98% of us engage with the arts and 45% of us create art, yet the majority of Australian visual artists and arts workers remain deeply concerned by income security, cuts to arts education, program cancellations and reduced sales due to the ongoing impacts of the pandemic. All Australians would benefit immensely from ambitious visual arts and culture experiences made possible through strategic policy and funding investment.In the electorate of Moreton, Queensland, POPSART's Bec Mac facilitates a conversation with artist Gordon Hookey (Waanyi), Pat Hoffie AM artist and Professor Emeritus, Queensland College of Art, Griffith University, Penelope Benton, Executive Director National Association for the Visual Arts, Paul Osuch Founder and CEO of Anywhere Festival and Carmel Haugh, Program Director Chrysalis Projects about NAVA's call for federal election candidates to take bold action for arts and culture by committing to a whole-of-government National Cultural Plan to effectively invest for impact in the medium and long-term needs of the arts sector.We also hear from Claire Garton candidate for the Greens, Chelsea Follett from the UAP and Graham Perrett candidate for Labor.Presented in partnership with Fund the Arts and The Paint Factory.Wednesday 11 May 2022The Paint Factory, Yeronga Qld

98% of us engage with the arts and 45% of us create art, yet the majority of Australian visual artists and arts workers remain deeply concerned by income security, cuts to arts education, program cancellations and reduced sales due to the ongoing impacts of the pandemic. All Australians would benefit immensely from ambitious visual arts and culture experiences made possible through strategic policy and funding investment. In the electorate of Moreton, Queensland, POPSART's Bec Mac facilitates a conversation with artist Gordon Hookey (Waanyi), Pat Hoffie AM artist and Professor Emeritus, Queensland College of Art, Griffith University, Penelope Benton, Executive Director National Association for the Visual Arts, Paul Osuch Founder and CEO of Anywhere Festival and Carmel Haugh, Program Director Chrysalis Projects about NAVA's call for federal election candidates to take bold action for arts and culture by committing to a whole-of-government National Cultural Plan to effectively invest for impact in the medium and long-term needs of the arts sector. We also hear from Claire Garton candidate for the Greens, Chelsea Follett from the UAP and Graham Perrett candidate for Labor. Presented in partnership with Fund the Arts and The Paint Factory. Wednesday 11 May 2022 The Paint Factory, Yeronga Qld

Breaking the pattern of policy neglect for the arts

Sophia Cai

Sophia Cai is a curator and arts writer based in Melbourne, Australia. In this podcast, NAVA's Leya Reid talks to Sophia Cai about community-based practice, cultural safety, creative nourishment, and the importance of joy in our work.

Episode 58: Sophia Cai

Arts Day on the Hill is Australia’s annual focus on building sector capacity for sustained government engagement and lasting policy reform. This year’s Arts Day on the Hill took place on Wednesday 12 August 2020. In this podcast, NAVA’s Esther Anatolitis is joined by artists Nadia Odlum and Sha Sarwari in reviewing our experiences and next steps, with Nicholas Pickard, former policy adviser, joining half-way to offer a national political perspective on the debrief.

Episode 57: Arts Day on the Hill Debrief

Rohin Kickett is a NAVA Board Member and Nyoongar artist from the Balardong region Western Australia. In this podcast, NAVA’s Esther Anatolitis talks to Rohin Kickett about his personal leadership journey, community development models for Art Centres and key issues around Indigenous art production.

Episode 56: Rohin Kickett

Santilla Chingaipe is a journalist, filmmaker and author whose work explores migration, cultural identities and politics. In this podcast, NAVA's Tanushri Saha talks to Chingaipe about interrogating whiteness and centring blackness in the arts.

Episode 55: Santilla Chingaipe

This episode bridges the cross-generational experiences of Helen Grace, on behalf of the historical Artsworkers Union, and Dylan Batty, a co-founder of the Australian Arts Workers Alliance. NAVA’s Professional Practice Coordinator, Justine Youssef, speaks with the pair about the cyclical issues and widespread instability facing arts workers, the amount of free labour still subsidised by artists, how unfairness and illegality can be challenged, and the rights that the Artsworkers Union were able to fight for and achieve.

Episode 54: Artsworkers Union x Australian Arts Workers Alliance

Emele Ugavule is a Tokelauan Fijian storyteller. Her research and practice area of interest is Oceanic Indigenous-led storytelling, working across live performance, film, tv &amp; digital media as a writer, director, creative producer, performer, educator and mentor. Her work explores creative processes and outcomes grounded in Indigenous ways of knowing, and nurturing the vā where embodiment, cultural expression, digitisation and neuroscience intersect.

Episode 53: Emele Ugavule

Toby Dennett

In this podcast, Esther Anatolitis is in conversation with Toby Dennett from the Arts Council of Ireland about their 'Paying the Artist' policy released earlier this year.

Episode 52: Toby Dennett

Following the culmination of the 42nd Sydney Mardi Gras Parade, we opened a conversation about the role of art in worldbuilding and community mobilisation with four 78ers on Wednesday 11 March at I.C.E., Parramatta NSW.Facilitated by artists Enoch Mailangi and Justine Youssef in conversation with artist activists Ray Delaney, Dj Gemma, Alissar Chidiac, Beau James and Yul Scarf on behalf of the Department of Homo Affairs. This program was presented in partnership with I.C.E. and Twenty 10.More information here: https://visualarts.net.au/news-opinion/2020/past-becomes-our-future/

Following the culmination of the 42nd Sydney Mardi Gras Parade, we opened a conversation about the role of art in worldbuilding and community mobilisation with four 78ers on Wednesday 11 March at I.C.E., Parramatta NSW. Facilitated by artists Enoch Mailangi and Justine Youssef in conversation with artist activists Ray Delaney, Dj Gemma, Alissar Chidiac, Beau James and Yul Scarf on behalf of the Department of Homo Affairs. This program was presented in partnership with I.C.E. and Twenty 10. More information here: <a href="https://visualarts.net.au/news-opinion/2020/past-becomes-our-future/" rel="nofollow" target="_blank">https://visualarts.net.au/news-opinion/2020/past-becomes-our-future/</a>

'The Past Becomes Our Future' NAVA x Twenty10 x I.C.E. event on March 11 2020

Deputy Lord Mayor of Sydney, Cr Jess Scully in conversation with Penelope Benton about the importance of having more creative people in politics and in government and how to get involved at a local level.

NAVA Episode 51: Cr Jess Scully

The National Association for the Visual Arts (NAVA) is the national peak body protecting and promoting the professional interests of the Australian visual and media arts, craft and design sector.

NAVA: in conversation

Genevieve Grieves in conversation with NAVA's Wesley Shaw and Georgia Mokak about her current role teaching students about decolonisation at the Art Gallery NSW as part of their annual Djamu Indigenous Art program, as well as her role as Head of the newly formed First Peoples Department at Museums Victoria, and developing a practice and knowledge around decolonisation more broadly.

Episode 44: Genevieve Grieves

Esther Anatolitis in conversation with artists Abdul Abdullah, Çigdem Aydemir and Harriet Body presented in partnership with Parramatta Artist Studios as part of Movers and Makers 2019.

Art/Life Balance

Bianca Beetson

Keynote recorded live at Australian Cultural Policy: The Next Decade, presented by Monash University’s Masters of Cultural &amp; Creative Industries and NAVA at the State Library of Victoria on 8 April 2019.“We need a national cultural policy that’s grounded in First Nations sovereignty and the NAVA Code of Practice... Cuts to the arts affect the Australian identity.”Gabi Gabi / Kabi Kabi and Wiradjuri artist and academic Dr Bianca Beetson gave the artists’ keynote and response to Shadow Minister for the Arts the Hon Tony Burke at Australian Cultural Policy: The Next Decade, presented by Monash University’s Masters of Cultural &amp; Creative Industries and NAVA at the State Library of Victoria on 8 April 2019.Dr Beetson studied a Bachelor of Arts (Visual Arts) at the Queensland University of Technology 1993-95, completed Honours in 1998 and was awarded a Doctorate of Visual Arts in 2018. She is a visual artist who works in a broad range of media including painting, drawing, sculpture, installation, photography and public art. She is a former member of the seminal Aboriginal artists collectives Campfire Group and ProppaNow. Dr Beetson is the Program leader of the Bachelor of Contemporary Australian Indigenous Art degree at the Queensland College of Art, Griffith University and was recently appointed to the QAGOMA Board of Trustees. In this podcast, Dr Beetson speaks of the need to legislate against fake ‘Aboriginal-style’ art and its cultural harm, to establish a national Aboriginal arts authority, keeping places and a repatriation fund, as well as climate change policy because there are several sacred sites currently at risk of permanent loss to rising sea levels.

Keynote recorded live at Australian Cultural Policy: The Next Decade, presented by Monash University’s Masters of Cultural &amp; Creative Industries and NAVA at the State Library of Victoria on 8 April 2019. “We need a national cultural policy that’s grounded in First Nations sovereignty and the NAVA Code of Practice... Cuts to the arts affect the Australian identity.” Gabi Gabi / Kabi Kabi and Wiradjuri artist and academic Dr Bianca Beetson gave the artists’ keynote and response to Shadow Minister for the Arts the Hon Tony Burke at Australian Cultural Policy: The Next Decade, presented by Monash University’s Masters of Cultural &amp; Creative Industries and NAVA at the State Library of Victoria on 8 April 2019. Dr Beetson studied a Bachelor of Arts (Visual Arts) at the Queensland University of Technology 1993-95, completed Honours in 1998 and was awarded a Doctorate of Visual Arts in 2018. She is a visual artist who works in a broad range of media including painting, drawing, sculpture, installation, photography and public art. She is a former member of the seminal Aboriginal artists collectives Campfire Group and ProppaNow. Dr Beetson is the Program leader of the Bachelor of Contemporary Australian Indigenous Art degree at the Queensland College of Art, Griffith University and was recently appointed to the QAGOMA Board of Trustees. In this podcast, Dr Beetson speaks of the need to legislate against fake ‘Aboriginal-style’ art and its cultural harm, to establish a national Aboriginal arts authority, keeping places and a repatriation fund, as well as climate change policy because there are several sacred sites currently at risk of permanent loss to rising sea levels.

Episode 42: Bianca Beetson

Tony Albert

Wesley Enoch

NAVA's Esther Anatolitis in conversation with Girramay/Kuku Yalanji artist, Tony Albert and Noonuccal Nuugi playwright and theatrical director, Wesley Enoch  discussing the role of artistic courage amidst our nation's current state of political confusion.

Episode 41: Tony Albert and Wesley Enoch

Karla Dickens

Penelope Benton

‘As artists we have to keep questioning and being really honest about what’s going on’ Karla Dickens, 2019.Artist Karla Dickens sits down with Penelope Benton to discuss her most recent work in the new Artspace exhibition; ‘Just not Australian’. The conversation covers Karla’s practice and approach to making work, her Copyright Agency fellowship, and the responsibility of artists to make clear and honest work.

‘As artists we have to keep questioning and being really honest about what’s going on’ Karla Dickens, 2019. Artist Karla Dickens sits down with Penelope Benton to discuss her most recent work in the new Artspace exhibition; ‘Just not Australian’. The conversation covers Karla’s practice and approach to making work, her Copyright Agency fellowship, and the responsibility of artists to make clear and honest work.

Episode 38: Karla Dickens in conversation with Penelope Benton

Meagan Shand

For this episode, Penelope Benton chats with Meagan Shand, CEO of Arts Access Australia about this year's 'Meeting Place' forum held in Alice Springs.Arts Access Australia is the national peak body for arts and disability in Australia. They work to increase national and international opportunities and access to the arts for people with disability as artists, arts-workers, participants and audiences.'Meeting Place' is AAA's annual forum, and brings together artists and arts workers in Australia to talk about best practice in disability and access in the arts. This year's event co-hosted with NT's Incite Arts.Details about Meeting Place including the live stream of the sessions can be found on their website: https://www.meetingplaceforum.org/

For this episode, Penelope Benton chats with Meagan Shand, CEO of Arts Access Australia about this year's 'Meeting Place' forum held in Alice Springs. Arts Access Australia is the national peak body for arts and disability in Australia. They work to increase national and international opportunities and access to the arts for people with disability as artists, arts-workers, participants and audiences. 'Meeting Place' is AAA's annual forum, and brings together artists and arts workers in Australia to talk about best practice in disability and access in the arts. This year's event co-hosted with NT's Incite Arts. Details about Meeting Place including the live stream of the sessions can be found on their website: <a href="https://www.meetingplaceforum.org/" rel="nofollow" target="_blank">https://www.meetingplaceforum.org/</a>

Episode 33: Meeting Place with Arts Access Australia's Meagan Shand

Jeff Khan

Curator and writer, Jeff Khan joins Penelope Benton in conversation about Performance Contemporary as part of Sydney Contemporary Art Fair and Liveworks 2018, Performance Space's annual festival.

Episode 32: Jeff Khan in conversation with Penelope Benton

Esther Anatolitis

Esther speaks with Tess Maunder ahead of the launch of her new publication, Absolute Humidity.Absolute Humidity is a volume that aims to re-position conversations about the climate, weather and the environment by placing artist’s voices at the centre of the discussion. The publication focuses on contemporary artists from the Asia-Pacific region, including twenty-eight new conversations and other contributions that form a new constellation of inquiries. Through this project, contributors discuss how ideas surrounding weather, the environment and the climate be conceptualised by artists producing fresh ideas surrounding artistic agency.Tess Maunder is a writer, curator. editor and researcher based in Brisbane.

Esther speaks with Tess Maunder ahead of the launch of her new publication, Absolute Humidity. Absolute Humidity is a volume that aims to re-position conversations about the climate, weather and the environment by placing artist’s voices at the centre of the discussion. The publication focuses on contemporary artists from the Asia-Pacific region, including twenty-eight new conversations and other contributions that form a new constellation of inquiries. Through this project, contributors discuss how ideas surrounding weather, the environment and the climate be conceptualised by artists producing fresh ideas surrounding artistic agency. Tess Maunder is a writer, curator. editor and researcher based in Brisbane.

Episode 31: Tess Maunder in conversation with Esther Anatolitis

Soda_Jerk​ sits down with Esther Anatolitis in the NAVA office to talk about their most recent and controversial work, 'Terror Nullius, a political revenge fable in three acts'. The artists discuss their approach to making work as a seizing and hacking of culture as an act of political resistance and solidarity.Formed in Sydney in 2002, Soda_Jerk is a two-person art collective who work at the intersection of documentary and speculative fiction.

Soda_Jerk​ sits down with Esther Anatolitis in the NAVA office to talk about their most recent and controversial work, 'Terror Nullius, a political revenge fable in three acts'. The artists discuss their approach to making work as a seizing and hacking of culture as an act of political resistance and solidarity. Formed in Sydney in 2002, Soda_Jerk is a two-person art collective who work at the intersection of documentary and speculative fiction.

Episode 29: Soda_Jerk in conversation with Esther Anatolitis

Artist Abdul-Rahman Abdullah in conversation with Esther Anatolitis about his most recent work in 'Enough خلاص Khalas' exhibition at UNSW Galleries, and the development of his practice as a professional artist in Australia.

Episode 27: Abdul-Rahman Abdullah in conversation with Esther Anatolitis

Esther Anatolitis in conversation with Elvis Richardson, the curator of 2018 Adelaide Biennial. They discuss the exhibition, artists and the arts in South Australia.

Episode 24: Erica Green in conversation with Esther Anatolitis

For this episode, we discuss the Fake Art Harms Culture campaign. The Fake Art campaign is being run by Arts Law, the Indigenous Art Code and Copyright Agency, to introduce policy to protect Indigenous artists against Fake Art being made and sold in Australia. We speak with Gabrielle O'Sullivan, BiBi Barber and Judy Grady about why this campaign is so important and how artists and arts workers can get involved with the current Parliamentary Inquiry. The Fake Art campaign suggests over 80% of Aboriginal products sold in Australia are not authentic – meaning they are not made by or credited to Australia's Indigenous peoples. It is important that Aboriginal and Torres Strait islander people’s rights are protected and this means stopping the fake art and holding companies, individuals and dealers to more transparent and ethical processes. The campaign is encouraging artists to make a submission to the enquiry, for more information go to www.aph.gov.au/inauthenticart This discussion was part of the NAVA Book Club, held during Artspace’s Volume Another Art Book Fair 2017. Stay tuned for the next podcast from this event that will discuss Indigenous protocols and policies and critical methodologies.

For this episode, we discuss the Fake Art Harms Culture campaign. The Fake Art campaign is being run by Arts Law, the Indigenous Art Code and Copyright Agency, to introduce policy to protect Indigenous artists against Fake Art being made and sold in Australia. We speak with Gabrielle O'Sullivan, BiBi Barber and Judy Grady about why this campaign is so important and how artists and arts workers can get involved with the current Parliamentary Inquiry. The Fake Art campaign suggests over 80% of Aboriginal products sold in Australia are not authentic – meaning they are not made by or credited to Australia's Indigenous peoples. It is important that Aboriginal and Torres Strait islander people’s rights are protected and this means stopping the fake art and holding companies, individuals and dealers to more transparent and ethical processes. The campaign is encouraging artists to make a submission to the enquiry, for more information go to <a href="http://www.aph.gov.au/inauthenticart" rel="nofollow" target="_blank">www.aph.gov.au/inauthenticart</a> This discussion was part of the NAVA Book Club, held during Artspace’s Volume Another Art Book Fair 2017. Stay tuned for the next podcast from this event that will discuss Indigenous protocols and policies and critical methodologies.

Episode 14: The Fake Art Campaign with Arts Law

Georgie Meagher

This week we speak with Georgie Meagher, the CEO and Artistic Director of Next Wave Festival, a biennial arts festival based in Melbourne.Georgie chats with us about what good leadership means, the role of directors in organisations and the responsibility of curators to artists. We get an insight into the plans and challenges for Next Wave’s experimental new model of artistic develop in Australia.Next Wave have just announced an incredible list of artists for the 2018 festival, so keep up to date on website.

This week we speak with Georgie Meagher, the CEO and Artistic Director of Next Wave Festival, a biennial arts festival based in Melbourne. Georgie chats with us about what good leadership means, the role of directors in organisations and the responsibility of curators to artists. We get an insight into the plans and challenges for Next Wave’s experimental new model of artistic develop in Australia. Next Wave have just announced an incredible list of artists for the 2018 festival, so keep up to date on website.

Episode 13: Next Wave Festival with Georgie Meagher

Liz Nowell

For this episode we speak with Liz Nowell, the CEO of ACE Open. Based in Adelaide, ACE Open is an exciting new model for independent contemporary art spaces. We chat with Liz about the vision, program and necessity of creating this new organisation to truly support artists and contemporary ideas.

Episode 10: Liz Nowell introduces ACE Open

This episode we speak to key members of ALL Conference about the need and purpose of collaboration and connection in the arts. All Conference is a national organising network comprised of 15 artist-led, experimental and cross-disciplinary arts organisations. Representing a crucial stratum of the Australian arts ecology, All Conference members present diverse and innovative artistic programs which support the practices of living Australian artists.

Episode 9: ALL Conference - a national network of artist-led arts organisations

Episode 8: The National 2017, Art Gallery of New South Wales by National Association for the Visual Arts (NAVA)

Episode 8: The National 2017, Art Gallery of New South Wales

Wendy Whiteley

The new documentary feature, WHITELEY is a visual journey into the private life and creative legacy of Australia’s most iconic artist, Brett Whiteley, told 'in his own words' using personal letters, notebooks and photographs, interwoven with reconstructions, animations, archival interviews and rare footage. NAVA's Penelope Benton met with Wendy Whiteley to chat about the challenges of being an artist in Australia and what it takes to make it internationally.

The new documentary feature, WHITELEY is a visual journey into the private life and creative legacy of Australia’s most iconic artist, Brett Whiteley, told 'in his own words' using personal letters, notebooks and photographs, interwoven with reconstructions, animations, archival interviews and rare footage. NAVA's Penelope Benton met with Wendy Whiteley to chat about the challenges of being an artist in Australia and what it takes to make it internationally.

Episode 7: Wendy Whiteley

The second instalment of our series on The National exhibition is a conversation between  artist Ramesh Mario Nithiyendran and curator Nina Miall at Carriageworks. The conversation discusses Ramesh's large scale installation work, 'The Cave', and the curatorial approach of this collaborative exhibition.

Episode 6: The National 2017, Carriageworks

For this episode, curator Blair French is in conversation with artists Zanny Begg &amp; Alex Gawronski at the MCA for The National exhibition. This episode is the first in a series unpacking and discussing the exhibition with featured curators and artists.The National 2017 exhibition is on display at MCA, AGNSW &amp; Carriageworks, and is the first of three instalments over the next 6 years presenting new Australian art.

For this episode, curator Blair French is in conversation with artists Zanny Begg &amp; Alex Gawronski at the MCA for The National exhibition. This episode is the first in a series unpacking and discussing the exhibition with featured curators and artists. The National 2017 exhibition is on display at MCA, AGNSW &amp; Carriageworks, and is the first of three instalments over the next 6 years presenting new Australian art.

Episode 5: The National 2017, Museum of Contemporary Art

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