Alexander Stoddart's guest appearances

Alexander Stoddart

The Ricochet Audio Network Superfeed

The Ralston College Podcast

Jordan Peterson

Victor Davis Hanson

Cal Newport

Douglas Murray

Andrew Doyle

Iain McGilchrist

Roger Scruton

Theodore Dalrymple

Vernon Smith

Alan Dershowitz

Stephen Wolfram

Freeman Dyson

Stephen Blackwood

Alan Charles

Ivan Ilyich

OwlTail

In Part II of their discussion Stephen Blackwood and Alexander Stoddart speak about the transhistorical community of past, present, and future. Stoddart explicates his Schopenhauerian view of art as life-denying and thus paradoxically able to help us relinquish our own will to power. He contrasts this view with that of a shallow presentism, a self-absorbed modernist outlook that views the present as inherently superior to both past and future, cutting off its own vital resources and neglecting its fundamental obligations. Stoddart shows another way. Artists, Art, and Writings Mentioned in this Episode: Homer; Palmyra; Br’er Rabbit and the Tar-Baby; Arthur Schopenhauer; Jean-Paul Sartre; Michel Foucault; Friedrich Nietzsche; Walter Scott; Richard Wagner; Giovanni Pierluigi da Palestrina; Charles Dickens; Walter Pater; Gian Lorenzo Bernini; Buddhas of Bamiyan; Trajan's Forum; The Colosseum; Bartolomeo Colleoni Monument; The Shard of London; Albert Speer’s Volkshalle ("People's Hall"); T. S. Eliot: “Four Quartets”; Gone with the Wind, House of Tara (Antebellum architecture); Richard James Wyatt; Lincoln Memorial; John Flaxman: Am I Not a Man; Thomas Banks profile of Thomas Muir of Huntershill (https://www.nationalgalleries.org/art-and-artists/artists/thomas-banks); Edgar Degas; Paul Cézanne; Pierre-Auguste Renoir; The Acropolis; Tyche; Statue of Tyche and Plutus in Istanbul; Statue of Liberty; Christ the Redeemer in Rio de Janeiro; Mount Rushmore

In Part II of their discussion Stephen Blackwood and Alexander Stoddart speak about the transhistorical community of past, present, and future. Stoddart explicates his Schopenhauerian view of art as life-denying and thus paradoxically able to help us relinquish our own will to power. He contrasts this view with that of a shallow presentism, a self-absorbed modernist outlook that views the present as inherently superior to both past and future, cutting off its own vital resources and neglecting its fundamental obligations. Stoddart shows another way. Artists, Art, and Writings Mentioned in this Episode: Homer; Palmyra; Br’er Rabbit and the Tar-Baby; Arthur Schopenhauer; Jean-Paul Sartre; Michel Foucault; Friedrich Nietzsche; Walter Scott; Richard Wagner; Giovanni Pierluigi da Palestrina; Charles Dickens; Walter Pater; Gian Lorenzo Bernini; Buddhas of Bamiyan; Trajan's Forum; The Colosseum; Bartolomeo Colleoni Monument; The Shard of London; Albert Speer’s Volkshalle ("People's Hall"); T. S. Eliot: “Four Quartets”; Gone with the Wind, House of Tara (Antebellum architecture); Richard James Wyatt; Lincoln Memorial; John Flaxman: Am I Not a Man; Thomas Banks profile of Thomas Muir of Huntershill (<a href="https://www.nationalgalleries.org/art-and-artists/artists/thomas-banks);" rel="nofollow" target="_blank">https://www.nationalgalleries.org/art-and-artists/artists/thomas-banks);</a> Edgar Degas; Paul Cézanne; Pierre-Auguste Renoir; The Acropolis; Tyche; Statue of Tyche and Plutus in Istanbul; Statue of Liberty; Christ the Redeemer in Rio de Janeiro; Mount Rushmore

Ep. 21 - Alexander Stoddart: Culture as Communion with the Dead

Should art be beautiful? This forbidden question guides Stephen Blackwood’s conversation with eminent sculptor and aesthetic luminary, Alexander Stoddart. Stoddart describes, in his usual incandescent fashion, his aesthetic awakening and his views on the failings of modernist and contemporary art. He also speaks about iconoclasm, about art’s battle with nature, and about the power of beauty to still the will. Finally, he offers parting advice for young artists and other seekers of meaning and beauty. The conversation took place in Stoddart's studio in Scotland. Artists, Art, and Writings Mentioned in this Episode: The paintings of Eisenhower, Churchill, and Hitler; The Buddhas of Bamayan; Venus de Milo; Richard Wagner: Tristan and Isolde; Bust of Beatrice in the Palazzo Pitti, Florence; The Statue of Liberty; Mount Rushmore; Gutzon Borglum; Christ of the Andes; The Angel of the North; Jackson Pollock; Desiderio da Settignano; Michelangelo: Staircase in the Laurentian Medicean Library, Medici tombs, Medici Chapel; Michelangelo: The Slaves; Giambologna; Adolf von Hildebrand; Copenhagen, especially the work and museum of Bertel Thorvaldsen; Hermann Ernst Freund; Arthur Schopenhauer; Antonio Canova; Lorenzo Bartolini, Plaster Cast Gallery at the Accademia Gallery

Should art be beautiful? This forbidden question guides Stephen Blackwood’s conversation with eminent sculptor and aesthetic luminary, Alexander Stoddart. Stoddart describes, in his usual incandescent fashion, his aesthetic awakening and his views on the failings of modernist and contemporary art. He also speaks about iconoclasm, about art’s battle with nature, and about the power of beauty to still the will. Finally, he offers parting advice for young artists and other seekers of meaning and beauty. The conversation took place in Stoddart's studio in Scotland. Artists, Art, and Writings Mentioned in this Episode: The paintings of Eisenhower, Churchill, and Hitler; The Buddhas of Bamayan; Venus de Milo; Richard Wagner: Tristan and Isolde; Bust of Beatrice in the Palazzo Pitti, Florence; The Statue of Liberty; Mount Rushmore; Gutzon Borglum; Christ of the Andes; The Angel of the North; Jackson Pollock; Desiderio da Settignano; Michelangelo: Staircase in the Laurentian Medicean Library, Medici tombs, Medici Chapel; Michelangelo: The Slaves; Giambologna; Adolf von Hildebrand; Copenhagen, especially the work and museum of Bertel Thorvaldsen; Hermann Ernst Freund; Arthur Schopenhauer; Antonio Canova; Lorenzo Bartolini, Plaster Cast Gallery at the Accademia Gallery

Ep. 17 - Alexander Stoddart: A Conversation in His Studio