Hello Studio 360 fans! We're sharing the first episode of a new podcast project, Nixon at War, hosted by Studio 360's Kurt Andersen. Nixon at War is a seven-episode history, a fresh new kind of chronicle about how Richard Nixon turned Vietnam into a war at home… that we’re still fighting today. Most accounts of the collapse of Richard Nixon’s presidency begin with Watergate - the now iconic tale of a bungled break-in and the misbegotten cover-up that followed.  But what led to Watergate?  How - and more puzzlingly, why - did one of the shrewdest, most gifted political figures of his time become embroiled in so manifestly lunatic an enterprise in the first place? Intrigued by that question, novelist and historian Kurt Andersen takes a deep dive into the vast archives at the Nixon Library and emerges with an answer he wasn’t expecting: While Watergate doubtless accelerated Nixon’s spectacular fall, it was the Vietnam War that led inexorably to the break-in, and from there to the sinking of his presidency.  At the heart of the series are hundreds of tape recordings from the time. Buried, never before heard, confidential conversations that play like dark drama. To listen to the new series, visit NixonAtWar.org, or search "Nixon at War" wherever you’re listening.

Hello Studio 360 fans! We're sharing the first episode of a new podcast project, Nixon at War, hosted by Studio 360's Kurt Andersen. Nixon at War is a seven-episode history, a fresh new kind of chronicle about how Richard Nixon turned Vietnam into a war at home… that we’re still fighting today. Most accounts of the collapse of Richard Nixon’s presidency begin with Watergate - the now iconic tale of a bungled break-in and the misbegotten cover-up that followed.  But what led to Watergate?  How - and more puzzlingly, why - did one of the shrewdest, most gifted political figures of his time become embroiled in so manifestly lunatic an enterprise in the first place? Intrigued by that question, novelist and historian Kurt Andersen takes a deep dive into the vast archives at the Nixon Library and emerges with an answer he wasn’t expecting: While Watergate doubtless accelerated Nixon’s spectacular fall, it was the Vietnam War that led inexorably to the break-in, and from there to the sinking of his presidency. At the heart of the series are hundreds of tape recordings from the time. Buried, never before heard, confidential conversations that play like dark drama. To listen to the new series, visit <a href="http://nixonatwar.org/" rel="nofollow" target="_blank">NixonAtWar.org</a>, or search "Nixon at War" wherever you’re listening.

S360 Extra: Nixon at War - Ep 1 October Surprise

After 20 years, Studio 360 is switching off the ON AIR light one last time. Alec Baldwin conducts Kurt Andersen’s exit interview and they listen to some of Kurt’s favorite moments with guests. Since it’s this show’s finale, Kurt talks with TV showrunners David Mandel and Warren Leight about the art of writing a finale — and some of their favorites to watch. And finally — for real, finally — a longtime friend of Kurt whom he met when he first interviewed her for the show, Rosanne Cash, comes back one last time to say farewell with a song. Learn more about your ad choices. Visit megaphone.fm/adchoices

After 20 years, Studio 360 is switching off the ON AIR light one last time. Alec Baldwin conducts Kurt Andersen’s exit interview and they listen to some of Kurt’s favorite moments with guests. Since it’s this show’s finale, Kurt talks with TV showrunners David Mandel and Warren Leight about the art of writing a finale — and some of their favorites to watch. And finally — for real, finally — a longtime friend of Kurt whom he met when he first interviewed her for the show, Rosanne Cash, comes back one last time to say farewell with a song. Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices" rel="nofollow" target="_blank">megaphone.fm/adchoices</a>

The final episode

Jacob Lawrence

From 1910 to 1970, 6.6 million African Americans migrated from the rural south – a dramatic movement that would permanently change the social, political and cultural fabric of our nation. In 1941, Jacob Lawerence’s iconic series The Migration of the Negro (now generally referred to as The Great Migration) rocked the art world with its depictions of an active moment very much underway. Over the course of 60 panels, the hardships of the South, the disappointments of the North, and the first steps of the Civil Rights movement are masterfully displayed. Learn more about your ad choices. Visit megaphone.fm/adchoices

From 1910 to 1970, 6.6 million African Americans migrated from the rural south – a dramatic movement that would permanently change the social, political and cultural fabric of our nation. In 1941, Jacob Lawerence’s iconic series The Migration of the Negro (now generally referred to as The Great Migration) rocked the art world with its depictions of an active moment very much underway. Over the course of 60 panels, the hardships of the South, the disappointments of the North, and the first steps of the Civil Rights movement are masterfully displayed. Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices" rel="nofollow" target="_blank">megaphone.fm/adchoices</a>

Studio 360 Extra: American Icons: The Migration Series by Jacob Lawrence

Studio 360 broadcast its first episode on November 4, 2000, just before we elected George W. Bush as President and we all learned what a “hanging chad” was. Fittingly, that first program was an exploration of art and politics hosted by a newcomer to radio, author and journalist Kurt Andersen. Originally produced out of WNYC Radio, and most recently a Slate podcast, Studio 360 looks at the cool, but complicated, and sometimes strange ways that art touches our lives. Two decades later that mission hasn’t changed even if the people making the show have come and gone. The show’s current Executive Producer Jocelyn Gonzales was a still-wet-behind-the-ears associate producer when the show debuted. As Studio 360 comes to a close after 20 years on the air, she turned to her colleagues from the earliest days of the show for their impressions. Learn more about your ad choices. Visit megaphone.fm/adchoices

Studio 360 broadcast its first episode on November 4, 2000, just before we elected George W. Bush as President and we all learned what a “hanging chad” was. Fittingly, that first program was an exploration of art and politics hosted by a newcomer to radio, author and journalist Kurt Andersen. Originally produced out of WNYC Radio, and most recently a Slate podcast, Studio 360 looks at the cool, but complicated, and sometimes strange ways that art touches our lives. Two decades later that mission hasn’t changed even if the people making the show have come and gone. The show’s current Executive Producer Jocelyn Gonzales was a still-wet-behind-the-ears associate producer when the show debuted. As Studio 360 comes to a close after 20 years on the air, she turned to her colleagues from the earliest days of the show for their impressions. Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices" rel="nofollow" target="_blank">megaphone.fm/adchoices</a>

Studio 360 Extra: Aural History: How Studio 360 Got Started

Angie Thomas

How Public Enemy brought the revolution to hip-hop with “It Takes a Nation of Millions to Hold Us Back.” Plus, our Americans Icons segment on Maya Angelou’s “I Know Why the Caged Bird Sings,” which broke boundaries when it was published and still profoundly resonates with readers today. And Young Adult author Angie Thomas on how the late TLC performer Lisa “Left Eye” Lopes spoke to her at a very troubling point in her life. Learn more about your ad choices. Visit megaphone.fm/adchoices

How Public Enemy brought the revolution to hip-hop with “It Takes a Nation of Millions to Hold Us Back.” Plus, our Americans Icons segment on Maya Angelou’s “I Know Why the Caged Bird Sings,” which broke boundaries when it was published and still profoundly resonates with readers today. And Young Adult author Angie Thomas on how the late TLC performer Lisa “Left Eye” Lopes spoke to her at a very troubling point in her life. Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices" rel="nofollow" target="_blank">megaphone.fm/adchoices</a>

Public Enemy’s groundbreaking album, Maya Angelou’s classic memoir and Angie Thomas on TLC

New York was the original center of American moviemaking. But soon filmmakers figured out it was cheaper and simpler to work in California’s open spaces and good weather. With the westward migration, however, certain types of filmmakers were still drawn to New York. They found a home at Paramount’s “Big House,” a grand movie studio built by Adolph Zukor during the silent film heyday in Astoria, Queens. That studio still stands and now operates as Kaufman Astoria Studios. For a hundred years, Astoria has been the East Coast alternative for artists who choose to be in New York. Learn more about your ad choices. Visit megaphone.fm/adchoices

New York was the original center of American moviemaking. But soon filmmakers figured out it was cheaper and simpler to work in California’s open spaces and good weather. With the westward migration, however, certain types of filmmakers were still drawn to New York. They found a home at Paramount’s “Big House,” a grand movie studio built by Adolph Zukor during the silent film heyday in Astoria, Queens. That studio still stands and now operates as Kaufman Astoria Studios. For a hundred years, Astoria has been the East Coast alternative for artists who choose to be in New York. Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices" rel="nofollow" target="_blank">megaphone.fm/adchoices</a>

Extra: New York Icons: Kaufman Astoria Studios

Where do you turn when you’re heartbroken in the dead of night? Delilah, of course. Her radio call-in show pairs romantic advice with the perfect song. Plus, how Yanni, John Tesh and others discovered an improbable vehicle to ‘90s stardom: the PBS pledge drive. For our Guilty Pleasures series, the writer and “This American Life” producer Bim Adewunmi explains how the “Sweet Valley High” series is kind of preposterous and over-the-top — and completely obsessed her. Learn more about your ad choices. Visit megaphone.fm/adchoices

Where do you turn when you’re heartbroken in the dead of night? Delilah, of course. Her radio call-in show pairs romantic advice with the perfect song. Plus, how Yanni, John Tesh and others discovered an improbable vehicle to ‘90s stardom: the PBS pledge drive. For our Guilty Pleasures series, the writer and “This American Life” producer Bim Adewunmi explains how the “Sweet Valley High” series is kind of preposterous and over-the-top — and completely obsessed her. Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices" rel="nofollow" target="_blank">megaphone.fm/adchoices</a>

Delilah, the making of Yanni and loving ‘Sweet Valley High’

It’s all about the Oscars. Kurt talks with Thelma Schoonmaker, the longtime editor for Martin Scorsese who’s up for an Academy Award for “The Irishman”; Adam Driver, who’s a contender for his performance in “Marriage Story”; Quentin Tarantino, nominated for his film, “Once Upon a Time… in Hollywood”; and Antonio Banderas, nominated for his performance in “Pain &amp; Glory.” Plus, the surprising story behind the man who actually posed for the sculpture that became the Oscar statue. And we meet Mark Sussman, the voiceover actor who overdubs Brad Pitt’s profane lines for the versions of his movies that run on airplanes and on television. Learn more about your ad choices. Visit megaphone.fm/adchoices

It’s all about the Oscars. Kurt talks with Thelma Schoonmaker, the longtime editor for Martin Scorsese who’s up for an Academy Award for “The Irishman”; Adam Driver, who’s a contender for his performance in “Marriage Story”; Quentin Tarantino, nominated for his film, “Once Upon a Time… in Hollywood”; and Antonio Banderas, nominated for his performance in “Pain &amp; Glory.” Plus, the surprising story behind the man who actually posed for the sculpture that became the Oscar statue. And we meet Mark Sussman, the voiceover actor who overdubs Brad Pitt’s profane lines for the versions of his movies that run on airplanes and on television. Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices" rel="nofollow" target="_blank">megaphone.fm/adchoices</a>

The Oscar episode

Nina Simone

This Woman’s Work is a series of stories from Classic Album Sundays and Studio 360, highlighting classic albums by female artists who have made a lasting impact on music and pop culture. This time: the Grammy nominated live album “Black Gold” by singer and pianist Nina Simone. It was recorded in front of a packed audience at Philharmonic Hall in New York City on October 26, 1969 and released in 1970. “Black Gold” displays Nina Simone’s talents at interpreting a song, not to mention her range, moving from soul and gospel to show tunes and folk music. Through it all, her distinctive voice soars into moments of defiance and uplift. Political activist and scholar Angela Davis says Simone’s influence extends beyond her musical gifts. “I don't think I have ever met anyone before meeting Nina Simone who was so focused on using her talents to change the world. She wanted to use her music, use her voice, use her capacity to create new worlds.” Learn more about your ad choices. Visit megaphone.fm/adchoices

This Woman’s Work is a series of stories from Classic Album Sundays and Studio 360, highlighting classic albums by female artists who have made a lasting impact on music and pop culture. This time: the Grammy nominated live album “Black Gold” by singer and pianist Nina Simone. It was recorded in front of a packed audience at Philharmonic Hall in New York City on October 26, 1969 and released in 1970. “Black Gold” displays Nina Simone’s talents at interpreting a song, not to mention her range, moving from soul and gospel to show tunes and folk music. Through it all, her distinctive voice soars into moments of defiance and uplift. Political activist and scholar Angela Davis says Simone’s influence extends beyond her musical gifts. “I don't think I have ever met anyone before meeting Nina Simone who was so focused on using her talents to change the world. She wanted to use her music, use her voice, use her capacity to create new worlds.” Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices" rel="nofollow" target="_blank">megaphone.fm/adchoices</a>

Extra: This Woman’s Work: ‘Black Gold’ by Nina Simone

For our latest installment of American Icons, Studio 360’s Sam Kim explores “12 Angry Men,” the courtroom drama that has inspired jurists — and Hollywood script writers — for decades. And how Kris Maddigan, a first-time video game composer, wrote a 3-hour long jazz album for the popular indie game Cuphead. Learn more about your ad choices. Visit megaphone.fm/adchoices

For our latest installment of American Icons, Studio 360’s Sam Kim explores “12 Angry Men,” the courtroom drama that has inspired jurists — and Hollywood script writers — for decades. And how Kris Maddigan, a first-time video game composer, wrote a 3-hour long jazz album for the popular indie game Cuphead. Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices" rel="nofollow" target="_blank">megaphone.fm/adchoices</a>

‘12 Angry Men’ and the music of Cuphead

The Peabody Award-winning Studio 360 with Kurt Andersen, from PRI, is a smart and surprising guide to what's happening in pop culture and the arts. Each week, Kurt introduces the people who are creating and shaping our culture. Life is busy – so let Studio 360 steer you to the must-see movie this weekend, the next book for your nightstand, or the song that will change your life. Produced in association with Slate.

Sad to see it end

Simply the best survey and review of American culture available anywhere.

The Best

Studio 360 with Kurt Andersen

This is the story of America’s fight against authority. Ken Kesey had worked in a mental hospital, but his first novel was really a parable of what happens when you stand up to the Man—a counterculture fable that doesn’t end well. Despite his far-reaching influence, Kesey was shut out by filmmakers who turned the story into an Oscar-sweeping phenomenon. “Cuckoo’s Nest”changed how many people thought about mental illness and institutions. Sherman Alexie debunks the myth of the silent Indian; we visit Oregon State Hospital, where the director played himself on screen; a psychiatrist explains how the movie gave mental hospitals a bad name, with tragic consequences; and actress Louise Fletcher takes us into the mind of one of the most fearsome movie villains, the sweet-faced Nurse Ratched. “She doesn’t see her behavior as it really is. Who does? Who sees that they’re really evil?” (Originally aired September 20, 2013) Learn more about your ad choices. Visit megaphone.fm/adchoices

This is the story of America’s fight against authority. Ken Kesey had worked in a mental hospital, but his first novel was really a parable of what happens when you stand up to the Man—a counterculture fable that doesn’t end well. Despite his far-reaching influence, Kesey was shut out by filmmakers who turned the story into an Oscar-sweeping phenomenon. “<a href="https://www.amazon.com/exec/obidos/ASIN/0451163966/" rel="nofollow" target="_blank">Cuckoo’s Nest”</a>changed how many people thought about mental illness and institutions. Sherman Alexie debunks the myth of the silent Indian; we visit Oregon State Hospital, where the director played himself on screen; a psychiatrist explains how the movie gave mental hospitals a bad name, with tragic consequences; and actress Louise Fletcher takes us into the mind of one of the most fearsome movie villains, the sweet-faced Nurse Ratched. “She doesn’t see her behavior as it really is. Who does? Who sees that they’re really evil?” (Originally aired September 20, 2013) Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices" rel="nofollow" target="_blank">megaphone.fm/adchoices</a>

American Icons: One Flew Over the Cuckoo's Nest

Herman Melville's white whale survived his battle with Captain Ahab only to surface in the works of contemporary filmmakers, painters, playwrights and musicians. Kurt Andersen explores the influence of this American Icon with the help of Ray Bradbury, Tony Kushner, Laurie Anderson and Frank Stella. Actor Edward Herrmann is our voice of Ishmael and Mark Price narrates David Ives's short play Moby-Dude. Learn more about your ad choices. Visit megaphone.fm/adchoices

Herman Melville's white whale survived his battle with Captain Ahab only to surface in the works of contemporary filmmakers, painters, playwrights and musicians. Kurt Andersen explores the influence of this American Icon with the help of Ray Bradbury, Tony Kushner, Laurie Anderson and Frank Stella. Actor Edward Herrmann is our voice of Ishmael and Mark Price narrates David Ives's short play Moby-Dude. Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices" rel="nofollow" target="_blank">megaphone.fm/adchoices</a>

American Icons: Moby-Dick

John McPhee is the godfather of a certain kind of long-form creative non-fiction, and over the past half-century, he’s written over 100 articles for The New Yorker. He sits down with Kurt to talk about his new book, which is part memoir, part tutorial for writers. Then B.J. Novak, the writer and actor who starred on the critically acclaimed “The Office,” makes a rousing defense of a show that has been widely panned: “Fuller House.” A Swedish photorealist painter dupes his government, which doesn’t realize that the painting on his license is really a painted self-portrait. And the Malian blues duo Amadou &amp; Mariam perform live.  Learn more about your ad choices. Visit megaphone.fm/adchoices

John McPhee is the godfather of a certain kind of long-form creative non-fiction, and over the past half-century, he’s written over 100 articles for The New Yorker. He sits down with Kurt to talk about his new book, which is part memoir, part tutorial for writers. Then B.J. Novak, the writer and actor who starred on the critically acclaimed “The Office,” makes a rousing defense of a show that has been widely panned: “Fuller House.” A Swedish photorealist painter dupes his government, which doesn’t realize that the painting on his license is really a painted self-portrait. And the Malian blues duo Amadou &amp; Mariam perform live.  Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices" rel="nofollow" target="_blank">megaphone.fm/adchoices</a>

Learning to Love “Fuller House”

Some of our favorite recent stories about music.What drove Carrie Brownstein to actually punch herself in the face when she was on tour with Sleater-Kinney, the haunting beauty and artistry of the “Twin Peaks” score, and Shamir plays insanely catchy music live in our studio. Learn more about your ad choices. Visit megaphone.fm/adchoices

Some of our favorite recent stories about music.What drove Carrie Brownstein to actually punch herself in the face when she was on tour with Sleater-Kinney, the haunting beauty and artistry of the “Twin Peaks” score, and Shamir plays insanely catchy music live in our studio. Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices" rel="nofollow" target="_blank">megaphone.fm/adchoices</a>

When music punches you in the face.

Universe not big enough for you? There’s always the multiverse — many universes, scattered through time and space. In one world, you might drive a bus; in another, you might be a Formula One racer. If the idea sounds familiar, that could be because it has obsessed science-fiction and comic-book writers for decades. But artists and writers aren't the only ones fascinated by multiples — some physicists think the multiverse could be very real. (Originally aired December 10, 2015) Learn more about your ad choices. Visit megaphone.fm/adchoices

Universe not big enough for you? There’s always the multiverse — many universes, scattered through time and space. In one world, you might drive a bus; in another, you might be a Formula One racer. If the idea sounds familiar, that could be because it has obsessed science-fiction and comic-book writers for decades. But artists and writers aren't the only ones fascinated by multiples — some physicists think the multiverse could be very real. (Originally aired December 10, 2015) Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices" rel="nofollow" target="_blank">megaphone.fm/adchoices</a>

Across the Multiverse

This week, Kurt goes through the looking glass into the world of conspiracy thrillers. Plus, Matt Walsh breaks down how he improvises comedy on the set of “Veep.” And Jimmy Iovine explains how he sold music in the ever-shifting music industry.  Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, Kurt goes through the looking glass into the world of conspiracy thrillers. Plus, Matt Walsh breaks down how he improvises comedy on the set of “Veep.” And Jimmy Iovine explains how he sold music in the ever-shifting music industry.  Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices" rel="nofollow" target="_blank">megaphone.fm/adchoices</a>

Off Script

This is the novel about racism that America couldn't ignore. Learn more about your ad choices. Visit megaphone.fm/adchoices

This is the novel about racism that America couldn't ignore. Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices" rel="nofollow" target="_blank">megaphone.fm/adchoices</a>

American Icons: Native Son

This week, we head back to “Twin Peaks.” “Fargo” showrunner Noah Hawley talks about the impact of David Lynch’s cult TV show. Plus, what it was like growing up where the show was filmed, and the composers behind “X-Files” and “Breaking Bad” discuss the brilliance -- and influence -- of the show’s soundtrack.  Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, we head back to “Twin Peaks.” “Fargo” showrunner Noah Hawley talks about the impact of David Lynch’s cult TV show. Plus, what it was like growing up where the show was filmed, and the composers behind “X-Files” and “Breaking Bad” discuss the brilliance -- and influence -- of the show’s soundtrack.  Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices" rel="nofollow" target="_blank">megaphone.fm/adchoices</a>

Twin Peek

 It was 40 years ago when Steve Martin released the concert album, “A Wild and Crazy Guy.”  These days Martin is known as an actor, a novelist, a playwright, an accomplished banjo player, a major art collector. But before all that, he was best known for wearing a stupid joke arrow on his head – or a pair of rabbit ears. He wears those rabbit ears, and a white suit, on the cover of “A Wild and Crazy Guy,” his second stand-up comedy album.  That record proved he had command of the full comic spectrum – high-concept surrealism, as well as broad comedy that simultaneously made fun of broad comedy.   Forty years ago this summer, it was the singing voice of Martin that was bellowing out of many car windows He had debuted the novelty song, “King Tut,” in a hilarious performance on Saturday Night Live that spring, and then it was released as a single and peaked at 12 on the Billboard charts in August.  And then that single was released on the comedy album,“A Wild and Crazy Guy.” The album went on to  win a Grammy, and hit Number 2 on the Billboard pop album chart.  If you’re a fan of vintage Saturday Night Live, you know the name of the album is the punchline to a sketch he performed there. The Festrunk [FEH-strunk] Brothers – two very 70s Czech immigrants with tight plaid trousers looking to swing with American women. This podcast was produced by Ben Manilla and BMP Audio. Learn more about your ad choices. Visit megaphone.fm/adchoices

It was 40 years ago when Steve Martin released the concert album, “A Wild and Crazy Guy.”  These days Martin is known as an actor, a novelist, a playwright, an accomplished banjo player, a major art collector. But before all that, he was best known for wearing a stupid joke arrow on his head – or a pair of rabbit ears. He wears those rabbit ears, and a white suit, on the cover of “A Wild and Crazy Guy,” his second stand-up comedy album.  That record proved he had command of the full comic spectrum – high-concept surrealism, as well as broad comedy that simultaneously made fun of broad comedy.   Forty years ago this summer, it was the singing voice of Martin that was bellowing out of many car windows He had debuted the novelty song, “King Tut,” in a hilarious performance on Saturday Night Live that spring, and then it was released as a single and peaked at 12 on the Billboard charts in August.  And then that single was released on the comedy album,“A Wild and Crazy Guy.” The album went on to  win a Grammy, and hit Number 2 on the Billboard pop album chart.  If you’re a fan of vintage Saturday Night Live, you know the name of the album is the punchline to a sketch he performed there. The Festrunk [FEH-strunk] Brothers – two very 70s Czech immigrants with tight plaid trousers looking to swing with American women. This podcast was produced by Ben Manilla and BMP Audio. Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices" rel="nofollow" target="_blank">megaphone.fm/adchoices</a>

A Wild and Crazy Anniversary

A half century later, Stanley Kubrick’s “2001: A Space Odyssey” is still shaping our future. With no help from CGI, the movie predicted private space travel, artificial intelligence and half of Apple’s product line. It showed the promise and perils of technology and explored life’s biggest mystery: Are we alone in the universe? In Part One, we look at the movie’s origins in 1960s New York and how it went from opening night bomb to counterculture icon. We’ll hear from effects wizard Doug Trumbull, actor Keir Dullea and superfan Tom Hanks, who has seen the movie more than 200 times. Learn more about your ad choices. Visit megaphone.fm/adchoices

A half century later, Stanley Kubrick’s “2001: A Space Odyssey” is still shaping our future. With no help from CGI, the movie predicted private space travel, artificial intelligence and half of Apple’s product line. It showed the promise and perils of technology and explored life’s biggest mystery: Are we alone in the universe? In Part One, we look at the movie’s origins in 1960s New York and how it went from opening night bomb to counterculture icon. We’ll hear from effects wizard Doug Trumbull, actor Keir Dullea and superfan Tom Hanks, who has seen the movie more than 200 times. Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices" rel="nofollow" target="_blank">megaphone.fm/adchoices</a>

American Icons: ‘2001: A Space Odyssey’ — Part One

This week, an episode about groundbreaking pop music: The music that preceded and followed Radiohead’s landmark album, “OK Computer.” Plus, an exploration of how the life of Tupac Shakur was mythologized — even by Tupac himself. And gospel punk band Algiers plays live in the studio.  Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, an episode about groundbreaking pop music: The music that preceded and followed Radiohead’s landmark album, “OK Computer.” Plus, an exploration of how the life of Tupac Shakur was mythologized — even by Tupac himself. And gospel punk band Algiers plays live in the studio.  Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices" rel="nofollow" target="_blank">megaphone.fm/adchoices</a>

Tupac and Art Rock

On the 400th anniversary of William Shakespeare’s death, we look at the ways his work continues to change and adapt. In the 19th century, Shakespeare’s work got caught up in minstrel shows — and African-American actors are still struggling to claim the Bard as their own. Also, we find out how a father-son team is changing the way Shakespeare sounds by bringing back his original pronunciation. And we go inside the pioneering immersive theater experience “Sleep No More,” which might be the longest-running Shakespeare adaptation ever. Learn more about your ad choices. Visit megaphone.fm/adchoices

On the 400th anniversary of William Shakespeare’s death, we look at the ways his work continues to change and adapt. In the 19th century, Shakespeare’s work got caught up in minstrel shows — and African-American actors are still struggling to claim the Bard as their own. Also, we find out how a father-son team is changing the way Shakespeare sounds by bringing back his original pronunciation. And we go inside the pioneering immersive theater experience “Sleep No More,” which might be the longest-running Shakespeare adaptation ever. Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices" rel="nofollow" target="_blank">megaphone.fm/adchoices</a>

All Shakespeare All the Time

Sitting down with some of the smartypants whom the MacArthur Foundation just awarded its genius grants. Jesmyn Ward began writing about rural African American life after the horrors of Katrina and the loss of her brother. The playwright Annie Baker’s characters try desperately to connect with one another, but get bogged down by small talk. And Taylor Mac goes where no drag performer—or any performer—has gone before: he produced a 24-hour review of the entire history of American pop music, and plays some delightful samples of it in our studio.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Sitting down with some of the smartypants whom the MacArthur Foundation just awarded its genius grants. Jesmyn Ward began writing about rural African American life after the horrors of Katrina and the loss of her brother. The playwright Annie Baker’s characters try desperately to connect with one another, but get bogged down by small talk. And Taylor Mac goes where no drag performer—or any performer—has gone before: he produced a 24-hour review of the entire history of American pop music, and plays some delightful samples of it in our studio.  Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices" rel="nofollow" target="_blank">megaphone.fm/adchoices</a>

The Agonies of Small Talk

Wynton Marsalis

Wynton Marsalis is a jazz icon — a renowned trumpet player and composer, he is also the music director of the Jazz at Lincoln Center Orchestra. But since the very beginning, classical music has been a part of his musical makeup. Marsalis tells Kurt Andersen about how a chance encounter on a New Orleans streetcar began his love of classical music and guides us through the composition of his “Swing Symphony.” Learn more about your ad choices. Visit megaphone.fm/adchoices

Wynton Marsalis is a jazz icon — a renowned trumpet player and composer, he is also the music director of the Jazz at Lincoln Center Orchestra. But since the very beginning, classical music has been a part of his musical makeup. Marsalis tells Kurt Andersen about how a chance encounter on a New Orleans streetcar began his love of classical music and guides us through the composition of his “Swing Symphony.” Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices" rel="nofollow" target="_blank">megaphone.fm/adchoices</a>

Extra: The Symphonic Side of Wynton Marsalis

Kurt Andersen speaks with Laurie Metcalf, the actor who is striking gold everywhere: she was nominated for an Oscar for her role as the mother in “Lady Bird,” stars in the Broadway play “Three Tall Women,” and, with most of the rest of the original cast, has returned to the reboot of “Roseanne” on ABC. Wes Montgomery is a legend of jazz guitar, and much of that notoriety first came from a 1960 album, “The Incredible Jazz Guitar of Wes Montgomery.” Somewhere between theater and installation art, “Flight” tells a story of child migrants entirely through miniature models. Kurt talks with Jamie Harrison, co-creator of the piece. And Yesika Salgado breaks down her poem “What I Know,” a love letter to her home of Los Angeles. Learn more about your ad choices. Visit megaphone.fm/adchoices

Kurt Andersen speaks with Laurie Metcalf, the actor who is striking gold everywhere: she was nominated for an Oscar for her role as the mother in “Lady Bird,” stars in the Broadway play “Three Tall Women,” and, with most of the rest of the original cast, has returned to the reboot of “Roseanne” on ABC. Wes Montgomery is a legend of jazz guitar, and much of that notoriety first came from a 1960 album, “The Incredible Jazz Guitar of Wes Montgomery.” Somewhere between theater and installation art, “Flight” tells a story of child migrants entirely through miniature models. Kurt talks with Jamie Harrison, co-creator of the piece. And Yesika Salgado breaks down her poem “What I Know,” a love letter to her home of Los Angeles. Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices" rel="nofollow" target="_blank">megaphone.fm/adchoices</a>

One tall woman

A half century later, Stanley Kubrick’s “2001: A Space Odyssey” is still shaping our future. With no help from CGI, the movie predicted private space travel, artificial intelligence and much of Apple’s product line. It showed the promise and perils of technology and explored life’s biggest mystery: Are we alone in the universe? In Part Two of our look at the movie in our American Icons series, we visit the same IBM research lab that helped inspire HAL. We meet CIMON, a real-life AI robot on the International Space Station and Garrett Reisman, a former NASA astronaut who blasted the “Blue Danube” in the space shuttle. Plus we speak to New York Times critic Wesley Morris, filmmakers Christopher Nolan and Tom Hanks, artist James Turrell and U.S. Poet Laureate Tracy K. Smith. Learn more about your ad choices. Visit megaphone.fm/adchoices

A half century later, Stanley Kubrick’s “2001: A Space Odyssey” is still shaping our future. With no help from CGI, the movie predicted private space travel, artificial intelligence and much of Apple’s product line. It showed the promise and perils of technology and explored life’s biggest mystery: Are we alone in the universe? In Part Two of our look at the movie in our American Icons series, we visit the same IBM research lab that helped inspire HAL. We meet CIMON, a real-life AI robot on the International Space Station and Garrett Reisman, a former NASA astronaut who blasted the “Blue Danube” in the space shuttle. Plus we speak to New York Times critic Wesley Morris, filmmakers Christopher Nolan and Tom Hanks, artist James Turrell and U.S. Poet Laureate Tracy K. Smith. Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices" rel="nofollow" target="_blank">megaphone.fm/adchoices</a>

American Icons: ‘2001: A Space Odyssey’ — Part Two

Monticello is home renovation run amok. Thomas Jefferson was as passionate about building his house as he was about founding the United States; he designed Monticello to the fraction of an inch and never stopped changing it. Yet Monticello was also a plantation worked by slaves, some of them Jefferson’s own children. Today his white and black descendants still battle over who can be buried at Monticello. It was trashed by college students, saved by a Jewish family and celebrated by FDR. With Stephen Colbert, filmmaker James Ivory and artist Maira Kalman. (Originally aired October 22, 2010) Learn more about your ad choices. Visit megaphone.fm/adchoices

Monticello is home renovation run amok. Thomas Jefferson was as passionate about building his house as he was about founding the United States; he designed Monticello to the fraction of an inch and never stopped changing it. Yet Monticello was also a plantation worked by slaves, some of them Jefferson’s own children. Today his white and black descendants still battle over who can be buried at Monticello. It was trashed by college students, saved by a Jewish family and celebrated by FDR. With <a href="https://twitter.com/StephenAtHome" rel="nofollow" target="_blank">Stephen Colbert</a>, filmmaker James Ivory and artist <a href="http://www.mairakalman.com/" rel="nofollow" target="_blank">Maira Kalman</a>. (Originally aired October 22, 2010) Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices" rel="nofollow" target="_blank">megaphone.fm/adchoices</a>

American Icons: Monticello

This was the American spectacle that colonized our dreams. He was the most famous American in the world — a showman and spin artist who parlayed a buffalo-hunting gig into an entertainment empire. William F. Cody’s stage show presented a new creation myth for America, bringing cowboys, Indians, settlers, and sharpshooters to audiences who had only read about the West in dime novels. He offered Indians a life off the reservation — reenacting their own defeats. “Deadwood” producer David Milch explains why the myth of the West still resonates; a Sioux actor at a Paris theme park loves playing Sitting Bull; and a financial executive impersonates Buffalo Bill, with his wife as Annie Oakley. (Originally aired November 5, 2010) Bonus Track: Indian or Native American?   Artist and scholar Arthur Amiotte offers his opinion on the names given to — and chosen by — his people.   Video: "Buffalo Bill's Wild West"   There's not much video of Buffalo Bill; William Cody couldn't quite figure out how to adapt his "Wild West" show to the new technology of film. But Thomas Edison used the developing medium to capture some amazing footage of the show.  Video: “La Légende de Buffalo Bill”  The "Wild West" show has history in Europe. The original stage show spent perhaps a third of its run across the Atlantic, touring as far east as the Ukraine. As shown in the promotional video below, a current French incarnation — "with Mickey and friends" — draws heavily on the mythology created by Buffalo Bill.  Learn more about your ad choices. Visit megaphone.fm/adchoices

This was the American spectacle that colonized our dreams. He was the most famous American in the world — a showman and spin artist who parlayed a buffalo-hunting gig into an entertainment empire. William F. Cody’s stage show presented a new creation myth for America, bringing cowboys, Indians, settlers, and sharpshooters to audiences who had only read about the West in dime novels. He offered Indians a life off the reservation — reenacting their own defeats. “Deadwood” producer David Milch explains why the myth of the West still resonates; a Sioux actor at a Paris theme park loves playing Sitting Bull; and a financial executive impersonates Buffalo Bill, with his wife as Annie Oakley. (Originally aired November 5, 2010) Bonus Track: Indian or Native American?   Artist and scholar Arthur Amiotte offers his opinion on the names given to — and chosen by — his people. Video: "Buffalo Bill's Wild West"   There's not much video of Buffalo Bill; William Cody couldn't quite figure out how to adapt his "Wild West" show to the new technology of film. But Thomas Edison used the developing medium to capture some amazing footage of the show. Video: “La Légende de Buffalo Bill”  The "Wild West" show has history in Europe. The original stage show spent perhaps a third of its run across the Atlantic, touring as far east as the Ukraine. As shown in the promotional video below, a current French incarnation — "with Mickey and friends" — draws heavily on the mythology created by Buffalo Bill. Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices" rel="nofollow" target="_blank">megaphone.fm/adchoices</a>

American Icons: Buffalo Bill

In “Walden,” Henry David Thoreau helped shape the way we think about nature and our place in the world. An American Icons segment examines why many readers think that Thoreau was a genius while others think he’s a hypocrite. A second American Icons segment remembers Leonard Bernstein’s “Young People’s Concerts” with the New York Philharmonic, which not only captured the genius and wit of the conductor but also showed the power of the then-young medium of television. And 40 years ago, Gloria Gaynor’s label released “I Will Survive” as a B-side, but it managed to become a hit — and an anthem.  Learn more about your ad choices. Visit megaphone.fm/adchoices

In “Walden,” Henry David Thoreau helped shape the way we think about nature and our place in the world. An American Icons segment examines why many readers think that Thoreau was a genius while others think he’s a hypocrite. A second American Icons segment remembers Leonard Bernstein’s “Young People’s Concerts” with the New York Philharmonic, which not only captured the genius and wit of the conductor but also showed the power of the then-young medium of television. And 40 years ago, Gloria Gaynor’s label released “I Will Survive” as a B-side, but it managed to become a hit — and an anthem.  Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices" rel="nofollow" target="_blank">megaphone.fm/adchoices</a>

Walden pondered

Three stories from the American Icons series. How “Amazing Grace,” a song written by a slave trader, came to be a civil rights anthem. Plus, a novel that featured “Amazing Grace” and helped popularize it, “Uncle Tom’s Cabin.” Harriet Beecher Stowe’s book helped promote the abolitionist cause, yet the term “Uncle Tom” became a pejorative for people who betray their race. And far from glorifying small-town life, Edgar Lee Masters’ “Spoon River Anthology” shocked readers when it came out in 1915 and tackled subjects like suicide and sex.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Three stories from the American Icons series. How “Amazing Grace,” a song written by a slave trader, came to be a civil rights anthem. Plus, a novel that featured “Amazing Grace” and helped popularize it, “Uncle Tom’s Cabin.” Harriet Beecher Stowe’s book helped promote the abolitionist cause, yet the term “Uncle Tom” became a pejorative for people who betray their race. And far from glorifying small-town life, Edgar Lee Masters’ “Spoon River Anthology” shocked readers when it came out in 1915 and tackled subjects like suicide and sex.  Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices" rel="nofollow" target="_blank">megaphone.fm/adchoices</a>

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