In this episode we delve into the portrait of Don Juan de Calabazas in the Cleveland Museum of Art! Allyson talks jesters, fools, disability history, and rethinking how we view disabled people. Book rec: Disability Visibility, edited by Alice Wong, 2020. (I listened to the audiobook version, but you can Buy on Bookshop.org also) © 2021 Allyson Healey Theme music © 2021 Bruce Healey Twitter and Instagram: @arthistory4all Drop us a tip on Ko-Fi: ko-fi.com/arthistoryforall  Other links: linktr.ee/arthistory4all Other Music: Valse Gymnopedie by Kevin MacLeodLink: https://filmmusic.io/song/7928-valse-gymnopedieLicense: https://filmmusic.io/standard-license Floating Cities by Kevin MacLeodLink: https://incompetech.filmmusic.io/song/3765-floating-citiesLicense: https://filmmusic.io/standard-license

In this episode we delve into the <a href="https://www.clevelandart.org/art/1965.15" rel="nofollow" target="_blank">portrait of Don Juan de Calabazas</a> in the Cleveland Museum of Art! Allyson talks jesters, fools, disability history, and rethinking how we view disabled people. Book rec: Disability Visibility, edited by Alice Wong, 2020. (I listened to the audiobook version, but you can <a href="https://bookshop.org/books/disability-visibility-first-person-stories-from-the-twenty-first-century/9781984899422" rel="nofollow" target="_blank">Buy on Bookshop.org</a> also) © 2021 Allyson Healey Theme music © 2021 Bruce Healey Twitter and Instagram: @arthistory4all Drop us a tip on Ko-Fi: <a href="https://ko-fi.com/arthistoryforall" rel="nofollow" target="_blank">ko-fi.com/arthistoryforall </a> Other links: <a href="http://linktr.ee/arthistory4all" rel="nofollow" target="_blank">linktr.ee/arthistory4all</a> Other Music: Valse Gymnopedie by Kevin MacLeod Link: <a href="https://filmmusic.io/song/7928-valse-gymnopedie" rel="nofollow" target="_blank">https://filmmusic.io/song/7928-valse-gymnopedie</a> License: <a href="https://filmmusic.io/standard-license" rel="nofollow" target="_blank">https://filmmusic.io/standard-license</a> Floating Cities by Kevin MacLeod Link: <a href="https://incompetech.filmmusic.io/song/3765-floating-cities" rel="nofollow" target="_blank">https://incompetech.filmmusic.io/song/3765-floating-cities</a> License: <a href="https://filmmusic.io/standard-license" rel="nofollow" target="_blank">https://filmmusic.io/standard-license</a>

Episode 28: No Foolin’

The podcast returns as sharp as ever with a discussion of an example of a Malaysian blade called a kris! Allyson talks about the transition from Hinduism to Islam in Southeast Asia, tales from the Mahabharata, and the impact of colonialism (again).  © 2021 Allyson Healey Theme music © 2021 Bruce Healey Twitter and Instagram: @arthistory4all Drop us a tip on Ko-Fi: ko-fi.com/arthistoryforall  Other links: linktr.ee/arthistory4all Other Music: Water Lily by Kevin MacLeodLink: https://incompetech.filmmusic.io/song/4609-water-lilyLicense: https://filmmusic.io/standard-license Stormfront by Kevin MacLeodLink: https://incompetech.filmmusic.io/song/4421-stormfrontLicense: https://filmmusic.io/standard-license

The podcast returns as sharp as ever with a discussion of an example of a Malaysian blade called a <a href="https://www.metmuseum.org/art/collection/search/21837?searchField=All&amp;sortBy=Relevance&amp;ft=kris+malaysia&amp;offset=0&amp;rpp=20&amp;pos=2" rel="nofollow" target="_blank">kris</a>! Allyson talks about the transition from Hinduism to Islam in Southeast Asia, tales from the Mahabharata, and the impact of colonialism (again).  © 2021 Allyson Healey Theme music © 2021 Bruce Healey Twitter and Instagram: @arthistory4all Drop us a tip on Ko-Fi: <a href="https://ko-fi.com/arthistoryforall" rel="nofollow" target="_blank">ko-fi.com/arthistoryforall </a> Other links: <a href="http://linktr.ee/arthistory4all" rel="nofollow" target="_blank">linktr.ee/arthistory4all</a> Other Music: Water Lily by Kevin MacLeod Link: <a href="https://incompetech.filmmusic.io/song/4609-water-lily" rel="nofollow" target="_blank">https://incompetech.filmmusic.io/song/4609-water-lily</a> License: <a href="https://filmmusic.io/standard-license" rel="nofollow" target="_blank">https://filmmusic.io/standard-license</a> Stormfront by Kevin MacLeod Link: <a href="https://incompetech.filmmusic.io/song/4421-stormfront" rel="nofollow" target="_blank">https://incompetech.filmmusic.io/song/4421-stormfront</a> License: <a href="https://filmmusic.io/standard-license" rel="nofollow" target="_blank">https://filmmusic.io/standard-license</a>

Episode 27: The Incredible Flying Kris

Allyson returns refreshed after a quarantine-induced slump to tell you all about Ingapirca, an Inka archaeological site whose function has been obscured by time and imperialism. To learn more about the Inka Empire in convenient podcast form, check out ahistoryoftheinca.wordpress.com or search for A History of the Inca in your favorite podcatcher! © 2021 Allyson Healey Theme music © 2021 Bruce Healey Twitter and Instagram: @arthistory4all Drop us a tip on Ko-Fi: ko-fi.com/arthistoryforall  Other links: linktr.ee/arthistory4all Additional Music Credits: Sardana by Kevin MacLeodLink: https://incompetech.filmmusic.io/song/5002-sardanaLicense: https://filmmusic.io/standard-license Tempting Secrets by Kevin MacLeodLink: https://incompetech.filmmusic.io/song/5005-tempting-secretsLicense: https://filmmusic.io/standard-license

Allyson returns refreshed after a quarantine-induced slump to tell you all about <a href="https://complejoingapirca.gob.ec/#" rel="nofollow" target="_blank">Ingapirca</a>, an <a href="https://en.wikipedia.org/wiki/Ingapirca" rel="nofollow" target="_blank">Inka archaeological site</a> whose function has been obscured by time and imperialism. To learn more about the Inka Empire in convenient podcast form, check out <a href="http://ahistoryoftheinca.wordpress.com" rel="nofollow" target="_blank">ahistoryoftheinca.wordpress.com</a> or search for A History of the Inca in your favorite podcatcher! © 2021 Allyson Healey Theme music © 2021 Bruce Healey Twitter and Instagram: @arthistory4all Drop us a tip on Ko-Fi: <a href="https://ko-fi.com/arthistoryforall" rel="nofollow" target="_blank">ko-fi.com/arthistoryforall </a> Other links: <a href="http://linktr.ee/arthistory4all" rel="nofollow" target="_blank">linktr.ee/arthistory4all</a> Additional Music Credits: Sardana by Kevin MacLeod Link: <a href="https://incompetech.filmmusic.io/song/5002-sardana" rel="nofollow" target="_blank">https://incompetech.filmmusic.io/song/5002-sardana</a> License: <a href="https://filmmusic.io/standard-license" rel="nofollow" target="_blank">https://filmmusic.io/standard-license</a> Tempting Secrets by Kevin MacLeod Link: <a href="https://incompetech.filmmusic.io/song/5005-tempting-secrets" rel="nofollow" target="_blank">https://incompetech.filmmusic.io/song/5005-tempting-secrets</a> License: <a href="https://filmmusic.io/standard-license" rel="nofollow" target="_blank">https://filmmusic.io/standard-license</a>

Episode 26: The Case of Ingapirca

AH4A is back with an examination of Margaret Preston’s 1958 work Aboriginal Glyph, and lots of thoughts about what it means for a white woman to claim her work is “aboriginal.” © 2020 Allyson Healey Theme music © 2020 Bruce Healey Twitter and Instagram: @arthistory4all Drop us a tip on Ko-Fi: ko-fi.com/arthistoryforall  Other links: linktr.ee/arthistory4all Additional Music Credits: Talking Drums with Guitar and Bass Mix by Bruce Healey © 2020 Bruce Healey Pride by Kevin MacLeodLink: https://incompetech.filmmusic.io/song/4239-prideLicense: http://creativecommons.org/licenses/by/4.0/ Beauty Flow by Kevin MacLeodLink: https://incompetech.filmmusic.io/song/5025-beauty-flowLicense: http://creativecommons.org/licenses/by/4.0/ 

AH4A is back with an examination of Margaret Preston’s 1958 work <a href="https://www.artgallery.nsw.gov.au/collection/works/DA2.1960/?tab=details" rel="nofollow" target="_blank">Aboriginal Glyph</a>, and lots of thoughts about what it means for a white woman to claim her work is “aboriginal.” © 2020 Allyson Healey Theme music © 2020 Bruce Healey Twitter and Instagram: @arthistory4all Drop us a tip on Ko-Fi: <a href="https://ko-fi.com/arthistoryforall" rel="nofollow" target="_blank">ko-fi.com/arthistoryforall </a> Other links: <a href="http://linktr.ee/arthistory4all" rel="nofollow" target="_blank">linktr.ee/arthistory4all</a> Additional Music Credits: Talking Drums with Guitar and Bass Mix by Bruce Healey © 2020 Bruce Healey Pride by Kevin MacLeod Link: <a href="https://incompetech.filmmusic.io/song/4239-pride" rel="nofollow" target="_blank">https://incompetech.filmmusic.io/song/4239-pride</a> License: <a href="http://creativecommons.org/licenses/by/4.0/" rel="nofollow" target="_blank">http://creativecommons.org/licenses/by/4.0/</a> Beauty Flow by Kevin MacLeod Link: <a href="https://incompetech.filmmusic.io/song/5025-beauty-flow" rel="nofollow" target="_blank">https://incompetech.filmmusic.io/song/5025-beauty-flow</a> License: <a href="http://creativecommons.org/licenses/by/4.0/" rel="nofollow" target="_blank">http://creativecommons.org/licenses/by/4.0/</a>

Episode 25: Aboriginal Glyph

Lots of food for thought in this episode as Allyson discusses a Shona headrest from Zimbabwe in the Met’s collection: how do such objects come to be in Western museums? Should they be returned to their cultures of origin? © 2020 Allyson Healey Theme music © 2020 Bruce Healey Twitter and Instagram: @arthistory4all Get involved with Black Lives Matter: https://blacklivesmatters.carrd.co/ Other links: linktr.ee/arthistory4all Additional Music Credits: “Round Drums” by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/4308-round-drums License: http://creativecommons.org/licenses/by/4.0/ “Nomadic Dawn” by Alexander Nakarada Link: https://filmmusic.io/song/4766-nomadic-dawn License: http://creativecommons.org/licenses/by/4.0/

Lots of food for thought in this episode as Allyson discusses <a href="https://www.metmuseum.org/art/collection/search/318950" rel="nofollow" target="_blank">a Shona headrest from Zimbabwe</a> in the Met’s collection: how do such objects come to be in Western museums? Should they be returned to their cultures of origin? © 2020 Allyson Healey Theme music © 2020 Bruce Healey Twitter and Instagram: @arthistory4all Get involved with Black Lives Matter: <a href="https://blacklivesmatters.carrd.co/" rel="nofollow" target="_blank">https://blacklivesmatters.carrd.co/</a> Other links: <a href="http://linktr.ee/arthistory4all" rel="nofollow" target="_blank">linktr.ee/arthistory4all</a> Additional Music Credits: “Round Drums” by Kevin MacLeod Link: <a href="https://incompetech.filmmusic.io/song/4308-round-drums" rel="nofollow" target="_blank">https://incompetech.filmmusic.io/song/4308-round-drums</a> License: <a href="http://creativecommons.org/licenses/by/4.0/" rel="nofollow" target="_blank">http://creativecommons.org/licenses/by/4.0/</a> “Nomadic Dawn” by Alexander Nakarada Link: <a href="https://filmmusic.io/song/4766-nomadic-dawn" rel="nofollow" target="_blank">https://filmmusic.io/song/4766-nomadic-dawn</a> License: <a href="http://creativecommons.org/licenses/by/4.0/" rel="nofollow" target="_blank">http://creativecommons.org/licenses/by/4.0/</a>

Episode 24: A Place to Rest

In protest of the epidemic of racism and police brutality that affects Black people in America daily, this episode is part of #podcastblackout, a movement begun by the Cult 45 Podcast. The list of victims of police violence in this episode is significantly abbreviated. Below are some resources to educate yourself on anti-racism and support anti-racist work. Use these resources as a starting point. Allyship is a process. Do not stop educating yourself, and above all LISTEN TO THOSE TO WHOM YOU WISH TO BE AN ALLY. Donate to Black Lives Matter. Donate to the NAACP Legal Defense Fund. Donate to The Bail Project. Find a Black Lives Matter chapter near you. A breakdown of anti-racism from the National Museum of African American History &amp; Culture Just one of many Anti-Racism Reading Lists How to Be an Ally if You Are A Person With Privilege, Frances E. Kendall The Case for Reparations, Ta-Nehisi Coates (and in audio format here) Holy shit, being an ally isn’t about me!, WOC &amp; Allies The Racist Housing Policy that Made Your Neighborhood, Alexis C. Madrigal 1619, a podcast by the New York Times Intersectionality Matters!, a podcast by Kimberlé Crenshaw Code Switch, a podcast from NPR

In protest of the epidemic of racism and police brutality that affects Black people in America daily, this episode is part of #podcastblackout, a movement begun by the <a href="https://www.cult45podcast.com/" rel="nofollow" target="_blank">Cult 45 Podcast</a>. The list of victims of police violence in this episode is significantly abbreviated. Below are some resources to educate yourself on anti-racism and support anti-racist work. Use these resources as a starting point. Allyship is a process. Do not stop educating yourself, and above all LISTEN TO THOSE TO WHOM YOU WISH TO BE AN ALLY. <a href="https://secure.actblue.com/donate/ms_blm_homepage_2019" rel="nofollow" target="_blank">Donate to Black Lives Matter</a>. <a href="https://org2.salsalabs.com/o/6857/p/salsa/donation/common/public/?donate_page_KEY=15780&amp;_ga=2.254500168.1171299104.1590955477-1771201612.1590955477" rel="nofollow" target="_blank">Donate to the NAACP Legal Defense Fund</a>. <a href="https://secure.givelively.org/donate/the-bail-project" rel="nofollow" target="_blank">Donate to The Bail Project</a>. <a href="https://blacklivesmatter.com/chapters/" rel="nofollow" target="_blank">Find a Black Lives Matter chapter near you</a>. <a href="https://nmaahc.si.edu/learn/talking-about-race/topics/being-antiracist" rel="nofollow" target="_blank">A breakdown of anti-racism</a> from the National Museum of African American History &amp; Culture <a href="https://bookshop.org/lists/anti-racism?fbclid=IwAR2Q-dV2fQNEq3LSt0i751VRN7sdgab8NmYziOLXvVxrJbgII5Ra-ZdDhcI" rel="nofollow" target="_blank">Just one of many Anti-Racism Reading Lists</a> <a href="http://www.scn.org/friends/ally.html" rel="nofollow" target="_blank">How to Be an Ally if You Are A Person With Privilege</a>, Frances E. Kendall <a href="https://www.theatlantic.com/magazine/archive/2014/06/the-case-for-reparations/361631/" rel="nofollow" target="_blank">The Case for Reparations</a>, Ta-Nehisi Coates (and in audio format <a href="https://soundcloud.com/user-154380542/the-case-for-reparations-the-atlantic-ta-nehisi-coates" rel="nofollow" target="_blank">here</a>) <a href="https://medium.com/@realtalkwocandallies/holy-shit-being-an-ally-isnt-about-me-ae2de5c47514" rel="nofollow" target="_blank">Holy shit, being an ally isn’t about me!</a>, WOC &amp; Allies <a href="https://www.theatlantic.com/business/archive/2014/05/the-racist-housing-policy-that-made-your-neighborhood/371439/" rel="nofollow" target="_blank">The Racist Housing Policy that Made Your Neighborhood</a>, Alexis C. Madrigal <a href="https://www.nytimes.com/interactive/2019/08/14/magazine/1619-america-slavery.html" rel="nofollow" target="_blank">1619</a>, a podcast by the New York Times <a href="https://podcasts.apple.com/us/podcast/intersectionality-matters/id1441348908" rel="nofollow" target="_blank">Intersectionality Matters!</a>, a podcast by Kimberlé Crenshaw <a href="https://www.npr.org/sections/codeswitch/" rel="nofollow" target="_blank">Code Switch</a>, a podcast from NPR

#podcastblackout

AH4A is back with an episode that ROCKS! Allyson discusses the rock art at Serra da Capivara National Park, Piauí, Brazil, and what its story reveals about what we do (or don’t) value. © 2020 Allyson Healey Theme music © 2020 Bruce Healey Twitter and Instagram: @arthistory4all Drop us a tip on Ko-Fi: ko-fi.com/arthistoryforall  Other links: linktr.ee/arthistory4all Additional Music Credits: “Harp III Meditation,” by Bruce Healey, used with permission of the composer, © 2020 Bruce Healey “Chalet,” by Meydän, via freemusicarchive.org, licensed under a Creative Commons Attribution 4.0 International License (https://creativecommons.org/licenses/by/4.0/) “Cosmic Relevance,” by Unheard Music Concepts, via freemusicarchive.org, Attribution 4.0 International License (https://creativecommons.org/licenses/by/4.0/)

AH4A is back with an episode that ROCKS! Allyson discusses the <a href="https://commons.wikimedia.org/wiki/File:Serra_da_Capivara_-_Painting_7.JPG" rel="nofollow" target="_blank">rock art at Serra da Capivara National Park</a>, Piauí, Brazil, and what its story reveals about what we do (or don’t) value. © 2020 Allyson Healey Theme music © 2020 Bruce Healey Twitter and Instagram: @arthistory4all Drop us a tip on Ko-Fi: <a href="https://ko-fi.com/arthistoryforall" rel="nofollow" target="_blank">ko-fi.com/arthistoryforall </a> Other links: <a href="http://linktr.ee/arthistory4all" rel="nofollow" target="_blank">linktr.ee/arthistory4all</a> Additional Music Credits: “Harp III Meditation,” by Bruce Healey, used with permission of the composer, © 2020 Bruce Healey “Chalet,” by Meydän, via <a href="http://freemusicarchive.org" rel="nofollow" target="_blank">freemusicarchive.org</a>, licensed under a Creative Commons Attribution 4.0 International License (<a href="https://creativecommons.org/licenses/by/4.0/" rel="nofollow" target="_blank">https://creativecommons.org/licenses/by/4.0/</a>) “Cosmic Relevance,” by Unheard Music Concepts, via <a href="http://freemusicarchive.org" rel="nofollow" target="_blank">freemusicarchive.org</a>, Attribution 4.0 International License (<a href="https://creativecommons.org/licenses/by/4.0/" rel="nofollow" target="_blank">https://creativecommons.org/licenses/by/4.0/</a>)

Episode 23: Rock Steady

An icon of the head of John the Baptist (c. 1680) from Yaroslavl is the focus of this last episode of 2019, prompting a discussion of how Russia has been viewed across history. © 2019 Allyson Healey Theme music © 2019 Bruce Healey Twitter and Instagram: @arthistory4all Drop us a tip on Ko-Fi: ko-fi.com/arthistoryforall  Other links: linktr.ee/arthistory4all Additional Music Credits: “Ay Uchniem (Song of the Volga Boatmen),” performed by Kiriloff’s Russian Balalaika Orchestra, 1921. 78 rpm recording via archive.org: https://archive.org/details/78_ay-uchniem-song-of-the-volga-boatmen_kirilloffs-russian-balalaika-orchestra_gbia0054989a/Ay+Uchniem+(Song+-+Kirilloff’s+Russian+Balalaika+Orchestra.flac Music from https://filmmusic.io “Virtutes Instrumenti” by Kevin MacLeod (https://incompetech.com) License: CC BY (http://creativecommons.org/licenses/by/4.0/)

An icon of the head of <a href="https://tmora.org/currentexhibitions/online-exhibitions/transcendent-art-icons-from-yaroslavl-russia/17th-century-icons/head-of-st-john-the-baptist/" rel="nofollow" target="_blank">John the Baptist (c. 1680)</a> from Yaroslavl is the focus of this last episode of 2019, prompting a discussion of how Russia has been viewed across history. © 2019 Allyson Healey Theme music © 2019 Bruce Healey Twitter and Instagram: @arthistory4all Drop us a tip on Ko-Fi: <a href="https://ko-fi.com/arthistoryforall" rel="nofollow" target="_blank">ko-fi.com/arthistoryforall </a> Other links: <a href="http://linktr.ee/arthistory4all" rel="nofollow" target="_blank">linktr.ee/arthistory4all</a> Additional Music Credits: “Ay Uchniem (Song of the Volga Boatmen),” performed by Kiriloff’s Russian Balalaika Orchestra, 1921. 78 rpm recording via <a href="http://archive.org" rel="nofollow" target="_blank">archive.org</a>: <a href="https://archive.org/details/78_ay-uchniem-song-of-the-volga-boatmen_kirilloffs-russian-balalaika-orchestra_gbia0054989a/Ay+Uchniem+(Song+-+Kirilloff’s+Russian+Balalaika+Orchestra.flac" rel="nofollow" target="_blank">https://archive.org/details/78_ay-uchniem-song-of-the-volga-boatmen_kirilloffs-russian-balalaika-orchestra_gbia0054989a/Ay+Uchniem+(Song+-+Kirilloff’s+Russian+Balalaika+Orchestra.flac</a> Music from <a href="https://filmmusic.io" rel="nofollow" target="_blank">https://filmmusic.io</a> “Virtutes Instrumenti” by Kevin MacLeod (<a href="https://incompetech.com" rel="nofollow" target="_blank">https://incompetech.com</a>) License: CC BY (<a href="http://creativecommons.org/licenses/by/4.0/" rel="nofollow" target="_blank">http://creativecommons.org/licenses/by/4.0/</a>)

Episode 22: Gilded Gingerbread

Indigenous Canadian artist Daphne Odjig’s painting Bathed in Sunlight (1983) and the larger story of Odjig’s career prompt us to think about Native art and how it is (or isn’t) included in the mainstream contemporary art world. © 2019 Allyson Healey Theme music © 2019 Bruce Healey Twitter and Instagram: @arthistory4all Drop us a tip on Ko-Fi: ko-fi.com/arthistoryforall  Other links: linktr.ee/arthistory4all Additional Music Credit: “Synchronicity” by Unheard Music Concepts via freemusicarchive.org, licensed under a Creative Commons Attribution 4.0 International License. “Amber Haze” by Daniel Birch via freemusicarchive.org, licensed under a Creative Commons Attribution 4.0 International License.

Indigenous Canadian artist Daphne Odjig’s painting <a href="http://www.artnet.com/artists/daphne-odjig/bathed-in-sunlight-YFBFCq_ZEZUB8ULOlBnxsg2" rel="nofollow" target="_blank">Bathed in Sunlight (1983)</a> and the larger story of Odjig’s career prompt us to think about Native art and how it is (or isn’t) included in the mainstream contemporary art world. © 2019 Allyson Healey Theme music © 2019 Bruce Healey Twitter and Instagram: @arthistory4all Drop us a tip on Ko-Fi: <a href="https://ko-fi.com/arthistoryforall" rel="nofollow" target="_blank">ko-fi.com/arthistoryforall </a> Other links: <a href="http://linktr.ee/arthistory4all" rel="nofollow" target="_blank">linktr.ee/arthistory4all</a> Additional Music Credit: “<a href="https://www.freemusicarchive.org/genre/Instrumental?sort=track_date_published&amp;d=1&amp;page=10" rel="nofollow" target="_blank">Synchronicity</a>” by Unheard Music Concepts via <a href="http://freemusicarchive.org" rel="nofollow" target="_blank">freemusicarchive.org</a>, licensed under a <a href="https://creativecommons.org/licenses/by/4.0/" rel="nofollow" target="_blank">Creative Commons Attribution 4.0 International License</a>. “<a href="https://www.freemusicarchive.org/music/Daniel_Birch/Music_For_Audio_Drama_Podcasts_Vol1" rel="nofollow" target="_blank">Amber Haze</a>” by Daniel Birch via <a href="http://freemusicarchive.org" rel="nofollow" target="_blank">freemusicarchive.org</a>, licensed under a <a href="https://creativecommons.org/licenses/by/4.0/" rel="nofollow" target="_blank">Creative Commons Attribution 4.0 International License</a>.

Episode 21: A Paintbrush in Her Hand

It’s Halloween 2K19 and Allyson is sharing a very specific type of horror story–art conservation horror stories! Listen in, and then share your own tales of artsy mishaps by emailing allysonh[at]arthistoryforall.com! © 2019 Allyson Healey Theme music © 2019 Bruce Healey Twitter and Instagram: @arthistory4all Drop us a tip on Ko-Fi: ko-fi.com/arthistoryforall  Other links: linktr.ee/arthistory4all Additional Music Credit: “Ride of the Valkyries,” performed by American Symphony Orchestra, 1921, from Archive.org’s collection of 78 RPMs and Cylinder Recordings: https://archive.org/details/EDIS-SRP-0197-06 “Pale Moon (Indian Love Song),” performed by Fritz Kreisler, 1919, from Archive.org’s collection of 78 RPMs and Cylinder Recordings: https://archive.org/details/78_pale-moon-indian-love-song_fritz-kreisler-logan-r.-kreisler_gbia0012554a/Pale+Moon+(Indian+Love+Song)+-+Fritz+Kreisler.flac

It’s Halloween 2K19 and Allyson is sharing a very specific type of horror story–<a href="https://en.wikipedia.org/wiki/Ecce_Homo_(Mart%C3%ADnez_and_Gim%C3%A9nez,_Borja)" rel="nofollow" target="_blank">art conservation</a> <a href="https://www.bbc.com/news/world-europe-44619416." rel="nofollow" target="_blank">horror</a> <a href="https://www.artsy.net/news/artsy-editorial-amateur-art-restorer-spain-botched-restoration-centuries-old-religious-artwork" rel="nofollow" target="_blank">stories</a>! Listen in, and then share your own tales of artsy mishaps by emailing allysonh[at]<a href="http://arthistoryforall.com" rel="nofollow" target="_blank">arthistoryforall.com</a>! © 2019 Allyson Healey Theme music © 2019 Bruce Healey Twitter and Instagram: @arthistory4all Drop us a tip on Ko-Fi: <a href="https://ko-fi.com/arthistoryforall" rel="nofollow" target="_blank">ko-fi.com/arthistoryforall </a> Other links: <a href="http://linktr.ee/arthistory4all" rel="nofollow" target="_blank">linktr.ee/arthistory4all</a> Additional Music Credit: “Ride of the Valkyries,” performed by American Symphony Orchestra, 1921, from <a href="http://Archive.org" rel="nofollow" target="_blank">Archive.org</a>’s collection of 78 RPMs and Cylinder Recordings: <a href="https://archive.org/details/EDIS-SRP-0197-06" rel="nofollow" target="_blank">https://archive.org/details/EDIS-SRP-0197-06</a> “Pale Moon (Indian Love Song),” performed by Fritz Kreisler, 1919, from <a href="http://Archive.org" rel="nofollow" target="_blank">Archive.org</a>’s collection of 78 RPMs and Cylinder Recordings: <a href="https://archive.org/details/78_pale-moon-indian-love-song_fritz-kreisler-logan-r.-kreisler_gbia0012554a/Pale+Moon+(Indian+Love+Song)+-+Fritz+Kreisler.flac" rel="nofollow" target="_blank">https://archive.org/details/78_pale-moon-indian-love-song_fritz-kreisler-logan-r.-kreisler_gbia0012554a/Pale+Moon+(Indian+Love+Song)+-+Fritz+Kreisler.flac</a>

In Focus: Conservation Horror Stories

From art lovers to art haters to art-is-just-okay-ers, Art History for All aims to get all kinds of people thinking about art and what it means to them. Each episode, Allyson Healey tackles a single work of art and its history and larger significance, always asking the question: so what? Art History for All takes you beyond the art historical canon and helps you find the way in which art speaks to you (even if it's never spoken to you before)

There are lots of different types of bodies in the world, but artist Fernando Botero focuses on the rounder kind–in this episode, Allyson tells you about Botero’s 1998 painting L’Odalisque, and talks about how it relates to body image and ideas of the “other.” © 2019 Allyson Healey Theme music © 2019 Bruce Healey Twitter and Instagram: @arthistory4all Drop us a tip on Ko-Fi: ko-fi.com/arthistoryforall  Other links: linktr.ee/arthistory4all Additional Music Credit: Music from https://filmmusic.io“Cool Vibes” by Kevin MacLeod (https://incompetech.com)License: CC BY (http://creativecommons.org/licenses/by/4.0/)

There are lots of different types of bodies in the world, but artist Fernando Botero focuses on the rounder kind–in this episode, Allyson tells you about Botero’s 1998 painting <a href="http://www.artnet.com/artists/fernando-botero/lodalisque-SazVa0DQATQJ7ZM6oVHpoQ2" rel="nofollow" target="_blank">L’Odalisque,</a> and talks about how it relates to body image and ideas of the “other.” © 2019 Allyson Healey Theme music © 2019 Bruce Healey Twitter and Instagram: @arthistory4all Drop us a tip on Ko-Fi: <a href="https://ko-fi.com/arthistoryforall" rel="nofollow" target="_blank">ko-fi.com/arthistoryforall </a> Other links: <a href="http://linktr.ee/arthistory4all" rel="nofollow" target="_blank">linktr.ee/arthistory4all</a> Additional Music Credit: Music from <a href="https://filmmusic.io" rel="nofollow" target="_blank">https://filmmusic.io</a> “Cool Vibes” by Kevin MacLeod (<a href="https://incompetech.com" rel="nofollow" target="_blank">https://incompetech.com</a>) License: CC BY (<a href="http://creativecommons.org/licenses/by/4.0/" rel="nofollow" target="_blank">http://creativecommons.org/licenses/by/4.0/</a>)

Episode 20: Big Odalisque Energy

Allyson discusses Filipina artist Anita Magsaysay-Ho’s Girls with Baskets (1966), and how colonialism, class, and global politics affect even the most sentimental of art. © 2019 Allyson Healey Theme music © 2019 Bruce Healey Twitter and Instagram: @arthistory4all Drop us a tip on Ko-Fi: ko-fi.com/arthistoryforall  Other links: linktr.ee/arthistory4all Additional Music Credit: Music from https://filmmusic.io“Infados” by Kevin MacLeod (https://incompetech.com)License: CC BY (http://creativecommons.org/licenses/by/4.0/)

Allyson discusses Filipina artist Anita Magsaysay-Ho’s <a href="https://www.christies.com/LotFinder/lot_details.aspx?intObjectID=5390977" rel="nofollow" target="_blank">Girls with Baskets</a> (1966), and how colonialism, class, and global politics affect even the most sentimental of art. © 2019 Allyson Healey Theme music © 2019 Bruce Healey Twitter and Instagram: @arthistory4all Drop us a tip on Ko-Fi: <a href="https://ko-fi.com/arthistoryforall" rel="nofollow" target="_blank">ko-fi.com/arthistoryforall </a> Other links: <a href="http://linktr.ee/arthistory4all" rel="nofollow" target="_blank">linktr.ee/arthistory4all</a> Additional Music Credit: Music from <a href="https://filmmusic.io" rel="nofollow" target="_blank">https://filmmusic.io</a> “Infados” by Kevin MacLeod (<a href="https://incompetech.com" rel="nofollow" target="_blank">https://incompetech.com</a>) License: CC BY (<a href="http://creativecommons.org/licenses/by/4.0/" rel="nofollow" target="_blank">http://creativecommons.org/licenses/by/4.0/</a>)

Episode 19: The Casco and the Yacht

Allyson discusses Myra Albert Wiggins’s The Lacemaker (1899, Portland Museum of Art), workin’ hard for the money, and types of labor that we might not see as labor. This one’s for you, needleworkers! © 2019 Allyson Healey Theme music © 2019 Bruce Healey Twitter and Instagram: @arthistory4all Drop us a tip on Ko-Fi: ko-fi.com/arthistoryforall  Other links: linktr.ee/arthistory4all Additional Music Credits: “Serenity” by Jason Shaw, Audionautix.com (https://audionautix.com/Music/Serenity.mp3)Licensed under a Creative Commons Attribution 3.0 License Music from https://filmmusic.io“Breaktime” by Kevin MacLeod (https://incompetech.com)License: CC BY (http://creativecommons.org/licenses/by/4.0/)“Trio for Piano, Cello, and Clarinet” by Kevin MacLeod (https://incompetech.com)License: CC BY (http://creativecommons.org/licenses/by/4.0/)

Allyson discusses Myra Albert Wiggins’s <a href="http://portlandartmuseum.us/mwebcgi/mweb.exe?request=record;id=26370;type=101#" rel="nofollow" target="_blank">The Lacemaker</a> (1899, Portland Museum of Art), workin’ hard for the money, and types of labor that we might not see as labor. This one’s for you, needleworkers! © 2019 Allyson Healey Theme music © 2019 Bruce Healey Twitter and Instagram: @arthistory4all Drop us a tip on Ko-Fi: <a href="https://ko-fi.com/arthistoryforall" rel="nofollow" target="_blank">ko-fi.com/arthistoryforall </a> Other links: <a href="http://linktr.ee/arthistory4all" rel="nofollow" target="_blank">linktr.ee/arthistory4all</a> Additional Music Credits: “Serenity” by Jason Shaw, <a href="http://Audionautix.com" rel="nofollow" target="_blank">Audionautix.com</a> (<a href="https://audionautix.com/Music/Serenity.mp3" rel="nofollow" target="_blank">https://audionautix.com/Music/Serenity.mp3</a>) Licensed under a Creative Commons Attribution 3.0 License Music from <a href="https://filmmusic.io" rel="nofollow" target="_blank">https://filmmusic.io</a> “Breaktime” by Kevin MacLeod (<a href="https://incompetech.com" rel="nofollow" target="_blank">https://incompetech.com</a>) License: CC BY (<a href="http://creativecommons.org/licenses/by/4.0/" rel="nofollow" target="_blank">http://creativecommons.org/licenses/by/4.0/</a>) “Trio for Piano, Cello, and Clarinet” by Kevin MacLeod (<a href="https://incompetech.com" rel="nofollow" target="_blank">https://incompetech.com</a>) License: CC BY (<a href="http://creativecommons.org/licenses/by/4.0/" rel="nofollow" target="_blank">http://creativecommons.org/licenses/by/4.0/</a>)

Episode 18: As Much Worker as Woman

Esther Mahlangu’s Untitled, 2008 has simple geometry, but a complex context–Allyson talks about its connections to commerce, soccer, and… BMWs?  © 2019 Allyson Healey Theme music © 2019 Bruce Healey Twitter and Instagram: @arthistory4all Ko-Fi: ko-fi.com/arthistoryforall  Other links: linktr.ee/arthistory4all Additional Music Credits: Music from https://filmmusic.io:“The Complex,” “Enchanted Journey,” and “Babylon,” by Kevin MacLeod (https://incompetech.com)Licence: CC BY (http://creativecommons.org/licenses/by/4.0/)

Esther Mahlangu’s <a href="https://www.artsy.net/artwork/esther-mahlangu-untitled-17" rel="nofollow" target="_blank">Untitled, 2008 </a>has simple geometry, but a complex context–Allyson talks about its connections to commerce, soccer, and… BMWs?  © 2019 Allyson Healey Theme music © 2019 Bruce Healey Twitter and Instagram: @arthistory4all Ko-Fi: <a href="https://ko-fi.com/arthistoryforall" rel="nofollow" target="_blank">ko-fi.com/arthistoryforall </a> Other links: <a href="http://linktr.ee/arthistory4all" rel="nofollow" target="_blank">linktr.ee/arthistory4all</a> Additional Music Credits: Music from <a href="https://filmmusic.io" rel="nofollow" target="_blank">https://filmmusic.io</a>: “The Complex,” “Enchanted Journey,” and “Babylon,” by Kevin MacLeod (<a href="https://incompetech.com" rel="nofollow" target="_blank">https://incompetech.com</a>) Licence: CC BY (<a href="http://creativecommons.org/licenses/by/4.0/" rel="nofollow" target="_blank">http://creativecommons.org/licenses/by/4.0/</a>)

Episode 17: First Lady to Travel Over Sea

It’s a mind-bending episode as Allyson guides you through Roberto Matta’s surreal mental landscape, Invasion of the Night (1941), and explores its connections to physics and psychology. © 2019 Allyson Healey Theme music © 2019 Bruce Healey Twitter and Instagram: @arthistory4all Ko-Fi: ko-fi.com/arthistoryforall  Other links: linktr.ee/arthistory4all Additional Music Credits: Music from https://filmmusic.io: “Unanswered Questions” by Kevin MacLeod (https://incompetech.com) Licence: CC BY (http://creativecommons.org/licenses/by/4.0/) “Thunderbird” by Kevin MacLeod (https://incompetech.com) Licence: CC BY (http://creativecommons.org/licenses/by/4.0/)

It’s a mind-bending episode as Allyson guides you through Roberto Matta’s surreal mental landscape, <a href="https://img.theculturetrip.com/fit-in/1024x/images/56-126494-roberto-matta-invasion-of-the-night.png" rel="nofollow" target="_blank">Invasion of the Night (1941)</a>, and explores its connections to physics and psychology. © 2019 Allyson Healey Theme music © 2019 Bruce Healey Twitter and Instagram: @arthistory4all Ko-Fi: <a href="https://ko-fi.com/arthistoryforall" rel="nofollow" target="_blank">ko-fi.com/arthistoryforall </a> Other links: <a href="http://linktr.ee/arthistory4all" rel="nofollow" target="_blank">linktr.ee/arthistory4all</a> Additional Music Credits: Music from <a href="https://filmmusic.io" rel="nofollow" target="_blank">https://filmmusic.io</a>: “Unanswered Questions” by Kevin MacLeod (<a href="https://incompetech.com" rel="nofollow" target="_blank">https://incompetech.com</a>) Licence: CC BY (<a href="http://creativecommons.org/licenses/by/4.0/" rel="nofollow" target="_blank">http://creativecommons.org/licenses/by/4.0/</a>) “Thunderbird” by Kevin MacLeod (<a href="https://incompetech.com" rel="nofollow" target="_blank">https://incompetech.com</a>) Licence: CC BY (<a href="http://creativecommons.org/licenses/by/4.0/" rel="nofollow" target="_blank">http://creativecommons.org/licenses/by/4.0/</a>)

Episode 16: Invasion of the Night

Allyson guides you through the eleventh-century Chinese handscroll painting Summer Mountains, (北宋 傳屈鼎 夏山圖 卷) by little-known painter Qu Ding (屈鼎). © 2019 Allyson Healey Theme music © 2019 Bruce Healey Twitter and Instagram: @arthistory4all Ko-Fi: ko-fi.com/arthistoryforall  Other links: linktr.ee/arthistory4all  Additional Music Credits: Music from https://filmmusic.io: “Dreams Become Real” by Kevin MacLeod (https://incompetech.com) Licence: CC BY (http://creativecommons.org/licenses/by/4.0/) “Perspectives” by Kevin MacLeod (https://incompetech.com) Licence: CC BY (http://creativecommons.org/licenses/by/4.0/)

Allyson guides you through the eleventh-century Chinese handscroll painting <a href="https://www.metmuseum.org/art/collection/search/39915" rel="nofollow" target="_blank">Summer Mountains</a>, (北宋 傳屈鼎 夏山圖 卷) by little-known painter Qu Ding (屈鼎). © 2019 Allyson Healey Theme music © 2019 Bruce Healey Twitter and Instagram: @arthistory4all Ko-Fi: <a href="https://ko-fi.com/arthistoryforall" rel="nofollow" target="_blank">ko-fi.com/arthistoryforall </a> Other links: <a href="http://linktr.ee/arthistory4all" rel="nofollow" target="_blank">linktr.ee/arthistory4all </a> Additional Music Credits: Music from <a href="https://filmmusic.io" rel="nofollow" target="_blank">https://filmmusic.io</a>: “Dreams Become Real” by Kevin MacLeod (<a href="https://incompetech.com" rel="nofollow" target="_blank">https://incompetech.com</a>) Licence: CC BY (<a href="http://creativecommons.org/licenses/by/4.0/" rel="nofollow" target="_blank">http://creativecommons.org/licenses/by/4.0/</a>) “Perspectives” by Kevin MacLeod (<a href="https://incompetech.com" rel="nofollow" target="_blank">https://incompetech.com</a>) Licence: CC BY (<a href="http://creativecommons.org/licenses/by/4.0/" rel="nofollow" target="_blank">http://creativecommons.org/licenses/by/4.0/</a>)

Episode 15: Compared to Rocks and Mountains

Color

Allyson teaches you all about québécoise painter and stained glass artist Marcelle Ferron, whose windows at the Champ-de-Mars Métro station in Montréal are a unique example of public art. © 2019 Allyson Healey Theme music © 2019 Bruce Healey Twitter: @arthistory4all Ko-Fi: ko-fi.com/arthistoryforall  Additional Music Credits: “Let That Sink In” by Lee Rosevere (via freemusicarchive.org). Licensed under a Creative Commons Attribution 4.0 License.  “You’re Enough (version a)” by Lee Rosevere (via freemusicarchive.org). Licensed under a Creative Commons Attribution 4.0 License. 

Allyson teaches you all about québécoise painter and stained glass artist Marcelle Ferron, whose <a href="https://en.wikipedia.org/wiki/Champ-de-Mars_station_(Montreal_Metro)#/media/File:Montreal_-_Metro_Champ-de-Mars,_panorama-20050329.jpg" rel="nofollow" target="_blank">windows at the Champ-de-Mars Métro station</a> in Montréal are a unique example of public art. © 2019 Allyson Healey Theme music © 2019 Bruce Healey Twitter: @arthistory4all Ko-Fi: <a href="https://ko-fi.com/arthistoryforall" rel="nofollow" target="_blank">ko-fi.com/arthistoryforall </a> Additional Music Credits: “Let That Sink In” by Lee Rosevere (via <a href="http://freemusicarchive.org" rel="nofollow" target="_blank">freemusicarchive.org</a>). Licensed under a Creative Commons <a href="http://creativecommons.org/licenses/by/4.0/" rel="nofollow" target="_blank">Attribution 4.0 License</a>.  “You’re Enough (version a)” by Lee Rosevere (via <a href="http://freemusicarchive.org" rel="nofollow" target="_blank">freemusicarchive.org</a>). Licensed under a Creative Commons <a href="http://creativecommons.org/licenses/by/4.0/" rel="nofollow" target="_blank">Attribution 4.0 License</a>.

Episode 14: Happiness and Color

In this episode, Allyson goes down under and discusses the life of Albert Namatjira, his watercolor painting Catherine Creek, Northern Territory (circa 1950), and the situation of Aboriginal Australians in the early to mid-twentieth century.  © 2019 Allyson Healey Theme music © 2019 Bruce Healey Twitter: @arthistory4all Ko-Fi: ko-fi.com/arthistoryforall  Additional Music Credits: All background music for this episode was composed by Bruce Healey.

In this episode, Allyson goes down under and discusses the life of Albert Namatjira, his watercolor painting <a href="https://www.artgallery.nsw.gov.au/collection/works/358.2001/?" rel="nofollow" target="_blank">Catherine Creek, Northern Territory</a> (circa 1950), and the situation of Aboriginal Australians in the early to mid-twentieth century. © 2019 Allyson Healey Theme music © 2019 Bruce Healey Twitter: @arthistory4all Ko-Fi: <a href="https://ko-fi.com/arthistoryforall" rel="nofollow" target="_blank">ko-fi.com/arthistoryforall </a> Additional Music Credits: All background music for this episode was composed by Bruce Healey.

Episode 13: Namatjira’s Creek

Théodore Géricault’s 1819 painting The Raft of the Medusa is part of a larger tangled web of colonialism, incompetence, and disaster. In this episode we get into the shipwreck on which it was based as well as how it’s used today in pop cultural milestones like Beyoncé and Jay-Z’s “APES**T” video. You can find a transcript of this podcast at arthistoryforall.com under the Transcripts category. © 2019 Allyson Healey Theme music © 2019 Bruce Healey Twitter: @arthistory4all Ko-Fi: ko-fi.com/arthistoryforall  Additional Music Credits: “Betrayal” by Lee Rosevere (via freemusicarchive.org). Licensed under a Creative Commons Attribution 4.0 License. “Puzzle Pieces” by Lee Rosevere (via freemusicarchive.org). Licensed under a Creative Commons Attribution 4.0 License. “Caught in the Beat” by Broke for Free (via freemusicarchive.org). Licensed under a Creative Commons Attribution 3.0 License.

Théodore Géricault’s 1819 painting <a href="https://upload.wikimedia.org/wikipedia/commons/1/15/JEAN_LOUIS_TH%C3%89ODORE_G%C3%89RICAULT_-_La_Balsa_de_la_Medusa_%28Museo_del_Louvre%2C_1818-19%29.jpg" rel="nofollow" target="_blank">The Raft of the Medusa</a> is part of a larger tangled web of colonialism, incompetence, and disaster. In this episode we get into the shipwreck on which it was based as well as how it’s used today in pop cultural milestones like Beyoncé and Jay-Z’s “APES**T” video. You can find a transcript of this podcast at <a href="http://arthistoryforall.com" rel="nofollow" target="_blank">arthistoryforall.com</a> under the Transcripts category. © 2019 Allyson Healey Theme music © 2019 Bruce Healey Twitter: @arthistory4all Ko-Fi: <a href="https://ko-fi.com/arthistoryforall" rel="nofollow" target="_blank">ko-fi.com/arthistoryforall </a> Additional Music Credits: “Betrayal” by Lee Rosevere (via <a href="http://freemusicarchive.org" rel="nofollow" target="_blank">freemusicarchive.org</a>). Licensed under a Creative Commons <a href="http://creativecommons.org/licenses/by/4.0/" rel="nofollow" target="_blank">Attribution 4.0 License</a>. “Puzzle Pieces” by Lee Rosevere (via <a href="http://freemusicarchive.org" rel="nofollow" target="_blank">freemusicarchive.org</a>). Licensed under a Creative Commons <a href="http://creativecommons.org/licenses/by/4.0/" rel="nofollow" target="_blank">Attribution 4.0 License</a>. “Caught in the Beat” by Broke for Free (via <a href="http://freemusicarchive.org" rel="nofollow" target="_blank">freemusicarchive.org</a>). Licensed under a <a href="https://creativecommons.org/licenses/by/3.0/" rel="nofollow" target="_blank">Creative Commons Attribution 3.0 License</a>.

Episode 12: Wrecked

Hagia Sophia has had many lives over the centuries: from church, to mosque, to secular museum, it’s always taken center stage in its city, whether you call it Istanbul or Constantinople. This episode explores its history, from the violent to the serene, and how the building remains a site of change and shifts in power. You can find a transcript of this podcast at arthistoryforall.com under the Transcripts category. © 2018 Allyson Healey Theme music © 2018 Bruce Healey Twitter: @arthistory4all Ko-Fi: ko-fi.com/arthistoryforall  Additional music credits: “Between Worlds (Instrumental)” by Aussens@iter via ccmixter.org. Licensed under a Creative Commons Attribution 3.0 License. “Rite of Passage” by Kevin MacLeod via freemusicarchive.org. Licensed under a Creative Commons Attribution 3.0 License. “Photo theme: Window like” by Antony Raijekov via ccmixter.org. Licensed under a Creative Commons Attribution 2.5 Generic License. “Virtutes Vocis” Kevin MacLeod (incompetech.com). Licensed under a Creative Commons Attribution 3.0 License.

<a href="https://en.wikipedia.org/wiki/Hagia_Sophia#/media/File:Hagia_Sophia_Mars_2013.jpg" rel="nofollow" target="_blank">Hagia Sophia</a> has had many lives over the centuries: from church, to mosque, to secular museum, it’s always taken center stage in its city, whether you call it Istanbul or Constantinople. This episode explores its history, from the violent to the serene, and how the building remains a site of change and shifts in power. You can find a transcript of this podcast at <a href="http://arthistoryforall.com" rel="nofollow" target="_blank">arthistoryforall.com</a> under the Transcripts category. © 2018 Allyson Healey Theme music © 2018 Bruce Healey Twitter: @arthistory4all Ko-Fi: <a href="https://ko-fi.com/arthistoryforall" rel="nofollow" target="_blank">ko-fi.com/arthistoryforall </a> Additional music credits: “Between Worlds (Instrumental)” by Aussens@iter via <a href="http://ccmixter.org" rel="nofollow" target="_blank">ccmixter.org</a>. Licensed under a <a href="https://creativecommons.org/licenses/by/3.0/" rel="nofollow" target="_blank">Creative Commons Attribution 3.0 License</a>. “Rite of Passage” by Kevin MacLeod via <a href="http://freemusicarchive.org" rel="nofollow" target="_blank">freemusicarchive.org</a>. Licensed under a <a href="https://creativecommons.org/licenses/by/3.0/" rel="nofollow" target="_blank">Creative Commons Attribution 3.0 License</a>. “Photo theme: Window like” by Antony Raijekov via <a href="http://ccmixter.org" rel="nofollow" target="_blank">ccmixter.org</a>. <a href="https://creativecommons.org/licenses/by/2.5/" rel="nofollow" target="_blank">Licensed under a Creative Commons Attribution 2.5 Generic License</a>. “Virtutes Vocis” Kevin MacLeod (<a href="http://incompetech.com" rel="nofollow" target="_blank">incompetech.com</a>). Licensed under a <a href="https://creativecommons.org/licenses/by/3.0/" rel="nofollow" target="_blank">Creative Commons Attribution 3.0 License</a>.

Episode 11: Suspended on a Golden Chain

Thanks so much for an amazing podcast! If you can do some on some episodes on artists like Picasso, Monet, Manet, Dali, Van Gogh (I know those are all randomly placed artists but some of my favourites), I would really appreciate it! Love the way you speak and don’t just focus on the art but the story behind the artist and the story behind the actual work. Absolutely amazing, thank you!

Love it!

She is very knowledgeable! I was aware of some of the biblical insight she gave during Gilded Gingerbread, and was impressed with how in-depth she went when giving the background information.

By Tamara Dawn

Art History for All

 https://arthistoryforall.com/wp-content/uploads/2018/04/AH4A_Ep3_Carriera.mp3 In a very self-indulgent episode, Allyson talks about her favorite period in art history, and one of her favorite artists: Rosalba Carriera, who did a sexy pastel with a parrot in it once.  You can find a transcript of this podcast at arthistoryforall.com under the Transcripts category. © 2018 Allyson Healey Theme music © 2018 Bruce Healey Background music: Prelude in C (BWV 846) Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/ Southside, Keeping Stuff Together, and How I Used to See the Stars by Lee Rosevere via freemusicarchive.org Licensed under Creative Commons: By Attribution 4.0 License https://creativecommons.org/licenses/by/4.0/

<a href="https://arthistoryforall.com/wp-content/uploads/2018/04/AH4A_Ep3_Carriera.mp3" rel="nofollow" target="_blank">https://arthistoryforall.com/wp-content/uploads/2018/04/AH4A_Ep3_Carriera.mp3</a> In a very self-indulgent episode, Allyson talks about her favorite period in art history, and one of her favorite artists: Rosalba Carriera, who did a sexy pastel with a parrot in it once. You can find a transcript of this podcast at <a href="http://arthistoryforall.com" rel="nofollow" target="_blank">arthistoryforall.com</a> under the Transcripts category. © 2018 Allyson Healey Theme music © 2018 Bruce Healey Background music: Prelude in C (BWV 846) Kevin MacLeod (<a href="http://incompetech.com" rel="nofollow" target="_blank">incompetech.com</a>) Licensed under Creative Commons: By Attribution 3.0 License <a href="http://creativecommons.org/licenses/by/3.0/" rel="nofollow" target="_blank">http://creativecommons.org/licenses/by/3.0/</a> Southside, Keeping Stuff Together, and How I Used to See the Stars by Lee Rosevere via <a href="http://freemusicarchive.org" rel="nofollow" target="_blank">freemusicarchive.org</a> Licensed under Creative Commons: By Attribution 4.0 License <a href="https://creativecommons.org/licenses/by/4.0/" rel="nofollow" target="_blank">https://creativecommons.org/licenses/by/4.0/</a>

Episode 3: In Love with the Rococo

This episode we dip our toe into the Asian art pool and talk about Hokusai’s Great Wave, its origins, and the many many transformations it has undergone in commerce and pop culture.  You can find a transcript of this podcast at arthistoryforall.com under the Transcripts category. © 2018 Allyson Healey Theme music © 2018 Bruce Healey Additional Music Credits: “Bathed in Fine Dust” by Andy G. Cohen (via freemusicarchive.org) Licensed Under Creative Commons: By Attribution 4.0 License. http://creativecommons.org/licenses/by/4.0/ “Boismortiers Concerto for Five Flutes No. 4, Mvt II. Allegro” by The United States Army Old Guard Fife and Drum Corps (via freemusicarchive.org) Public Domain Mark 1.0 License. https://creativecommons.org/publicdomain/mark/1.0/ “Brand New World” by Kai Engel (via freemusicarchive.org) Under Creative Commons: By Attribution 4.0 License. http://creativecommons.org/licenses/by/4.0/

This episode we dip our toe into the Asian art pool and talk about Hokusai’s Great Wave, its origins, and the many many transformations it has undergone in commerce and pop culture. You can find a transcript of this podcast at <a href="https://arthistoryforall.com" rel="nofollow" target="_blank">arthistoryforall.com</a> under the Transcripts category. © 2018 Allyson Healey Theme music © 2018 Bruce Healey Additional Music Credits: “Bathed in Fine Dust” by Andy G. Cohen (via <a href="http://freemusicarchive.org" rel="nofollow" target="_blank">freemusicarchive.org</a>) Licensed Under Creative Commons: By Attribution 4.0 License. <a href="http://creativecommons.org/licenses/by/4.0/" rel="nofollow" target="_blank">http://creativecommons.org/licenses/by/4.0/</a> “Boismortiers Concerto for Five Flutes No. 4, Mvt II. Allegro” by The United States Army Old Guard Fife and Drum Corps (via <a href="http://freemusicarchive.org" rel="nofollow" target="_blank">freemusicarchive.org</a>) Public Domain Mark 1.0 License. <a href="https://creativecommons.org/publicdomain/mark/1.0/" rel="nofollow" target="_blank">https://creativecommons.org/publicdomain/mark/1.0/</a> “Brand New World” by Kai Engel (via <a href="http://freemusicarchive.org" rel="nofollow" target="_blank">freemusicarchive.org</a>) Under Creative Commons: By Attribution 4.0 License. <a href="http://creativecommons.org/licenses/by/4.0/" rel="nofollow" target="_blank">http://creativecommons.org/licenses/by/4.0/</a>

Episode 4: Do the Wave

The game is afoot as we investigate the theft of Johannes Vermeer’s The Concert–or, more accurately, investigate how that theft affects how we look at the painting itself. You can find a transcript of this podcast at arthistoryforall.com under the Transcripts category. © 2018 Allyson Healey Theme music © 2018 Bruce Healey Twitter: @arthistory4all Ko-Fi: ko-fi.com/arthistoryforall  Additional Music Credits: “Sonata No. 1 in F Minor, Op. 2 No. 1 – III. Menuetto Allegretto” by Ludwig van Beethoven, performed by Daniel Veesey (via freemusicarchive.org). Licensed under a Public Domain License. “Lucid Awakening” by Parvus Decree (via freemusicarchive.org). Licensed under a CC0 1.0 Universal License.

The game is afoot as we investigate the theft of Johannes Vermeer’s <a href="https://en.wikipedia.org/wiki/The_Concert_(Vermeer)#/media/File:Vermeer_The_concert.JPG" rel="nofollow" target="_blank">The Concert</a>–or, more accurately, investigate how that theft affects how we look at the painting itself. You can find a transcript of this podcast at <a href="http://arthistoryforall.com" rel="nofollow" target="_blank">arthistoryforall.com</a> under the Transcripts category. © 2018 Allyson Healey Theme music © 2018 Bruce Healey Twitter: @arthistory4all Ko-Fi: <a href="https://ko-fi.com/arthistoryforall" rel="nofollow" target="_blank">ko-fi.com/arthistoryforall </a> Additional Music Credits: “Sonata No. 1 in F Minor, Op. 2 No. 1 – III. Menuetto Allegretto” by Ludwig van Beethoven, performed by Daniel Veesey (via <a href="http://freemusicarchive.org" rel="nofollow" target="_blank">freemusicarchive.org</a>). Licensed under a <a href="http://creativecommons.org/licenses/publicdomain/" rel="nofollow" target="_blank">Public Domain License</a>. “Lucid Awakening” by Parvus Decree (via <a href="http://freemusicarchive.org" rel="nofollow" target="_blank">freemusicarchive.org</a>). Licensed under a <a href="http://creativecommons.org/publicdomain/zero/1.0/" rel="nofollow" target="_blank">CC0 1.0 Universal License</a>.

Episode 7: Painting of Interest

Brace yourselves, listeners, because in this episode Allyson gets abstract and discusses Kazimir Malevich’s Black Square, often hailed as the end of traditional painting and the beginning of modern art.  You can find a transcript of this podcast at arthistoryforall.com under the Transcripts category. © 2018 Allyson Healey Theme music © 2018 Bruce Healey Additional Music credits: “Violin Spider” by Marco Trovatello (via freemusicarchive.org) Licensed Under Creative Commons: By Attribution 4.0 License. http://creativecommons.org/licenses/by/4.0/ “A Whale on It’s Side” by Ask Again (via freemusicarchive.org) Licensed under Creative Commons: Attribution-ShareAlike 4.0 License. https://creativecommons.org/licenses/by-sa/4.0/ “Cherry” by Nctrnm (via freemusicarchive.org) Licensed Under Creative Commons: By Attribution 4.0 License. http://creativecommons.org/licenses/by/4.0/ “Fantasy in B Minor, Op. 28,” by Alexander Scriabin, performed by Raul Manjarrez (via musopen.org) Public Domain Mark 1.0 License. https://creativecommons.org/publicdomain/mark/1.0/

Brace yourselves, listeners, because in this episode Allyson gets abstract and discusses Kazimir Malevich’s <a href="https://commons.wikimedia.org/wiki/File:Kazimir_Malevich,_1915,_Black_Suprematic_Square,_oil_on_linen_canvas,_79.5_x_79.5_cm,_Tretyakov_Gallery,_Moscow.jpg" rel="nofollow" target="_blank">Black Square</a>, often hailed as the end of traditional painting and the beginning of modern art.  You can find a transcript of this podcast at <a href="http://arthistoryforall.com" rel="nofollow" target="_blank">arthistoryforall.com</a> under the Transcripts category. © 2018 Allyson Healey Theme music © 2018 Bruce Healey Additional Music credits: “Violin Spider” by Marco Trovatello (via <a href="http://freemusicarchive.org" rel="nofollow" target="_blank">freemusicarchive.org</a>) Licensed Under Creative Commons: By Attribution 4.0 License. <a href="http://creativecommons.org/licenses/by/4.0/" rel="nofollow" target="_blank">http://creativecommons.org/licenses/by/4.0/</a> “A Whale on It’s Side” by Ask Again (via <a href="http://freemusicarchive.org" rel="nofollow" target="_blank">freemusicarchive.org</a>) Licensed under Creative Commons: Attribution-ShareAlike 4.0 License. <a href="https://creativecommons.org/licenses/by-sa/4.0/" rel="nofollow" target="_blank">https://creativecommons.org/licenses/by-sa/4.0/</a> “Cherry” by Nctrnm (via <a href="http://freemusicarchive.org" rel="nofollow" target="_blank">freemusicarchive.org</a>) Licensed Under Creative Commons: By Attribution 4.0 License. <a href="http://creativecommons.org/licenses/by/4.0/" rel="nofollow" target="_blank">http://creativecommons.org/licenses/by/4.0/</a> “Fantasy in B Minor, Op. 28,” by Alexander Scriabin, performed by Raul Manjarrez (via <a href="http://musopen.org" rel="nofollow" target="_blank">musopen.org</a>) Public Domain Mark 1.0 License. <a href="https://creativecommons.org/publicdomain/mark/1.0/" rel="nofollow" target="_blank">https://creativecommons.org/publicdomain/mark/1.0/</a>

Episode 5: Hip to Be Square

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