her Body and Other Parties (Graywolf Press) In Her Body and Other Parties, Carmen Maria Machado blithely demolishes the arbitrary borders between psychological realism and science fiction, comedy and horror, fantasy and fabulism. While her work has earned her comparisons to Karen Russell and Kelly Link, she has a voice that is all her own. In this electric and provocative debut, Machado bends genre to shape startling narratives that map the realities of women's lives and the violence visited upon their bodies. A wife refuses her husband's entreaties to remove the green ribbon from around her neck. A woman recounts her sexual encounters as a plague slowly consumes humanity. A salesclerk in a mall makes a horrifying discovery within the seams of the store's prom dresses. One woman's surgery-induced weight loss results in an unwanted houseguest. And in the bravura novella "Especially Heinous," Machado reimagines every episode of Law &amp; Order: Special Victims Unit, a show we naively assumed had shown it all, generating a phantasmagoric police procedural full of doppelgangers, ghosts, and girls with bells for eyes. Earthy and otherworldly, antic and sexy, queer and caustic, comic and deadly serious, Her Body and Other Parties swings from horrific violence to the most exquisite sentiment. In their explosive originality, these stories enlarge the possibilities of contemporary fiction. Praise for Her Body and Other Parties “The stories in Carmen Maria Machado’s Her Body and Other Parties vibrate with originality, queerness, sensuality and the strange. Her voracious imagination and extraordinary voice beautifully bind these stories about fading women and the end of the world and men who want more when they’ve been given everything and bodies, so many human bodies taking up space and straining the seams of skin in impossible, imperfect, unforgettable ways.”—Roxane Gay, author of Bad Feminist and Hunger “Carmen Maria Machado’s Her Body and Other Parties tells ancient fables of eros and female metamorphosis in fantastically new ways. She draws the secret world of the body into visibility, and illuminates the dark woods of the psyche. In these formally brilliant and emotionally charged tales, Machado gives literal shape to women's memories and hunger and desire. I couldn’t put it down.”—Karen Russell, author of Swamplandia! “Those of us who knew have been waiting for a Carmen Maria Machado collection for years. Her stories show us what we really love and fear.”—Alexander Chee, author of The Queen of the Night “Carmen Maria Machado writes a new kind of fiction: brilliant, blindingly weird, and precisely attuned to the perils and sorrows of the times.”—Ben Marcus, author of Leaving the Sea “Carmen Maria Machado has a vital, visceral, umbilical connection to the places deep within the soul from where stories emanate. With a tenderness that is both touching and terrifying, Her Body and Other Parties gives insight into a cluster of worlds linked by their depth of feeling and penetrating strangeness.” —Alexandra Kleeman, author of You Too Can Have a Body Like Mine “Brilliantly inventive and blazingly smart, these stories have the life-and-death stakes of nightmares and fairy tales; they’re full of urgent, almost unbearable reality. Carmen Machado is an extraordinary writer, an essential voice.”—Garth Greenwell, author of What Belongs to You “Her Body and Other Parties will delight you, hurt you, and astonish you as only the smartest literature can. In this collection Machado blends horror, fairy tale, pop culture and myth in mesmerizing ways that feel utterly new. These stories are peerless and brilliant.”—Alissa Nutting, author of Made for Love and Tampa “Carmen Maria Machado shuffles together fantastic, realistic, popular, and literary genres and then deals winning hand after winning hand. Whether it is reworking fairy tales, rewriting the entire run of Law and Order into a grim fantasy, or diving into unchartered territory entirely Machado's own, Her Body and Other Parties is a deft and thoughtful reclaiming of both literature and genre.”—Brian Evenson, author of A Collapse of Horses “Her Body and Other Parties is genius: part punk rock and part classical, with stories that are raw and devastating but also exquisitely plotted and full of delight. This is a strong, dangerous, and blisteringly honest book—it’s hard to think of it as a ‘debut,’ it's that good.”—Jeff VanderMeer, author of Borne “What Carmen Maria Machado has done with this collection is nothing less than stunning. Just when you think you’ve figured her out, she unveils another layer of story, so unexpected, so profound, it leaves you gasping.”—Lesley Nneka Arimah, author of What It Means When a Man Falls from the Sky “With her lush, generative imagination, shimmering language, and utter fearlessness, Carmen Maria Machado is surely one of most ferociously gifted young writers working today. . . . Hilariously inventive, emotionally explosive, wonderfully sexy, Machado’s stories will carry you far from home, upend your reality, and sew themselves to your soul.”—Michelle Huneven, author of Blame and Off Course “Carmen Maria Machado is the way forward. Her fiction is fearlessly inventive, socially astute, sometimes pointed, sometimes elliptical, and never quite what you’re expecting—yet behind it you can always hear that ancient tale-teller’s voice, bartering for your attention with its dangers and its mysteries, its foolhardy characters pulled this way and that by the ropes of their emotions. . . . There is at once the breath of the new about these stories and the breath of the timeless.”—Kevin Brockmeier, author of The Brief History of the Dead “A form-bending fabulist in the tradition of Kevin Brockmeier, Kelly Link, and Karen Russell, she gleefully seeks out weird shapes and subjects for every story. . . . She writes uncanny, creepy, sexy, funny, feminist, magical-realist, metafictional, pop-cultural, and all-of-the-above stories, and she seems determined never to write the same story twice. Yet for all of its wildly inventive variety, Her Body and Other Parties is unified by the one story it keeps finding new ways to tell: how women can survive in worlds that want them to disappear, whether into marriage, motherhood, death, or (literally) prom dresses.”—Bennett Sims, author of A Questionable Shape Carmen Maria Machado’s work has appeared in Granta, the New Yorker, NPR, Electric Literature, and elsewhere. She has been nominated for a Nebula Award and a Shirley Jackson Award, and was a finalist for the Calvino Prize. She lives in Philadelphia. You can visit her website at: www.carmenmachado.com  

Her Body and Other Parties (Graywolf Press) In Her Body and Other Parties, Carmen Maria Machado blithely demolishes the arbitrary borders between psychological realism and science fiction, comedy and horror, fantasy and fabulism. While her work has earned her comparisons to Karen Russell and Kelly Link, she has a voice that is all her own. In this electric and provocative debut, Machado bends genre to shape startling narratives that map the realities of women's lives and the violence visited upon their bodies. A wife refuses her husband's entreaties to remove the green ribbon from around her neck. A woman recounts her sexual encounters as a plague slowly consumes humanity. A salesclerk in a mall makes a horrifying discovery within the seams of the store's prom dresses. One woman's surgery-induced weight loss results in an unwanted houseguest. And in the bravura novella "Especially Heinous," Machado reimagines every episode of Law &amp; Order: Special Victims Unit, a show we naively assumed had shown it all, generating a phantasmagoric police procedural full of doppelgangers, ghosts, and girls with bells for eyes. Earthy and otherworldly, antic and sexy, queer and caustic, comic and deadly serious, Her Body and Other Parties swings from horrific violence to the most exquisite sentiment. In their explosive originality, these stories enlarge the possibilities of contemporary fiction. Praise for Her Body and Other Parties “The stories in Carmen Maria Machado’s Her Body and Other Parties vibrate with originality, queerness, sensuality and the strange. Her voracious imagination and extraordinary voice beautifully bind these stories about fading women and the end of the world and men who want more when they’ve been given everything and bodies, so many human bodies taking up space and straining the seams of skin in impossible, imperfect, unforgettable ways.”—Roxane Gay, author of Bad Feminist and Hunger “Carmen Maria Machado’s Her Body and Other Parties tells ancient fables of eros and female metamorphosis in fantastically new ways. She draws the secret world of the body into visibility, and illuminates the dark woods of the psyche. In these formally brilliant and emotionally charged tales, Machado gives literal shape to women's memories and hunger and desire. I couldn’t put it down.”—Karen Russell, author of Swamplandia! “Those of us who knew have been waiting for a Carmen Maria Machado collection for years. Her stories show us what we really love and fear.”—Alexander Chee, author of The Queen of the Night “Carmen Maria Machado writes a new kind of fiction: brilliant, blindingly weird, and precisely attuned to the perils and sorrows of the times.”—Ben Marcus, author of Leaving the Sea “Carmen Maria Machado has a vital, visceral, umbilical connection to the places deep within the soul from where stories emanate. With a tenderness that is both touching and terrifying, Her Body and Other Parties gives insight into a cluster of worlds linked by their depth of feeling and penetrating strangeness.” —Alexandra Kleeman, author of You Too Can Have a Body Like Mine “Brilliantly inventive and blazingly smart, these stories have the life-and-death stakes of nightmares and fairy tales; they’re full of urgent, almost unbearable reality. Carmen Machado is an extraordinary writer, an essential voice.”—Garth Greenwell, author of What Belongs to You “Her Body and Other Parties will delight you, hurt you, and astonish you as only the smartest literature can. In this collection Machado blends horror, fairy tale, pop culture and myth in mesmerizing ways that feel utterly new. These stories are peerless and brilliant.”—Alissa Nutting, author of Made for Love and Tampa “Carmen Maria Machado shuffles together fantastic, realistic, popular, and literary genres and then deals winning hand after winning hand. Whether it is reworking fairy tales, rewriting the entire run of Law and Order into a grim fantasy, or diving into unchartered territory entirely Machado's own, Her Body and Other Parties is a deft and thoughtful reclaiming of both literature and genre.”—Brian Evenson, author of A Collapse of Horses “Her Body and Other Parties is genius: part punk rock and part classical, with stories that are raw and devastating but also exquisitely plotted and full of delight. This is a strong, dangerous, and blisteringly honest book—it’s hard to think of it as a ‘debut,’ it's that good.”—Jeff VanderMeer, author of Borne “What Carmen Maria Machado has done with this collection is nothing less than stunning. Just when you think you’ve figured her out, she unveils another layer of story, so unexpected, so profound, it leaves you gasping.”—Lesley Nneka Arimah, author of What It Means When a Man Falls from the Sky “With her lush, generative imagination, shimmering language, and utter fearlessness, Carmen Maria Machado is surely one of most ferociously gifted young writers working today. . . . Hilariously inventive, emotionally explosive, wonderfully sexy, Machado’s stories will carry you far from home, upend your reality, and sew themselves to your soul.”—Michelle Huneven, author of Blame and Off Course “Carmen Maria Machado is the way forward. Her fiction is fearlessly inventive, socially astute, sometimes pointed, sometimes elliptical, and never quite what you’re expecting—yet behind it you can always hear that ancient tale-teller’s voice, bartering for your attention with its dangers and its mysteries, its foolhardy characters pulled this way and that by the ropes of their emotions. . . . There is at once the breath of the new about these stories and the breath of the timeless.”—Kevin Brockmeier, author of The Brief History of the Dead “A form-bending fabulist in the tradition of Kevin Brockmeier, Kelly Link, and Karen Russell, she gleefully seeks out weird shapes and subjects for every story. . . . She writes uncanny, creepy, sexy, funny, feminist, magical-realist, metafictional, pop-cultural, and all-of-the-above stories, and she seems determined never to write the same story twice. Yet for all of its wildly inventive variety, Her Body and Other Parties is unified by the one story it keeps finding new ways to tell: how women can survive in worlds that want them to disappear, whether into marriage, motherhood, death, or (literally) prom dresses.”—Bennett Sims, author of A Questionable Shape Carmen Maria Machado’s work has appeared in Granta, the New Yorker, NPR, Electric Literature, and elsewhere. She has been nominated for a Nebula Award and a Shirley Jackson Award, and was a finalist for the Calvino Prize. She lives in Philadelphia. You can visit her website at: <a href="http://www.carmenmachado.com/" rel="nofollow" target="_blank">www.carmenmachado.com</a>

CARMEN MARIA MACHADO READS FROM HER NEW SHORT STORY COLLECTION HER BODY AND OTHER PARTIES

Michelle Tea

When Sophie Swankowski surfaces from the freezing waters in Michelle Tea's Castle on the River Vistula, she finds herself in an ancient castle in Poland—and in the center of an ages-old battle. Even with her magic powers, the strength and wisdom she learns from her companions in Warsaw, and the help of her gruff mermaid guardian, Syrena, how can one thirteen-year-old from scrappy Chelsea Massachusetts, really save the world? Luckily, Sophie won’t be alone. As she connects to other girls around the globe who have been training, just like her, for this very fight, she begins to think she just may become the hero she’s meant to be. But when she has to face the pure source of evil alone, using all the strength she has to keep it from destroying everything, how easy it would be to simply give up and join the other side... Tea is in discussion with actor, writer, and comic Brendan Scannell.

When Sophie Swankowski surfaces from the freezing waters in Michelle Tea's Castle on the River Vistula, she finds herself in an ancient castle in Poland—and in the center of an ages-old battle. Even with her magic powers, the strength and wisdom she learns from her companions in Warsaw, and the help of her gruff mermaid guardian, Syrena, how can one thirteen-year-old from scrappy Chelsea Massachusetts, really save the world? Luckily, Sophie won’t be alone. As she connects to other girls around the globe who have been training, just like her, for this very fight, she begins to think she just may become the hero she’s meant to be. But when she has to face the pure source of evil alone, using all the strength she has to keep it from destroying everything, how easy it would be to simply give up and join the other side... Tea is in discussion with actor, writer, and comic Brendan Scannell.

Michelle Tea, 

Lisa Taddeo

Clarissa Cruz

Lina, a homemaker in suburban Indiana, is a decade into a passionless marriage when she embarks on an affair that quickly becomes all-consuming and transforms her life. Sloane, a glamorous entrepreneur in the northeast, is married to a man who likes to watch her have sex with other men and women. Maggie, a high school student in North Dakota, begins a relationship with her English teacher that will have extraordinary consequences for them both—as well as the community in which they live. For nearly a decade, Lisa Taddeo, an award-winning journalist and longtime contributor to New York magazine and Esquire, embedded herself with Three Women to write this deeply immersive account of their erotic lives and longings. The result—shocking, powerful, and timely—reads like George Packer’s The Unwinding, but for the state of female desire. Three Women is a major work from an exhilarating new voice. Taddeo is in conversation with Clarissa Cruz, Features Editor at Entertainment Weekly.

Lina, a homemaker in suburban Indiana, is a decade into a passionless marriage when she embarks on an affair that quickly becomes all-consuming and transforms her life. Sloane, a glamorous entrepreneur in the northeast, is married to a man who likes to watch her have sex with other men and women. Maggie, a high school student in North Dakota, begins a relationship with her English teacher that will have extraordinary consequences for them both—as well as the community in which they live. For nearly a decade, Lisa Taddeo, an award-winning journalist and longtime contributor to New York magazine and Esquire, embedded herself with Three Women to write this deeply immersive account of their erotic lives and longings. The result—shocking, powerful, and timely—reads like George Packer’s The Unwinding, but for the state of female desire. Three Women is a major work from an exhilarating new voice. Taddeo is in conversation with Clarissa Cruz, Features Editor at Entertainment Weekly.

Lisa Taddeo, "THREE WOMEN" w/ Clarissa Cruz

Sophia Shalmiyev

Sara Benincasa

From Laurels Award Fellowship recipient Sophia Shalmiyev comes the exquisite Mother Winter, a haunting and deeply personal story of fleeing the Soviet Union, where Shalmiyev was forced to abandon her mother, and her subsequent years of searching for surrogate mothers—whether in books, art, lovers, or other lost souls. Mother Winter is the story of Sophia’s emotional journeys as an immigrant, an artist, and a motherless woman now raising children of her own. Born to a Russian mother and an Azerbaijani father, Shalmiyev grew up in the stark oppressiveness of 1980s Leningrad. When her father packed up for a new life in America, he took Sophia with him but left behind her estranged and alcoholic mother, Elena. At age eleven, Shalmiyev found herself on a plane headed west, motherless and terrified of the new world unfolding before her. The book depicts in urgent vignettes Sophia’s subsequent years of travel, searching, and forging meaningful connections. She describes her tumultuous childhood in the USSR; her experiences as a refugee; the life she built for herself in the Pacific Northwest; and her cathartic journey back to Russia as an adult to search for the mother she never knew. Shalmiyev is in conversation with Sara Benincasa, a stand-up comedian, actress, and the author of Real Artists Have Day Jobs.

From Laurels Award Fellowship recipient Sophia Shalmiyev comes the exquisite Mother Winter, a haunting and deeply personal story of fleeing the Soviet Union, where Shalmiyev was forced to abandon her mother, and her subsequent years of searching for surrogate mothers—whether in books, art, lovers, or other lost souls. Mother Winter is the story of Sophia’s emotional journeys as an immigrant, an artist, and a motherless woman now raising children of her own. Born to a Russian mother and an Azerbaijani father, Shalmiyev grew up in the stark oppressiveness of 1980s Leningrad. When her father packed up for a new life in America, he took Sophia with him but left behind her estranged and alcoholic mother, Elena. At age eleven, Shalmiyev found herself on a plane headed west, motherless and terrified of the new world unfolding before her. The book depicts in urgent vignettes Sophia’s subsequent years of travel, searching, and forging meaningful connections. She describes her tumultuous childhood in the USSR; her experiences as a refugee; the life she built for herself in the Pacific Northwest; and her cathartic journey back to Russia as an adult to search for the mother she never knew. Shalmiyev is in conversation with Sara Benincasa, a stand-up comedian, actress, and the author of Real Artists Have Day Jobs.

Sophia Shalmiyev, "MOTHER WINTER" w/ Sara Benincasa

Elaine Kahn

Romance or The End takes up the tools of romantic narrative in order to perform the rupture between self and story that occurs at the onset of trauma. Using known and pathologized literary arcs, Elaine Kahn unspools the fundamental instability of truth, love, and language to create an experiential portrait of narrative’s power to both disfigure and restore. Kahn is in conversation with Justin Torres, who has published short fiction in The New Yorker, Harper's, Granta, Tin House, The Washington Post, Glimmer Train, Flaunt.

Romance or The End takes up the tools of romantic narrative in order to perform the rupture between self and story that occurs at the onset of trauma. Using known and pathologized literary arcs, Elaine Kahn unspools the fundamental instability of truth, love, and language to create an experiential portrait of narrative’s power to both disfigure and restore. Kahn is in conversation with Justin Torres, who has published short fiction in The New Yorker, Harper's, Granta, Tin House, The Washington Post, Glimmer Train, Flaunt.

Elaine Kahn, "ROMANCE OR THE END"

Ed Brubaker

Paul Scheer

Comics won't just break your heart. Comics will just kill you. Hal Crane should know, he's been around since practically the beginning. Stuck at an out-of-town convention, waiting to receive a lifetime achievement award, Hal's weekend takes us on a dark ride through the secret history of a medium that's always been haunted by crooks, swindlers, and desperate dreamers. BAD WEEKEND-the story some are already calling the comic of the year from its serialization in CRIMINAL #2 and #3-has been expanded, with several new scenes added and remastered into a hardcover graphic novel, in the same format as ED BRUBAKER and PHILLIPS' ( KILL OR BE KILLED, FATALE, CRIMINAL) bestselling MY HEROES HAVE ALWAYS BEEN JUNKIES. This gorgeous package is a must-have, an evergreen graphic novel every true comics fan will want to own. Brubaker is in conversation with actor/comedian Paul Scheer and film director Nicholas Winding Refn.

Comics won't just break your heart. Comics will just kill you. Hal Crane should know, he's been around since practically the beginning. Stuck at an out-of-town convention, waiting to receive a lifetime achievement award, Hal's weekend takes us on a dark ride through the secret history of a medium that's always been haunted by crooks, swindlers, and desperate dreamers. BAD WEEKEND-the story some are already calling the comic of the year from its serialization in CRIMINAL #2 and #3-has been expanded, with several new scenes added and remastered into a hardcover graphic novel, in the same format as ED BRUBAKER and PHILLIPS' ( KILL OR BE KILLED, FATALE, CRIMINAL) bestselling MY HEROES HAVE ALWAYS BEEN JUNKIES. This gorgeous package is a must-have, an evergreen graphic novel every true comics fan will want to own. Brubaker is in conversation with actor/comedian Paul Scheer and film director Nicholas Winding Refn.

Ed Brubaker, "BAD WEEKEND" w/ Paul Scheer and Nicholas Winding Refn

Marlon James

Tracker is known far and wide for his skills as a hunter: "He has a nose," people say. Engaged to track down a mysterious boy who disappeared three years earlier, Tracker breaks his own rule of always working alone when he finds himself part of a group that comes together to search for the boy. The band is a hodgepodge, full of unusual characters with secrets of their own, including a shape-shifting man-animal known as Leopard. As Tracker follows the boy's scent--from one ancient city to another; into dense forests and across deep rivers--he and the band are set upon by creatures intent on destroying them. As he struggles to survive, Tracker starts to wonder: Who, really, is this boy? Why has he been missing for so long? Why do so many people want to keep Tracker from finding him? And perhaps the most important questions of all: Who is telling the truth, and who is lying? Drawing from African history and mythology and his own rich imagination, Marlon James has written a novel unlike anything that's come before it: a saga of breathtaking adventure that's also an ambitious, involving read. Defying categorization and full of unforgettable characters, Black Leopard, Red Wolf is both surprising and profound as it explores the fundamentals of truth, the limits of power, and our need to understand them both.

Tracker is known far and wide for his skills as a hunter: "He has a nose," people say. Engaged to track down a mysterious boy who disappeared three years earlier, Tracker breaks his own rule of always working alone when he finds himself part of a group that comes together to search for the boy. The band is a hodgepodge, full of unusual characters with secrets of their own, including a shape-shifting man-animal known as Leopard. As Tracker follows the boy's scent--from one ancient city to another; into dense forests and across deep rivers--he and the band are set upon by creatures intent on destroying them. As he struggles to survive, Tracker starts to wonder: Who, really, is this boy? Why has he been missing for so long? Why do so many people want to keep Tracker from finding him? And perhaps the most important questions of all: Who is telling the truth, and who is lying? Drawing from African history and mythology and his own rich imagination, Marlon James has written a novel unlike anything that's come before it: a saga of breathtaking adventure that's also an ambitious, involving read. Defying categorization and full of unforgettable characters, Black Leopard, Red Wolf is both surprising and profound as it explores the fundamentals of truth, the limits of power, and our need to understand them both.

Marlon James, "BLACK LEOPARD, RED WOLF"

Mac Barnett

Jon Klassen

Circle

This book is about Circle. This book is also about Circle’s friends, Triangle and Square. Also it is about a rule that Circle makes, and how she has to rescue Triangle when he breaks that rule. With their usual pitch-perfect pacing and subtle, sharp wit, Mac Barnett and Jon Klassen come full circle in the third and final chapter of their clever shape trilogy.

This book is about Circle. This book is also about Circle’s friends, Triangle and Square. Also it is about a rule that Circle makes, and how she has to rescue Triangle when he breaks that rule. With their usual pitch-perfect pacing and subtle, sharp wit, Mac Barnett and Jon Klassen come full circle in the third and final chapter of their clever shape trilogy.

Mac Barnett and Jon Klassen, "CIRCLE"

Cyrus Grace Dunham

For as long as they can remember, Cyrus Grace Dunham felt like a visitor in their own body. Their life was a series of imitations--lovable little girl, daughter, sister, young gay woman--until their profound sense of alienation became intolerable. Beginning as Grace and ending as Cyrus, Dunham brings us inside the chrysalis of gender transition, asking us to bear witness to an uncertain and exhilarating process that troubles our most basic assumptions about who we are and how we are constituted. Written with disarming emotional intensity in a voice uniquely theirs, A Year Without a Name is a potent, thrillingly unresolved meditation on queerness, family, and desire.

For as long as they can remember, Cyrus Grace Dunham felt like a visitor in their own body. Their life was a series of imitations--lovable little girl, daughter, sister, young gay woman--until their profound sense of alienation became intolerable. Beginning as Grace and ending as Cyrus, Dunham brings us inside the chrysalis of gender transition, asking us to bear witness to an uncertain and exhilarating process that troubles our most basic assumptions about who we are and how we are constituted. Written with disarming emotional intensity in a voice uniquely theirs, A Year Without a Name is a potent, thrillingly unresolved meditation on queerness, family, and desire.

Cyrus Grace Dunham, "A YEAR WITHOUT A NAME"

Tommy Pico

Joseph Osmundson

The third book in Tommy Pico’s Teebs trilogy, Junk is a breakup poem in couplets: ice floe and hot lava, a tribute to Janet Jackson and nacho cheese. In the static that follows the loss of a job or an apartment or a boyfriend, what can you grab onto for orientation? The narrator wonders what happens to the sense of self when the illusion of security has been stripped away. And for an indigenous person, how do these lost markers of identity echo larger cultural losses and erasures in a changing political landscape? In part taking its cue from A.R. Ammons’s Garbage, Teebs names this liminal space “Junk,” in the sense that a junk shop is full of old things waiting for their next use; different items that collectively become indistinct. But can there be a comfort outside the anxiety of utility? An appreciation of “being” for the sake of being? And will there be Chili Cheese Fritos? Pico is in conversation with Joseph Osmundson, a scientist and writer based in New York City.

The third book in Tommy Pico’s Teebs trilogy, Junk is a breakup poem in couplets: ice floe and hot lava, a tribute to Janet Jackson and nacho cheese. In the static that follows the loss of a job or an apartment or a boyfriend, what can you grab onto for orientation? The narrator wonders what happens to the sense of self when the illusion of security has been stripped away. And for an indigenous person, how do these lost markers of identity echo larger cultural losses and erasures in a changing political landscape? In part taking its cue from A.R. Ammons’s Garbage, Teebs names this liminal space “Junk,” in the sense that a junk shop is full of old things waiting for their next use; different items that collectively become indistinct. But can there be a comfort outside the anxiety of utility? An appreciation of “being” for the sake of being? And will there be Chili Cheese Fritos? Pico is in conversation with Joseph Osmundson, a scientist and writer based in New York City.

Tommy Pico, "JUNK" w/ Joseph Osmundson

Kristen Arnett

One morning, Jessa-Lynn Morton walks into the family taxidermy shop to find that her father has committed suicide, right there on one of the metal tables. Shocked and grieving, Jessa steps up to manage the failing business, while the rest of the Morton family crumbles. Her mother starts sneaking into the shop to make aggressively lewd art with the taxidermied animals. Her brother Milo withdraws, struggling to function. And Brynn, Milo’s wife— the only person Jessa’s ever been in love with—walks out without a word. As Jessa seeks out less-than-legal ways of generating income, her mother’s art escalates—picture a figure of her dead husband and a stuffed buffalo in an uncomfortably sexual pose—and the Mortons reach a tipping point. For the first time, Jessa has no choice but to learn who these people truly are, and ultimately how she fits alongside them. Kristen Arnett’s debut novel is a darkly funny, heart- wrenching, and eccentric look at loss and art and love. Arnett is in conversation with Tommy Pico, author of the books IRL (Birds LLC), Nature Poem (Tin House Books), and Junk (Tin House Books).

One morning, Jessa-Lynn Morton walks into the family taxidermy shop to find that her father has committed suicide, right there on one of the metal tables. Shocked and grieving, Jessa steps up to manage the failing business, while the rest of the Morton family crumbles. Her mother starts sneaking into the shop to make aggressively lewd art with the taxidermied animals. Her brother Milo withdraws, struggling to function. And Brynn, Milo’s wife— the only person Jessa’s ever been in love with—walks out without a word. As Jessa seeks out less-than-legal ways of generating income, her mother’s art escalates—picture a figure of her dead husband and a stuffed buffalo in an uncomfortably sexual pose—and the Mortons reach a tipping point. For the first time, Jessa has no choice but to learn who these people truly are, and ultimately how she fits alongside them. Kristen Arnett’s debut novel is a darkly funny, heart- wrenching, and eccentric look at loss and art and love. Arnett is in conversation with Tommy Pico, author of the books IRL (Birds LLC), Nature Poem (Tin House Books), and Junk (Tin House Books).

Kristen Arnett, "MOSTLY DEAD THINGS" w/ Tommy Pico

Amy Meyerson

Quig Bruning

The Millers are far from perfect. Estranged siblings Beck, Ashley and Jake find themselves under one roof for the first time in years, forced to confront old resentments and betrayals, when their mysterious, eccentric matriarch, Helen, passes away. But their lives are about to change when they find a secret inheritance hidden among her possessions—the Florentine Diamond, a 137-carat yellow gemstone that went missing from the Austrian Empire a century ago.  Desperate to learn how one of the world’s most elusive diamonds ended up in Helen’s bedroom, they begin investigating her past only to realize how little they know about their brave, resilient grandmother. As the Millers race to determine whether they are the rightful heirs to the diamond and the fortune it promises, they uncover a past more tragic and powerful than they ever could have imagined, forever changing their connection to their heritage and each other.  Inspired by the true story of the real, still-missing Florentine Diamond, The Imperfects illuminates the sacrifices we make for family and how sometimes discovering the truth of the past is the only way to better the future. Author Amy Meyerson is in conversation with Sotheby's vice president Quig Bruning. _______________________________________________ Produced by Maddie Gobbo &amp; Michael Kowaleski Theme: "I Love All My Friends," a new, unreleased demo by Fragile Gang.

The Millers are far from perfect. Estranged siblings Beck, Ashley and Jake find themselves under one roof for the first time in years, forced to confront old resentments and betrayals, when their mysterious, eccentric matriarch, Helen, passes away. But their lives are about to change when they find a secret inheritance hidden among her possessions—the Florentine Diamond, a 137-carat yellow gemstone that went missing from the Austrian Empire a century ago. Desperate to learn how one of the world’s most elusive diamonds ended up in Helen’s bedroom, they begin investigating her past only to realize how little they know about their brave, resilient grandmother. As the Millers race to determine whether they are the rightful heirs to the diamond and the fortune it promises, they uncover a past more tragic and powerful than they ever could have imagined, forever changing their connection to their heritage and each other. Inspired by the true story of the real, still-missing Florentine Diamond, <a href="https://www.skylightbooks.com/book/9780778305071" rel="nofollow" target="_blank">The Imperfects</a> illuminates the sacrifices we make for family and how sometimes discovering the truth of the past is the only way to better the future. Author Amy Meyerson is in conversation with Sotheby's vice president Quig Bruning. _______________________________________________ Produced by Maddie Gobbo &amp; Michael Kowaleski Theme: "I Love All My Friends," a new, unreleased demo by Fragile Gang.

Amy Meyerson, "THE IMPERFECTS" w/ Quig Bruning

Amanda Yates Garcia

Pam Grossman

An initiation signals a beginning: a door opens and you step through. Traditional Wiccan initiates are usually brought into the craft through a ceremony with a High Priestess. But even though Amanda Yates Garcia's mother, a practicing witch herself, initiated her into the earth-centered practice of witchcraft when she was 13 years old, Amanda's real life as a witch only began when she underwent a series of spontaneous initiations of her own. Descending into the underworlds of poverty, sex work, and misogyny, Initiated describes Amanda's journey to return to her body, harness her power, and create the magical world she longed for through witchcraft. Hailed by crows, seduced by magicians, and haunted by ancestors broken beneath the wheels of patriarchy, Amanda's quest for self-discovery and empowerment is a deep exploration of a modern witch's trials - healing ancient wounds, chafing against cultural expectations, creating intimacy - all while on a mission to re-enchant the world. Peppered with mythology, tales of the goddesses and magical women throughout history, Initiated stands squarely at the intersection of witchcraft and feminism. With generosity and heart, this book speaks to the question: is it possible to live a life of beauty and integrity in a world that feels like it's dying? Garcia is in conversation with Pam Grossman, creator and host of The Witch Wave podcast and the author of Waking the Witch: Reflections on Women, Magic, and Power.

An initiation signals a beginning: a door opens and you step through. Traditional Wiccan initiates are usually brought into the craft through a ceremony with a High Priestess. But even though Amanda Yates Garcia's mother, a practicing witch herself, initiated her into the earth-centered practice of witchcraft when she was 13 years old, Amanda's real life as a witch only began when she underwent a series of spontaneous initiations of her own. Descending into the underworlds of poverty, sex work, and misogyny, Initiated describes Amanda's journey to return to her body, harness her power, and create the magical world she longed for through witchcraft. Hailed by crows, seduced by magicians, and haunted by ancestors broken beneath the wheels of patriarchy, Amanda's quest for self-discovery and empowerment is a deep exploration of a modern witch's trials - healing ancient wounds, chafing against cultural expectations, creating intimacy - all while on a mission to re-enchant the world. Peppered with mythology, tales of the goddesses and magical women throughout history, Initiated stands squarely at the intersection of witchcraft and feminism. With generosity and heart, this book speaks to the question: is it possible to live a life of beauty and integrity in a world that feels like it's dying? Garcia is in conversation with Pam Grossman, creator and host of The Witch Wave podcast and the author of Waking the Witch: Reflections on Women, Magic, and Power.

Amanda Yates Garcia, "INITIATED" w/ Pam Grossman

Fatimah Asghar

A poetry compilation recounting a woman’s journey from self-loathing to self-acceptance, confusion to clarity, and bitterness to forgiveness Following in the footsteps of such category killers as Milk and Honey and Whiskey Words &amp; a Shovel I, Fariha Róisín’s poetry book is a collection of her thoughts as a young, queer, Muslim femme navigating the difficulties of her intersectionality. Simultaneously, this compilation unpacks the contentious relationship that exists between Róisín and her mother, her platonic and romantic heartbreaks, and the cognitive dissonance felt as a result of being so divided among her broad spectrum of identities. Róisín is in conversation with Fatimah Asghar, creator of the Emmy-nominated Web series Brown Girls.

A poetry compilation recounting a woman’s journey from self-loathing to self-acceptance, confusion to clarity, and bitterness to forgiveness Following in the footsteps of such category killers as Milk and Honey and Whiskey Words &amp; a Shovel I, Fariha Róisín’s poetry book is a collection of her thoughts as a young, queer, Muslim femme navigating the difficulties of her intersectionality. Simultaneously, this compilation unpacks the contentious relationship that exists between Róisín and her mother, her platonic and romantic heartbreaks, and the cognitive dissonance felt as a result of being so divided among her broad spectrum of identities. Róisín is in conversation with Fatimah Asghar, creator of the Emmy-nominated Web series Brown Girls.

Fariha Róisín, "HOW TO CURE A GHOST" w/ Fatimah Asghar

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