In this episode we discuss the role that structured and organized employee evaluations have a valuable role to play in the process of evaluating the role that employees fill in any office environment

Ep 130: Employee Evaluations

Historically, modern trends in the AEC industry do not provide for buildings with a longer life span.  In 'Built to Last' we will discuss ways to improve the lifespan of buildings through mitigating various aspects of impact on the built environment.

Ep 129: Built to Last

Focus is a subject matter that warrants revisited attention from each of us as it is something that is in a constant state of change and in need of improvement.

Ep 128: Focus

Do architects have a responsibility to acknowledge the time, place and style of architecture they design? How does form based zoning figure into this? Context and Design are the topics we are exploring in today's episode.

Ep 127: Context and Design

Almost 4 years to the day and 100 episodes later, Andrew and I are going to go through an architectural bucket list of people places, and things. I don’t know what Andrew has in mind but I’m feeling that my list will inspire you and change your life…

Ep 126: Architectural Bucket List

How do you define a great employee? The answer is most likely dependent on who is attempting to respond, the employee or the employer. I will concede that I have told previous employers that I would be the best employee they have ever had. And I actually meant it when I said it. Did it happen? I like to think so; at least once or twice, but it’s not for me to say. Andrew and I have been both employee and employer, and this is a topic that I think deserves a little time in the spotlight … Welcome to Ep 125: A Great Employee[Note: If you are reading this via email, click here to access the on-site audio player]A Great Employee - Definitions  jump to 2:10As a primer to the conversation, I thought it would be useful to get an understanding of what other people think makes a great employee. To do this, I sought out the input of people from different age brackets, different stages of experience, architects, interior designers, landscape architects, and owners - just to see if there was a pattern in place that presented itself regardless of the baggage people were bringing with them. Turns out that people generally have the same idea of what makes for a great employee.Miranda Davis – Architect at BOKA Powell:"A great employee first takes care of all the tasks they are assigned in the time that they were given/gave themselves. This includes taking notes/mental notes to facilitate that in the capacity that they know they will need to not forget/miss steps (self-awareness). They communicate well, giving notice as soon as they realize they might not finish something on time, giving their team a chance to pivot if needed. They cannot go above and beyond without first fulfilling the original assignment thoroughly and on time, otherwise the extras cannot be appreciated. They listen actively and ask good questions after first troubleshooting on their own, acknowledging that everyone’s time and brain-space is important. They present a willingness to take on other tasks to learn and grow with a good attitude, bonus points for visible enthusiasm."Brannon Heake:"What makes “a great employee” is not only willing to go the extra distance, but also know when it is necessary to do so. A great employee creates healthy boundaries with work, instilling a sense of pace, forecast, and rigor with a project. Lastly, having the self-awareness to remain cool and collected and check your ego at the door is critical. Although hierarchy is important, a great employee looks at their team as a collective rather than who oversees whom."Paul Freeland - Landscape Architect Kimley-Horn:"A great employee thinks critically about their task and the deliverables at hand.  They are proactive, checking quality in their work, holding themselves to a high standard. They solve problems on their own and are great at follow-up internally and externally. They are self-motivated and collaborative, with a positive attitude and a willingness to help their team in times of need.  They are easy going, open to feedback, and don’t take themselves too seriously."Melanie Hanna - Interior Designer BOKA Powell:"A great employee is subjective and can greatly vary depending on a company’s leadership style, culture, and values. For me personally, a “great employee” can be defined as a self-motivated individual who has excellent communication skills, embraces a growth mindset, and is aligned with the company’s mission, vision, and values. This individual is respectful, celebrates success, learns from failures, and has a “rising tide lifts all ships” mentality."Nick Thorn – Architect at Marlon Blackwell Architects:"A great employee has many positive traits and attributes, but first and foremost, they are effective communicators because this leads to positive engagement with others. They also possess a duality of other important traits; confidence in their abilities while remaining humble, understanding their role while striving to advance their career,

How do you define a great employee? The answer is most likely dependent on who is attempting to respond, the employee or the employer. I will concede that I have told previous employers that I would be the best employee they have ever had. And I actually meant it when I said it. Did it happen? I like to think so; at least once or twice, but it’s not for me to say. Andrew and I have been both employee and employer, and this is a topic that I think deserves a little time in the spotlight … Welcome to Ep 125: A Great Employee [Note: If you are reading this via email, click here to access the on-site audio player] A Great Employee - Definitions  jump to 2:10 As a primer to the conversation, I thought it would be useful to get an understanding of what other people think makes a great employee. To do this, I sought out the input of people from different age brackets, different stages of experience, architects, interior designers, landscape architects, and owners - just to see if there was a pattern in place that presented itself regardless of the baggage people were bringing with them. Turns out that people generally have the same idea of what makes for a great employee. Miranda Davis – Architect at BOKA Powell: "A great employee first takes care of all the tasks they are assigned in the time that they were given/gave themselves. This includes taking notes/mental notes to facilitate that in the capacity that they know they will need to not forget/miss steps (self-awareness). They communicate well, giving notice as soon as they realize they might not finish something on time, giving their team a chance to pivot if needed. They cannot go above and beyond without first fulfilling the original assignment thoroughly and on time, otherwise the extras cannot be appreciated. They listen actively and ask good questions after first troubleshooting on their own, acknowledging that everyone’s time and brain-space is important. They present a willingness to take on other tasks to learn and grow with a good attitude, bonus points for visible enthusiasm." Brannon Heake: "What makes “a great employee” is not only willing to go the extra distance, but also know when it is necessary to do so. A great employee creates healthy boundaries with work, instilling a sense of pace, forecast, and rigor with a project. Lastly, having the self-awareness to remain cool and collected and check your ego at the door is critical. Although hierarchy is important, a great employee looks at their team as a collective rather than who oversees whom." Paul Freeland - Landscape Architect Kimley-Horn: "A great employee thinks critically about their task and the deliverables at hand.  They are proactive, checking quality in their work, holding themselves to a high standard. They solve problems on their own and are great at follow-up internally and externally. They are self-motivated and collaborative, with a positive attitude and a willingness to help their team in times of need.  They are easy going, open to feedback, and don’t take themselves too seriously." Melanie Hanna - Interior Designer BOKA Powell: "A great employee is subjective and can greatly vary depending on a company’s leadership style, culture, and values. For me personally, a “great employee” can be defined as a self-motivated individual who has excellent communication skills, embraces a growth mindset, and is aligned with the company’s mission, vision, and values. This individual is respectful, celebrates success, learns from failures, and has a “rising tide lifts all ships” mentality." Nick Thorn – Architect at Marlon Blackwell Architects: "A great employee has many positive traits and attributes, but first and foremost, they are effective communicators because this leads to positive engagement with others. They also possess a duality of other important traits; confidence in their abilities while remaining humble, understanding their role while striving to advance their career,

Ep 125: A Great Employee

In Ep 124: Show Me the Money, we discuss the current architectural marketplace, where we can find value, what’s the going salary rate based on skill set and experience, and how badly we need this spot or that spot filled. Understanding your value involves a lot of variables and this will help you set your own priorities when making a decision on your worth.

Ep 124: Show Me the Money

You’re about to graduate from architecture school, or maybe you already have a job, and you’re just simply looking for a change. Going through interviews is part of the sequence of getting a new job, and there are some things that are worth knowing before you step into the room.

EP 123: Interviews Just Aren’t that Hard

Even though artificial intelligence can conceptually trace its roots back to the 1950s, the reality is AI and Machine learning went mainstream not too long ago, but what does this mean to the profession of architecture?

Ep 122: Architecture and Artificial Intelligence

When you think of a building – whatever scale or project type, the items that go to create that building are most frequently associated with the materials that are selected that define the appearance of the building. Brick, glass, wood, and metal are all great choices – but the decision on what to clad your project in goes a long way towards deciding things beyond the appearance. . … Welcome to EP 121: Material Selection[Note: If you are reading this via email, click here to access the on-site audio player]  googletag.cmd.push(function() { googletag.display('div-gpt-ad-1562005974350-0'); });The "When" jump to 4:13When does it happen in the process? Is it early? Late? All the time? Do architects do it differently?These were the questions we discussed in this section and one revelation that I discovered was that I have never had a conversation with another architect about when in the process they choose their materials. For me, the first time I start thinking about the materiality of the projects really has more to do with when I start assembling my drawings. If I am going to consider using a masonry wall - I don't need to know which brick I am going to use, just whether or not I need to provide a certain thickness wall that will accommodate using masonry.We also discussed when we start making those decisions. Andrew thinks that due to the nature of the projects he works on (K-12 schools), clients frequently drive the "when". One of the things that has evolved over the last few years is our use of visualization software that depicts a more finished product. I discussed this in greater detail in the article "Renderings for Residential Design" about how we are indicating a more finished product MUCH earlier than in years past. I'm not entirely convinced this is a good thing because it moves the conversation more along the lines of "I don't like that color of brick" rather than talking about how the space works.The "Why" jump to 12:51Why choose the material? What are the considerations? Do certain clients value characteristics over others?Cost: This is a major consideration and driver in almost every decision that is made. When we get a budget (and we always have a budget) right out of the gate that will influence materiality. Where is the material coming from - am I paying a premium to get a certain material for my project? We also discuss how labor is almost always more expensive than materials. Due to the remote nature of some of the projects I have worked on, and the lack of specifically trained skilled labor, we will not use certain materials. For example, finding a mason in Northern Wisconsin is not as simple as you might think and if I want to build a brick wall, I'm having to import a brick mason in from another part of the state.Performance - Maintenance - Durability - Climate: Maintenance and climate are strong motivators driving material selection and both of those drive performance. For Andrew, especially with his public work, how the material performs contributes directly towards its consideration for selection. Can we select a material that doesn't need to be painted (think burnished block versus painted CMU) so you are trading upfront material cost for long-term reduced maintenance cost. Also, choosing a material based on climate and the labor market that develops to support that selection ... let's consider wood siding. I rarely get to use wood on the exterior of my projects because it requires routinely scheduled maintenance to keep it from falling apart or looking shabby. Even if I paint it, and despite the readily available labor market we have in Texas, we do not have the same robust industry of home painters here that you might find along the east coast. Few clients are interested in stripping down and repainting their house every few years because it is an expensive process.Availability - This might be a bigger consideration for some architects than others.

When you think of a building – whatever scale or project type, the items that go to create that building are most frequently associated with the materials that are selected that define the appearance of the building. Brick, glass, wood, and metal are all great choices – but the decision on what to clad your project in goes a long way towards deciding things beyond the appearance. . … Welcome to EP 121: Material Selection [Note: If you are reading this via email, click here to access the on-site audio player]   googletag.cmd.push(function() { googletag.display('div-gpt-ad-1562005974350-0'); }); The "When" jump to 4:13 When does it happen in the process? Is it early? Late? All the time? Do architects do it differently? These were the questions we discussed in this section and one revelation that I discovered was that I have never had a conversation with another architect about when in the process they choose their materials. For me, the first time I start thinking about the materiality of the projects really has more to do with when I start assembling my drawings. If I am going to consider using a masonry wall - I don't need to know which brick I am going to use, just whether or not I need to provide a certain thickness wall that will accommodate using masonry. We also discussed when we start making those decisions. Andrew thinks that due to the nature of the projects he works on (K-12 schools), clients frequently drive the "when". One of the things that has evolved over the last few years is our use of visualization software that depicts a more finished product. I discussed this in greater detail in the article "Renderings for Residential Design" about how we are indicating a more finished product MUCH earlier than in years past. I'm not entirely convinced this is a good thing because it moves the conversation more along the lines of "I don't like that color of brick" rather than talking about how the space works. The "Why" jump to 12:51 Why choose the material? What are the considerations? Do certain clients value characteristics over others? Cost: This is a major consideration and driver in almost every decision that is made. When we get a budget (and we always have a budget) right out of the gate that will influence materiality. Where is the material coming from - am I paying a premium to get a certain material for my project? We also discuss how labor is almost always more expensive than materials. Due to the remote nature of some of the projects I have worked on, and the lack of specifically trained skilled labor, we will not use certain materials. For example, finding a mason in Northern Wisconsin is not as simple as you might think and if I want to build a brick wall, I'm having to import a brick mason in from another part of the state. Performance - Maintenance - Durability - Climate: Maintenance and climate are strong motivators driving material selection and both of those drive performance. For Andrew, especially with his public work, how the material performs contributes directly towards its consideration for selection. Can we select a material that doesn't need to be painted (think burnished block versus painted CMU) so you are trading upfront material cost for long-term reduced maintenance cost. Also, choosing a material based on climate and the labor market that develops to support that selection ... let's consider wood siding. I rarely get to use wood on the exterior of my projects because it requires routinely scheduled maintenance to keep it from falling apart or looking shabby. Even if I paint it, and despite the readily available labor market we have in Texas, we do not have the same robust industry of home painters here that you might find along the east coast. Few clients are interested in stripping down and repainting their house every few years because it is an expensive process. Availability - This might be a bigger consideration for some architects than others.

Ep 121: Material Selection

A gifted storyteller communicating the role and value of architecture to a new audience, host Bob Borson uses the experiences acquired over a 25-year career to inform his podcast. A small firm owner, architect, and college design instructor, co-host Andrew Hawkins brings his insight from his 20 years in various roles within the profession. It responds to the public curiosity and common misunderstanding about what architects do and how it is relevant to people’s lives, engaging a wide demographic of people in a meaningful way without requiring an understanding of the jargon or knowledge of the history of the profession. With a creative mix of humor and practicality, Borson’s stories are informative, engaging, and approachable, using first-person narratives and anecdotes that have introduced transparency into what it really means to be a practicing architect. To learn more about Bob, Andrew, and what life is like as an architect, please visit Lifeofanarchitect.com

Education and entertaing to listen to.  Also hypotheticals are the best

Awsome podcast

These guys rock and I love the hypotheticals!

Best Arch Podcast out!

A gifted storyteller communicating the role and value of architecture to a new audience, host Bob Borson uses the experiences acquired over a 25-year career to inform his podcast. A small firm owner, architect, and college design instructor, co-host Andrew Hawkins brings his insight from his 20 years in various roles within the profession. It responds to the public curiosity and common misunderstanding about what architects do and how it is relevant to people’s lives, engaging a wide demographic of people in a meaningful way without requiring an understanding of the jargon or knowledge of the history of the profession. With a creative mix of humor and practicality, Borson’s stories are informative, engaging, and approachable, using first-person narratives and anecdotes that have introduced transparency into what it really means to be a practicing architect. To learn more about Bob, Andrew, and what life is like as an architect, please visit <a href="http://Lifeofanarchitect.com" rel="nofollow" target="_blank">Lifeofanarchitect.com</a>

Life of an Architect

Architecture and skilled craft go hand in hand, but you may not be aware that the number of skilled individuals that are required to bring an architect’s ideas to reality and in today's episode, Andrew and I are talking about the state of skilled labor in the construction industry.

036: Labor is Cheap, Skill is Not

Changing jobs is exciting and terrifying at the same time – particularly if you are making a drastic change wither in the type of work or the size of the firm. Today we are talking about “Changing Jobs” a topic that seems somewhat fitting given that it is the first podcast episode of 2020 and both Andrew and me have changed jobs.

040: Changing Jobs

So how much money do architects make? They're all rich, right? Well, that's the topic today and we are going to take a look at how best to answer that question.

011: An Architect’s Salary

Residential construction costs are not that complicated unless you really want to make them that way. There are some general broad stroke pieces of information that if you know them, you will not be surprised when it comes time to plan your budget.

022: Residential Construction Costs

Architectural Fees are a mystery to most people and there is no shortage of methods that architects charge for their services. How do you make sense of the options, which method works best for you, and how do you provide a method that suits the needs of both the architect and their clients.

019: Architectural Fees

It happens to almost all of us eventually, and for pretty much everybody, the experience ranges from unpleasant to downright panic-inducing … so get your moving box ready because “Quitting Your Job” is today’s topic, something that I, unfortunately, know a lot about.

017: Quitting Your Job

Sketching is a hot topic regardless of the people having the discussion, but I have learned over the last nine years of writing this site that sketching is one of the more hotly contested topics. While few architects would dispute the value in sketching, HOW that sketch is generated seems to fall into camps of individuals: Team Analog versus Team Digital and I don't think anyone would be surprised to learn that the age of the individual seems to decide (more times than not, but not a guarantee) which camp an individual belongs.These are the show notes to accompany the 3rd Life of an Architect podcast, and I hope that these notes will help bridge the gap between a pure blog post and a pure podcast. Unlike some other podcast show notes, my goal - at least for the foreseeable future, is going to include as many graphics as possible to support the podcast content, so that even if you don't listen to the podcast, there is something here that is of value. I will also concede that after several lengthy conversations with my wife, I have finally conceded to her point that I should include links to the items I mention or reference so that you don't have to go hunt them down yourself. This was a practice that I have generally avoided since I started writing this blog, but hopefully, this is also of some value.So let's get to it![Note: If you are reading this via email, you will have to click here to access the on-site audio player] Architectural Sketching - or - How to Sketch like Bob Borson (6:40 mark)Without trying to present you with false modesty, I am fairly comfortable with my ability to sketch ... but this was not always the case. A friend of mine gave me a handful of tips that made a fundamental change to how my sketches appeared. While I don't typically draw perspectives or try to capture the mood of a space, I have been sketching almost daily to create the sorts of sketches I do produce.Sketchbook - (36:04 mark)My business partner Michael Malone is many things, and right at the very top of traits I would assign him is prolific sketcher. He literally is at it every single day and his sketches are rather amazing and absolutely recognizable in their style. I have no doubt that I could pick one of his sketches out amongst thousands of other sketches. The image above is a cabinet in Michael's office and you can see that lining a few of the shelves are loads and loads of sketchbooks. Towards the top are fairly simple, hardback covered volumes, whereas on the bottom are these incredibly nice leather-bound volumes - all of which represent decades worth of ideas and thoughts.Almost 4 years ago I wrote a post on sketchbooks and Michael's handiwork is on full display in this post - Architectural Sketchbooks.These leather-bound sketchbooks are ridiculously nice - almost too nice for me - but Michael uses these types of books to record meeting notes and other "this is what's going on in my life" sort of items. He has been buying these 8.75" x 11" leather journals from Graphic Image for decades - and they certainly have an archival feel to them.The pages are lined and while Michael does produce sketches in them, they are primarily used for record notes and for keeping track of other items ...Like parking passes, museum receipts ... even stickers from jeans. While it might sound a bit random, when taken in as a whole, they are ridiculously cool.And then there are the "regular" sketchbooks that both Michael and I use - they aren't anything fancy ...See? Nothing fancy and if I'm being honest, while they take a fair amount of abuse, they aren't indestructible. I have a few that are in fine working order that dates back to 1990 ... but they sorta look like they date back to 1990. Almost all of mine are 8.5" x 11" hardback books from Strathmore but Michael said he also buys Canson sketchbooks as well.In addition to design concept sketches, Michael will put anything that motivates him in these ske...

Sketching is a hot topic regardless of the people having the discussion, but I have learned over the last nine years of writing this site that sketching is one of the more hotly contested topics. While few architects would dispute the value in sketching, HOW that sketch is generated seems to fall into camps of individuals: Team Analog versus Team Digital and I don't think anyone would be surprised to learn that the age of the individual seems to decide (more times than not, but not a guarantee) which camp an individual belongs. These are the show notes to accompany the 3rd Life of an Architect podcast, and I hope that these notes will help bridge the gap between a pure blog post and a pure podcast. Unlike some other podcast show notes, my goal - at least for the foreseeable future, is going to include as many graphics as possible to support the podcast content, so that even if you don't listen to the podcast, there is something here that is of value. I will also concede that after several lengthy conversations with my wife, I have finally conceded to her point that I should include links to the items I mention or reference so that you don't have to go hunt them down yourself. This was a practice that I have generally avoided since I started writing this blog, but hopefully, this is also of some value. So let's get to it! [Note: If you are reading this via email, you will have to click here to access the on-site audio player]  Architectural Sketching - or - How to Sketch like Bob Borson (6:40 mark) Without trying to present you with false modesty, I am fairly comfortable with my ability to sketch ... but this was not always the case. A friend of mine gave me a handful of tips that made a fundamental change to how my sketches appeared. While I don't typically draw perspectives or try to capture the mood of a space, I have been sketching almost daily to create the sorts of sketches I do produce. Sketchbook - (36:04 mark) My business partner Michael Malone is many things, and right at the very top of traits I would assign him is prolific sketcher. He literally is at it every single day and his sketches are rather amazing and absolutely recognizable in their style. I have no doubt that I could pick one of his sketches out amongst thousands of other sketches. The image above is a cabinet in Michael's office and you can see that lining a few of the shelves are loads and loads of sketchbooks. Towards the top are fairly simple, hardback covered volumes, whereas on the bottom are these incredibly nice leather-bound volumes - all of which represent decades worth of ideas and thoughts. Almost 4 years ago I wrote a post on sketchbooks and Michael's handiwork is on full display in this post - Architectural Sketchbooks. These leather-bound sketchbooks are ridiculously nice - almost too nice for me - but Michael uses these types of books to record meeting notes and other "this is what's going on in my life" sort of items. He has been buying these 8.75" x 11" leather journals from Graphic Image for decades - and they certainly have an archival feel to them. The pages are lined and while Michael does produce sketches in them, they are primarily used for record notes and for keeping track of other items ... Like parking passes, museum receipts ... even stickers from jeans. While it might sound a bit random, when taken in as a whole, they are ridiculously cool. And then there are the "regular" sketchbooks that both Michael and I use - they aren't anything fancy ... See? Nothing fancy and if I'm being honest, while they take a fair amount of abuse, they aren't indestructible. I have a few that are in fine working order that dates back to 1990 ... but they sorta look like they date back to 1990. Almost all of mine are 8.5" x 11" hardback books from Strathmore but Michael said he also buys Canson sketchbooks as well. In addition to design concept sketches, Michael will put anything that motivates him in these ske...

003: Sketching

What music do you listen to? What’s your design process? What is your favorite building and why? What do you eat for breakfast? All this and more today as architects Andrew Hawkins and Bob Borson answer your burning questions where almost no topic is off-limits.

037: Ask the Show

In order for social media to have an impact, you first have to decide on what you want to achieve and from there, you actually have to put yourself out there as an individual because social media only functions when you are social - which means there has to be a 1st person narrative. I should point out that this doesn't necessarily mean talking about yourself, it means talking about things from your perspective.

028: Social Media for Architects

Buying gifts for Architects can be tough for some people because architects are very specific about the sorts of things they want. This is the 10th consecutive year of "What to Get an Architect for Christmas" and there is something here for every sort of architect.

038: What to Get an Architect for Christmas [2019]

Becoming an architect is the dream of many people, but it is rare that these individuals learn enough about themselves and what it means to be an architect prior to finding themselves in a position to have to make the decision to actually become an architect.

021: Making an Architect

How much time have you spent thinking about the legal side of architecture?  If you are like most architects, you probably haven't spent enough time thinking about it. While it may not be the sexiest part of the architectural profession,  it is something that every licensed architect must consider on every single project.

027: Is That Even Legal?

Andrew and I really enjoy answering hypothetical questions as part of each Life of an Architect podcast episode. In our final recording of the year, we are happy to present to you the "Director's Cut" on three of our most favorite Hypothetical questions from 2019, as well as two new questions as our way of saying thanks for listening to the show this year.

039: The Hypothetical Show

As an architect, every space I walk in to, I look at … intensely. I scrutinize, evaluate, process, and redesign. Every. Single. Space.

As an architect, every space I walk in to, I look at … intensely. I scrutinize, evaluate, process, and redesign. Every. Single. Space.

014: Being an Architect is Hell

If you are interested in becoming an architect, what are the best reasons to pursue your dream? The field of architecture can be extremely rewarding and today we discuss a few of the reasons why.

008: Top Ten Reasons to be an Architect

“Your first architectural job is important.” I’m not talking about summer jobs or internships … those don’t really count because they have a known shelf-life associated with them. I’m talking about the first job a person takes once they’ve graduated from college – the job that signals the beginning of their professional career.

026: First Jobs

Unlike most professions, architects are fairly accustomed to standing up in front of a group of people and public speaking ... but that doesn't mean they like it (or even worse)  - that they are any good at doing it. The concern going through almost everyone's head before they get up in front of a group is that they will look stupid, sound stupid, or generally come across as someone who shouldn't be talking about whatever it is they are talking about. If that's you, the good news is that you are not alone.

024: Presentation Skills, Tips and Techniques

Taking the architectural registration exam is a crucial step in the process of becoming an architect. The test is long, difficult, and stressful, but it is an absolute necessity if you want to be an architect.

033: Taking the Architectural Registration Exam

Your college architecture projects will be silly because they are designed to make you think outside what you already know. They are also supposed to force you to evaluate your own belief system, your own understanding of how spaces work, and the things that shape your ideas.

032: Projects in Architecture School are Silly

Today we are talking about Architectural Bucket lists. Everyone knows what a bucket list is – things you want to do or achieve in your life. For an architect, this could be visiting Therme Vals in Switzerland by Peter Zumthor, or if this was prior to 1969, maybe it would be smoking cigars with Mies van der Rohe.[Note: If you are reading this via email, you will have to click here to access the on-site audio player] Items that an architect would put on their Architectural Bucket list could cover a lot of ground, but that’s what we are going to be talking about today. Preparing for this show was actually agony for me because I tend to not identify with favorites. There is an ebb and flow to my interests and while I might really like something today, chances are better than good that I will replace this current object of my fascination with something else before too long.Never the less, let's see where our current interest lies as of today.PersonWho would you like to have as an ideal "Architect" buddy for your life/practice? I would assume that this would be a famous architect but it doesn’t have to be. But let’s put the caveat on here that they have to be living?Photo of Renzo Piano Photo: Eric Feferberg/AFP/AFP/Getty Images  Photo of the Jean-Marie Tjibaou Cultural Centre Photo: Sergio Grazia/ADCK/Jean-Marie Tjibaou Cultural Centre/RPBWAndrewI chose Renzo Piano. While there may be a language issue, as pointed out by Bob, I went a more professional route and chose him based on my appreciation for his work and the impact his friendship might have on my own work. So for this one, it would be a true "architecture buddy". I think Renzo is thoughtful in his work and he has a fantastic sense of detail and creativity. He has long been an architect that I admire, so therefore I would want him for my practice side of life.  As noted in our conversations, I chose a different direction of thought than Borson on this one.Photo of Tom Kundig: Juliana Sohn for The Wall Street Journal.Photo of the Delta Shelter: Tim Bies/Olson Kundig Architects.BobThis was a tough one for me because most of the architects who I admire are probably too mature to actually enjoy spending time with me. Answering this question came down to narrowing a few perceived character traits. Do they like to party? Could we talk about something other than architecture? And for what traits have I selected them? Design? Technical prowess? Business acumen? Originality in their thinking? How about all of these items? For that reason, I went with Tom Kundig. On one hand, this seems like it would be a popular choice, the non-architect’s choice, but I chose Tom because I like the technical nature in which he designs appeals to my own process. I would live in every house he has ever designed, he looks like he enjoys what he does and despite the ability to change the scale of the projects he tackles he has continued to accept and design single-family residential works.I almost went with Omar Ghandi but he seems either so cool as to appear disinterested in everything or maybe he’s mean. Every project of his I love but whenever I see pictures of him, he seems too intense to be my friend ... but maybe I'm wrong about that.PlaceThis would be a location you would like to visit. It could be a broad point and/or a very specific one … I’m not even sure that it has to be “architectural”.A riverside view in Bavaria, Bamberg, Germanyphoto credit FOROLIA/APAndrewI chose a region of a country for this one. Bavaria Germany was my choice as a "place". I have never been to this area so it holds a romantic mystique for me. I feel drawn by my ideas of the mixture of landscape, history, architecture, food, and drink. I believe I would enjoy this area for all of those reasons and more. While I am a "modernist" at heart, the idea of traveling through medieval towns and visiting castles while enjoying great food and beer sounds like the best experience imaginable.

Today we are talking about Architectural Bucket lists. Everyone knows what a bucket list is – things you want to do or achieve in your life. For an architect, this could be visiting Therme Vals in Switzerland by Peter Zumthor, or if this was prior to 1969, maybe it would be smoking cigars with Mies van der Rohe. [Note: If you are reading this via email, you will have to click here to access the on-site audio player]  Items that an architect would put on their Architectural Bucket list could cover a lot of ground, but that’s what we are going to be talking about today. Preparing for this show was actually agony for me because I tend to not identify with favorites. There is an ebb and flow to my interests and while I might really like something today, chances are better than good that I will replace this current object of my fascination with something else before too long. Never the less, let's see where our current interest lies as of today. Person Who would you like to have as an ideal "Architect" buddy for your life/practice? I would assume that this would be a famous architect but it doesn’t have to be. But let’s put the caveat on here that they have to be living? Photo of Renzo Piano Photo: Eric Feferberg/AFP/AFP/Getty Images  Photo of the Jean-Marie Tjibaou Cultural Centre Photo: Sergio Grazia/ADCK/Jean-Marie Tjibaou Cultural Centre/RPBW Andrew I chose Renzo Piano. While there may be a language issue, as pointed out by Bob, I went a more professional route and chose him based on my appreciation for his work and the impact his friendship might have on my own work. So for this one, it would be a true "architecture buddy". I think Renzo is thoughtful in his work and he has a fantastic sense of detail and creativity. He has long been an architect that I admire, so therefore I would want him for my practice side of life.  As noted in our conversations, I chose a different direction of thought than Borson on this one. Photo of Tom Kundig: Juliana Sohn for The Wall Street Journal.Photo of the Delta Shelter: Tim Bies/Olson Kundig Architects. Bob This was a tough one for me because most of the architects who I admire are probably too mature to actually enjoy spending time with me. Answering this question came down to narrowing a few perceived character traits. Do they like to party? Could we talk about something other than architecture? And for what traits have I selected them? Design? Technical prowess? Business acumen? Originality in their thinking? How about all of these items? For that reason, I went with Tom Kundig. On one hand, this seems like it would be a popular choice, the non-architect’s choice, but I chose Tom because I like the technical nature in which he designs appeals to my own process. I would live in every house he has ever designed, he looks like he enjoys what he does and despite the ability to change the scale of the projects he tackles he has continued to accept and design single-family residential works. I almost went with Omar Ghandi but he seems either so cool as to appear disinterested in everything or maybe he’s mean. Every project of his I love but whenever I see pictures of him, he seems too intense to be my friend ... but maybe I'm wrong about that. Place This would be a location you would like to visit. It could be a broad point and/or a very specific one … I’m not even sure that it has to be “architectural”. A riverside view in Bavaria, Bamberg, Germanyphoto credit FOROLIA/AP Andrew I chose a region of a country for this one. Bavaria Germany was my choice as a "place". I have never been to this area so it holds a romantic mystique for me. I feel drawn by my ideas of the mixture of landscape, history, architecture, food, and drink. I believe I would enjoy this area for all of those reasons and more. While I am a "modernist" at heart, the idea of traveling through medieval towns and visiting castles while enjoying great food and beer sounds like the best experience imaginable.

025: Architectural Bucket List

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