Xin Gu's guest appearances

Xin Gu

New Books in Critical Theory

New Books in Anthropology

New Books in Sociology

New Books in East Asian Studies

New Books Network

The Versatilist

Monash Arts

New Books in Chinese Studies

Johns Hopkins

Caterina Fugazzola

Palgrave Macmillan

Hongwei Bao

Nick R. Smith

Roberta Zavoretti

John Wei

Kimberly Chong

Xiao Liu

David R. Stroup

Kathryn Conrad

Agnieszka Joniak-Luthi

Alberto Cairo

Sida Liu

Sharon J. Yoon

OwlTail

Red Creative: Culture and Modernity in China (Intellect Books, 2020) is an exploration of China’s cultural economy over the last twenty years, particularly through the lens of its creative hub of Shanghai. The research presented here raises questions about the nature of contemporary ‘creative’ capitalism and the universal claims of Western modernity, offering new ways of thinking about cultural policy in China.Taking a long-term historical perspective, Justin O’Connor and Xin Gu analyze the ongoing development of China’s cultural industries, examining the institutions, regulations, interests, and markets that underpin the Chinese cultural economy and the strategic position of Shanghai within it. Further, the authors explore cultural policy reforms in post-colonial China and articulate Shanghai’s significance in paving China’s path to modernity and entry to global capitalism. In-depth and illuminating, Red Creative carefully situates China’s contemporary cultural economy in its larger global and historical context, revealing the limits of Western thought in understanding Chinese history, culture, and society. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

<a href="https://bookshop.org/a/12343/9781789383218" rel="nofollow" target="_blank">Red Creative: Culture and Modernity in China</a> (Intellect Books, 2020) is an exploration of China’s cultural economy over the last twenty years, particularly through the lens of its creative hub of Shanghai. The research presented here raises questions about the nature of contemporary ‘creative’ capitalism and the universal claims of Western modernity, offering new ways of thinking about cultural policy in China.Taking a long-term historical perspective, Justin O’Connor and Xin Gu analyze the ongoing development of China’s cultural industries, examining the institutions, regulations, interests, and markets that underpin the Chinese cultural economy and the strategic position of Shanghai within it. Further, the authors explore cultural policy reforms in post-colonial China and articulate Shanghai’s significance in paving China’s path to modernity and entry to global capitalism. In-depth and illuminating, Red Creative carefully situates China’s contemporary cultural economy in its larger global and historical context, revealing the limits of Western thought in understanding Chinese history, culture, and society. Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices" rel="nofollow" target="_blank">megaphone.fm/adchoices</a>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory" rel="nofollow" target="_blank">https://newbooksnetwork.supportingcast.fm/critical-theory</a>

Justin O'Connor and Xin Gu, "Red Creative: Culture and Modernity in China" (Intellect Books, 2020)

Red Creative: Culture and Modernity in China (Intellect Books, 2020) is an exploration of China’s cultural economy over the last twenty years, particularly through the lens of its creative hub of Shanghai. The research presented here raises questions about the nature of contemporary ‘creative’ capitalism and the universal claims of Western modernity, offering new ways of thinking about cultural policy in China.Taking a long-term historical perspective, Justin O’Connor and Xin Gu analyze the ongoing development of China’s cultural industries, examining the institutions, regulations, interests, and markets that underpin the Chinese cultural economy and the strategic position of Shanghai within it. Further, the authors explore cultural policy reforms in post-colonial China and articulate Shanghai’s significance in paving China’s path to modernity and entry to global capitalism. In-depth and illuminating, Red Creative carefully situates China’s contemporary cultural economy in its larger global and historical context, revealing the limits of Western thought in understanding Chinese history, culture, and society. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

<a href="https://bookshop.org/a/12343/9781789383218" rel="nofollow" target="_blank">Red Creative: Culture and Modernity in China</a> (Intellect Books, 2020) is an exploration of China’s cultural economy over the last twenty years, particularly through the lens of its creative hub of Shanghai. The research presented here raises questions about the nature of contemporary ‘creative’ capitalism and the universal claims of Western modernity, offering new ways of thinking about cultural policy in China.Taking a long-term historical perspective, Justin O’Connor and Xin Gu analyze the ongoing development of China’s cultural industries, examining the institutions, regulations, interests, and markets that underpin the Chinese cultural economy and the strategic position of Shanghai within it. Further, the authors explore cultural policy reforms in post-colonial China and articulate Shanghai’s significance in paving China’s path to modernity and entry to global capitalism. In-depth and illuminating, Red Creative carefully situates China’s contemporary cultural economy in its larger global and historical context, revealing the limits of Western thought in understanding Chinese history, culture, and society. Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices" rel="nofollow" target="_blank">megaphone.fm/adchoices</a>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/east-asian-studies" rel="nofollow" target="_blank">https://newbooksnetwork.supportingcast.fm/east-asian-studies</a>

Red Creative: Culture and Modernity in China (Intellect Books, 2020) is an exploration of China’s cultural economy over the last twenty years, particularly through the lens of its creative hub of Shanghai. The research presented here raises questions about the nature of contemporary ‘creative’ capitalism and the universal claims of Western modernity, offering new ways of thinking about cultural policy in China.Taking a long-term historical perspective, Justin O’Connor and Xin Gu analyze the ongoing development of China’s cultural industries, examining the institutions, regulations, interests, and markets that underpin the Chinese cultural economy and the strategic position of Shanghai within it. Further, the authors explore cultural policy reforms in post-colonial China and articulate Shanghai’s significance in paving China’s path to modernity and entry to global capitalism. In-depth and illuminating, Red Creative carefully situates China’s contemporary cultural economy in its larger global and historical context, revealing the limits of Western thought in understanding Chinese history, culture, and society. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

<a href="https://bookshop.org/a/12343/9781789383218" rel="nofollow" target="_blank">Red Creative: Culture and Modernity in China</a> (Intellect Books, 2020) is an exploration of China’s cultural economy over the last twenty years, particularly through the lens of its creative hub of Shanghai. The research presented here raises questions about the nature of contemporary ‘creative’ capitalism and the universal claims of Western modernity, offering new ways of thinking about cultural policy in China.Taking a long-term historical perspective, Justin O’Connor and Xin Gu analyze the ongoing development of China’s cultural industries, examining the institutions, regulations, interests, and markets that underpin the Chinese cultural economy and the strategic position of Shanghai within it. Further, the authors explore cultural policy reforms in post-colonial China and articulate Shanghai’s significance in paving China’s path to modernity and entry to global capitalism. In-depth and illuminating, Red Creative carefully situates China’s contemporary cultural economy in its larger global and historical context, revealing the limits of Western thought in understanding Chinese history, culture, and society. Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices" rel="nofollow" target="_blank">megaphone.fm/adchoices</a>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/anthropology" rel="nofollow" target="_blank">https://newbooksnetwork.supportingcast.fm/anthropology</a>

Red Creative: Culture and Modernity in China (Intellect Books, 2020) is an exploration of China’s cultural economy over the last twenty years, particularly through the lens of its creative hub of Shanghai. The research presented here raises questions about the nature of contemporary ‘creative’ capitalism and the universal claims of Western modernity, offering new ways of thinking about cultural policy in China.Taking a long-term historical perspective, Justin O’Connor and Xin Gu analyze the ongoing development of China’s cultural industries, examining the institutions, regulations, interests, and markets that underpin the Chinese cultural economy and the strategic position of Shanghai within it. Further, the authors explore cultural policy reforms in post-colonial China and articulate Shanghai’s significance in paving China’s path to modernity and entry to global capitalism. In-depth and illuminating, Red Creative carefully situates China’s contemporary cultural economy in its larger global and historical context, revealing the limits of Western thought in understanding Chinese history, culture, and society. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

<a href="https://bookshop.org/a/12343/9781789383218" rel="nofollow" target="_blank">Red Creative: Culture and Modernity in China</a> (Intellect Books, 2020) is an exploration of China’s cultural economy over the last twenty years, particularly through the lens of its creative hub of Shanghai. The research presented here raises questions about the nature of contemporary ‘creative’ capitalism and the universal claims of Western modernity, offering new ways of thinking about cultural policy in China.Taking a long-term historical perspective, Justin O’Connor and Xin Gu analyze the ongoing development of China’s cultural industries, examining the institutions, regulations, interests, and markets that underpin the Chinese cultural economy and the strategic position of Shanghai within it. Further, the authors explore cultural policy reforms in post-colonial China and articulate Shanghai’s significance in paving China’s path to modernity and entry to global capitalism. In-depth and illuminating, Red Creative carefully situates China’s contemporary cultural economy in its larger global and historical context, revealing the limits of Western thought in understanding Chinese history, culture, and society. Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices" rel="nofollow" target="_blank">megaphone.fm/adchoices</a>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/new-books-network" rel="nofollow" target="_blank">https://newbooksnetwork.supportingcast.fm/new-books-network</a>

Red Creative: Culture and Modernity in China (Intellect Books, 2020) is an exploration of China’s cultural economy over the last twenty years, particularly through the lens of its creative hub of Shanghai. The research presented here raises questions about the nature of contemporary ‘creative’ capitalism and the universal claims of Western modernity, offering new ways of thinking about cultural policy in China.Taking a long-term historical perspective, Justin O’Connor and Xin Gu analyze the ongoing development of China’s cultural industries, examining the institutions, regulations, interests, and markets that underpin the Chinese cultural economy and the strategic position of Shanghai within it. Further, the authors explore cultural policy reforms in post-colonial China and articulate Shanghai’s significance in paving China’s path to modernity and entry to global capitalism. In-depth and illuminating, Red Creative carefully situates China’s contemporary cultural economy in its larger global and historical context, revealing the limits of Western thought in understanding Chinese history, culture, and society. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

<a href="https://bookshop.org/a/12343/9781789383218" rel="nofollow" target="_blank">Red Creative: Culture and Modernity in China</a> (Intellect Books, 2020) is an exploration of China’s cultural economy over the last twenty years, particularly through the lens of its creative hub of Shanghai. The research presented here raises questions about the nature of contemporary ‘creative’ capitalism and the universal claims of Western modernity, offering new ways of thinking about cultural policy in China.Taking a long-term historical perspective, Justin O’Connor and Xin Gu analyze the ongoing development of China’s cultural industries, examining the institutions, regulations, interests, and markets that underpin the Chinese cultural economy and the strategic position of Shanghai within it. Further, the authors explore cultural policy reforms in post-colonial China and articulate Shanghai’s significance in paving China’s path to modernity and entry to global capitalism. In-depth and illuminating, Red Creative carefully situates China’s contemporary cultural economy in its larger global and historical context, revealing the limits of Western thought in understanding Chinese history, culture, and society. Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices" rel="nofollow" target="_blank">megaphone.fm/adchoices</a>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/chinese-studies" rel="nofollow" target="_blank">https://newbooksnetwork.supportingcast.fm/chinese-studies</a>

Red Creative: Culture and Modernity in China (Intellect Books, 2020) is an exploration of China’s cultural economy over the last twenty years, particularly through the lens of its creative hub of Shanghai. The research presented here raises questions about the nature of contemporary ‘creative’ capitalism and the universal claims of Western modernity, offering new ways of thinking about cultural policy in China.Taking a long-term historical perspective, Justin O’Connor and Xin Gu analyze the ongoing development of China’s cultural industries, examining the institutions, regulations, interests, and markets that underpin the Chinese cultural economy and the strategic position of Shanghai within it. Further, the authors explore cultural policy reforms in post-colonial China and articulate Shanghai’s significance in paving China’s path to modernity and entry to global capitalism. In-depth and illuminating, Red Creative carefully situates China’s contemporary cultural economy in its larger global and historical context, revealing the limits of Western thought in understanding Chinese history, culture, and society. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

<a href="https://bookshop.org/a/12343/9781789383218" rel="nofollow" target="_blank">Red Creative: Culture and Modernity in China</a> (Intellect Books, 2020) is an exploration of China’s cultural economy over the last twenty years, particularly through the lens of its creative hub of Shanghai. The research presented here raises questions about the nature of contemporary ‘creative’ capitalism and the universal claims of Western modernity, offering new ways of thinking about cultural policy in China.Taking a long-term historical perspective, Justin O’Connor and Xin Gu analyze the ongoing development of China’s cultural industries, examining the institutions, regulations, interests, and markets that underpin the Chinese cultural economy and the strategic position of Shanghai within it. Further, the authors explore cultural policy reforms in post-colonial China and articulate Shanghai’s significance in paving China’s path to modernity and entry to global capitalism. In-depth and illuminating, Red Creative carefully situates China’s contemporary cultural economy in its larger global and historical context, revealing the limits of Western thought in understanding Chinese history, culture, and society. Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices" rel="nofollow" target="_blank">megaphone.fm/adchoices</a>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/sociology" rel="nofollow" target="_blank">https://newbooksnetwork.supportingcast.fm/sociology</a>

In this episode, I speak with Xin Gu of Monash University in Australia about her article "Teaching 'tacit knowledge'in cultural and creative industries to international students".

Versatilist with Xin Gu

Dr Xin Gu of our School of Media, Film &amp; Journalism, is leading an ARC Discovery international research project: Urban Cultural Policy and the Changing Dynamics of Cultural Production. The research explores the dynamics of the “cultural economy” and how changing industry relationships, urban development and policy dynamics affect cultural production. The research is focused on uncovering these dynamics across the inner Northern suburbs in Melbourne and Marrickville, Sydney, with international case studies in Berlin, Los Angeles, New York and Shenzhen. It aims to discover new insights into crucial urban manufacturing relationships to inform policy and innovation potential in Australia.What creative industry strategies does Australia have to consider for its resilience? How does urban cultural policy play into this? What industry links need to be fostered? In seeking answers to these questions, the research is already revealing much potential for Australia towards the development of knowledge, skills and practices to create new products, processes and work opportunities. And, through the international case studies, it shares lessons on what policies other countries are developing and how they are responding to the changing dynamics in the creative industries.We spoke with Dr Gu on specific issues to each city and some of the ideas already arising to solve these spanning policy protection, industry code re-categorisation, “maker/manufacturer” branding, the role of university innovation labs, investment in local manufacturers and potential for global trade. Dr Gu highlights, “as a country, it’s very dangerous if you only have the cultural consumption end of things because of the reliance of global networks and other countries; resilience requires us to be less reliant on other suppliers and this is where the creative industries can excel”.For more information on doing a higher degree by research, visit https://arts.monash.edu/graduate-research

Dr Xin Gu of our School of Media, Film &amp; Journalism, is leading an ARC Discovery international research project: Urban Cultural Policy and the Changing Dynamics of Cultural Production. The research explores the dynamics of the “cultural economy” and how changing industry relationships, urban development and policy dynamics affect cultural production. The research is focused on uncovering these dynamics across the inner Northern suburbs in Melbourne and Marrickville, Sydney, with international case studies in Berlin, Los Angeles, New York and Shenzhen. It aims to discover new insights into crucial urban manufacturing relationships to inform policy and innovation potential in Australia. What creative industry strategies does Australia have to consider for its resilience? How does urban cultural policy play into this? What industry links need to be fostered? In seeking answers to these questions, the research is already revealing much potential for Australia towards the development of knowledge, skills and practices to create new products, processes and work opportunities. And, through the international case studies, it shares lessons on what policies other countries are developing and how they are responding to the changing dynamics in the creative industries. We spoke with Dr Gu on specific issues to each city and some of the ideas already arising to solve these spanning policy protection, industry code re-categorisation, “maker/manufacturer” branding, the role of university innovation labs, investment in local manufacturers and potential for global trade. Dr Gu highlights, “as a country, it’s very dangerous if you only have the cultural consumption end of things because of the reliance of global networks and other countries; resilience requires us to be less reliant on other suppliers and this is where the creative industries can excel”. For more information on doing a higher degree by research, visit <a href="https://arts.monash.edu/graduate-research" rel="nofollow" target="_blank">https://arts.monash.edu/graduate-research</a>