Julius Eastman

Timeline from Vermont Public Classical presents the ten-part series about composer Julius Eastman as one complete podcast episode. Explore the life and legacy of this amazingly talented composer/performer who died penniless and homeless in 1990, but whose work is finally getting the attention it deserves today.

Julius Eastman - Complete Series

This is our final episode in our ten-part series on the life, music and legacy of composer Julius Eastman. Over the course of ten episodes, we’ve talked about art, race, sexuality, expression, and who gets to be in the classical canon. As we wrap up this discussion we remember Julius Eastman separate from his musical legacy, Eastman the person. And hear some stories told by the people who knew him.

Julius Eastman Part 10 - The Holy Presence

This is part nine of our ten part series on composer Julius Eastman. The Classical canon is a collection of pieces that are the most often played and studied; sort of like the greatest hits of classical music. It’s a curated list of quote/unquote “important” pieces, composers and works. This curation started in the 19th century and the list heavily favors white, European men. In this episode we'll talk about righting the canon by making room for more diverse voices and composers.

Julius Eastman Part 9 - Righting the Canon

This is part eight of our ten part series about Julius Eastman; a composer whose work has been experiencing a renaissance lately as a new generation is discovering his individual musical style.

Julius Eastman Part 8 - Songbooks

This is the seventh of our ten part series about Julius Eastman; a composer whose work has been experiencing a renaissance lately as a new generation is discovering his individual musical style. In this episode we'll discuss the way that Eastman chose to title his works and push the boundaries of classical music.

Julius Eastman Part 7 - What's in a name?

We’re at part six of our ten-part series exploring the life, work and influence of composer Julius Eastman. We’ve talked a lot about Eastman’s past and personality, in this episode we’ll focus on his music.

Julius Eastman Part 6 - Organic Music

We’re deep in our series exploring the life and legacy of composer Julius Eastman. We’ve already spoken with authors, composers and musicians who are bringing Eastman’s music and story to a new generation. In this episode, we have the chance to hear more of the story first-hand.

Julius Eastman Part 5 - Village Voice

We’re at part four of our ten part series exploring the life and legacy of Julius Eastman, an openly gay, black composer that died nearly forgotten, penniless and homeless in 1990; nearly forgotten that is, until now.

Julius Eastman Part 4 - Femenine

We’re focusing on the life and influence of Julius Eastman, a composer who is just now getting his due attention in the classical world. For decades, Julius’ music was all but forgotten; that is until another composer, a friend of Eastman, got involved.

Julius Eastman Part 3 - Unjust Malaise

This is part two of our series on the life and works of Julius Eastman, a deeply neglected  composer of contemporary music in the late 70s and early 80s. In fact, he was almost forgotten. I, myself, had barely heard of Eastman in all my musical studies and he certainly wasn’t on my radar, that is until an email appeared in my inbox.

Julius Eastman Part 2 - Fierce Black Queen Iconoclast

Join Vermont Public Classical host James Stewart on a journey into the events, characters and concepts that shaped our Western musical tradition. We'll start at the very beginning and trace the steps of music through history. This music, and its history, is ours.

Timeline: Vermont Public Classical

In our last episode we talked about beat induction and rhythmic entrainment, this is what causes us to pick up the beat around us and tap our feet, even if we aren’t consciously doing it. I mentioned at the very end that there are cutting edge music therapy techniques that use entrainment as a means to treat neuro-biological disorders. The idea is to use outside auditory stimulus, drones, drumming and the like, to change the mental state of the listener.

Brain Entrainment "Ride The Wave"

Ancient Music, 800-900 AD: It's easy to take for granted this ability to take a piece of music and understand it instantly, but this wasn't always the case. Let's explore the birth of modern musical notation and the history of this elegant practice.

The Beginning Of Notation

Have you ever had a song that you just couldn’t get out of your head? You’re not alone. 98% of people have reportedly experienced this phenomenon. Scientists call it Involuntary Musical Imagery but the more catchy title is "earworm."

Earworms

Romantic, 1811-1886: When I say the words “rock star," what comes to your mind? Perhaps you picture guitars, stadiums and teeming mobs of adoring fans flocking to their favorite band or musician. In many ways, composer and pianist Franz Liszt was Europe’s first “rock star." His fans, mostly women, would rush the stage at his performances desperate to grab a bit of his clothes or a lock of his long hair. One writer actually called the phenomenon, “Lisztomania."

Franz Liszt

Henry Purcell

Baroque, 1659-1695: The British Isles were in turmoil in the mid-17th century, wracked by civil war, plague and a fire that devastated most of London. By the late 1660s, new hope was found in the reestablishment of the monarchy. It was thought that a new United Kingdom and a new City of London could arise from the ashes of war and fire. It is in this spirit of Restoration that we see the arrival of one of the most influential composers of the Baroque and, arguably, one of the greatest English composers of all time, Henry Purcell.

The Life And Works Of Henry Purcell

Romantic, 1860-1911: For centuries, the region of Austro/Germany produced remarkably talented composers. You can follow a chain of names from Haydn to Mozart, from Beethoven to Mendelssohn and Brahms. One of the last great composers of this line was Gustav Mahler.

Gustav Mahler

20th Century, 1875-1937: French composer, Maurice Ravel was short in stature, slight of frame, impeccably dressed and careful about his manner. He lived a private life, but perhaps you could have found him walking in the woods outside of Paris at night pondering music in his head. “It’s lucky I’ve managed to write music,” Ravel wrote, “because I know perfectly well I should have never been able to do anything else.”

Maurice Ravel

Deeper Issues, Today: When I was in middle school my class put together a time capsule and I remember caring so much that music be included that I put together a mixed tape, with popular songs recorded haphazardly off the radio.

What We Leave Behind

Synesthesia means “sensing together” and it describes the phenomenon of one our senses triggering another; such as sound and color. This isn’t something farfetched; we come across this idea every single day. The English language is filled with synesthetic idioms. Loud colors, frozen silence, bitter cold, sharp cheese, feeling blue and seeing red are just a few examples. We understand these figures of speech instantaneously without realizing that on the surface, they’re rather odd mixtures of our five senses.

Synesthesia

Claude Debussy

20th Century, 1862-1918: Once in a great while an artist steps on to the scene that challenges the status quo and changes the way we look at art forever. At the dawning of the 20th century, France saw several of these individuals. Stephane Mallarme’s symbolic poetry and Claude Monet’s impressionistic paintings helped pave the way for new expression in their art forms. In the world of music, Claude Debussy stands as that pivotal figure whose works ushered in new sounds and ideas.

Qualia

Listening to music is an emotional experience, unique to each individual. I think we’ve all had a moment when a song, a piece, a singer, a band, an orchestra has touched our hearts, moved us in some way. We also realize that it’s not the same for everyone; different music speaks to different people. We can try to describe the way the music makes us feel but I wonder if it’s even possible to really know how music effects someone else.

20th Century, 1900: At the dawning of the 20th century the world stood on the edge of immense change. No one could have guessed what the next hundred years would bring. Previous centuries saw most composers following specific aesthetic ideals, but music fractured in the 20th century like never before. In reality, we’re still trying to figure out where music goes from here.

20th Century Music

Romantic, 1813-1883: Even mentioning the name Wagner spawns a dramatic response. He’s one of those figures that’s either loved or hated. It’s been said that more ink has been spilt on the works and life of Richard Wagner than almost another composer. His operas and his essays, his philosophy and his spirit, stand as pillars of German Romanticism.

Richard Wagner

Bela Bartok

20th Century, 1881-1945: Bela Bartok was a composer, pianist and musicologist. He was so devoted to his studies and artistic pursuits that he stated, “If I would cross myself I would say ‘in the name of Nature, Art and Science.’” His compositions had both a nationalistic fervor and an adventurous spirit, pushing the boundaries of music in the 20th century.

Robert Schumann

Romantic, 1810-1856: Robert Schumann is one of the central figures of the Romantic Era. Not only did he make important contributions to the piano, art song and orchestral repertoire, he was also a celebrated musical journalist whose prose and poetry influenced the music of a generation.

Thanks to the 1940 film Fantasia, this music will always be tied to the image of Mickey Mouse in that droopy wizard’s cap. However, the story of The Sorcerer’s Apprentice doesn’t come from Disney. Paul Dukas’ music, written over 40 years before, tells the story beat for beat of a young apprentice using magic to get out his chores. But it wasn’t even Dukas’ story to begin with; the music is based on a poem by Goethe written in 1797.

Does Music Always Have To Tell A Story?

Here's another favorite episode of Timeline chosen by listeners and staff at VPR.German philosopher Immanuel Kant wrote that “If music confers no survival advantage, where does it come from and why does it work?” Why do humans sing? Why do we make music at all?

Here's another favorite episode of Timeline chosen by listeners and staff at VPR.<br>German philosopher Immanuel Kant wrote that “If music confers no survival advantage, where does it come from and why does it work?” Why do humans sing? Why do we make music at all?

110 - Why We Sing

20th Century, 1913: In music, there have been defining moments that change the world. A single piece, even a single performance, sends shock waves through the entire art form and suddenly things are never the same. The 1913 premiere of Igor Stravinsky’s The Rite of Spring was one such moment.

The Rite of Spring

The epic work "The Tale of the Heike" cannot be assigned to a single author. It is the result of an oral tradition that grew over centuries, from one generation to the next by Japanese medieval, lute-playing bards called the biwa hoshi. However, the most widely read version of the Heike was compiled by a 14th century blind monk named Akashi no Kakuichi.

Akashi no Kakuichi - Blind Bard

Join VPR Classical host James Stewart as we listen to a special Timeline podcast presentation “Music and the Mind.” We’ll explore the connections between the how the mind works and how we process music.

Music and the Mind

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