Lang Fisher

This week on On Story, we're joined by Lang Fisher for a conversation on her process of co-creating, writing, and showrunning Netflix’s hit series, Never Have I Ever. Fisher has a long history of writing and producing funny yet intelligent television, and Never Have I Ever is no exception. This fresh, coming-of-age series follows Indian-American teen, Davy Vishwakumar, who after a difficult year, is determined to heighten her social status at Sherman Oaks High Schools. Both co-created with and inspired by Mindy Kaling’s own childhood, the show's current three seasons are a remarkable masterclass on witty dialogue, a leader in diverse representation on screen, and adept at presenting relatable themes for teens and adults alike. The show's highly anticipated fourth and final season is scheduled to be released by Netflix on June 8th, 2023. Prior to her work on Never Have I Ever, Fisher was a writer-producer for many comedy series, including Brooklyn Nine-Nine, The Mindy Project, and the final season of 30 Rock, where she co-wrote the episode “A Goon’s Deed in a Weary World,” which was named one of Variety’s “25 Best TV Episodes of the Decade.”  Before venturing into television writing, Fisher used her humor to write for six years at the satirical news outlet, The Onion.  AFF moderator Casey Baron sat down with Lang Fisher to dive deeper into the process of writing and creating Never Have I Ever and to give our audience a craft conversation. Never have you ever learned so much on the art of comedy writing! Clips of Never Have I Ever courtesy of Netflix.

This week on On Story, we're joined by Lang Fisher for a conversation on her process of co-creating, writing, and showrunning Netflix’s hit series, Never Have I Ever. Fisher has a long history of writing and producing funny yet intelligent television, and Never Have I Ever is no exception. This fresh, coming-of-age series follows Indian-American teen, Davy Vishwakumar, who after a difficult year, is determined to heighten her social status at Sherman Oaks High Schools. Both co-created with and inspired by Mindy Kaling’s own childhood, the show's current three seasons are a remarkable masterclass on witty dialogue, a leader in diverse representation on screen, and adept at presenting relatable themes for teens and adults alike. The show's highly anticipated fourth and final season is scheduled to be released by Netflix on June 8th, 2023. Prior to her work on Never Have I Ever, Fisher was a writer-producer for many comedy series, including Brooklyn Nine-Nine, The Mindy Project, and the final season of 30 Rock, where she co-wrote the episode “A Goon’s Deed in a Weary World,” which was named one of Variety’s “25 Best TV Episodes of the Decade.”  Before venturing into television writing, Fisher used her humor to write for six years at the satirical news outlet, The Onion.  AFF moderator Casey Baron sat down with Lang Fisher to dive deeper into the process of writing and creating Never Have I Ever and to give our audience a craft conversation. Never have you ever learned so much on the art of comedy writing! Clips of Never Have I Ever courtesy of Netflix.

'Never Have I Ever' with Lang Fisher

Noah Harpster

Micah Fitzerman-Blue

This week on On Story, we're joined by writing partners Noah Harpster and Micah Fitzerman-Blue, known for their collaboration on projects such as the award-winning film based on the life of Mr. Rogers, A Beautiful Day in the Neighborhood, their work writing and producing the Amazon series, Transparent, and co-creating and co-showrunning their upcoming Netflix series, Painkiller. Known for their talents writing stories based on true events, Painkiller is no different, as it's an honest exploration of the birth of the opioid crisis in the United States, starring Matthew Broderick and Uzo Abuda. Together, Harpster and Fitzerman-Blue have won the Peabody Award, the PEN award, and the Humanitas Prize for their collaborative work as screenwriters, in addition to receiving Emmy, Golden Globe, People’s Choice Awards, and WGA writing nominations.  AFF moderator Harrison Glaser sat down with both writers during the 2022 Writers Conference to discuss what makes a successful writing partnership, the process of crafting stories based on real events, and how to build a career that includes writing across genres, and within both television and film. You know what they say - two heads are better than one, and the truth is stranger than fiction. Harpster and Fitzerman-Blue embody these timeless statements. Clips courtesy of Columbia Pictures Industries, Inc. and Amazon Studios.

This week on On Story, we're joined by writing partners Noah Harpster and Micah Fitzerman-Blue, known for their collaboration on projects such as the award-winning film based on the life of Mr. Rogers, A Beautiful Day in the Neighborhood, their work writing and producing the Amazon series, Transparent, and co-creating and co-showrunning their upcoming Netflix series, Painkiller. Known for their talents writing stories based on true events, Painkiller is no different, as it's an honest exploration of the birth of the opioid crisis in the United States, starring Matthew Broderick and Uzo Abuda. Together, Harpster and Fitzerman-Blue have won the Peabody Award, the PEN award, and the Humanitas Prize for their collaborative work as screenwriters, in addition to receiving Emmy, Golden Globe, People’s Choice Awards, and WGA writing nominations.  AFF moderator Harrison Glaser sat down with both writers during the 2022 Writers Conference to discuss what makes a successful writing partnership, the process of crafting stories based on real events, and how to build a career that includes writing across genres, and within both television and film. You know what they say - two heads are better than one, and the truth is stranger than fiction. Harpster and Fitzerman-Blue embody these timeless statements. Clips courtesy of Columbia Pictures Industries, Inc. and Amazon Studios.

A Conversation with Noah Harpster & Micah Fitzerman-Blue

Stephen Merchant

This week on On Story, we're joined by the comedic genius Stephen Merchant for a conversation on his impressive career in television. Perhaps best known for co-creating (with Ricky Gervais) BBC's The Office, Merchant's work writing and directing the critically acclaimed show attributed to the series earning multiple comedy awards, including three BAFTA awards, two British Comedy awards, two Golden Globe awards, a Primetime Emmy, and a Peabody Award, all before Merchant served as the executive producer on the immensely successful adaptation. The US series was a long-running hit, receiving five Primetime Emmy awards and forty-two nominations of its own during its run on NBC. Other pillars in Merchant's career include starring, co-creating, co-writing and directing the HBO series Hello Ladies, a sitcom based on Merchant's stand-up show of the same name. Currently, Merchant serves as the co-creator, executive producer, writer, director and star of his newest series, The Outlaws. Co-created with Elgin James, the crime thriller and comedic television show follows seven very different strangers who are sentenced to community service as payback for their various crimes. Yet things certainly take a turn when the group discovers a bag full of money, unaware of its dangerous owners, in this hit co-production from BBC One and Amazon Studios. A pivotal creative in the world of comedy, AFF was delighted to honor Merchant as the recipient of AFF’s Outstanding Television Writer Award, a distinction awarded annually to recognize excellence in the television industry. Merchant certainly demonstrates excellence, not only from his impressive collection of awards and accolades, but also through his various titles, roles, and hats, including actor, stand-up comedian, writer, director, and producer, thereby cementing his reputation as one of the most versatile talents in TV and film.  Barbara Morgan sat down with Merchant during the 2022 Austin Film Festival for an in-depth conversation on both his creative process and career, eager to hear more on Merchant’s practice of crafting relatable characters, how he found comedic inspiration from drama, and most of all, how he established himself as one of television’s leading comedic voices. So sit back and have a laugh as we talk all things comedy with Stephen Merchant. Clips of The Outlaws courtesy of Amazon Studios. Clips of Hello Ladies courtesy of Home Box Office, Inc. Clips of The Office courtesy of British Broadcasting Corporation.

This week on On Story, we're joined by the comedic genius Stephen Merchant for a conversation on his impressive career in television. Perhaps best known for co-creating (with Ricky Gervais) BBC's The Office, Merchant's work writing and directing the critically acclaimed show attributed to the series earning multiple comedy awards, including three BAFTA awards, two British Comedy awards, two Golden Globe awards, a Primetime Emmy, and a Peabody Award, all before Merchant served as the executive producer on the immensely successful adaptation. The US series was a long-running hit, receiving five Primetime Emmy awards and forty-two nominations of its own during its run on NBC. Other pillars in Merchant's career include starring, co-creating, co-writing and directing the HBO series Hello Ladies, a sitcom based on Merchant's stand-up show of the same name. Currently, Merchant serves as the co-creator, executive producer, writer, director and star of his newest series, The Outlaws. Co-created with Elgin James, the crime thriller and comedic television show follows seven very different strangers who are sentenced to community service as payback for their various crimes. Yet things certainly take a turn when the group discovers a bag full of money, unaware of its dangerous owners, in this hit co-production from BBC One and Amazon Studios. A pivotal creative in the world of comedy, AFF was delighted to honor Merchant as the recipient of AFF’s Outstanding Television Writer Award, a distinction awarded annually to recognize excellence in the television industry. Merchant certainly demonstrates excellence, not only from his impressive collection of awards and accolades, but also through his various titles, roles, and hats, including actor, stand-up comedian, writer, director, and producer, thereby cementing his reputation as one of the most versatile talents in TV and film.  Barbara Morgan sat down with Merchant during the 2022 Austin Film Festival for an in-depth conversation on both his creative process and career, eager to hear more on Merchant’s practice of crafting relatable characters, how he found comedic inspiration from drama, and most of all, how he established himself as one of television’s leading comedic voices. So sit back and have a laugh as we talk all things comedy with Stephen Merchant. Clips of The Outlaws courtesy of Amazon Studios. Clips of Hello Ladies courtesy of Home Box Office, Inc. Clips of The Office courtesy of British Broadcasting Corporation.

A Conversation with Stephen Merchant

James Gray

This week on On Story, a conversation with acclaimed writer, director, and producer James Gray to discuss not only his artistic process, but how he established himself as one the industry’s most talented writer-directors.  A true visionary, Gray made his directorial debut with his celebrated film Little Odessa, which earned him nominations for both Best First Feature and Best First Screenplay at the 1994 Independent Spirit Awards. Other esteemed features in Gray’s canon include The Yards, starring Joaquin Phoenix, who is in fact a frequent collaborator of Gray’s, and We Own the Night, starring Mark Wahlberg, in addition to his films, Two Lovers, The Immigrant, The Lost City of Z, and Ad Astra, all of which set the bar for both screenwriting and direction.  Gray’s most recent feature, Armageddon Time, is a deeply personal film inspired by Gray’s childhood. A reflection on the strength of family, the complexity of friendship, and the realities of class as seen through the eyes of a young Jewish boy growing up in 1980s Queens, the film’s star-studded cast includes leading actors Anthony Hopkins, Anne Hathaway, and Jeremy Strong.  In addition to speaking with Gray on his process of writing and directing each of his seven critically-acclaimed feature films, AFF was eager to honor Gray with our coveted Bill Wittliff Award for Screenwriting, an annual award presented to leading storytellers within film, television and new media. Gray adds this accolade to his five Palme d’Or nominations, as well as the Silver Lion Award.  During our annual Writers Conference, Barbara Morgan sat down with Gray to discuss how he became a pillar of American filmmaking.  Ad Astra clips courtesy of Twentieth Century Fox Film Corporation. Little Odessa clips courtesy of Fine Line Features. Lost City of Z clips courtesy of Sierra Afinity, LLC. We Own the Night clips courtesy of Columbia Pictures.

This week on On Story, a conversation with acclaimed writer, director, and producer James Gray to discuss not only his artistic process, but how he established himself as one the industry’s most talented writer-directors.  A true visionary, Gray made his directorial debut with his celebrated film Little Odessa, which earned him nominations for both Best First Feature and Best First Screenplay at the 1994 Independent Spirit Awards. Other esteemed features in Gray’s canon include The Yards, starring Joaquin Phoenix, who is in fact a frequent collaborator of Gray’s, and We Own the Night, starring Mark Wahlberg, in addition to his films, Two Lovers, The Immigrant, The Lost City of Z, and Ad Astra, all of which set the bar for both screenwriting and direction.  Gray’s most recent feature, Armageddon Time, is a deeply personal film inspired by Gray’s childhood. A reflection on the strength of family, the complexity of friendship, and the realities of class as seen through the eyes of a young Jewish boy growing up in 1980s Queens, the film’s star-studded cast includes leading actors Anthony Hopkins, Anne Hathaway, and Jeremy Strong.  In addition to speaking with Gray on his process of writing and directing each of his seven critically-acclaimed feature films, AFF was eager to honor Gray with our coveted Bill Wittliff Award for Screenwriting, an annual award presented to leading storytellers within film, television and new media. Gray adds this accolade to his five Palme d’Or nominations, as well as the Silver Lion Award.  During our annual Writers Conference, Barbara Morgan sat down with Gray to discuss how he became a pillar of American filmmaking.  Ad Astra clips courtesy of Twentieth Century Fox Film Corporation. Little Odessa clips courtesy of Fine Line Features. Lost City of Z clips courtesy of Sierra Afinity, LLC. We Own the Night clips courtesy of Columbia Pictures.

A Conversation with James Gray

Ric Roman Waugh

This week on On Story we're joined by director Ric Roman Waugh for a post-screening deep dive into his newest action thriller, Kandahar. Formerly an actor and stuntman who appeared in countless films, including Universal Soldier, The Last of the Mohicans, and Lethal Weapon 2, Waugh is certainly no stranger to action. Now known for his work as a writer, producer, and director, Waugh utilizes his background in stunt work to create many of today's leading thrillers, such as Felon, Snitch, Shot Caller, and Angel Has Fallen, serving on all as writer and director. Recently in 2020, Waugh directed Greenland, a disaster thriller starring Waugh's frequent collaborator, Gerard Butler, which follows the story of John Garrity, who must save the United States from imminent destruction by a comet. Waugh's newest action thriller, Kandahar, was written by former U.S. Military Intelligence Officer Mitchell La Fortune, and follows the journey of undercover CIA operative Tom Harris, who along with his translator must flee hostile territory in Afghanistan after their covert mission is exposed. Both starring and produced by Gerard Butler, the film is based on LaFortune's own experience serving in Afghanistan during the 2013 Snowden leaks. Never short on suspense or excitement, Kandahar is a high-stakes race against time, set against the complex political background of the War on Terror. So sit back - or, well more likely on the edge of your seat - as Barbara Morgan sits down with director Ric Roman Waugh to talk all things Kandahar. Clips of Kandahar courtesy of Open Road Films.

This week on On Story we're joined by director Ric Roman Waugh for a post-screening deep dive into his newest action thriller, Kandahar. Formerly an actor and stuntman who appeared in countless films, including Universal Soldier, The Last of the Mohicans, and Lethal Weapon 2, Waugh is certainly no stranger to action. Now known for his work as a writer, producer, and director, Waugh utilizes his background in stunt work to create many of today's leading thrillers, such as Felon, Snitch, Shot Caller, and Angel Has Fallen, serving on all as writer and director. Recently in 2020, Waugh directed Greenland, a disaster thriller starring Waugh's frequent collaborator, Gerard Butler, which follows the story of John Garrity, who must save the United States from imminent destruction by a comet. Waugh's newest action thriller, Kandahar, was written by former U.S. Military Intelligence Officer Mitchell La Fortune, and follows the journey of undercover CIA operative Tom Harris, who along with his translator must flee hostile territory in Afghanistan after their covert mission is exposed. Both starring and produced by Gerard Butler, the film is based on LaFortune's own experience serving in Afghanistan during the 2013 Snowden leaks. Never short on suspense or excitement, Kandahar is a high-stakes race against time, set against the complex political background of the War on Terror. So sit back - or, well more likely on the edge of your seat - as Barbara Morgan sits down with director Ric Roman Waugh to talk all things Kandahar. Clips of Kandahar courtesy of Open Road Films.

Kandahar Q&A with Ric Roman Waugh

Alec Berg

This week on On Story, AFF Moderator Harrison Glaser sits down with television writing legend Alec Berg for an in-depth conversation on his triumphant comedy writing career. Nothing short of a comedic genius, Berg's writing credits include some of television's most hilarious series, including his work writing, directing, and producing Larry David's Curb Your Enthusiasm, Mike Judge's Silicon Valley, and most recently, HBO's Barry, which he co-created with SNL legend Bill Hader. Barry, which was recently renewed for a fourth season, is an Emmy-nominated dark comedy hit that follows down-and-out hitman Barry Berkman, played by Bill Hader. Barry's assignments bring him to Los Angeles, where he finds himself joining a local acting class for wannabe talent taught by Gene Cousineau, played by none other than Henry Winkler. Through this class and a budding relationship with aspiring actress Sally Reed, this not-so-cold-blooded killer finds himself amidst an existential crisis, asking as we all often do, what is it he really wants out of life? Only Berg, a master of situational comedy, would think to put a hitman in a beginner's acting class and to make it lighthearted and funny, but as many of our listeners know, there's nothing lighthearted or easy about breaking into the world of comedy. Berg breaks down for our AFF audience his journey, which started by gaining inspiration from the tapes of prior comedy legends like Steve Martin, to his early work writing for Seinfeld, to expanding his credit from writer to writer-director, to ultimately making a career and name for himself as one of television's leading comedy creators and showrunners. So get ready for a lesson in laughter from comedy legend Alec Berg. Clips of Barry and Silicon Valley courtesy of Home Box Office, Inc. Clips of Seinfeld courtesy of NBC.

This week on On Story, AFF Moderator Harrison Glaser sits down with television writing legend Alec Berg for an in-depth conversation on his triumphant comedy writing career. Nothing short of a comedic genius, Berg's writing credits include some of television's most hilarious series, including his work writing, directing, and producing Larry David's Curb Your Enthusiasm, Mike Judge's Silicon Valley, and most recently, HBO's Barry, which he co-created with SNL legend Bill Hader. Barry, which was recently renewed for a fourth season, is an Emmy-nominated dark comedy hit that follows down-and-out hitman Barry Berkman, played by Bill Hader. Barry's assignments bring him to Los Angeles, where he finds himself joining a local acting class for wannabe talent taught by Gene Cousineau, played by none other than Henry Winkler. Through this class and a budding relationship with aspiring actress Sally Reed, this not-so-cold-blooded killer finds himself amidst an existential crisis, asking as we all often do, what is it he really wants out of life? Only Berg, a master of situational comedy, would think to put a hitman in a beginner's acting class and to make it lighthearted and funny, but as many of our listeners know, there's nothing lighthearted or easy about breaking into the world of comedy. Berg breaks down for our AFF audience his journey, which started by gaining inspiration from the tapes of prior comedy legends like Steve Martin, to his early work writing for Seinfeld, to expanding his credit from writer to writer-director, to ultimately making a career and name for himself as one of television's leading comedy creators and showrunners. So get ready for a lesson in laughter from comedy legend Alec Berg. Clips of Barry and Silicon Valley courtesy of Home Box Office, Inc. Clips of Seinfeld courtesy of NBC.

A Conversation with Alec Berg

Raúl Castillo

Elegance Bratton

This week on On Story, AFF Moderator Andy Volk sat down with writer-director Elegance Bratton and actor Raúl Castillo for a post-screening Q&amp;A of their latest feature film, The Inspection. Released last November by A24, The Inspection is an absolutely heart-wrenching drama inspired by Bratton's own experience. The film follows Ellis French, a young, gay black man played by Tony-nominated actor Jeremy Pope who is rejected by his mother and family. With very few options for his future, Ellis joins the Marines, doing whatever it takes to succeed in a system that has cast him aside. This deeply moving film is a sharp look at how one can find strength, support, and a sense of belonging in the most unexpected places. Just as inspiring as the film is Elegance Bratton's own artistic trajectory, which exemplifies perseverance and determination in creation. Bratton began making films while serving as a US Marine after spending a decade homeless. Now an acclaimed, boundary-breaking director, writer, and producer, Bratton's films have played at over two hundred film festivals worldwide, including Sundance, Outfest, BFI, New York City, Black Star Film Festival, and of course, at the Austin Film Festival. Beyond Bratton's festival success, he made his television debut as the creator and executive producer of the Viceland series, My House, which was nominated in 2019 for the GLAAD Media Award's Outstanding Documentary category. Additionally, his 2019 documentary, Pier Kids, made its streaming debut in August of 2021. Also in 2021, Bratton received the Film Independent Truer than Fiction Spirit Award presented to emerging directors of non-fiction features. And let's not forget that Bratton holds degrees from both Columbia University and the NYU Tisch Graduate School of Film. Yet summing up Elegance by merely his degrees, accolades, and awards does not provide the full picture. A master of harvesting film narratives and the overlooked stories right in front of us, Elegance uses his vision to highlight the universal power of our shared humanity. Joining Bratton is actor, playwright, and Texas's own Raúl Castillo. Castillo stars in the film as Rosales, a drill instructor who takes French under his wing. Castillo's artful performance is a nuanced depiction of masculinity and vulnerability, subverting traditional narratives through the duality of Rosales's stern yet nurturing mentorship, a complexity Castillo was eager to explore. Known for his starring roles in Amexicano, Cold Weather, We Are the Animals, as well as his role as Richie Donado Ventura in the HBO series, Looking, Castillo is known for his truthful embodiments of complex masculinity. Originally a playwright, Castillo has brought authentic Latinx stories to off-Broadway stages through his plays Border Stories, a trio of one-acts about life at the US-Mexico border, Knives and Other Sharp Objects, which premiered at the Public Theater in New York City, and his dark comedic family drama, Between You, Me, and the Lampshade, developed with the Atlantic Theater Company. We were thrilled to have both Elegance and Raúl, two exceptional storytellers, at the Austin Film Festival to speak to their creative process behind the film. So, do I have your attention yet? Are you standing at attention? Good. Let's dive deeper into The Inspection. Clips of The Inspection courtesy of A24.

This week on On Story, AFF Moderator Andy Volk sat down with writer-director Elegance Bratton and actor Raúl Castillo for a post-screening Q&amp;A of their latest feature film, The Inspection. Released last November by A24, The Inspection is an absolutely heart-wrenching drama inspired by Bratton's own experience. The film follows Ellis French, a young, gay black man played by Tony-nominated actor Jeremy Pope who is rejected by his mother and family. With very few options for his future, Ellis joins the Marines, doing whatever it takes to succeed in a system that has cast him aside. This deeply moving film is a sharp look at how one can find strength, support, and a sense of belonging in the most unexpected places. Just as inspiring as the film is Elegance Bratton's own artistic trajectory, which exemplifies perseverance and determination in creation. Bratton began making films while serving as a US Marine after spending a decade homeless. Now an acclaimed, boundary-breaking director, writer, and producer, Bratton's films have played at over two hundred film festivals worldwide, including Sundance, Outfest, BFI, New York City, Black Star Film Festival, and of course, at the Austin Film Festival. Beyond Bratton's festival success, he made his television debut as the creator and executive producer of the Viceland series, My House, which was nominated in 2019 for the GLAAD Media Award's Outstanding Documentary category. Additionally, his 2019 documentary, Pier Kids, made its streaming debut in August of 2021. Also in 2021, Bratton received the Film Independent Truer than Fiction Spirit Award presented to emerging directors of non-fiction features. And let's not forget that Bratton holds degrees from both Columbia University and the NYU Tisch Graduate School of Film. Yet summing up Elegance by merely his degrees, accolades, and awards does not provide the full picture. A master of harvesting film narratives and the overlooked stories right in front of us, Elegance uses his vision to highlight the universal power of our shared humanity. Joining Bratton is actor, playwright, and Texas's own Raúl Castillo. Castillo stars in the film as Rosales, a drill instructor who takes French under his wing. Castillo's artful performance is a nuanced depiction of masculinity and vulnerability, subverting traditional narratives through the duality of Rosales's stern yet nurturing mentorship, a complexity Castillo was eager to explore. Known for his starring roles in Amexicano, Cold Weather, We Are the Animals, as well as his role as Richie Donado Ventura in the HBO series, Looking, Castillo is known for his truthful embodiments of complex masculinity. Originally a playwright, Castillo has brought authentic Latinx stories to off-Broadway stages through his plays Border Stories, a trio of one-acts about life at the US-Mexico border, Knives and Other Sharp Objects, which premiered at the Public Theater in New York City, and his dark comedic family drama, Between You, Me, and the Lampshade, developed with the Atlantic Theater Company. We were thrilled to have both Elegance and Raúl, two exceptional storytellers, at the Austin Film Festival to speak to their creative process behind the film. So, do I have your attention yet? Are you standing at attention? Good. Let's dive deeper into The Inspection. Clips of The Inspection courtesy of A24.

The Inspection Q&A with Elegance Bratton and Raúl Castillo

This week on On Story, AFF Moderator and Senior Programmer, Andy Volk, sat down with writer, director, and producer James Gray for a post-screening Q&amp;A of his coming-of-age drama, Armageddon Time. A deeply personal film inspired by Gray's childhood, Armageddon Time is a reflection on the strength of family, the complexity of friendship, and the realities of class as seen through the eyes of a young Jewish boy growing up in 1980s Queens. Through the brilliant performances of its all-star cast, which includes leading actors such as Anthony Hopkins, Anne Hathaway and Jeremy Strong, Armageddon Time is a beautiful, detailed, and intimate portrait of how privilege, inequality, and prejudice are integral to the American experience. AFF was ecstatic to welcome the preeminent writer-director James Gray, not only to speak more about the film but also to honor him as the 2022 recipient of AFF's coveted Bill Wittliff Award for Screenwriting, an annual award presented to leading storytellers within film, television, and new media. A true visionary, Gray made his directorial debut with his acclaimed film, Little Odessa, which earned him nominations for both Best First Feature and Best First Screenplay at the 1994 Independent Spirit Awards. Other acclaimed features in Gray's canon include The Yards, starring Joaquin Phoenix, who is in fact a frequent collaborator of Gray's, and We Own the Night, starring Mark Wahlberg, in addition to his films Two Lovers, The Immigrant, The Lost City of Z, and Ad Astra, all of which are critically acclaimed and set the bar for both screenwriting and direction. So join us and the legendary director James Gray for a little trip back to the 1980s and a closer look at Armageddon Time. Clips of Armageddon Time courtesy of AT Picture Ventures LLC.

This week on On Story, AFF Moderator and Senior Programmer, Andy Volk, sat down with writer, director, and producer James Gray for a post-screening Q&amp;A of his coming-of-age drama, Armageddon Time. A deeply personal film inspired by Gray's childhood, Armageddon Time is a reflection on the strength of family, the complexity of friendship, and the realities of class as seen through the eyes of a young Jewish boy growing up in 1980s Queens. Through the brilliant performances of its all-star cast, which includes leading actors such as Anthony Hopkins, Anne Hathaway and Jeremy Strong, Armageddon Time is a beautiful, detailed, and intimate portrait of how privilege, inequality, and prejudice are integral to the American experience. AFF was ecstatic to welcome the preeminent writer-director James Gray, not only to speak more about the film but also to honor him as the 2022 recipient of AFF's coveted Bill Wittliff Award for Screenwriting, an annual award presented to leading storytellers within film, television, and new media. A true visionary, Gray made his directorial debut with his acclaimed film, Little Odessa, which earned him nominations for both Best First Feature and Best First Screenplay at the 1994 Independent Spirit Awards. Other acclaimed features in Gray's canon include The Yards, starring Joaquin Phoenix, who is in fact a frequent collaborator of Gray's, and We Own the Night, starring Mark Wahlberg, in addition to his films Two Lovers, The Immigrant, The Lost City of Z, and Ad Astra, all of which are critically acclaimed and set the bar for both screenwriting and direction. So join us and the legendary director James Gray for a little trip back to the 1980s and a closer look at Armageddon Time. Clips of Armageddon Time courtesy of AT Picture Ventures LLC.

Armageddon Time Q&A with James Gray

Dede Gardner

Sarah Polley

This week on On Story, it's all about Women Talking, and I'm not just referencing our powerhouse guests, Academy Award-winning producer Dede Gardner and Oscar-nominated writer-director Sarah Polley, but also their newest film collaboration and adaptation, Women Talking. Women Talking is a drama feature based on Miriam Toews' critically acclaimed novel of the same name. Inspired by true events from a sequestered community in Bolivia, the film follows a group of women in an isolated religious colony as they struggle to reconcile their faith amidst a series of assaults committed by the colony's men. This raw and vulnerable look at domestic violence is ultimately a story of women's resilience, and it's beautifully portrayed by leading actors Rooney Mara, Claire Foy, Jessica Buckley, Judith Ivey and Frances McDormand. Austin Film Festival was thrilled to include this powerful film in our 2022 film slate. But a little more on the women talking in this post-screening Q&amp;A. AFF was honored to award Dede Gardner with the 2022 Polly Platt Award for Producing, an Austin Film Festival award intended to recognize producers with a keen sense of story who have demonstrated a commitment to fostering new talent. Throughout her career, Gardner has produced many Academy Award and Golden Globe-winning films, including pioneering work such as Minari, If Beale Street Could Talk, Moonlight, The Big Short, Vice, Selma, 12 Years a Slave, And Terrence Malick's Palme d'Or winner, The Tree of Life. Her recent television releases include HBO's limited series, The Third Day, as well as the Amazon series, The Underground Railroad, and Outer Range. Joining Gardner is Women Talking's writer-director, Sarah Polley. Formerly an actress known for her leading role in the television series, Ramona, Polley made her directorial debut with her film, Away from Her, which was Oscar-nominated for Best Adapted Screenplay. Polley also received the Writer's Guild of America Award for Best Documentary Screenplay for her doc, Stories We Tell. Most recently, she executive-produced and wrote the Netflix limited series, Alias Grace, which she adapted from Margaret Atwood's novel. In short, Sarah Polley is a master at taking existing stories and filtering them through a lens of her own. AFF moderator Marissa Padden spoke with Dede Gardner and Sarah Polley after their screening at this year's Austin Film Festival to give our audience an insider's look at the art of adaptation and to host an honest conversation about tackling stories with difficult subjects. Sh! The women are talking, it's time to listen. Clips of Women Talking courtesy of United Artists Releasing.

This week on On Story, it's all about Women Talking, and I'm not just referencing our powerhouse guests, Academy Award-winning producer Dede Gardner and Oscar-nominated writer-director Sarah Polley, but also their newest film collaboration and adaptation, Women Talking. Women Talking is a drama feature based on Miriam Toews' critically acclaimed novel of the same name. Inspired by true events from a sequestered community in Bolivia, the film follows a group of women in an isolated religious colony as they struggle to reconcile their faith amidst a series of assaults committed by the colony's men. This raw and vulnerable look at domestic violence is ultimately a story of women's resilience, and it's beautifully portrayed by leading actors Rooney Mara, Claire Foy, Jessica Buckley, Judith Ivey and Frances McDormand. Austin Film Festival was thrilled to include this powerful film in our 2022 film slate. But a little more on the women talking in this post-screening Q&amp;A. AFF was honored to award Dede Gardner with the 2022 Polly Platt Award for Producing, an Austin Film Festival award intended to recognize producers with a keen sense of story who have demonstrated a commitment to fostering new talent. Throughout her career, Gardner has produced many Academy Award and Golden Globe-winning films, including pioneering work such as Minari, If Beale Street Could Talk, Moonlight, The Big Short, Vice, Selma, 12 Years a Slave, And Terrence Malick's Palme d'Or winner, The Tree of Life. Her recent television releases include HBO's limited series, The Third Day, as well as the Amazon series, The Underground Railroad, and Outer Range. Joining Gardner is Women Talking's writer-director, Sarah Polley. Formerly an actress known for her leading role in the television series, Ramona, Polley made her directorial debut with her film, Away from Her, which was Oscar-nominated for Best Adapted Screenplay. Polley also received the Writer's Guild of America Award for Best Documentary Screenplay for her doc, Stories We Tell. Most recently, she executive-produced and wrote the Netflix limited series, Alias Grace, which she adapted from Margaret Atwood's novel. In short, Sarah Polley is a master at taking existing stories and filtering them through a lens of her own. AFF moderator Marissa Padden spoke with Dede Gardner and Sarah Polley after their screening at this year's Austin Film Festival to give our audience an insider's look at the art of adaptation and to host an honest conversation about tackling stories with difficult subjects. Sh! The women are talking, it's time to listen. Clips of Women Talking courtesy of United Artists Releasing.

Women Talking Q&A with Dede Gardner and Sarah Polley

Nikyatu Jusu

Austin Film Festival was proud to recognize Nikyatu Jusu during our annual Awards Luncheon as the 2022 New Voice Award recipient, an award intended to spotlight unique and captivating new voices in film, television, and new media. Nanny is a psychologically complex horror-thriller which follows Aisha, a recently-emigrated woman from Senegal who is hired to care for the daughter of an unbalanced white couple living in New York's Tribeca neighborhood. Through her work, Aisha begins to unravel, begging the question: When does the American Dream look more like a nightmare? Barbara Morgan sat down with Nikyatu Jusu at a post-screening Q&amp;A at the Austin Film Festival.  Clips of Nanny courtesy of Amazon Studios.

Austin Film Festival was proud to recognize Nikyatu Jusu during our annual Awards Luncheon as the 2022 New Voice Award recipient, an award intended to spotlight unique and captivating new voices in film, television, and new media. Nanny is a psychologically complex horror-thriller which follows Aisha, a recently-emigrated woman from Senegal who is hired to care for the daughter of an unbalanced white couple living in New York's Tribeca neighborhood. Through her work, Aisha begins to unravel, begging the question: When does the American Dream look more like a nightmare? Barbara Morgan sat down with Nikyatu Jusu at a post-screening Q&amp;A at the Austin Film Festival.  Clips of Nanny courtesy of Amazon Studios.

Nanny Q&A with Nikyatu Jusu

Austin Film Festival's On Story Podcast is the companion to Austin Film Festival's television show, On Story. Get an uncensored inside look at the creative process of film making through the eyes of some of the entertainment industry's most prolific writers, directors and producers.

Darren Aronofsky

This week on On Story we welcome writer Samuel D. Hunter, and director Darren Aronofsky for a deep-dive (no pun intended) into AFF’s 2022 Opening night film, The Whale. Samuel D. Hunter, recipient of the MacArthur Genius Grant Fellowship, is known for his award-winning plays such as The Case for the Existence of God, A Bright New Boise, Greater Clements, and many more critically acclaimed titles. Darren Aronofsky is an Academy Award-nominated filmmaker known for his indie box office phenomenon, Black Swan, starring Natalie Portman. His previous directorial work includes the award-winning films The Wrestler, The Fountain, and Requiem for a Dream.  Based on Samuel D. Hunter's acclaimed play with the same title, The Whale stars Brendan Fraser and follows the story of a reclusive English teacher living with severe obesity who attempts to reconnect with his estranged teenage daughter for one last chance at redemption. Andy Volk, Austin Film Festival's Senior Film Programmer, sat down with the creatives for a post-screening Q&amp;A at the Austin Film Festival. Clips of The Whale courtesy of A24.

This week on On Story we welcome writer Samuel D. Hunter, and director Darren Aronofsky for a deep-dive (no pun intended) into AFF’s 2022 Opening night film, The Whale. Samuel D. Hunter, recipient of the MacArthur Genius Grant Fellowship, is known for his award-winning plays such as The Case for the Existence of God, A Bright New Boise, Greater Clements, and many more critically acclaimed titles. Darren Aronofsky is an Academy Award-nominated filmmaker known for his indie box office phenomenon, Black Swan, starring Natalie Portman. His previous directorial work includes the award-winning films The Wrestler, The Fountain, and Requiem for a Dream.  Based on Samuel D. Hunter's acclaimed play with the same title, The Whale stars Brendan Fraser and follows the story of a reclusive English teacher living with severe obesity who attempts to reconnect with his estranged teenage daughter for one last chance at redemption. Andy Volk, Austin Film Festival's Senior Film Programmer, sat down with the creatives for a post-screening Q&amp;A at the Austin Film Festival. Clips of The Whale courtesy of A24.

The Whale Q&A with Samuel D. Hunter and Darren Aronofsky

David Self

This week on On Story we’re joined by David Self, the writer behind films like Road to Perdition and Thirteen Days. In this episode, Self dissects his career breaking into the industry to writing crime and historical dramas.  David Self, having been born into an itinerant family of community college and high school teachers, he broke with family tradition and spent most of his waking hours trying to break into Hollywood. In 1994 he found success and was hired to pen the remake of the 1963 film The Haunting for Steven Spielberg. His credits also include Road to Perdition, Thirteen Days, and Wolfman. Crime and thriller film, Road to Perdition, is an adaptation of the DC Comics graphic novel series of the same name. Starring Tom Hanks, it follows the story of  a mob enforcer's son in 1930s Illinois who witnesses a murder, forcing him and his father to take to the road down a path of redemption and revenge. Thirteen Days is a tale of truths about how the Kennedy administration struggled to contain the Cuban Missile Crisis in 1962. The Haunting is a story about how a study of fear escalates into a heart-stopping nightmare for a professor and three subjects trapped in a mysterious mansion.  Moderator Barbara Morgan sat down with David Self for a panel about his work at the Austin Film Festival.   Clips of Thirteen Days courtesy of Beacon Pictures. Clips of Road to Perdition courtesy of DreamWorks Films &amp; Twentieth Century Fox Film Corporation. Clips of Wolfman courtesy of Universal City Studios

This week on On Story we’re joined by David Self, the writer behind films like Road to Perdition and Thirteen Days. In this episode, Self dissects his career breaking into the industry to writing crime and historical dramas.  David Self, having been born into an itinerant family of community college and high school teachers, he broke with family tradition and spent most of his waking hours trying to break into Hollywood. In 1994 he found success and was hired to pen the remake of the 1963 film The Haunting for Steven Spielberg. His credits also include Road to Perdition, Thirteen Days, and Wolfman. Crime and thriller film, Road to Perdition, is an adaptation of the DC Comics graphic novel series of the same name. Starring Tom Hanks, it follows the story of  a mob enforcer's son in 1930s Illinois who witnesses a murder, forcing him and his father to take to the road down a path of redemption and revenge. Thirteen Days is a tale of truths about how the Kennedy administration struggled to contain the Cuban Missile Crisis in 1962. The Haunting is a story about how a study of fear escalates into a heart-stopping nightmare for a professor and three subjects trapped in a mysterious mansion.  Moderator Barbara Morgan sat down with David Self for a panel about his work at the Austin Film Festival. Clips of Thirteen Days courtesy of Beacon Pictures. Clips of Road to Perdition courtesy of DreamWorks Films &amp; Twentieth Century Fox Film Corporation. Clips of Wolfman courtesy of Universal City Studios

A Conversation with David Self

Glen Mazarra

This week on On Story we’re joined by writer &amp; showrunner Glen Mazzara as he discusses the ins and outs of the industry, and how his experiences developed him into a versatile writer.  Glen Mazzara is a writer and producer whose work includes AMC’s The Walking Dead, The Shield, and Damien. Damien, a TV Drama based on the classic horror film, “The Omen”, follows the film’s protagonist, Damien as he copes with his life after finding out he is the prophesied Antichrist. The Shield, a Primetime Emmy Award-winning Drama series following the lives and cases of dirty cop Vic Mackey and the LAPD unit under his command. The Walking Dead, a post-apocalyptic drama made television history, winning 2 Primetime Emmys and becoming the only drama in television history to hold the #1 title for five consecutive years.   Moderator Harrison Glaser sat down with Glen Mazzara for a panel about his work at the Austin Film Festival. Clips of The Walking Dead courtesy of AMC Entertainment Clips of The Shield and Damien courtesy of Twentieth Century Fox Film Corporation

This week on On Story we’re joined by writer &amp; showrunner Glen Mazzara as he discusses the ins and outs of the industry, and how his experiences developed him into a versatile writer.  Glen Mazzara is a writer and producer whose work includes AMC’s The Walking Dead, The Shield, and Damien. Damien, a TV Drama based on the classic horror film, “The Omen”, follows the film’s protagonist, Damien as he copes with his life after finding out he is the prophesied Antichrist. The Shield, a Primetime Emmy Award-winning Drama series following the lives and cases of dirty cop Vic Mackey and the LAPD unit under his command. The Walking Dead, a post-apocalyptic drama made television history, winning 2 Primetime Emmys and becoming the only drama in television history to hold the #1 title for five consecutive years.   Moderator Harrison Glaser sat down with Glen Mazzara for a panel about his work at the Austin Film Festival. Clips of The Walking Dead courtesy of AMC Entertainment Clips of The Shield and Damien courtesy of Twentieth Century Fox Film Corporation

A Conversation with Glen Mazarra

This week on On Story, Miss Juneteenth writer/director Channing Godfrey Peoples discusses her feature directorial debut and her work as a multi-hyphenate independent filmmaker.   Peoples is the writer-director of the 2020 drama Miss Juneteenth, which follows a former beauty queen and single mom as she prepares her rebellious daughter for a life-changing pageant. Having grown up in Fort Worth, Texas, Peoples attended pageants where “Miss Juneteenth” is a real contest held there. A gripping story of poverty, the film has appeared on dozens of critics’ year-end top ten lists, including TIME, Washington Post, and IndieWire, among others.   Moderator Ya’Ke Smith sat down with Channing Godfrey Peoples for a panel about her work as a multi-hyphenate independent filmmaker at the Austin Film Festival.   Clips of Miss Juneteenth courtesy of Ley Line Entertainment.

This week on On Story, Miss Juneteenth writer/director Channing Godfrey Peoples discusses her feature directorial debut and her work as a multi-hyphenate independent filmmaker. Peoples is the writer-director of the 2020 drama Miss Juneteenth, which follows a former beauty queen and single mom as she prepares her rebellious daughter for a life-changing pageant. Having grown up in Fort Worth, Texas, Peoples attended pageants where “Miss Juneteenth” is a real contest held there. A gripping story of poverty, the film has appeared on dozens of critics’ year-end top ten lists, including TIME, Washington Post, and IndieWire, among others. Moderator Ya’Ke Smith sat down with Channing Godfrey Peoples for a panel about her work as a multi-hyphenate independent filmmaker at the Austin Film Festival. Clips of Miss Juneteenth courtesy of Ley Line Entertainment.

'Miss Juneteenth' with Channing Godfrey Peoples

Derek Kolstad

This week on On Story writer Derek Kolstad, creator of the John Wick franchise reflects on his thrilling career, how he weaves emotion and humanity into action set pieces, as well as crafting characters you cannot help but root for. Derek Kolstad is the writer/creator of the popular John Wick franchise with the latest installment: John Wick: Chapter 4 set to be released in 2023. He also wrote on Marvel’s hit limited series The Falcon and Winter Soldier, which has been nominated for 5 Primetime Emmys. 2021 also saw the release of Derek’s action-thriller Nobody. Nobody sheds light on a docile family man struggling with aging and encroaching feelings of irrelevance as his children grow up. His new tv adaptation of the popular video game, Splinter Cell, is currently in production and will be airing on Netflix in the following year.  Most recently, Kolstad produced the film The Princess for Hulu, which follows the action-packed story of a strong-willed princess who refuses an arranged marriage alliance to an especially cruel sociopath. Barbara Morgan sat down with Derek Kolstad for a panel about his work at the Austin Film Festival.   Clips of John Wick courtesy of Thunder Road Pictures Clips of Nobody courtesy of Universal City Studios

This week on On Story writer Derek Kolstad, creator of the John Wick franchise reflects on his thrilling career, how he weaves emotion and humanity into action set pieces, as well as crafting characters you cannot help but root for. Derek Kolstad is the writer/creator of the popular John Wick franchise with the latest installment: John Wick: Chapter 4 set to be released in 2023. He also wrote on Marvel’s hit limited series The Falcon and Winter Soldier, which has been nominated for 5 Primetime Emmys. 2021 also saw the release of Derek’s action-thriller Nobody. Nobody sheds light on a docile family man struggling with aging and encroaching feelings of irrelevance as his children grow up. His new tv adaptation of the popular video game, Splinter Cell, is currently in production and will be airing on Netflix in the following year.  Most recently, Kolstad produced the film The Princess for Hulu, which follows the action-packed story of a strong-willed princess who refuses an arranged marriage alliance to an especially cruel sociopath. Barbara Morgan sat down with Derek Kolstad for a panel about his work at the Austin Film Festival. Clips of John Wick courtesy of Thunder Road Pictures Clips of Nobody courtesy of Universal City Studios

Writing 'John Wick' with Derek Kolstad

Hey podcast listeners, this week on On Story we’re foraging for insight into Pig with writer and director Michael Sarnoski.   Michael Sarnoski is a writer, director, and a producer best known for writing 2020’s Pig. The film, starring Nicholas Cage, tells the story of a man searching for his pig, while dealing with the effects of prolonged grief. As director, Sarnoski revealed that he only had around twenty days to make the movie and there was no budget for re-shoots or delays. He is currently slated to direct the upcoming A Quiet Place: Day One, the anticipated prequel in the A Quiet Place series.    We sat down with Michael Sarnoski for a panel about the film at the Austin Film Festival.

Hey podcast listeners, this week on On Story we’re foraging for insight into Pig with writer and director Michael Sarnoski. Michael Sarnoski is a writer, director, and a producer best known for writing 2020’s Pig. The film, starring Nicholas Cage, tells the story of a man searching for his pig, while dealing with the effects of prolonged grief. As director, Sarnoski revealed that he only had around twenty days to make the movie and there was no budget for re-shoots or delays. He is currently slated to direct the upcoming A Quiet Place: Day One, the anticipated prequel in the A Quiet Place series.  We sat down with Michael Sarnoski for a panel about the film at the Austin Film Festival.

On Writing Pig with Michael Sarnoski

Stephanie Allain

This week on On Story we’re talking to Hustle &amp; Flow producer, Stephanie Allain for a conversation on producing. Stephanie Allain is a producer, known for her work in both film and television. Her work includes Hustle and Flow, Beyond the Lights, and Dear White People, a political commentary turned dramedy.  Hustle &amp; Flow follows a street hustler’s attempt to make it in the hip-hop industry, featuring several BET award-winning performances and appearances by rappers like Ludacris and Juicy J.  Beyond the Lights tells the story of a mentally-unstable woman who has been shoved toward stardom by her domineering mother and finds her trajectory changed when a young cop stops her from taking her own life.    Dear White People follows the stories of a group of black students trying to navigate life at a predominantly white, elite university.   In 2021 Allain attended the Austin Film Festival, where she received the Polly Platt Award for Producing.   Moderator Casey Baron sat down with Stephanie Allain for a panel about her work at the Austin Film Festival.   Clips of Hustle &amp; Flow courtesy of Crunk Pictures LLC. Clips of Beyond the Lights courtesy of Blackbird Productions, LLC. Clips of Dear White People courtesy of Homegrown Pictures.

This week on On Story we’re talking to Hustle &amp; Flow producer, Stephanie Allain for a conversation on producing. Stephanie Allain is a producer, known for her work in both film and television. Her work includes Hustle and Flow, Beyond the Lights, and Dear White People, a political commentary turned dramedy.  Hustle &amp; Flow follows a street hustler’s attempt to make it in the hip-hop industry, featuring several BET award-winning performances and appearances by rappers like Ludacris and Juicy J.  Beyond the Lights tells the story of a mentally-unstable woman who has been shoved toward stardom by her domineering mother and finds her trajectory changed when a young cop stops her from taking her own life.  Dear White People follows the stories of a group of black students trying to navigate life at a predominantly white, elite university. In 2021 Allain attended the Austin Film Festival, where she received the Polly Platt Award for Producing. Moderator Casey Baron sat down with Stephanie Allain for a panel about her work at the Austin Film Festival. Clips of Hustle &amp; Flow courtesy of Crunk Pictures LLC. Clips of Beyond the Lights courtesy of Blackbird Productions, LLC. Clips of Dear White People courtesy of Homegrown Pictures.

Representing the Underrepresented with Stephanie Allain

Eric Roth

This week on On Story we welcome screenwriter Eric Roth as he talks about about his process of adapting stories from beloved properties.   Eric Roth is a producer and writer, best known for penning the screenplays for 2021’s Dune, The Curious Case of Benjamin Button and the Academy Award® winning adaptation, Forrest Gump.   Dune, tells a sci-fi driven hero’s journey of a young man traveling to the most dangerous planet to save his family’s future. The film took home 6 Oscars during the 2022 Academy Awards. Benjamin Button, starring Brad Pitt, follows the heart-wrenching story of a man living his life in reverse. The critically acclaimed film Forrest Gump, adapted from the Winston Groom novel of the same name, and which starred Tom Hanks, itself won 6 Oscars and became the top- grossing film in America during its theatrical run.   Clips of Forrest Gump courtesy of Paramount Pictures Clips of Dune courtesy of Warner Bros. Entertainment Clips of The Curious Case of Benjamin Button courtesy of Paramount Pictures

This week on On Story we welcome screenwriter Eric Roth as he talks about about his process of adapting stories from beloved properties. Eric Roth is a producer and writer, best known for penning the screenplays for 2021’s Dune, The Curious Case of Benjamin Button and the Academy Award® winning adaptation, Forrest Gump.  Dune, tells a sci-fi driven hero’s journey of a young man traveling to the most dangerous planet to save his family’s future. The film took home 6 Oscars during the 2022 Academy Awards. Benjamin Button, starring Brad Pitt, follows the heart-wrenching story of a man living his life in reverse. The critically acclaimed film Forrest Gump, adapted from the Winston Groom novel of the same name, and which starred Tom Hanks, itself won 6 Oscars and became the top- grossing film in America during its theatrical run. Clips of Forrest Gump courtesy of Paramount Pictures Clips of Dune courtesy of Warner Bros. Entertainment Clips of The Curious Case of Benjamin Button courtesy of Paramount Pictures

On Writing 'Dune' with Eric Roth

This week on On Story we’re joined by Lipscomb University filmmakers Melissa Forte &amp; Sumner McMurtry talking about their journey from a chance encounter at Austin Film Festival to collaborating on a short film born out of a Ghost Story writing competition. Later, we’ll sit down with Bogle Family Vinyards VP of Consumer Relations, Jody Bogle, and get her insight on producing a film rich in family history and spooky occurrences.  Melissa Forte is a filmmaker and current chair of Lipscomb University’s Department of Cinematic Arts. After six years of industry work with the Walt Disney World company, Forte spent eight years at Tenessee State University (TSU), earning tenure and building a strong program. After that time, she made the move to Lipscomb University when she was invited to chair the Department of Cinematic Arts. The skills she gained through her years of production work gave her the ability to easily transition into leading academic teams including faculty and staff. Forte is an advocate for instilling the idea that we are part of a larger society and should work to use our gifts and talents to give voice to the underestimated and often overlooked members of our communities.   Sumner McMurtry is an award-winning filmmaker from Nashville, Tennessee. His short thriller, NOT CLICKBAIT, took home the grand prize in Lipscomb University's Five Minute Film Festival and was later screened at the Nashville Film Festival, the oldest running film festival of the south. His latest short film, THEY'VE BEEN WAITING FOR YOU, premiered at the Austin Film Festival in 2022. Sumner has had a passion for storytelling for as long as he can remember. He spends a great deal of his time creating an array of projects for clients across the Middle Tennessee area.   I recently spoke with Melissa &amp; Sumner about their experience creating the short film Phantom which premiered at the Austin Film Festival and working with the Bogle Family as producers. They've Been Waiting For You is the story of the resident spirit which inhabits the cellars of the Bogle Family Vineyards and the rich family history that accompanies the legend.    Next, we’re talking to Jody Bogle, who served as producer on the film THEY’VE BEEN WAITING FOR YOU produced in collaboration with the Libscomb University Department of Cinematic Arts.   Jody Bogle is the Vice President of Consumer Relations, at Bogle Family Vineyards. In her role, she oversees hospitality at the family’s Home Ranch tasting room, direct-to-consumer sales, and internal and external communications and leads the winery’s international sales efforts in 40 countries around the globe. After a chance encounter with members of Libscomb University, Bogle set her sights on producing a short film in celebration of Phantom Wine from her family’s vineyards. I recently spoke with Jody about her experience producing the short film with the Libscomb University crew.

This week on On Story we’re joined by Lipscomb University filmmakers Melissa Forte &amp; Sumner McMurtry talking about their journey from a chance encounter at Austin Film Festival to collaborating on a short film born out of a Ghost Story writing competition. Later, we’ll sit down with Bogle Family Vinyards VP of Consumer Relations, Jody Bogle, and get her insight on producing a film rich in family history and spooky occurrences.  Melissa Forte is a filmmaker and current chair of Lipscomb University’s Department of Cinematic Arts. After six years of industry work with the Walt Disney World company, Forte spent eight years at Tenessee State University (TSU), earning tenure and building a strong program. After that time, she made the move to Lipscomb University when she was invited to chair the Department of Cinematic Arts. The skills she gained through her years of production work gave her the ability to easily transition into leading academic teams including faculty and staff. Forte is an advocate for instilling the idea that we are part of a larger society and should work to use our gifts and talents to give voice to the underestimated and often overlooked members of our communities. Sumner McMurtry is an award-winning filmmaker from Nashville, Tennessee. His short thriller, NOT CLICKBAIT, took home the grand prize in Lipscomb University's Five Minute Film Festival and was later screened at the Nashville Film Festival, the oldest running film festival of the south. His latest short film, THEY'VE BEEN WAITING FOR YOU, premiered at the Austin Film Festival in 2022. Sumner has had a passion for storytelling for as long as he can remember. He spends a great deal of his time creating an array of projects for clients across the Middle Tennessee area. I recently spoke with Melissa &amp; Sumner about their experience creating the short film Phantom which premiered at the Austin Film Festival and working with the Bogle Family as producers. They've Been Waiting For You is the story of the resident spirit which inhabits the cellars of the Bogle Family Vineyards and the rich family history that accompanies the legend.  Next, we’re talking to Jody Bogle, who served as producer on the film THEY’VE BEEN WAITING FOR YOU produced in collaboration with the Libscomb University Department of Cinematic Arts. Jody Bogle is the Vice President of Consumer Relations, at Bogle Family Vineyards. In her role, she oversees hospitality at the family’s Home Ranch tasting room, direct-to-consumer sales, and internal and external communications and leads the winery’s international sales efforts in 40 countries around the globe. After a chance encounter with members of Libscomb University, Bogle set her sights on producing a short film in celebration of Phantom Wine from her family’s vineyards. I recently spoke with Jody about her experience producing the short film with the Libscomb University crew.

They've Been Waiting For You: A Halloween Special

Hey podcast listeners, This week on On Story we’re joined by Mare of Easttown writer Brad Ingelsby for a conversation on writing for the critically acclaimed television series.   Brad Inglesby is a screenwriter and producer known for 2013’s Out of the Furnace, 2020’s The Way Back and the subject of today’s episode, the HBO crime drama series, Mare of Easttown. Mare of Easttown follows the story of a police investigator who tries to get to the bottom of a shocking murder, all while trying to keep her life together as personal drama begins to spiral out of control. A limited series consisting of 7 gripping episodes, Mare of Easttown packs a powerful punch through its tightly-crafted story spearheaded by a career-defining performance by Kate Winslet.   We sat down with Brad Inglesby for a conversation about his work at the Austin Film Festival.

Hey podcast listeners, This week on On Story we’re joined by Mare of Easttown writer Brad Ingelsby for a conversation on writing for the critically acclaimed television series. Brad Inglesby is a screenwriter and producer known for 2013’s Out of the Furnace, 2020’s The Way Back and the subject of today’s episode, the HBO crime drama series, Mare of Easttown. Mare of Easttown follows the story of a police investigator who tries to get to the bottom of a shocking murder, all while trying to keep her life together as personal drama begins to spiral out of control. A limited series consisting of 7 gripping episodes, Mare of Easttown packs a powerful punch through its tightly-crafted story spearheaded by a career-defining performance by Kate Winslet. We sat down with Brad Inglesby for a conversation about his work at the Austin Film Festival.

On Writing Mare of Easttown

Great show and great production staff! So much great behind the scenes knowledge and insight

Great show for writers

Really enjoy tuning in and learning something new. great show!

great show

Austin Film Festival's On Story

This week on On Story the writers behind Westworld, Insecure, Hook, and Queen Sugar explore the tools for writing compelling characters and why character building is so vital to the success of your story. If you are looking for a little inspiration or motivation to get back to your script – We are here to help.  Austin Film Festival has over 26 years of archived panels that we will be curating and releasing every Wednesday to help you work through challenges you might be facing in your work. Looking for more resources? Check out austinfilmfestival.com for more audio, streaming suggestions, writing prompts, and more. See you next week.

This week on On Story the writers behind Westworld, Insecure, Hook, and Queen Sugar explore the tools for writing compelling characters and why character building is so vital to the success of your story. If you are looking for a little inspiration or motivation to get back to your script – We are here to help.  Austin Film Festival has over 26 years of archived panels that we will be curating and releasing every Wednesday to help you work through challenges you might be facing in your work. Looking for more resources? Check out <a href="https://austinfilmfestival.com/" rel="nofollow" target="_blank">austinfilmfestival.com</a> for more audio, streaming suggestions, writing prompts, and more. See you next week.

AFF at Home: Character

This week on On Story we're kicking off our new series AFF AT HOME. Spark your story with Ashley Miller (Thor), Amy Louise Johnson (The Long Road Home) and Herschel Weingrod (Trading Places) as they discuss tips for tackling the blank page.  If you are looking for a little inspiration or motivation to get back to your script – We are here to help.  Austin Film Festival has over 26 years of archived panels that we will be curating and releasing every Wednesday to help you work through challenges you might be facing in your work. Looking for more resources? Check out austinfilmfestival.com for more audio, streaming suggestions, writing prompts, and more. See you next week.

This week on On Story we're kicking off our new series AFF AT HOME. Spark your story with Ashley Miller (Thor), Amy Louise Johnson (The Long Road Home) and Herschel Weingrod (Trading Places) as they discuss tips for tackling the blank page.  If you are looking for a little inspiration or motivation to get back to your script – We are here to help.  Austin Film Festival has over 26 years of archived panels that we will be curating and releasing every Wednesday to help you work through challenges you might be facing in your work. Looking for more resources? Check out <a href="https://austinfilmfestival.com/" rel="nofollow" target="_blank">austinfilmfestival.com</a> for more audio, streaming suggestions, writing prompts, and more. See you next week.

AFF at Home: Spark Your Story

This week on On Story we’ll hear from screenwriter Andrew Lanham and celebrated character actor Tim Blake Nelson on their new film JUST MERCY and later we’ll hear from screenwriters Guinevere Turner and Michael Werwie for a discussion on adapting true crime events into feature films. First up we’ll hear from screenwriter Andrew Lanham and actor Tim Blake Nelson discussing their new film JUST MERCY. JUST MERCY  tells the true story of Bryan Stevenson, a lawyer and social justice activist, who has devoted his life to defending wrongly convicted inmates. Tim Blake Nelson, an actor with over 80 credits to his name, is best known for his role as Delmar O’Donnell in O BROTHER WHERE ART THOUGH, and is a current lead in HBO’s WATCHMEN series. Andrew Lanham co-wrote JUST MERCY with director Destin Daniel Cretton. In 2010 Lanham broke into the industry when his script THE JUMPER OF MAIN won Austin Film Festival’s Drama Screenplay Award. I spoke with Nelson and Lanham after the Closing Night screening of JUST MERCY at the 2019 Austin Film Festival. Clips of Just Mercy courtesy of Warner Bros. The True Crime genre has recently dominated entertainment but crafting narratives based on actual crime can be a tricky path to navigate. I spoke with screenwriters Michael Werwie, who wrote the Ted Bundy Netflix film EXTEMELY WICKED, SHOCKINGLY EVIL AND VILE and Guinevere Turner who wrote the Manson Family movie CHARLIE SAYS, about crafting compelling entertainment while respecting the human stories at the heart of the horror. Clips of Extremely Wicked, Shockingly Evil and Vile courtesy of Netflix. Clips of Charlie Says courtesy of IFC Films and Shout! Factory.

This week on On Story we’ll hear from screenwriter Andrew Lanham and celebrated character actor Tim Blake Nelson on their new film JUST MERCY and later we’ll hear from screenwriters Guinevere Turner and Michael Werwie for a discussion on adapting true crime events into feature films. First up we’ll hear from screenwriter Andrew Lanham and actor Tim Blake Nelson discussing their new film JUST MERCY. JUST MERCY  tells the true story of Bryan Stevenson, a lawyer and social justice activist, who has devoted his life to defending wrongly convicted inmates. Tim Blake Nelson, an actor with over 80 credits to his name, is best known for his role as Delmar O’Donnell in O BROTHER WHERE ART THOUGH, and is a current lead in HBO’s WATCHMEN series. Andrew Lanham co-wrote JUST MERCY with director Destin Daniel Cretton. In 2010 Lanham broke into the industry when his script THE JUMPER OF MAIN won Austin Film Festival’s Drama Screenplay Award. I spoke with Nelson and Lanham after the Closing Night screening of JUST MERCY at the 2019 Austin Film Festival. Clips of Just Mercy courtesy of Warner Bros. The True Crime genre has recently dominated entertainment but crafting narratives based on actual crime can be a tricky path to navigate. I spoke with screenwriters Michael Werwie, who wrote the Ted Bundy Netflix film EXTEMELY WICKED, SHOCKINGLY EVIL AND VILE and Guinevere Turner who wrote the Manson Family movie CHARLIE SAYS, about crafting compelling entertainment while respecting the human stories at the heart of the horror. Clips of Extremely Wicked, Shockingly Evil and Vile courtesy of Netflix. Clips of Charlie Says courtesy of IFC Films and Shout! Factory.

Just Mercy + Telling True Crime Stories

This week on On Story, CHERNOBYL creator Craig Mazin discusses his HBO five part mini-series. The series tells the true story of the world’s worst nuclear disaster and the remarkable acts of bravery and sacrifice that followed. Mazin’s previous writing credits include IDENTITY THIEF, THE HANGOVER 2 and 3 and THE HUNTSMAN: WINTERS WAR. Mazin spoke at the 26th Austin Film Festival about transitioning from comedy to drama, the difference between writing for film and television, and the responsibility behind fictionalizing a true event. Clips of Chernobyl courtesy of Home Box Office, Inc. On Story is part of a growing number of programs in Austin Film Festival’s On Story Project, including the On Story PBS series, The On Story radio program and podcast and the On Story book series. To find out more about On Story and Austin Film Festival, visit onstory.tv or austinfilmfestival.com. On Story is brought to you in part by the Alice Kleberg Reynolds Foundation, a Texas family providing innovative funding since 1979. This project is supported in part by the Cultural Arts Division of the City of Austin Economic Development Department, the Texas Commission on the Arts, the US Institute of Museum and Library Services and Texas Library and Archives Commission. This program is also made possible in part by a grant from Humanities Texas the state affiliate for the National Endowment for the Humanities. On Story is supported in part by DePaul University’s School of Cinematic Arts and TooFar Media, immersive story experiences by Rich Shapero. The show is produced by myself, Barbara Morgan, our associate producers are Colin Hyer, Maya Perez, and Kaetie Turner. Our editors are Jamal Knox and Travis Neeley. Audio capture by Travis Kennedy. Music is by Brian Ramos. Production assistance comes from Sound Lab Inc, Travis Kennedy and KUT 90.5 in Austin. Go to AustinFilmFestival.com to find out more about the Austin Film Festival &amp; Conference in October.

This week on On Story, CHERNOBYL creator Craig Mazin discusses his HBO five part mini-series. The series tells the true story of the world’s worst nuclear disaster and the remarkable acts of bravery and sacrifice that followed. Mazin’s previous writing credits include IDENTITY THIEF, THE HANGOVER 2 and 3 and THE HUNTSMAN: WINTERS WAR. Mazin spoke at the 26th Austin Film Festival about transitioning from comedy to drama, the difference between writing for film and television, and the responsibility behind fictionalizing a true event. Clips of Chernobyl courtesy of Home Box Office, Inc. On Story is part of a growing number of programs in Austin Film Festival’s On Story Project, including the On Story PBS series, The On Story radio program and podcast and the On Story book series. To find out more about On Story and Austin Film Festival, visit <a href="http://onstory.tv" rel="nofollow" target="_blank">onstory.tv</a> or <a href="http://austinfilmfestival.com" rel="nofollow" target="_blank">austinfilmfestival.com</a>. On Story is brought to you in part by the Alice Kleberg Reynolds Foundation, a Texas family providing innovative funding since 1979. This project is supported in part by the Cultural Arts Division of the City of Austin Economic Development Department, the Texas Commission on the Arts, the US Institute of Museum and Library Services and Texas Library and Archives Commission. This program is also made possible in part by a grant from Humanities Texas the state affiliate for the National Endowment for the Humanities. On Story is supported in part by DePaul University’s School of Cinematic Arts and TooFar Media, immersive story experiences by Rich Shapero. The show is produced by myself, Barbara Morgan, our associate producers are Colin Hyer, Maya Perez, and Kaetie Turner. Our editors are Jamal Knox and Travis Neeley. Audio capture by Travis Kennedy. Music is by Brian Ramos. Production assistance comes from Sound Lab Inc, Travis Kennedy and KUT 90.5 in Austin. Go to <a href="http://AustinFilmFestival.com" rel="nofollow" target="_blank">AustinFilmFestival.com</a> to find out more about the Austin Film Festival &amp; Conference in October.

On Writing Chernobyl

Buck Henry

Harold Ramis

Judd Apatow

Larry Wilmore

 This week on On Story we pay tribute to legendary comedy writer Buck Henry, who co-created the series Get Smart with Mel Brooks and was twice nominated for an Academy Award®- first in 1968 for Best Adapted Screenplay for The Graduate and again in 1979 for Best Director for the film Heaven Can Wait. In this episode we’re featuring a panel recorded in 2005 featuring comedy luminaries Buck Henry, Judd Apatow and Harold Ramis. And later we’ll hear from Emmy Award winner Larry Wilmore Legendary writer – actor – director Buck Henry passed away at the age of 89. A frequent Austin Film Festival panelist and the recipient of AFF’s 1997 Distinguished Screenwriter Award, Buck was unparalleled in his humor and generosity giving back to the writing community. On Today’s episode we’re featuring a conversation on comedy writing with Henry, Judd Apatow, and Harold Ramis that was recorded at the 2005 Austin Film Festival.    Buck Henry got his start in television in the early 1960’s. Buck Henry co-created the series Get Smart with Mel Brooks and was twice nominated for an Academy Award®- first in 1968 for Best Adapted Screenplay for The Graduate and again in 1979 for Best Director for the film Heaven Can Wait. Producer, director, actor, comedian and screenwriter Judd Apatow is best known for the television shows Freaks and Geeks, Undeclared, and Girls. His extensive filmography includes the hit movies, Anchorman, The 40 Year Old Virgin, Bridesmaids and the 2015 film Trainwreck starring Amy Schumer, Tilda Swinton and Bill Hader.     The late Harold Ramis wrote, directed and starred in some of the most beloved comedies of the past forty years including Caddyshack, Animal House, Ghostbusters, High Fidelity and Groundhog Day. He got his start as a joke editor for Playboy Magazine and went on to become a performer and head writer on the sketch comedy series SCTV. Producer Barry Josephson spoke with these comedy luminaries at the 12th Austin Film Festival Emmy Award winner Larry Wilmore has been a television producer, actor, comedian, and writer for more than 25 years. He started his career as an actor and stand-up comedian before writing and producing on the early nineties classic television shows In Living Color, The Fresh Prince of Bel Air and The Jamie Foxx Show. He co-created The PJ’s with Eddie Murphy, The Bernie Mac Show with Bernie Mac, and was a consulting producer and guest star on the American version of The Office. This segment was recorded at the 14th annual Austin Film Festival and at a special event at the Harry Ransom Center in Austin, TX in 2013. We begin with comedian and satirist Larry Wilmore discussing his comedic roots.

This week on On Story we pay tribute to legendary comedy writer Buck Henry, who co-created the series Get Smart with Mel Brooks and was twice nominated for an Academy Award®- first in 1968 for Best Adapted Screenplay for The Graduate and again in 1979 for Best Director for the film Heaven Can Wait. In this episode we’re featuring a panel recorded in 2005 featuring comedy luminaries Buck Henry, Judd Apatow and Harold Ramis. And later we’ll hear from Emmy Award winner Larry Wilmore Legendary writer – actor – director Buck Henry passed away at the age of 89. A frequent Austin Film Festival panelist and the recipient of AFF’s 1997 Distinguished Screenwriter Award, Buck was unparalleled in his humor and generosity giving back to the writing community. On Today’s episode we’re featuring a conversation on comedy writing with Henry, Judd Apatow, and Harold Ramis that was recorded at the 2005 Austin Film Festival.  Buck Henry got his start in television in the early 1960’s. Buck Henry co-created the series Get Smart with Mel Brooks and was twice nominated for an Academy Award®- first in 1968 for Best Adapted Screenplay for The Graduate and again in 1979 for Best Director for the film Heaven Can Wait. Producer, director, actor, comedian and screenwriter Judd Apatow is best known for the television shows Freaks and Geeks, Undeclared, and Girls. His extensive filmography includes the hit movies, Anchorman, The 40 Year Old Virgin, Bridesmaids and the 2015 film Trainwreck starring Amy Schumer, Tilda Swinton and Bill Hader.  The late Harold Ramis wrote, directed and starred in some of the most beloved comedies of the past forty years including Caddyshack, Animal House, Ghostbusters, High Fidelity and Groundhog Day. He got his start as a joke editor for Playboy Magazine and went on to become a performer and head writer on the sketch comedy series SCTV. Producer Barry Josephson spoke with these comedy luminaries at the 12th Austin Film Festival Emmy Award winner Larry Wilmore has been a television producer, actor, comedian, and writer for more than 25 years. He started his career as an actor and stand-up comedian before writing and producing on the early nineties classic television shows In Living Color, The Fresh Prince of Bel Air and The Jamie Foxx Show. He co-created The PJ’s with Eddie Murphy, The Bernie Mac Show with Bernie Mac, and was a consulting producer and guest star on the American version of The Office. This segment was recorded at the 14th annual Austin Film Festival and at a special event at the Harry Ransom Center in Austin, TX in 2013. We begin with comedian and satirist Larry Wilmore discussing his comedic roots.

Comedy Legends: Buck Henry, Harold Ramis, Judd Apatow, and Larry Wilmore

This week on On Story we’ll hear conversations from two writer/directors from the 26th annual Austin Film Festival. First up, Texas born, Trey Edward Shults, will discuss his emotional new film WAVES, which stars Sterling K. Brown, Taylor Russell and Kevin Harrison, Jr. And later, we’ll hear from Australian filmmaker Zak Hilditch, whose new horror film RATTLESNAKE is streaming now on Netflix. Writer/director Trey Edward Shults’ new film WAVES traces the emotional journey of a suburban African-American family as they navigate love, forgiveness, and coming together in the aftermath of a loss. The film stars Sterling K. Brown, Taylor Russell, and Kelvin Harrison, Jr.. This is Shults’ third feature film; previously he wrote and directed 2015’s KRISHA and 2017’s IT COMES AT NIGHT, which were also released by A24. I spoke with Shults at the 2019 Austin Film Festival after a screening of WAVES. Clips of Waves courtesy of A24. Next up, a conversation with writer/director, Zak Hilditch. Hilditch’s new film RATTLESNAKE, is a psychological horror film about a mother wrestling with the morality of paying a debt to a mysterious woman who saved her daughter’s life. The film is now streaming on Netflix after having it’s world premiere at the Austin Film Festival. Hilditch spoke about writing and directing the project with author and filmmaker Owen Egerton. Clips of Rattlesnake courtesy of Netflix and Campfire. Clips of 1922 courtesy of Netflix and Campfire.

This week on On Story we’ll hear conversations from two writer/directors from the 26th annual Austin Film Festival. First up, Texas born, Trey Edward Shults, will discuss his emotional new film WAVES, which stars Sterling K. Brown, Taylor Russell and Kevin Harrison, Jr. And later, we’ll hear from Australian filmmaker Zak Hilditch, whose new horror film RATTLESNAKE is streaming now on Netflix. Writer/director Trey Edward Shults’ new film WAVES traces the emotional journey of a suburban African-American family as they navigate love, forgiveness, and coming together in the aftermath of a loss. The film stars Sterling K. Brown, Taylor Russell, and Kelvin Harrison, Jr.. This is Shults’ third feature film; previously he wrote and directed 2015’s KRISHA and 2017’s IT COMES AT NIGHT, which were also released by A24. I spoke with Shults at the 2019 Austin Film Festival after a screening of WAVES. Clips of Waves courtesy of A24. Next up, a conversation with writer/director, Zak Hilditch. Hilditch’s new film RATTLESNAKE, is a psychological horror film about a mother wrestling with the morality of paying a debt to a mysterious woman who saved her daughter’s life. The film is now streaming on Netflix after having it’s world premiere at the Austin Film Festival. Hilditch spoke about writing and directing the project with author and filmmaker Owen Egerton. Clips of Rattlesnake courtesy of Netflix and Campfire. Clips of 1922 courtesy of Netflix and Campfire.

Waves + Rattlesnake

This Special Presentation of On Story is a closer look at some of the incredible films chosen to screen at the 26th Annual Austin Film Festival. We talked with the filmmakers whose work represent some of the most original voices in filmmaking from around the world about the challenges they faced in their creative process, and the breakthroughs that led them to The Austin Film Festival. This week on On Story, director, Elizabeth Coffman, discusses her documentary feature which chronicles the life and work of acclaimed author and novelist Flannery O’Connor. O’Connor was a Southern writer who often wrote in a Southern Gothic style that relied heavily on regional settings and characters. Coffman spoke about developing the documentary and the connections between the O’Connor’s writing and personal experiences. Flannery premieres at the Hideout Theatre on Sunday, October 27th. 

This Special Presentation of On Story is a closer look at some of the incredible films chosen to screen at the 26th Annual Austin Film Festival. We talked with the filmmakers whose work represent some of the most original voices in filmmaking from around the world about the challenges they faced in their creative process, and the breakthroughs that led them to The Austin Film Festival. This week on On Story, director, Elizabeth Coffman, discusses her documentary feature which chronicles the life and work of acclaimed author and novelist Flannery O’Connor. O’Connor was a Southern writer who often wrote in a Southern Gothic style that relied heavily on regional settings and characters. Coffman spoke about developing the documentary and the connections between the O’Connor’s writing and personal experiences. Flannery premieres at the Hideout Theatre on Sunday, October 27th.

Filmmaker Interview: Flannery

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