Richard Wagner’s style is one of the most distinctive and recognizable in all of opera.  But Wagner wasn’t always the Wagner we’ve come to know. The earliest of Wagner’s operas to be performed in his lifetime was an adaptation of Shakespeare’s Measure for Measure,  Das Liebesverbot, where he is still developing his craft and working on his relationship to German opera.  The result is an opera which does not shy away from Italian styles. It even makes the villain of the piece the one German character among a multitude of Italians bumping up against the moral codes of their city, Palermo, Sicily!  Discover this infrequently performed opera with us, learning about how Wagner became Wagner… and experiencing a lively story of the conflict between personal morality and the enforcement of communal rules.  Hosted by Pat and Kathleen For more cultural and arts commentary by Kathleen Van De Wille, visit Constructive Criticism on Substack.

Richard Wagner’s style is one of the most distinctive and recognizable in all of opera.  But Wagner wasn’t always the Wagner we’ve come to know. The earliest of Wagner’s operas to be performed in his lifetime was an adaptation of Shakespeare’s Measure for Measure,  Das Liebesverbot, where he is still developing his craft and working on his relationship to German opera.  The result is an opera which does not shy away from Italian styles. It even makes the villain of the piece the one German character among a multitude of Italians bumping up against the moral codes of their city, Palermo, Sicily!  Discover this infrequently performed opera with us, learning about how Wagner became Wagner… and experiencing a lively story of the conflict between personal morality and the enforcement of communal rules.  Hosted by Pat and Kathleen For more cultural and arts commentary by Kathleen Van De Wille, visit <a href="https://constructivecriticism.substack.com/" rel="nofollow" target="_blank">Constructive Criticism</a> on Substack.

Ep. 110 Das Liebesverbot by Wagner

Richard Strauss

At once a sweeping story about humanity and a deeply personal look at a married couple with unfulfilled aspirations, Die Frau Ohne Schatten is often considered the magnum opus of the famed partnership between composer Richard Strauss and librettist Hugo von Hofmannsthal.  Moving between lofty, other-worldly, and gritty settings, this opera simultaneously puzzles and inspires audiences.  Being human, this opera tells us, is a messy business, but ultimately, the greatest pursuit and prize in all creation. Hosted by Pat and Kathleen For more cultural and arts commentary by Kathleen Van De Wille, visit Constructive Criticism on Substack.

At once a sweeping story about humanity and a deeply personal look at a married couple with unfulfilled aspirations, Die Frau Ohne Schatten is often considered the magnum opus of the famed partnership between composer Richard Strauss and librettist Hugo von Hofmannsthal.  Moving between lofty, other-worldly, and gritty settings, this opera simultaneously puzzles and inspires audiences.  Being human, this opera tells us, is a messy business, but ultimately, the greatest pursuit and prize in all creation. Hosted by Pat and Kathleen For more cultural and arts commentary by Kathleen Van De Wille, visit <a href="https://constructivecriticism.substack.com/" rel="nofollow" target="_blank">Constructive Criticism</a> on Substack.

Ep. 109 Die Frau Ohne Schatten by Richard Strauss

One of history’s most infamous women, Lucrezia Borgia has inspired artists, dramatists, and TV show writers for centuries.  Donizetti’s opera follows the play by Victor Hugo, telling of Lucrezia’s effort to find the kind of love that might change her life.  However, it isn’t easy being a powerful woman in Renaissance Italy.  Gaetano Donizetti, a prolific composer in the Bel Canto style, gives us an opera with a fascinating story, and, of course, “beautiful singing.” Hosted by Pat, Kathleen, and Grant For more cultural and arts commentary by Kathleen Van De Wille, visit Constructive Criticism on Substack.

One of history’s most infamous women, Lucrezia Borgia has inspired artists, dramatists, and TV show writers for centuries.  Donizetti’s opera follows the play by Victor Hugo, telling of Lucrezia’s effort to find the kind of love that might change her life.  However, it isn’t easy being a powerful woman in Renaissance Italy.  Gaetano Donizetti, a prolific composer in the Bel Canto style, gives us an opera with a fascinating story, and, of course, “beautiful singing.” Hosted by Pat, Kathleen, and Grant For more cultural and arts commentary by Kathleen Van De Wille, visit<a href="https://constructivecriticism.substack.com/" rel="nofollow" target="_blank"> Constructive Criticism</a> on Substack.

Ep. 108 Lucrezia Borgia by Donizetti

“Double, double toil and trouble.”  Composer Giuseppi Verdi enthusiastically declared that Shakespeare’s Macbeth “is one of the greatest creations of man!”  Harnessing this passionate admiration, he went on to craft the first of his three completed operas based on Shakespeare plays.  Verdi’s Macbeth is full of powerful choral pieces, arias from a royal couple lurching toward self-destruction, and Verdi’s own personal vision of a people yearning to free themselves from despotic oppression.  In the end, Macbeth concludes that life is “a tale told by an idiot, full of sound and fury, signifying nothing,” but to Verdi, the tyrant’s downfall brings soaring triumph to a suffering people, and perhaps something closer to self-determination. Hosted by Pat &amp; Kathleen Van De Wille  For more cultural and arts commentary by Kathleen Van De Wille, visit Constructive Criticism on Substack.

“Double, double toil and trouble.”  Composer Giuseppi Verdi enthusiastically declared that Shakespeare’s Macbeth “is one of the greatest creations of man!”  Harnessing this passionate admiration, he went on to craft the first of his three completed operas based on Shakespeare plays.  Verdi’s Macbeth is full of powerful choral pieces, arias from a royal couple lurching toward self-destruction, and Verdi’s own personal vision of a people yearning to free themselves from despotic oppression.  In the end, Macbeth concludes that life is “a tale told by an idiot, full of sound and fury, signifying nothing,” but to Verdi, the tyrant’s downfall brings soaring triumph to a suffering people, and perhaps something closer to self-determination. Hosted by Pat &amp; Kathleen Van De Wille  For more cultural and arts commentary by Kathleen Van De Wille, visit <a href="https://constructivecriticism.substack.com/" rel="nofollow" target="_blank">Constructive Criticism</a> on Substack.

Ep. 107 Macbeth by Verdi

One of the world’s most formidable generals and one of history’s most beguiling politicians are joined by two frustrated young men and an irresistible widow in Handel’s Baroque masterpiece, Giulio Cesare in Egitto.  Join Pat, Kathleen, and Grant for a journey through history, literature, and myth in exploring the influences and meaning of this enduring opera.   For more cultural and arts commentary by Kathleen Van De Wille, visit Constructive Criticism on Substack.

One of the world’s most formidable generals and one of history’s most beguiling politicians are joined by two frustrated young men and an irresistible widow in Handel’s Baroque masterpiece, Giulio Cesare in Egitto.  Join Pat, Kathleen, and Grant for a journey through history, literature, and myth in exploring the influences and meaning of this enduring opera. For more cultural and arts commentary by Kathleen Van De Wille, visit <a href="https://constructivecriticism.substack.com/" rel="nofollow" target="_blank">Constructive Criticism</a> on Substack.

Ep. 106 Giulio Cesare in Egitto by Handel

One of the world’s most beloved operas, Mozart’s  Le Nozze di Figaro, is not only the focus of this episode, but also the inspiration for Elly Uncomposed: A Novel Opera, a magical realist novel by author and retired opera singer, Valerie Niemerg.  Like the opera Figaro, some truly serious and important topics are addressed in Elly Uncomposed, but with a charmingly comical touch. Join Valerie and Pat for a wide-ranging conversation about her delightful book, stories about her time in professional opera, and an exploration of Le Nozze di Figaro.

One of the world’s most beloved operas, Mozart’s  Le Nozze di Figaro, is not only the focus of this episode, but also the inspiration for Elly Uncomposed: A Novel Opera, a magical realist novel by author and retired opera singer, Valerie Niemerg.  Like the opera Figaro, some truly serious and important topics are addressed in Elly Uncomposed, but with a charmingly comical touch. Join Valerie and Pat for a wide-ranging conversation about her delightful book, stories about her time in professional opera, and an exploration of Le Nozze di Figaro.

Ep. 105 The Marriage of Figaro and Elly Uncomposed with Valerie Niemerg

A people yearns for freedom.  The power of their prayers, set to Verdi’s incomparable music, have stirred audiences ever since the première of Nabucco in 1842.  The impact of this opera may relate to Verdi’s own struggle to overcome personal tragedies preceding the composition the music.  It also resonates with the passions of the Italian people of his day, and their desire to free themselves from foreign domination.  Drawing inspiration from scripture, Verdi and his librettist created an opera that tells a timeless story, and gave Italians one of their great anthems, Va pensiero. Hosted by Pat and Grant

A people yearns for freedom.  The power of their prayers, set to Verdi’s incomparable music, have stirred audiences ever since the première of Nabucco in 1842.  The impact of this opera may relate to Verdi’s own struggle to overcome personal tragedies preceding the composition the music.  It also resonates with the passions of the Italian people of his day, and their desire to free themselves from foreign domination.  Drawing inspiration from scripture, Verdi and his librettist created an opera that tells a timeless story, and gave Italians one of their great anthems, Va pensiero. Hosted by Pat and Grant

Ep. 104 Nabucco by Verdi

Handel’s beloved Messiah, known for its thrilling Hallelujah Chorus, is a long-standing favorite during the Christmas season.  Neither an opera, nor Christmas music, this English-language oratorio was composed for the Easter Season and premièred in Dublin in 1842.  The magnificent text was crafted from the King James Bible by Handel’s friend, Charles Jennens.  Join Pat and Grant for their newly remastered conversation about this enduring Baroque masterpiece.

Handel’s beloved Messiah, known for its thrilling Hallelujah Chorus, is a long-standing favorite during the Christmas season.  Neither an opera, nor Christmas music, this English-language oratorio was composed for the Easter Season and premièred in Dublin in 1842.  The magnificent text was crafted from the King James Bible by Handel’s friend, Charles Jennens.  Join Pat and Grant for their newly remastered conversation about this enduring Baroque masterpiece.

Ep. 46 Remastered:  Handel’s Messiah OFE Holiday Special

Erica Miner

Have you ever asked what might be going on backstage at an opera house?  Or wondered about what secrets hide behind those glittering stages?  Drawing on 21 years as a violinist in the Metropolitan Opera, Erica Miner guides her readers through a dramatized version of the opera world in her mystery novel, Aria for Murder, the first in the “Julia Kogan Opera Mystery” series. Join Pat for a conversation with Erica about her experiences in professional opera and the work of crafting them into thrilling works of fiction. Find Erica at: ericaminer.com

Have you ever asked what might be going on backstage at an opera house?  Or wondered about what secrets hide behind those glittering stages?  Drawing on 21 years as a violinist in the Metropolitan Opera, Erica Miner guides her readers through a dramatized version of the opera world in her mystery novel, Aria for Murder, the first in the “Julia Kogan Opera Mystery” series. Join Pat for a conversation with Erica about her experiences in professional opera and the work of crafting them into thrilling works of fiction. Find Erica at: <a href="http://ericaminer.com" rel="nofollow" target="_blank">ericaminer.com</a>

Ep. 103 OFE Presents Opera Mysteries with Erica Miner

Glittering and gloriously tuneful, Die Fledermaus (“The Bat”) is the most enduring operetta of Vienna’s famous “Waltz King,” Johann Strauss II.  Its plot features revenge, infidelity, disguised identities, and a glamorous ball at its center, given by a wealthy host who requires his guests to keep the party lively.  Toasting “King Champagne,” the characters of this “spirited” operetta recognize the royalty of sparkling wine: the beverage that motivates, infuriates, and ultimately exonerates them.    Hosted by Pat and Rosie (www.rosiebrooks.com)

Glittering and gloriously tuneful, Die Fledermaus (“The Bat”) is the most enduring operetta of Vienna’s famous “Waltz King,” Johann Strauss II.  Its plot features revenge, infidelity, disguised identities, and a glamorous ball at its center, given by a wealthy host who requires his guests to keep the party lively.  Toasting “King Champagne,” the characters of this “spirited” operetta recognize the royalty of sparkling wine: the beverage that motivates, infuriates, and ultimately exonerates them.  Hosted by Pat and Rosie <a href="http://www.rosiebrooks.com" rel="nofollow" target="_blank">(www.rosiebrooks.com</a>)

Ep. 102 Die Fledermaus by Johann Strauss II

Opera for Everyone is a radio show and podcast that makes opera understandable, accessible, and enjoyable for all.  Pat Wright hosts the show, inviting guest co-hosts to participate in the mission she and Keely Herron developed after lively discussions of operas they had enjoyed seeing together.  Music soars.  Epiphanies abound.  Hilarity ensues.The show airs Sundays from 9.00 a.m. to 11.00 a.m. on 89.1 KHOL in Jackson, Wyoming. Cover artwork by illustrator Rosie Brooks (www.rosiebrooks.com)

Very informative and engaging - one of my favorite opera podcasts!

Great!

Have really enjoyed the Puccini pods that I listened to. Thanks. Bravo or do you prefer Brava 😆👏

Puccini

Opera for Everyone is a radio show and podcast that makes opera understandable, accessible, and enjoyable for all. Pat Wright hosts the show, inviting guest co-hosts to participate in the mission she and Keely Herron developed after lively discussions of operas they had enjoyed seeing together. Music soars. Epiphanies abound. Hilarity ensues. The show airs Sundays from 9.00 a.m. to 11.00 a.m. on 89.1 KHOL in Jackson, Wyoming. Cover artwork by illustrator Rosie Brooks (<a href="http://www.rosiebrooks.com" rel="nofollow" target="_blank">www.rosiebrooks.com</a>)

Opera For Everyone

Rigoletto is a three-act opera by Guiseppe Verdi, first performed in 1851 in Venice.  In this episode we follow the story of Duke of Mantua's jester, Rigoletto.  He gleefully mocks members of the court for the amusement of the Duke, earning the enmity of the courtiers, and the powerful curse of a father whose daughter the Duke has dishonored.  However, the seemingly heartless Rigoletto hides a tender secret-- his lovely and innocent daughter Gilda.  Her sweetness is no match for the crafty, carousing Duke and his courtiers.  This opera has complex drama, and one of the all-time great opera tunes, La Donna è Mobile.

Ep. 36 Rigoletto By Verdi

On this episode of Opera for Everyone we listen to the opera Tosca by Giacomo Puccini. Tosca is an opera in three acts with an Italian libretto by Luigi Illica and Giuseppe Giacosa.It premiered in 1900 in Rome, Italy at the Teatro Costanzi. The story is based on the French-language play "La Tosca" by Victorien Sardou. It's a melodrama set in Rome in June 1800, where Napoleon's invasion of Italy threatens the Kingdom of Naples' control of the city.The drama - based on real life events - focuses on an escaped political prisoner named Cesare Angelotti, his friend the famous painter Mario Cavaradossi, and Cavaradossi's lover, the beautiful, devout and talented singer Floria Tosca.Tosca is a passionate, dynamic opera fueled by deception, murder, suicide, and love, and it features some of Puccini's best-known and loved arias.

On this episode of Opera for Everyone we listen to the opera Tosca by Giacomo Puccini. Tosca is an opera in three acts with an Italian libretto by Luigi Illica and Giuseppe Giacosa. It premiered in 1900 in Rome, Italy at the Teatro Costanzi. The story is based on the French-language play "La Tosca" by Victorien Sardou. It's a melodrama set in Rome in June 1800, where Napoleon's invasion of Italy threatens the Kingdom of Naples' control of the city. The drama - based on real life events - focuses on an escaped political prisoner named Cesare Angelotti, his friend the famous painter Mario Cavaradossi, and Cavaradossi's lover, the beautiful, devout and talented singer Floria Tosca. Tosca is a passionate, dynamic opera fueled by deception, murder, suicide, and love, and it features some of Puccini's best-known and loved arias.

Ep. 26 Tosca By Puccini

Mozart’s comic yet profound look at human nature and one crazy day in a wealthy Spanish household. The Marriage of Figaro, is an opera buffa (comic opera) in four acts composed in 1786 by Wolfgang Amadeus Mozart, with an Italian libretto written by Lorenzo Da Ponte. The opera's libretto is based on a stage comedy by Pierre Beaumarchais, La folle journée, ou le Mariage de Figaro ("The Mad Day, or The Marriage of Figaro"), which was first performed in 1784. It tells how the servants Figaro and Susanna succeed in getting married, foiling the efforts of their philandering employer Count Almaviva to seduce Susanna and teaching him a lesson in fidelity.The opera is a cornerstone of the repertoire and appears consistently among the top ten in the Operabase list of most frequently performed operas.

Mozart’s comic yet profound look at human nature and one crazy day in a wealthy Spanish household. The Marriage of Figaro, is an opera buffa (comic opera) in four acts composed in 1786 by Wolfgang Amadeus Mozart, with an Italian libretto written by Lorenzo Da Ponte. The opera's libretto is based on a stage comedy by Pierre Beaumarchais, La folle journée, ou le Mariage de Figaro ("The Mad Day, or The Marriage of Figaro"), which was first performed in 1784. It tells how the servants Figaro and Susanna succeed in getting married, foiling the efforts of their philandering employer Count Almaviva to seduce Susanna and teaching him a lesson in fidelity. The opera is a cornerstone of the repertoire and appears consistently among the top ten in the Operabase list of most frequently performed operas.

Ep. 17 Le Nozze di Figaro by Mozart broadcast 11.26.17

Don Giovanni is an opera in two acts by Wolfgang Amadeus Mozart. It debuted in Prague in 1787. Its based on the legend of Don Juan, a Spanish lothario who was obsessed with the conquest of women. The opera tells the story of Don Giovanni, his man-servant Leporello, Donna Elvira his scorned lover, Donna Anna and Don Ottavio - a young engaged couple, and the Commendatore -  Donna Anna's father who is slain by Don Giovanni. Mozart's incredible score paired with a lively libretto by Lorenzo di Ponte make Don Giovanni one of the most performed operas in the world.

Ep. 9 Don Giovanni by Mozart broadcast 9.17.17

Madama Butterfly is an opera in three acts by Giacomo Puccini.  It premiered at Milan’s LaScala in 1903, and with a few revisions by Puccini after its opening, it has become one of the most frequently performed operas in the world.  Inspired to make the story into an opera after seeing David Belasco’s play Madame Butterfly in London, Puccini created one of the most beloved characters in the world of opera.  The story focuses on a young Japanese woman, Butterfly, who marries and American naval officer, Pinkerton, who is stationed in Nagasaki.  The two marry, but have a very different understanding of the meaning of this cross-cultural marriage.  These different understandings have tragic results for Butterfly. Puccini’s music is lush and powerful, at times including influences from America and Japan.  In this episode of Opera for Everyone we discuss both the opera, and the popular stories which led to its creation.

Ep. 37 Madama Butterfly By Puccini

On this episode of Opera for Everyone we listen to Turandot, an opera in three acts by Giacomo Puccini, with an Italian libretto by Giuseppe Adami and Renato Simoni.The opera's version of the story is set in China, and involves Prince Calaf, who falls in love with the cold Princess Turandot. To obtain permission to marry her, a suitor has to solve three riddles; any wrong answer results in death. Calaf passes the test, but Turandot still refuses to marry him. He offers her a way out: if she is able to learn his name before dawn the next day, then at daybreak he will die. Prince Calaf's famous aria "Nessun Dorma" tells the story of Turandot's proclamation that "No one sleeps" so they can discover the name of the mysterious prince.In the end, Turandot doesn't discover his name, and he melts her heart and they are married.The opera was first performed in 1926, and although Puccini died in 1924 shortly before he finished the opera, it was completed by Franco Alfano.

On this episode of Opera for Everyone we listen to Turandot, an opera in three acts by Giacomo Puccini, with an Italian libretto by Giuseppe Adami and Renato Simoni. The opera's version of the story is set in China, and involves Prince Calaf, who falls in love with the cold Princess Turandot. To obtain permission to marry her, a suitor has to solve three riddles; any wrong answer results in death. Calaf passes the test, but Turandot still refuses to marry him. He offers her a way out: if she is able to learn his name before dawn the next day, then at daybreak he will die. Prince Calaf's famous aria "Nessun Dorma" tells the story of Turandot's proclamation that "No one sleeps" so they can discover the name of the mysterious prince. In the end, Turandot doesn't discover his name, and he melts her heart and they are married. The opera was first performed in 1926, and although Puccini died in 1924 shortly before he finished the opera, it was completed by Franco Alfano.

Ep. 12 Turandot by Puccini broadcast 10.15.17

Manon Lescaut

In Giacomo Puccini's first major hit, Manon Lescaut, we meet the adventurous young Manon as she is headed to a convent to live out the rest of her days.  Soon, however, she finds herself torn between a man she loves, and a man whose wealth she loves.  Based on the novel by Abbé Prévost, this story found its home in opera, serving as the basis for two wildly successful versions.  Come hear how magnificently the "medium of excess" tells a story of a woman who wants it all. Hosted by Pat Wright with special guest Petria Fossel.

Ep. 61 Manon Lescaut By Puccini

Thirty-three centuries ago, a doomed visionary Pharaoh tried to remake the world in honor of his god.  Thirty-five years ago, a brilliant composer created a powerful opera that explored the wonder and the tragedy of that ancient dreamer.  Philip Glass's Akhnaten combines modern music with a libretto in ancient languages to break through the centuries and tell a timeless tale.Hosted by Pat and guest co-host Grant.

Thirty-three centuries ago, a doomed visionary Pharaoh tried to remake the world in honor of his god. Thirty-five years ago, a brilliant composer created a powerful opera that explored the wonder and the tragedy of that ancient dreamer. Philip Glass's Akhnaten combines modern music with a libretto in ancient languages to break through the centuries and tell a timeless tale. Hosted by Pat and guest co-host Grant.

Ep. 64 Akhnaten By Glass

Richard Wagner’s earliest opera in repertoire, The Flying Dutchman:  once every seven years, the black ghost ship with blood-red sails enters port, and its captain goes ashore in search of faithful love to redeem his curse.  With special guest, Greg.

Ep. 48 The Flying Dutchman (Der Fliegende Holländer) By Wagner

In describing La Traviata, Verdi called it “a subject for our time.”  Though the pressures and expectations of the mid-19th century opera world required setting it in the previous century, La Traviata is a timeless and tuneful look at some of the most raw and enduring emotions of humankind.  It is justifiably one of the most frequently performed operas worldwide. In the spirit of Opera for Everyone, if you liked Rent or Moulin Rouge, listen to the story of this opera of “the fallen woman” who was part of the inspiration for both. In this episode, host Pat and special guest-co-host Grant take a close look at the story and that is both behind and within it.  And if that’s not enough, this opera boasts one of the world’s great drinking songs!

Ep. 47 La Traviata By Verdi Take Two

On this episode of Opera for Everyone we review the much beloved opera classic LaBoheme by Giacomo Puccini.

Ep. 29 LaBoheme by Puccini

On this episode of Opera for Everyone, we listen to Così Fan Tutte - an opera in two acts with music by Wolfgang Amadeus Mozart, and an Italian libretto by Lorenzo da Ponte. It is an "opera buffa" - comedic opera - and is one of the three Mozart operas for which da Ponte wrote the libretto. The other two da Ponte-Mozart collaborations were "Le nozze di Figaro" and "Don Giovanni." It debuted in 1790 in Vienna's Burgtheater. The opera's full name is "Così fan Tutte - ossia La Scuola degli Amanti" which translates to "Thus Do They All - or The School For Lovers." It refers to the storyline where two young men - Guglielmo and Ferrando -  agree to a bet with their older and wiser friend Don Alfonso who wagers that women can cheat just the way men do. Don Alfonso plots to have the men tell their fiancees - Dorabella and Firodiligi - that they have been called away on military duty immediately, and begins a scheme to seduce the young women thereby proving his assertion that women will stray, allowing him to win the bet.The surly hotel maid, Despina, plays a key role in Don Alfonso's plot helping him to introduce the ladies to two young male foreigners besotted with the young sisters. The "foreigners" are actually the soldiers in disguise. The plot moves along with the men trying to seduce their own girlfriends, and luckily ends happily with the couples reunited with their true loves.

On this episode of Opera for Everyone, we listen to Così Fan Tutte - an opera in two acts with music by Wolfgang Amadeus Mozart, and an Italian libretto by Lorenzo da Ponte. It is an "opera buffa" - comedic opera - and is one of the three Mozart operas for which da Ponte wrote the libretto. The other two da Ponte-Mozart collaborations were "Le nozze di Figaro" and "Don Giovanni." It debuted in 1790 in Vienna's Burgtheater. The opera's full name is "Così fan Tutte - ossia La Scuola degli Amanti" which translates to "Thus Do They All - or The School For Lovers." It refers to the storyline where two young men - Guglielmo and Ferrando - agree to a bet with their older and wiser friend Don Alfonso who wagers that women can cheat just the way men do. Don Alfonso plots to have the men tell their fiancees - Dorabella and Firodiligi - that they have been called away on military duty immediately, and begins a scheme to seduce the young women thereby proving his assertion that women will stray, allowing him to win the bet. The surly hotel maid, Despina, plays a key role in Don Alfonso's plot helping him to introduce the ladies to two young male foreigners besotted with the young sisters. The "foreigners" are actually the soldiers in disguise. The plot moves along with the men trying to seduce their own girlfriends, and luckily ends happily with the couples reunited with their true loves.

Ep. 11 Cosi fan Tutte by Mozart Broadcast 10.8.17

Carmen is an opera in four acts by French composer Georges Bizet. It is set in Seville, southern Spain, and tells the story of the downfall of Don José, a naïve soldier who is seduced by the wiles of the fiery gypsy Carmen. José abandons his childhood sweetheart and deserts from his military duties, yet loses Carmen's love to the glamorous torero Escamillo, after which José kills her in a jealous rage. The depictions of proletarian life, immorality, and lawlessness, and the tragic death of the main character on stage, broke new ground in French opera and were highly controversial. The libretto is based on a novella of the same title by Prosper Mérimée.This show was recorded live in the KHOL Studio on September 3, 2017

Carmen is an opera in four acts by French composer Georges Bizet. It is set in Seville, southern Spain, and tells the story of the downfall of Don José, a naïve soldier who is seduced by the wiles of the fiery gypsy Carmen. José abandons his childhood sweetheart and deserts from his military duties, yet loses Carmen's love to the glamorous torero Escamillo, after which José kills her in a jealous rage. The depictions of proletarian life, immorality, and lawlessness, and the tragic death of the main character on stage, broke new ground in French opera and were highly controversial. The libretto is based on a novella of the same title by Prosper Mérimée. This show was recorded live in the KHOL Studio on September 3, 2017

Ep. 7 Carmen by Bizet, Take 2

Have you ever wondered just who that woman with the blond braids, shining breastplate, and iconic opera helmet might be?  Meet Brünhilde and her clan in the in this epic tale. Dwarfs, water nymphs, giants, dragons, forbidden love, heroes, gods, mortals, greed, pride, lust, resentment, the beginning of time, the end of time, what happens in between, fire, marriage, blood, flying horses, a magic sword, contract law—it’s all here in one of history’s greatest works of art, Richard Wagner’s Der Ring des Nibelungen, the story of the accursed golden ring of infinite power.With Pat and guest co-host, Petria Fossel.

Have you ever wondered just who that woman with the blond braids, shining breastplate, and iconic opera helmet might be? Meet Brünhilde and her clan in the in this epic tale. Dwarfs, water nymphs, giants, dragons, forbidden love, heroes, gods, mortals, greed, pride, lust, resentment, the beginning of time, the end of time, what happens in between, fire, marriage, blood, flying horses, a magic sword, contract law—it’s all here in one of history’s greatest works of art, Richard Wagner’s Der Ring des Nibelungen, the story of the accursed golden ring of infinite power. With Pat and guest co-host, Petria Fossel.

Ep. 55 Wagner's The Ring Of The Nibelung

On today's episode we listen to Manon by Jules Massenet, an opera in five acts set to a French Libretto by  Henri Meilhac and Philippe Gille. The story is based on the 1731 novel "L’histoire du chevalier des Grieux et de Manon Lescaut" by the Abbé Prévost.The story begins in 1721 with a party of friends including Guillot Morfontain making merry at an Inn. Manon, escorted by her cousin Lescaut, of the Guards, arrives on her way to a convent. She is of the peasantry, but vain as well as beautiful. Guillot leaves his friends, to pay attention to the young girl. He meets with no success, and is finally compelled to retreat.The Chevalier Des Grieux, however, who appears upon the scene during the temporary absence of the cousin Lescaut, is more successful. Although about to take holy orders and become a priest, Des Grieux is charmed and infatuated by Manon's beauty and seeming simplicity; while she, in her vanity, seeks for a higher social position, and is also fascinated by the young Chevalier's manliness. The result is an almost immediate elopement of the pair.Act 2 begins in the couples cozy apartment in Paris. Before Des Grieux can secure his father's consent to their marriage the young man is placed in jeopardy by Lescaut and De Brétigny. The two men are soon pacified; shortly afterwards Des Grieux is seized by six men in the Count's (his father's) employ, and all taken away from Manon.In Act 3 we find Manon under protection of De Brétigny. But she learns that Des Grieux (whom she really loves) is now the priest at St. Sulpice; and she flies from Brétigny to win back her lover. In the second scene there is an interesting and dramatic situation, wherein Manon succeeds in inducing Des Grieux to renounce the priesthood and renew his love with Manon. In the 4th act is seen the interior of the gambling-house in Paris. Des Grieux is unjustly accused of cheating, and he and Manon are about to be arrested where Count Des Grieux appears and release the Chevalier; but Manon, through the effort of Guillot who seeks revenge, is condemned to jail and eventual deportation to the French colony Louisana. In the last scene, as Manon is being marched away to the ship that will take her to Louisiana, Manon again meets her lover Des Grieux, and dies in his arms.

On today's episode we listen to Manon by Jules Massenet, an opera in five acts set to a French Libretto by Henri Meilhac and Philippe Gille. The story is based on the 1731 novel "L’histoire du chevalier des Grieux et de Manon Lescaut" by the Abbé Prévost. The story begins in 1721 with a party of friends including Guillot Morfontain making merry at an Inn. Manon, escorted by her cousin Lescaut, of the Guards, arrives on her way to a convent. She is of the peasantry, but vain as well as beautiful. Guillot leaves his friends, to pay attention to the young girl. He meets with no success, and is finally compelled to retreat. The Chevalier Des Grieux, however, who appears upon the scene during the temporary absence of the cousin Lescaut, is more successful. Although about to take holy orders and become a priest, Des Grieux is charmed and infatuated by Manon's beauty and seeming simplicity; while she, in her vanity, seeks for a higher social position, and is also fascinated by the young Chevalier's manliness. The result is an almost immediate elopement of the pair. Act 2 begins in the couples cozy apartment in Paris. Before Des Grieux can secure his father's consent to their marriage the young man is placed in jeopardy by Lescaut and De Brétigny. The two men are soon pacified; shortly afterwards Des Grieux is seized by six men in the Count's (his father's) employ, and all taken away from Manon. In Act 3 we find Manon under protection of De Brétigny. But she learns that Des Grieux (whom she really loves) is now the priest at St. Sulpice; and she flies from Brétigny to win back her lover. In the second scene there is an interesting and dramatic situation, wherein Manon succeeds in inducing Des Grieux to renounce the priesthood and renew his love with Manon. In the 4th act is seen the interior of the gambling-house in Paris. Des Grieux is unjustly accused of cheating, and he and Manon are about to be arrested where Count Des Grieux appears and release the Chevalier; but Manon, through the effort of Guillot who seeks revenge, is condemned to jail and eventual deportation to the French colony Louisana. In the last scene, as Manon is being marched away to the ship that will take her to Louisiana, Manon again meets her lover Des Grieux, and dies in his arms.

Ep. 23 Manon by Massenet broadcast 1.7.18

Aida premiered in Cairo in December 1871.  Giuseppe Verdi’s four-act opera, Aida, was commissioned for the newly constructed opera house in Cairo, following the celebrations for the opening of the Suez Canal.  Taking inspiration from a third century story discovered by Egyptologist Auguste Marietta, librettist Antonio Ghislanzoni worked with Verdi to create a drama which is both grand and intimate, set in Egypt, “in the time of the Pharaohs.”  The opera’s magnificent music depicts spectacle and triumph for the state, and praise for the gods.  It also brings us close to all of the emotions of three people caught up in a high-stakes love triangle.  Join us for a story of achingly beautiful tenderness, soaring triumph, and devoted resignation on this episode of Opera for Everyone. Hosted by Pat Wright and Keely Herron.

Ep. 41 Aida By Verdi

With Orfeo ed Euridice, Christoph Willibald Gluck turned to an ancient story to show that he could create a new kind of opera. Powerful music displays powerful emotion, and this story tells us that the strongest emotion of all is love.  You may know the myth of Orpheus and Euridice, but this Classical opera presents a version of the story in which love and music team up to change the will of the gods.Hosted by Pat and guest co-host Petria.

With Orfeo ed Euridice, Christoph Willibald Gluck turned to an ancient story to show that he could create a new kind of opera. Powerful music displays powerful emotion, and this story tells us that the strongest emotion of all is love. You may know the myth of Orpheus and Euridice, but this Classical opera presents a version of the story in which love and music team up to change the will of the gods. Hosted by Pat and guest co-host Petria.

Ep. 63 Orfeo Ed  Euridice By Gluck

Elvira has it all... youth, beauty, and three determined suitors.  But her blessings turn into a curse as passion and power collide.  It is good to be king... and emperor too.  Based on a story by Victor Hugo, this opera was the first of many collaborations between Verdi and librettist Francesco Maria Piave.Hosted by Keely and Pat.

Elvira has it all... youth, beauty, and three determined suitors. But her blessings turn into a curse as passion and power collide. It is good to be king... and emperor too. Based on a story by Victor Hugo, this opera was the first of many collaborations between Verdi and librettist Francesco Maria Piave. Hosted by Keely and Pat.

Ep. 65 Ernani By Verdi

On this episode of Opera for Everyone we listen to Cosi Fan Tutte, the third collaboration between composer Wolfgang Amedeus Mozart and Italian librettist Lorenzo Da Ponte.  Cosi Fan Tutte overflows with lush Mozart tunes paired with delightful and profound lyrics by Da Ponte. Cosi Fan Tutte premiered in 1790 at the Burgtheater in Vienna.  While sometimes considered a charming romp, Cosi Fan Tutte tackles serious  issues of gender, class, and evil with a deft touch.  We invite you to enjoy this exquisite opera. Hosted by Pat Wright with special guest Greg

Ep. 33 Cosi Fan Tutte by Mozart

This episode of Opera for Everyone features Luciano Pavarotti as Nemorino and Kathleen Battle as Adina in a 1990 Metropolitan Opera production of Gaetano Donizetti's L'Elisir D'Amore conducted by James Levine. This "Opera Buffa" - comedic opera - premiered in 1832 at Teatro Cannobiana, in Milan. The opera in two acts with a libretto by  Felice Romani,  is set in a small village in the Italian countryside. The story focuses on a romance between the beautiful young Adina, and Nemorino a shy and insecure man who works on her land. L'Elisir D'Amore is considered to represent the best of the bel canto tradition that reigned in Italian opera in the early 19th centuryThe show-stopping tenor aria “Una furtiva lagrima” in Act II is a favorite aria for many opera lovers.

This episode of Opera for Everyone features Luciano Pavarotti as Nemorino and Kathleen Battle as Adina in a 1990 Metropolitan Opera production of Gaetano Donizetti's L'Elisir D'Amore conducted by James Levine. This "Opera Buffa" - comedic opera - premiered in 1832 at Teatro Cannobiana, in Milan. The opera in two acts with a libretto by Felice Romani, is set in a small village in the Italian countryside. The story focuses on a romance between the beautiful young Adina, and Nemorino a shy and insecure man who works on her land. L'Elisir D'Amore is considered to represent the best of the bel canto tradition that reigned in Italian opera in the early 19th century The show-stopping tenor aria “Una furtiva lagrima” in Act II is a favorite aria for many opera lovers.

Ep. 27 L'Elisir D'Amore by Donizetti

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