Ben Bowling is Professor of Criminology at Kings College London, and the son of the celebrated painter Frank Bowling, whose studio he now manages."Frank always wanted children, but did not want to be a father, because of his own father’s violence; by being an absent father through my infancy and childhood, Frank allowed me to re-write the script of fatherhood."One thing that is joyous about working in the studio is being able to involve my son, who’s now in his 30’s, and his son, who’s two and a half. The fact that we now have four generations of male Bowlings in the studio, coming together around the work, is a source of joy. It’s almost like we disrupted this old pattern of what fatherhood should be."Scaffold is an Architecture Foundation production, hosted by Matthew Blunderfield Hosted on Acast. See acast.com/privacy for more information.

Ben Bowling is Professor of Criminology at Kings College London, and the son of the celebrated painter Frank Bowling, whose studio he now manages."Frank always wanted children, but did not want to be a father, because of his own father’s violence; by being an absent father through my infancy and childhood, Frank allowed me to re-write the script of fatherhood."One thing that is joyous about working in the studio is being able to involve my son, who’s now in his 30’s, and his son, who’s two and a half. The fact that we now have four generations of male Bowlings in the studio, coming together around the work, is a source of joy. It’s almost like we disrupted this old pattern of what fatherhood should be."Scaffold is an <a href="https://architecturefoundation.org.uk/" rel="noopener noreferrer nofollow" target="_blank">Architecture Foundation</a> production, hosted by <a href="https://matthewblunderfield.com/" rel="noopener noreferrer nofollow" target="_blank">Matthew Blunderfield</a> Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer nofollow" target="_blank">acast.com/privacy</a> for more information.

87: Ben Bowling

Asli Çiçek is an Architect and writer based in Brussels, whose work focuses on scenography and exhibition design. "Culture is not a luxury. I don’t like populistic discussions about what culture should be or how history should be flattened to a quick communication. I think it’s fantastic to not understand everything at once, to keep the fascination for history and culture alive in museums […] "There is no shame in having culture. If there’s a debate I silently follow, it’s that there is a necessity for culture in society – not only as an egalitarian concept, but as an educational concept. That is something I try to stand for."Scaffold is an Architecture Foundation production, hosted by Matthew Blunderfield. Hosted on Acast. See acast.com/privacy for more information.

<a href="http://aslicicek.eu/about" rel="noopener noreferrer nofollow" target="_blank">Asli Çiçek</a> is an Architect and writer based in Brussels, whose work focuses on scenography and exhibition design. "Culture is not a luxury. I don’t like populistic discussions about what culture should be or how history should be flattened to a quick communication. I think it’s fantastic to not understand everything at once, to keep the fascination for history and culture alive in museums […] "There is no shame in having culture. If there’s a debate I silently follow, it’s that there is a necessity for culture in society – not only as an egalitarian concept, but as an educational concept. That is something I try to stand for."Scaffold is an <a href="https://architecturefoundation.org.uk/" rel="noopener noreferrer nofollow" target="_blank">Architecture Foundation</a> production, hosted by <a href="https://matthewblunderfield.com/" rel="noopener noreferrer nofollow" target="_blank">Matthew Blunderfield</a>. Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer nofollow" target="_blank">acast.com/privacy</a> for more information.

86: Asli Çiçek

Charlotte Cooper

Charlotte Cooper is the author of Poundbury: a Queer Tour of Monarchy, published earlier this year by 33 Editions. "One of my bugbears about Poundbury is that it’s not an honest place – it’s pretending to be something that it isn’t. They talk about how green it is, how it is invested in traditional building techniques, but it’s also breeze blocks, it’s plastic, it’s a great place to park your car […] My question is, if you could, what would bring the truth our of Poundbury, what would show it for what it is?"Scaffold is an Architecture Foundation production, hosted by Matthew Blunderfield Hosted on Acast. See acast.com/privacy for more information.

Charlotte Cooper is the author of <a href="https://charlottecooper.net/33editions/poundbury/" rel="noopener noreferrer nofollow" target="_blank">Poundbury: a Queer Tour of Monarchy</a>, published earlier this year by 33 Editions. "One of my bugbears about Poundbury is that it’s not an honest place – it’s pretending to be something that it isn’t. They talk about how green it is, how it is invested in traditional building techniques, but it’s also breeze blocks, it’s plastic, it’s a great place to park your car […] My question is, if you could, what would bring the truth our of Poundbury, what would show it for what it is?"Scaffold is an <a href="https://architecturefoundation.org.uk/" rel="noopener noreferrer nofollow" target="_blank">Architecture Foundation</a> production, hosted by <a href="https://matthewblunderfield.com/" rel="noopener noreferrer nofollow" target="_blank">Matthew Blunderfield</a> Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer nofollow" target="_blank">acast.com/privacy</a> for more information.

85: Charlotte Cooper

Robin Winogrond

Robin Winogrond is a Landscape Architect based in Zurich."I try to never look at what I expect to see, but to see in a raw way, in an uninformed way, I try to read space and atmospheres in the most unschooled way I can, to soak up as much knowledge as I can." – RWScaffold is an Architecture Foundation production, hosted by Matthew Blunderfield  Hosted on Acast. See acast.com/privacy for more information.

<a href="https://robinwinogrond.ch/" rel="noopener noreferrer nofollow" target="_blank">Robin Winogrond</a> is a Landscape Architect based in Zurich."I try to never look at what I expect to see, but to see in a raw way, in an uninformed way, I try to read space and atmospheres in the most unschooled way I can, to soak up as much knowledge as I can." – RWScaffold is an <a href="https://architecturefoundation.org.uk/" rel="noopener noreferrer nofollow" target="_blank">Architecture Foundation</a> production, hosted by <a href="https://matthewblunderfield.com/" rel="noopener noreferrer nofollow" target="_blank">Matthew Blunderfield</a> Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer nofollow" target="_blank">acast.com/privacy</a> for more information.

84: Robin Winogrond

Karin Templin

Karin Templin is an architect, educator, and author of the book At Home in London: The Mansion Block, co-published by The Architecture Foundation and MACK. This book is first in a series on types of London housing, reflecting on the place of the home in the city in the light of its longstanding housing crisis. To find out more visit mackbooks.co.uk Hosted on Acast. See acast.com/privacy for more information.

Karin Templin is an architect, educator, and author of the book At Home in London: The Mansion Block, co-published by The Architecture Foundation and <a href="https://mackbooks.co.uk/collections/frontpage/products/at-home-in-london-the-mansion-block-br-karin-templin" rel="noopener noreferrer nofollow" target="_blank">MACK</a>. This book is first in a series on types of London housing, reflecting on the place of the home in the city in the light of its longstanding housing crisis. To find out more visit <a href="https://mackbooks.co.uk/collections/frontpage/products/at-home-in-london-the-mansion-block-br-karin-templin" rel="noopener noreferrer nofollow" target="_blank">mackbooks.co.uk</a> Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer nofollow" target="_blank">acast.com/privacy</a> for more information.

83: Karin Templin  (At Home in London: The Mansion Block)

Lesley Lokko

This episode originally aired in April 2022. Lesley Lokko is founder of the African Futures Institute and curator of the 2023 Venice Architecture Biennale.“I don’t see myself as being ‘the future’, but the expanded field [of architecture] that I’ve operated in for most of my life has given me something that is of use to he generation coming behind me, so that no matter how I end up making my living, I see myself first and foremost as a teacher.”Scaffold is an Architecture Foundation production. For more information visit https://www.architecturefoundation.org.uk/ Hosted on Acast. See acast.com/privacy for more information.

This episode originally aired in April 2022. Lesley Lokko is founder of the African Futures Institute and curator of the 2023 Venice Architecture Biennale.“I don’t see myself as being ‘the future’, but the expanded field [of architecture] that I’ve operated in for most of my life has given me something that is of use to he generation coming behind me, so that no matter how I end up making my living, I see myself first and foremost as a teacher.”Scaffold is an Architecture Foundation production. For more information visit <a href="https://www.architecturefoundation.org.uk/" rel="noopener noreferrer nofollow" target="_blank">https://www.architecturefoundation.org.uk/</a> Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer nofollow" target="_blank">acast.com/privacy</a> for more information.

62: Lesley Lokko (April 2022)

Sumayya Vally is a Musilm South African architect, and founder of the practice Counterspace. “Architecture is abstract, and I think what I’m doing in my practice is making a concerted effort to find different sources for the origins of that abstraction. I think what has happened in the cannon and in the profession more broadly is that we’ve inherited so much that we don’t deeply question…I think the languages that we’ve inherited could do with being supplemented or oven being overtaken, dare I say, by other origins, that come from different ways of being and different value systems.”– SVScaffold is an Architecture Foundation production, hosted by Matthew Blunderfield.  Hosted on Acast. See acast.com/privacy for more information.

Sumayya Vally is a Musilm South African architect, and founder of the practice Counterspace. “Architecture is abstract, and I think what I’m doing in my practice is making a concerted effort to find different sources for the origins of that abstraction. I think what has happened in the cannon and in the profession more broadly is that we’ve inherited so much that we don’t deeply question…I think the languages that we’ve inherited could do with being supplemented or oven being overtaken, dare I say, by other origins, that come from different ways of being and different value systems.”– SVScaffold is an <a href="https://architecturefoundation.org.uk/" rel="noopener noreferrer nofollow" target="_blank">Architecture Foundation</a> production, hosted by <a href="https://matthewblunderfield.com/" rel="noopener noreferrer nofollow" target="_blank">Matthew Blunderfield</a>. Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer nofollow" target="_blank">acast.com/privacy</a> for more information.

82: Sumayya Vally

David Gissen

David Gissen is a New York-based author, designer, and educator who works in the fields of architecture, landscape, and urban design. His book, The Architecture of Disability (University of Minnesota Press, 2023) has been praised as “an exhilarating manifesto” and a “complete reshaping about how we view the development and creation of architecture.” The Architecture of Disability offers a critical perspective on histories and futures of buildings, cities, and landscapes — beyond a sole focus on the problems of accessibility.Scaffold is an Architecture Foundation production, hosted by Matthew Blunderfield  Hosted on Acast. See acast.com/privacy for more information.

<a href="https://davidgissen.org/" rel="noopener noreferrer nofollow" target="_blank">David Gissen</a> is a New York-based author, designer, and educator who works in the fields of architecture, landscape, and urban design. His book, <a href="https://www.upress.umn.edu/Plone/book-division/books/the-architecture-of-disability" rel="noopener noreferrer nofollow" target="_blank">The Architecture of Disability</a> (University of Minnesota Press, 2023) has been praised as “an exhilarating manifesto” and a “complete reshaping about how we view the development and creation of architecture.” The Architecture of Disability offers a critical perspective on histories and futures of buildings, cities, and landscapes — beyond a sole focus on the problems of accessibility.Scaffold is an <a href="https://architecturefoundation.org.uk/" rel="noopener noreferrer nofollow" target="_blank">Architecture Foundation</a> production, hosted by <a href="https://matthewblunderfield.com/" rel="noopener noreferrer nofollow" target="_blank">Matthew Blunderfield</a> Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer nofollow" target="_blank">acast.com/privacy</a> for more information.

81: David Gissen 

b+ is a collaborative architecture practice that operates across different media and formats. The practice seeks to engage with challenges of eco-social transformation and adaptive reuse, and to contribute to the societal transformation with ecologically and economically viable answers.“Why does the political right have better propaganda than the left? It’s perhaps because the right is situated in the 'no' – the 'yes' is much more difficult to propagandise. It’s therefore necessary to find positive claims that can be engaged with almost instantaneously – in a way, that’s the architectural project”  Hosted on Acast. See acast.com/privacy for more information.

b+ is a collaborative architecture practice that operates across different media and formats. The practice seeks to engage with challenges of eco-social transformation and adaptive reuse, and to contribute to the societal transformation with ecologically and economically viable answers.“Why does the political right have better propaganda than the left? It’s perhaps because the right is situated in the 'no' – the 'yes' is much more difficult to propagandise. It’s therefore necessary to find positive claims that can be engaged with almost instantaneously – in a way, that’s the architectural project”  Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer nofollow" target="_blank">acast.com/privacy</a> for more information.

80: b+

Julian Opie

Julian Opie is an artist based in London. We create models to deal with the world and to function in the world. It’s how we perceive the world and our own life and existence, drawing from the world a language that can then be shared and used to talk about existence  – JOScaffold is an Architecture Foundation production, hosted by Matthew Blunderfield  Hosted on Acast. See acast.com/privacy for more information.

Julian Opie is an artist based in London. We create models to deal with the world and to function in the world. It’s how we perceive the world and our own life and existence, drawing from the world a language that can then be shared and used to talk about existence – JOScaffold is an <a href="https://architecturefoundation.org.uk/" rel="noopener noreferrer nofollow" target="_blank">Architecture Foundation</a> production, hosted by Matthew Blunderfield Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer nofollow" target="_blank">acast.com/privacy</a> for more information.

79: Julian Opie

Interviews with architects, artists and designers. Produced by the Architecture Foundation and hosted by Matthew Blunderfield. Hosted on Acast. See acast.com/privacy for more information.

Interviews with architects, artists and designers. Produced by the Architecture Foundation and hosted by Matthew Blunderfield. Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer nofollow" target="_blank">acast.com/privacy</a> for more information.

Scaffold

Deyan Sudjic

Deyan Sudjic is Director of the Design Museum in London “A friend of mine once said to me no magazine you’ll ever want to read will ever sell more than 8000 copies a month […] What was startling to find is that, when Zaha Hadid was by no means the establishment we did a show with her in my early days at the Design Museum, which sold 75,000 tickets. No book on architecture would ever sell that many copies - and it’s interesting what it is that makes this physical experience work in ways which text doesn’t.”  This episode was recorded as part of the Architecture Foundation's Dodecanalle Summit in April 2019. Hosted on Acast. See acast.com/privacy for more information.

Deyan Sudjic is Director of the Design Museum in London “A friend of mine once said to me no magazine you’ll ever want to read will ever sell more than 8000 copies a month […] What was startling to find is that, when Zaha Hadid was by no means the establishment we did a show with her in my early days at the Design Museum, which sold 75,000 tickets. No book on architecture would ever sell that many copies - and it’s interesting what it is that makes this physical experience work in ways which text doesn’t.” This episode was recorded as part of the Architecture Foundation's Dodecanalle Summit in April 2019. Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer nofollow" target="_blank">acast.com/privacy</a> for more information.

Ep 27: Deyan Sudjic

Tom Kundig

Tom Kundig is a director of the Seattle-based architecture practice Olson Kundig."I think there is this danger in architecture, that it becomes so self referential and circular in its myopic position that it forgets that we’re really a part of a much bigger world. I’m actually more interested in that world than I am in the architectural world." Hosted on Acast. See acast.com/privacy for more information.

Tom Kundig is a director of the Seattle-based architecture practice Olson Kundig."I think there is this danger in architecture, that it becomes so self referential and circular in its myopic position that it forgets that we’re really a part of a much bigger world. I’m actually more interested in that world than I am in the architectural world." Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer nofollow" target="_blank">acast.com/privacy</a> for more information.

Ep 29: Tom Kundig

Janina Gosseye

Janina Gosseye is a scholar and co-editor, with Naomi Stead and Deborah Van der Plat, of the recently published Speaking of Buildings: Oral History in Architectural Research. “Architecture has long been dominated by elites, mostly western and male, and its historiography has often been dictated by what these individuals have to say about buildings. Speaking of Buildings seeks to open up the conversation, to shed light on those who have been silenced in architectural history or on those who have remained unheard”This interview was recorded as part of the Architecture Foundation’s 100 Day Studio: https://www.architecturefoundation.org.uk/news/100-day-studio Hosted on Acast. See acast.com/privacy for more information.

Janina Gosseye is a scholar and co-editor, with Naomi Stead and Deborah Van der Plat, of the recently published Speaking of Buildings: Oral History in Architectural Research. “Architecture has long been dominated by elites, mostly western and male, and its historiography has often been dictated by what these individuals have to say about buildings. Speaking of Buildings seeks to open up the conversation, to shed light on those who have been silenced in architectural history or on those who have remained unheard”This interview was recorded as part of the Architecture Foundation’s 100 Day Studio: <a href="https://www.architecturefoundation.org.uk/news/100-day-studio" rel="nofollow" target="_blank">https://www.architecturefoundation.org.uk/news/100-day-studio</a> Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer nofollow" target="_blank">acast.com/privacy</a> for more information.

Ep 38: Janina Gosseye

Johanna Gibbons

Johanna Gibbons is a landscape architect and founding partner of J &amp; L Gibbons. “There really isn’t any wilderness left on the planet. [Wildness] is to do with how we envisage our landscapes and our relationship with natural processes, understanding where we’ve interrupted them, and appreciating how we can mend and reconfigure them […] Stewardship is what my profession is about, we are stewards of the planet.” Hosted on Acast. See acast.com/privacy for more information.

Johanna Gibbons is a landscape architect and founding partner of J &amp; L Gibbons. “There really isn’t any wilderness left on the planet. [Wildness] is to do with how we envisage our landscapes and our relationship with natural processes, understanding where we’ve interrupted them, and appreciating how we can mend and reconfigure them […] Stewardship is what my profession is about, we are stewards of the planet.” Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer nofollow" target="_blank">acast.com/privacy</a> for more information.

Ep 7: Johanna Gibbons

Philippe Malouin

Philippe Malouin is an industrial designer based in London. “I graduated in 2008 at the height of the financial crisis, and I think it humbled a lot of people […] Nowadays you need to be nice and work hard in order to get ahead, I don’t think being a rockstar and having an ego will get you anywhere.” Hosted on Acast. See acast.com/privacy for more information.

Philippe Malouin is an industrial designer based in London. “I graduated in 2008 at the height of the financial crisis, and I think it humbled a lot of people […] Nowadays you need to be nice and work hard in order to get ahead, I don’t think being a rockstar and having an ego will get you anywhere.” Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer nofollow" target="_blank">acast.com/privacy</a> for more information.

Ep 5: Philippe Malouin

Pablo Bronstein

Pablo Bronstein is an artist based in London. "I’m from a generation that lives entirely within irony - so that everything is a quotation, everything is double-sided, everything is good and bad […] In order to feel that you’re simultaneously lying and telling the truth, it’s because there is a ‘you’ there somehow - there is a core at the centre that is able to perceive the difference between truth and lie. The majority of young people today have a very different relationship to themselves, and I think it has something to do with how external their lives are now, and how there is less self-formation early on in life, so you are given more options to choose from but they are just a series of options pre-fabricated for you […] I’ve always said that people under the age of 25 don’t really have a sub-conscious. There’s nothing really there, or rather, there’s a lot there but it’s the same all the way through."Correction: In this interview it is suggested that Adam Nathaniel Furman had written a response to a 2017 Dezeen article by Sean Griffiths. In fact no such response has been published. Hosted on Acast. See acast.com/privacy for more information.

Pablo Bronstein is an artist based in London. "I’m from a generation that lives entirely within irony - so that everything is a quotation, everything is double-sided, everything is good and bad […] In order to feel that you’re simultaneously lying and telling the truth, it’s because there is a ‘you’ there somehow - there is a core at the centre that is able to perceive the difference between truth and lie. The majority of young people today have a very different relationship to themselves, and I think it has something to do with how external their lives are now, and how there is less self-formation early on in life, so you are given more options to choose from but they are just a series of options pre-fabricated for you […] I’ve always said that people under the age of 25 don’t really have a sub-conscious. There’s nothing really there, or rather, there’s a lot there but it’s the same all the way through."Correction: In this interview it is suggested that Adam Nathaniel Furman had written a response to a 2017 Dezeen article by Sean Griffiths. In fact no such response has been published. Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer nofollow" target="_blank">acast.com/privacy</a> for more information.

Ep 4: Pablo Bronstein

Mary Duggan

Mary Duggan was a founding partner of Duggan Morris Architects, and established Mary Duggan Architects in 2017. “I think [architects] are obsessed with justification, but sometimes in architecture you can’t explain everything. Lots of architects, and I’m not one of them, find an amazing historic building and want to pull it apart to understand it, and want that understanding of it to inform their work, and I just don’t think you need that all the time. I think we’ve forgotten we’re intuitive - that you can go to a site and decide quite instantly what it should be.”◣ Support Scaffold: visit https://www.patreon.com/scaffold to find out how. Hosted on Acast. See acast.com/privacy for more information.

Mary Duggan was a founding partner of Duggan Morris Architects, and established Mary Duggan Architects in 2017. “I think [architects] are obsessed with justification, but sometimes in architecture you can’t explain everything. Lots of architects, and I’m not one of them, find an amazing historic building and want to pull it apart to understand it, and want that understanding of it to inform their work, and I just don’t think you need that all the time. I think we’ve forgotten we’re intuitive - that you can go to a site and decide quite instantly what it should be.”◣ Support Scaffold: visit <a href="https://www.patreon.com/scaffold" rel="nofollow" target="_blank">https://www.patreon.com/scaffold</a> to find out how. Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer nofollow" target="_blank">acast.com/privacy</a> for more information.

Ep 24: Mary Duggan

Andrew Clancy

Andrew Clancy is a director of the Dublin-based practice Clancy Moore, and Professor of Architecture at the Kingston School of Art. “There isn’t an Irish style, and I don’t really think there is an Irish tectonic, but there is a space for a particular type of plural conversation in Ireland - one that uses multiple engagements with the history of architecture that comes from our slightly marginal location […] It allows architects to act with territorial intent, with great sincerity, and with no attempt at cynicism or anything like that […] I think that as the world moves to being one where people do more and more work on fabric and less and less monument, and there’s more and more contingencies and we’re more aware of the world, that kind of curiosity and that sincerity is useful right now.” Hosted on Acast. See acast.com/privacy for more information.

Andrew Clancy is a director of the Dublin-based practice Clancy Moore, and Professor of Architecture at the Kingston School of Art. “There isn’t an Irish style, and I don’t really think there is an Irish tectonic, but there is a space for a particular type of plural conversation in Ireland - one that uses multiple engagements with the history of architecture that comes from our slightly marginal location […] It allows architects to act with territorial intent, with great sincerity, and with no attempt at cynicism or anything like that […] I think that as the world moves to being one where people do more and more work on fabric and less and less monument, and there’s more and more contingencies and we’re more aware of the world, that kind of curiosity and that sincerity is useful right now.” Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer nofollow" target="_blank">acast.com/privacy</a> for more information.

Ep 36: Andrew Clancy

Charlotte Cooper is a Psychotherapist, Cultural Worker and Fat Activist. “The therapy I do, and maybe therapy in general enables people to think about their lives in ways they hadn’t considered before. It’s about illuminating the dusty corners that they may have forgotten or overlooked, and showing them that there may be value in those places. […] We are in society, and we’re bound by the tensions and rules of society, but there's still a lot of space for agency and choice within those strictures.” Hosted on Acast. See acast.com/privacy for more information.

Charlotte Cooper is a Psychotherapist, Cultural Worker and Fat Activist. “The therapy I do, and maybe therapy in general enables people to think about their lives in ways they hadn’t considered before. It’s about illuminating the dusty corners that they may have forgotten or overlooked, and showing them that there may be value in those places. […] We are in society, and we’re bound by the tensions and rules of society, but there's still a lot of space for agency and choice within those strictures.” Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer nofollow" target="_blank">acast.com/privacy</a> for more information.

Ep 3: Charlotte Cooper

Michael Maltzan

Michael Maltzan is an architect based in Los Angeles.  "I think it’s important to try to anticipate the city in the future […] to speculate about how scale and density is going to change, because architecture not only takes a long time to get built, but it exists for a long time as well, and it’s very likely that if you try to build a building that relates to a rapidly changing context, by the time it’s built it’s already out of scale – it’s already a part of the past […] The idea that we as architects have a responsibility to try and meet the scale, the relationships and context in the future is something that is very difficult to talk about because we are trying to describe and anticipate a speculative vision of the city, but I think it’s incumbent in what we do” Hosted on Acast. See acast.com/privacy for more information.

Michael Maltzan is an architect based in Los Angeles. "I think it’s important to try to anticipate the city in the future […] to speculate about how scale and density is going to change, because architecture not only takes a long time to get built, but it exists for a long time as well, and it’s very likely that if you try to build a building that relates to a rapidly changing context, by the time it’s built it’s already out of scale – it’s already a part of the past […] The idea that we as architects have a responsibility to try and meet the scale, the relationships and context in the future is something that is very difficult to talk about because we are trying to describe and anticipate a speculative vision of the city, but I think it’s incumbent in what we do” Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer nofollow" target="_blank">acast.com/privacy</a> for more information.

Ep 33: Michael Maltzan

Francesca Torzo

Francesca Torzo is an Architect based in Italy.“In all of our projects there is always a construction experiment, but that is never the purpose. It seems that we just land there, to find a solution that is able to combine severable variables. Most of the time the most sensitive variable is silence - this naturalness where you don’t need to see all of the effort.“ Hosted on Acast. See acast.com/privacy for more information.

Francesca Torzo is an Architect based in Italy.“In all of our projects there is always a construction experiment, but that is never the purpose. It seems that we just land there, to find a solution that is able to combine severable variables. Most of the time the most sensitive variable is silence - this naturalness where you don’t need to see all of the effort.“ Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer nofollow" target="_blank">acast.com/privacy</a> for more information.

Ep 35: Francesca Torzo

Lütjens Padmanabhan

Lütjens Padmanabhan are an architecture practice based in Zurich. “How do you deal with the cheapening of the building, where the value and architectural significance of the building was once based on monolithic weight and closed form, a lack of open joints, a kind of illusion of truthful construction […] When we liberate ourselves from that dogma we can open up towards all kinds of more complex ideas of the relationship between construction and truth.”◣ Support Scaffold: visit https://www.patreon.com/scaffold to find out how. Hosted on Acast. See acast.com/privacy for more information.

Lütjens Padmanabhan are an architecture practice based in Zurich. “How do you deal with the cheapening of the building, where the value and architectural significance of the building was once based on monolithic weight and closed form, a lack of open joints, a kind of illusion of truthful construction […] When we liberate ourselves from that dogma we can open up towards all kinds of more complex ideas of the relationship between construction and truth.”◣ Support Scaffold: visit <a href="https://www.patreon.com/scaffold" rel="nofollow" target="_blank">https://www.patreon.com/scaffold</a> to find out how. Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer nofollow" target="_blank">acast.com/privacy</a> for more information.

Ep 22: Lütjens Padmanabhan

David Leech

David Leech is an architect based in London.  I don’t have ‘big ideas’ [in my work] - and if I do, I do everything I can to undermine them. I do not want a project to be read in one sentence, or understood in one sentence […] we don’t judge anything else like that - people are much more complex, and I think buildings are much more complex.” Hosted on Acast. See acast.com/privacy for more information.

David Leech is an architect based in London. I don’t have ‘big ideas’ [in my work] - and if I do, I do everything I can to undermine them. I do not want a project to be read in one sentence, or understood in one sentence […] we don’t judge anything else like that - people are much more complex, and I think buildings are much more complex.” Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer nofollow" target="_blank">acast.com/privacy</a> for more information.

Ep 37: David Leech

Charlotte Cooper is a Psychotherapist, Cultural Worker and Fat Activist. “The therapy I do, and maybe therapy in general enables people to think about their lives in ways they hadn’t considered before. It’s about illuminating the dusty corners that they may have forgotten or overlooked, and showing them that there may be value in those places. […] We are in society, and we’re bound by the tensions and rules of society, but there's still a lot of space for agency and choice within those strictures.”This episode originally aired on 7 March 2018. Hosted on Acast. See acast.com/privacy for more information.

Charlotte Cooper is a Psychotherapist, Cultural Worker and Fat Activist. “The therapy I do, and maybe therapy in general enables people to think about their lives in ways they hadn’t considered before. It’s about illuminating the dusty corners that they may have forgotten or overlooked, and showing them that there may be value in those places. […] We are in society, and we’re bound by the tensions and rules of society, but there's still a lot of space for agency and choice within those strictures.”This episode originally aired on 7 March 2018. Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer nofollow" target="_blank">acast.com/privacy</a> for more information.

Shumi Bose

Shumi Bose is an architecture teacher, curator and editor."[Curation] is the idea of taking care of a conversation. Whether that conversation is for students, for academic learning, or whether its for a conversation within a community, or within a broader public […] it’s a similar process of nurturing and selecting. So in that sense it feels like I’m doing the same thing - it’s the format that changes” Hosted on Acast. See acast.com/privacy for more information.

Shumi Bose is an architecture teacher, curator and editor."[Curation] is the idea of taking care of a conversation. Whether that conversation is for students, for academic learning, or whether its for a conversation within a community, or within a broader public […] it’s a similar process of nurturing and selecting. So in that sense it feels like I’m doing the same thing - it’s the format that changes” Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer nofollow" target="_blank">acast.com/privacy</a> for more information.

Ep 30: Shumi Bose

Anna Mill and Luke Jones are authors of the graphic novel Square Eyes. “The future city still has to get designed somehow, and augmented reality is not settled - they need more ideas. In terms of speculative design as a pursuit [...] there’s a positive need for it, but to find a way of doing it that has critical integrity” Hosted on Acast. See acast.com/privacy for more information.

Anna Mill and Luke Jones are authors of the graphic novel Square Eyes. “The future city still has to get designed somehow, and augmented reality is not settled - they need more ideas. In terms of speculative design as a pursuit [...] there’s a positive need for it, but to find a way of doing it that has critical integrity” Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer nofollow" target="_blank">acast.com/privacy</a> for more information.

Ep 20: Mill & Jones

John ‘Sinx’ Sinclair is a founding partner of the digital product design studio ustwo. “It’s the functionality of something rather than the aesthetics of something that pleases me. Software lends its benefit to that because you can iterate and change. It’s not about just launching [a product] in one big go, but about identifying challenges and making incremental improvements.” Hosted on Acast. See acast.com/privacy for more information.

John ‘Sinx’ Sinclair is a founding partner of the digital product design studio ustwo. “It’s the functionality of something rather than the aesthetics of something that pleases me. Software lends its benefit to that because you can iterate and change. It’s not about just launching [a product] in one big go, but about identifying challenges and making incremental improvements.” Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer nofollow" target="_blank">acast.com/privacy</a> for more information.

Ep 23: John 'Sinx' Sinclair

Natsai Audrey Chieza is Founding Director of Faber Futures, a multidisciplinary design agency operating at the intersection of nature, technology, and society.“I’m interested in futures, and I’m interested in how we actually structurally make changes that can bring forward futures that are more equitable. My approach is to, if you like, be what we think [the future] is. It is through this process of doing that you can better articulate how you think it could work. It is through the process of doing that you can actually build a network to make it work. This goes back to the decision to put the speculative aside and start just being it through practice. This became a necessary and strategic device to get shit done, because then you are in the lab, making and experimenting and someone is going to want to know more.” Hosted on Acast. See acast.com/privacy for more information.

Natsai Audrey Chieza is Founding Director of Faber Futures, a multidisciplinary design agency operating at the intersection of nature, technology, and society.“I’m interested in futures, and I’m interested in how we actually structurally make changes that can bring forward futures that are more equitable. My approach is to, if you like, be what we think [the future] is. It is through this process of doing that you can better articulate how you think it could work. It is through the process of doing that you can actually build a network to make it work. This goes back to the decision to put the speculative aside and start just being it through practice. This became a necessary and strategic device to get shit done, because then you are in the lab, making and experimenting and someone is going to want to know more.” Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer nofollow" target="_blank">acast.com/privacy</a> for more information.

Ep 32: Natsai Audrey Chieza

John Patkau

John Patkau is an architect based in Vancouver."I always seek out the opposite. I’ve always been interested in architects who are least like me – the ones who are most like me I find objectionable." Hosted on Acast. See acast.com/privacy for more information.

John Patkau is an architect based in Vancouver."I always seek out the opposite. I’ve always been interested in architects who are least like me – the ones who are most like me I find objectionable." Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer nofollow" target="_blank">acast.com/privacy</a> for more information.

Ep 31: John Patkau

Tom Emerson

Tom Emerson is a founding director of 6a architects. “One of the positions that [my teaching] takes is to not distinguish between architecture - the constructed world - and nature […] Somehow to look at the weeds, and the gravel and the rubble, and the forest and the city as equivalent, without hierarchy.They are the environment, they’re the only one we’ve got, and all of them need to be looked after.”◣ Support scaffold: visit https://www.patreon.com/scaffold to find out how. Hosted on Acast. See acast.com/privacy for more information.

Tom Emerson is a founding director of 6a architects. “One of the positions that [my teaching] takes is to not distinguish between architecture - the constructed world - and nature […] Somehow to look at the weeds, and the gravel and the rubble, and the forest and the city as equivalent, without hierarchy.They are the environment, they’re the only one we’ve got, and all of them need to be looked after.”◣ Support scaffold: visit <a href="https://www.patreon.com/scaffold" rel="nofollow" target="_blank">https://www.patreon.com/scaffold</a> to find out how. Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer nofollow" target="_blank">acast.com/privacy</a> for more information.

Ep 21: Tom Emerson

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