Rachel Whiteread's guest appearances

Rachel Whiteread

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John Wilson speaks to internationally acclaimed artist Dame Rachel Whiteread about  the influences on her practice as she recalls some of her most famous works. Part of the Brit Art boom of the early 1990s, Rachel was not only the first woman to win the Turner Prize but also, at 29, the youngest artist to do so. Rachel is best known for large scale sculptures cast in plaster or concrete. She made headlines with an inside-out impression of an entire terraced house in east London, and for her Holocaust Memorial in Vienna. Commissioned to make a work to stand on the empty fourth plinth in London’s Trafalgar Square, she cast the plinth itself in a huge block of translucent resin. A globally renowned artist who once represented Britain at the Venice Biennale, the work of Dame Rachel Whiteread can be found in collections, galleries and public spaces all around the world. Producer: Edwina Pitman

This Cultural Life

John Wilson speaks to internationally acclaimed artist Dame Rachel Whiteread about the influences on her practice as she recalls some of her most famous works. Part of the Brit Art boom of the early 1990s, Rachel was not only the first woman to win the Turner Prize but also, at 29, the youngest artist to do so. Rachel is best known for large scale sculptures cast in plaster or concrete. She made headlines with an inside-out impression of an entire terraced house in east London, and for her Holocaust Memorial in Vienna. Commissioned to make a work to stand on the empty fourth plinth in London’s Trafalgar Square, she cast the plinth itself in a huge block of translucent resin. A globally renowned artist who once represented Britain at the Venice Biennale, the work of Dame Rachel Whiteread can be found in collections, galleries and public spaces all around the world. Producer: Edwina Pitman

Talk Art exclusive! Russell &amp; Robert meet legendary British artist Dame Rachel Whiteread DBE for an intimate studio visit where we view her new works prior to installing her new exhibition ‘Internal Objects’. In Rachel Whiteread’s sculptures and drawings, everyday settings, objects, and surfaces are transformed into ghostly replicas that are eerily familiar. Through casting, she frees her subject matter—from beds, tables, and boxes to water towers and entire houses—from practical use, suggesting a new permanence, imbued with memory.  We discuss childhood, experimenting with numerous materials as a student, the joy of sharpening pencils, studying with Richard Wilson, her now iconic artworks 'House' (1993) and 'Ghost' (1990), further early works made by casting a wardrobe and household furniture and her large permanent Holocaust Memorial (2000) in Vienna's Judenplatz. We learn about her ‘Shy Sculpture‘ series installed in unexpected international locations and hear of her experiences during the YBA years, and subsequently being the first woman to win the Turner Prize in 1993.We explore the new works made during lockdown including two large cabin-like structures 'Poltergeist' (2020) and 'Döppelganger' (2020–21) which now form the central part of a new exhibition at Gagosian’s Grosvenor Hill gallery, made of found wood and metal, meticulously overpainted in white household paint. The exhibition also features a new body of sculptures in resin and new works on paper, as well as recent cast sculptures in bronze, similar to works in bronze Whiteread made in 2000–10, and exhibited at a major retrospective at Tate Britain in 2017. Finally, we discover her interest in cinema, admiration for Italian Renaissance painter Piero della Francesca and living with contemporary artworks by Bridget Riley, Christopher Wool, Kiki Smith and Rebecca Warren and why Kenwood House in North London is worth a visit!   Rachel Whiteread’s new solo show ‘Internal Objects’ opened this week at Gagosian in London and runs until 6th June 2021. Follow @RachelWhitereadOfficial and @Gagosian on Instagram. View exhibition views at Gagosian's website: https://gagosian.com/exhibitions/2021/rachel-whiteread-internal-objects/ A fully illustrated catalogue, including a short story by John Steinbeck and an essay by Richard Calvocoressi, will be published to accompany the exhibition.For images of all artworks discussed in this episode visit @TalkArt. Talk Art theme music by Jack Northover @JackNorthoverMusic courtesy of HowlTown.com We've just joined Twitter too @TalkArt. If you've enjoyed this episode PLEASE leave us your feedback and maybe 5 stars if we're worthy in the Apple Podcast store. For all requests, please email talkart@independenttalent.com Hosted on Acast. See acast.com/privacy for more information.

Talk Art

Talk Art exclusive! Russell &amp; Robert meet legendary British artist Dame Rachel Whiteread DBE for an intimate studio visit where we view her new works prior to installing her new exhibition ‘Internal Objects’. In Rachel Whiteread’s sculptures and drawings, everyday settings, objects, and surfaces are transformed into ghostly replicas that are eerily familiar. Through casting, she frees her subject matter—from beds, tables, and boxes to water towers and entire houses—from practical use, suggesting a new permanence, imbued with memory.  We discuss childhood, experimenting with numerous materials as a student, the joy of sharpening pencils, studying with Richard Wilson, her now iconic artworks 'House' (1993) and 'Ghost' (1990), further early works made by casting a wardrobe and household furniture and her large permanent Holocaust Memorial (2000) in Vienna's Judenplatz. We learn about her ‘Shy Sculpture‘ series installed in unexpected international locations and hear of her experiences during the YBA years, and subsequently being the first woman to win the Turner Prize in 1993.We explore the new works made during lockdown including two large cabin-like structures 'Poltergeist' (2020) and 'Döppelganger' (2020–21) which now form the central part of a new exhibition at Gagosian’s Grosvenor Hill gallery, made of found wood and metal, meticulously overpainted in white household paint. The exhibition also features a new body of sculptures in resin and new works on paper, as well as recent cast sculptures in bronze, similar to works in bronze Whiteread made in 2000–10, and exhibited at a major retrospective at Tate Britain in 2017. Finally, we discover her interest in cinema, admiration for Italian Renaissance painter Piero della Francesca and living with contemporary artworks by Bridget Riley, Christopher Wool, Kiki Smith and Rebecca Warren and why Kenwood House in North London is worth a visit!   Rachel Whiteread’s new solo show ‘Internal Objects’ opened this week at Gagosian in London and runs until 6th June 2021. Follow <a href="https://www.instagram.com/rachelwhitereadofficial/?hl=en" rel="noopener noreferrer nofollow" target="_blank">@RachelWhitereadOfficial</a> and <a href="https://www.instagram.com/gagosian/?hl=en" rel="noopener noreferrer nofollow" target="_blank">@Gagosian</a> on Instagram. View exhibition views at Gagosian's website: <a href="https://gagosian.com/exhibitions/2021/rachel-whiteread-internal-objects/" rel="noopener noreferrer nofollow" target="_blank">https://gagosian.com/exhibitions/2021/rachel-whiteread-internal-objects/</a> A fully illustrated catalogue, including a short story by John Steinbeck and an essay by Richard Calvocoressi, will be published to accompany the exhibition.For images of all artworks discussed in this episode visit <a href="https://www.instagram.com/talkart/?hl=en" rel="noopener noreferrer nofollow" target="_blank">@TalkArt</a>. Talk Art theme music by Jack Northover <a href="https://www.instagram.com/jacknorthovermusic/?hl=en" rel="noopener noreferrer nofollow" target="_blank">@JackNorthoverMusic</a> courtesy of <a href="http://HowlTown.com" rel="nofollow" target="_blank">HowlTown.com</a> We've just joined Twitter too <a href="https://twitter.com/talkart?lang=en" rel="noopener noreferrer nofollow" target="_blank">@TalkArt</a>. If you've enjoyed this episode PLEASE leave us your feedback and maybe 5 stars if we're worthy in the Apple Podcast store. For all requests, please email talkart@independenttalent.com Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer nofollow" target="_blank">acast.com/privacy</a> for more information.

Rachel Whiteread DBE

Rosa Rankin Gee

Leila Latif reviews Too Close, ITV’s new psychological thriller starring Emily Watson and Denise Gough, which will be broadcast on consecutive nights this week.On the day that commercial art galleries are allowed to re-open in England, Rachel Whiteread discusses her new exhibition Internal Objects at the Gagosian gallery in London. The exhibition features new resin sculptures, and the gallery's two main rooms are occupied by two new works - large sheds made of found materials and painted in white household paint. As the BAFTA winners were announced over the weekend, Chloe Zhao’s film Nomadland won four prizes including best film, best actress for star Frances McDormand and best director. Film critic Leila Latif joins Kirsty to tell us more about the exciting young director, and her first feature film Songs My Brothers Taught Me which has just been released for the first time in the UK. Novelist Rosa Rankin Gee joins Kirsty to talk about her new novel, Dreamland, set in a dystopian future where rising tides and political extremism have left one coastal community, and one small family, to fend for itself.Presenter: Kirsty LangProducer: Simon RichardsonMain image: Emily Watson as Dr Emma Robertson in Too CloseImage credit: ITV.com

Leila Latif reviews Too Close, ITV’s new psychological thriller starring Emily Watson and Denise Gough, which will be broadcast on consecutive nights this week. On the day that commercial art galleries are allowed to re-open in England, Rachel Whiteread discusses her new exhibition Internal Objects at the Gagosian gallery in London. The exhibition features new resin sculptures, and the gallery's two main rooms are occupied by two new works - large sheds made of found materials and painted in white household paint. As the BAFTA winners were announced over the weekend, Chloe Zhao’s film Nomadland won four prizes including best film, best actress for star Frances McDormand and best director. Film critic Leila Latif joins Kirsty to tell us more about the exciting young director, and her first feature film Songs My Brothers Taught Me which has just been released for the first time in the UK. Novelist Rosa Rankin Gee joins Kirsty to talk about her new novel, Dreamland, set in a dystopian future where rising tides and political extremism have left one coastal community, and one small family, to fend for itself. Presenter: Kirsty Lang Producer: Simon Richardson Main image: Emily Watson as Dr Emma Robertson in Too Close Image credit: <a href="http://ITV.com" rel="nofollow" target="_blank">ITV.com</a>

Too Close, Rachel Whiteread, Chloe Zhao, Rosa Rankin Gee

William Boyd

In Frankenstein: How to Make a Monster, six performers from Battersea Arts Centre's Beatbox Academy interpret Mary Shelley’s classic novel from their own perspective; as young people growing up in 21st-century Britain. Using only their own mouths and voices to make every sound in the film, they explore how today’s society creates its own monsters. John Wilson talks to one of the creator performers, Nadine Rose Johnson.Acclaimed author William Boyd talks about his new novel, Trio. Set in the summer of 1968, the year of the assassinations of Martin Luther King and Robert Kennedy, there are riots in Paris and the Vietnam War is out of control. While the world is reeling, three characters - a producer, a novelist and an actress - are involved in making a Swingin' Sixties movie in sunny Brighton and each of them is harbouring a dangerous secret.Artist Rachel Whiteread discusses her series of works she has been creating in lockdown at her home in the Welsh countryside: March-Sept Drawings, as well as a newly-revealed resin sculpture, Untitled (Pinboard), which goes on digital display today.Author Irenosen Okojie and journalist Mik Scarlet review the new ITV drama series The Sister, written by Neil Cross (creator of Luther) and starring Russell Tovey. Mik will also be discussing the Shaw Trust Power 100, an annual publication aiming to further inclusivity by celebrating 100 most influential disabled people, and Irenosen celebrates her current cultural highlight, the Netflix American comedy film The 40-Year-Old Version.Presenter: John WilsonProducer: Oliver JonesMain image: Grove in Frankenstein: How to Make a MonsterImage credit: Lukas Galantay

In Frankenstein: How to Make a Monster, six performers from Battersea Arts Centre's Beatbox Academy interpret Mary Shelley’s classic novel from their own perspective; as young people growing up in 21st-century Britain. Using only their own mouths and voices to make every sound in the film, they explore how today’s society creates its own monsters. John Wilson talks to one of the creator performers, Nadine Rose Johnson. Acclaimed author William Boyd talks about his new novel, Trio. Set in the summer of 1968, the year of the assassinations of Martin Luther King and Robert Kennedy, there are riots in Paris and the Vietnam War is out of control. While the world is reeling, three characters - a producer, a novelist and an actress - are involved in making a Swingin' Sixties movie in sunny Brighton and each of them is harbouring a dangerous secret. Artist Rachel Whiteread discusses her series of works she has been creating in lockdown at her home in the Welsh countryside: March-Sept Drawings, as well as a newly-revealed resin sculpture, Untitled (Pinboard), which goes on digital display today. Author Irenosen Okojie and journalist Mik Scarlet review the new ITV drama series The Sister, written by Neil Cross (creator of Luther) and starring Russell Tovey. Mik will also be discussing the Shaw Trust Power 100, an annual publication aiming to further inclusivity by celebrating 100 most influential disabled people, and Irenosen celebrates her current cultural highlight, the Netflix American comedy film The 40-Year-Old Version. Presenter: John Wilson Producer: Oliver Jones Main image: Grove in Frankenstein: How to Make a Monster Image credit: Lukas Galantay

Frankenstein, William Boyd, Rachel Whiteread, The Sister

Mari Lending, professor in architectural theory and history, department of form, theory, and history, Oslo School of Architecture and Design, and founding member, Oslo Centre for Critical Architectural Studies (OCCAS). Artist Rachel Whiteread has made casts and drawings for more than 30 years in an effort to define the space between positives and negatives, public and private, manufactured and hand-made objects—always with concision, intelligence, beauty, and power. At the National Gallery of Art, an unprecedented and comprehensive survey exhibition of Whiteread’s celebrated career introduces a new generation of audiences to her work, which addresses how we live. In this keynote address for the symposium held on October 26, 2018, in conjunction with the exhibition, Mari Lending links cast sculptures by Whiteread with 19th-century plaster monuments in theorizing “ghost structures,” which always refer to places and things absent, lost, or distant. She describes how Whiteread’s work—once briefly installed in the Cast Courts of the Victoria and Albert Museum in London—invites us to look again at lost objects and to see them anew. Cast representations, Lending says, are “complex and productive rather than simply reproductive.”

Rachel Whiteread Symposium, Part 1—Rachel Whiteread: Weathering, Patina, Time

Kelli Rae Adams, Tariq O’Meally, and Ada Pinkston, artists Artist Rachel Whiteread has made casts and drawings for more than 30 years in an effort to define the space between positives and negatives, public and private, manufactured and hand-made objects—always with concision, intelligence, beauty, and power. At the National Gallery of Art, an unprecedented and comprehensive survey exhibition of Whiteread’s celebrated career introduces a new generation of audiences to her work, which addresses how we live. In these talks delivered as part of the symposium held on October 26, 2018, in conjunction with the exhibition, Halcyon Arts Lab Fellow Kelli Rae Adams reflected on her own burgeoning creative practice in relationship to that of Whiteread, examining the topics of material, surface, space, and society, and the formal as well as conceptual links among them. For artist and choreographer Tariq O’Meally, Rachel Whiteread's body of work brings to mind the intimacy of the body and its relationship to the permanent impermanence of death. In his talk during the Rachel Whiteread symposium, he discussed Whiteread’s practice and his own in pursuit of such questions as “How do we experience absence?” and “What lies within negative space?” Finally, artist Ada Pinkston conducts an examination of the poetics of space and the artistic will of Rachel Whiteread and other minimal and post-minimal public artworks. Pinkston’s lecture also considers the future aesthetics of public monuments and memorials.

Rachel Whiteread Symposium, Part 2: Three Halcyon Arts Lab Fellows Respond

Helen Molesworth, writer, scholar, and curator Artist Rachel Whiteread has made casts and drawings for more than 30 years in an effort to define the space between positives and negatives, public and private, manufactured and hand-made objects—always with concision, intelligence, beauty, and power. At the National Gallery of Art, an unprecedented and comprehensive survey exhibition of Whiteread’s celebrated career introduces a new generation of audiences to her work, which addresses how we live. To close the symposium held on October 26, 2018, in conjunction with the exhibition, Helen Molesworth wove themes found throughout the program into extemporaneous remarks before inviting the day’s speakers for a panel discussion. In addition to summarizing the talks, Molesworth mused on ways Whiteread produces work out of paradox. “The endlessness of casting,” according to Molesworth, evokes both loss and fecundity while the artist’s use of household items reproduces and publicizes objects associated with privacy. The symposium ended with a panel discussion among all the speakers.

Rachel Whiteread Symposium, Part 4: Remarks and Discussion

Molly Donovan, curator of art, 1975–present, department of modern art, National Gallery of Art Rachel Whiteread, the first comprehensive survey of this British sculptor’s 30-year career, features drawings, photographs, architecture-scaled sculptures, archival materials, documentary materials on public projects, and several new works on view for the first time. In this introductory lecture recorded on September 16, 2018, Molly Donovan explains how Whiteread’s sculptures memorialize everyday objects, domestic interiors, and public spaces. Donovan also shares the ways in which Whiteread has effectively recast the memories of these locations and objects to chart the seismic changes in how we live, from the late 20th century and into the 21st. The exhibition is on view through January 13, 2019.

Introduction to the Exhibition—Rachel Whiteread

In this audio recording Lizzie Carey-Thomas, curator at Tate Britain, explores the drawings that provide a rare insight into the creative process of the artist.

Rachel Whiteread Drawings: Curator’s Talk

With Mark Lawson. Three decades after TV viewers around the world asked 'Who shot JR?', the saga of the Ewing family arrives in the 21st century, with a revamp of Dallas. In the new version, JR, Bobby and Sue Ellen are joined by the next generation - with just as many rivalries and power-struggles as before. David D'Arcy reviews. Turner Prize-winning artist Rachel Whiteread discusses her new commission, the facade of the Whitechapel Art Gallery. She explains how she found inspiration.The Carnegie and Kate Greenaway Medals are awarded for writing and illustrating books aimed at young people. Unusually this year the same book has won both medals: A Monster Calls was written by Patrick Ness, completed from an idea left by the late Siobhan Dowd, herself a winner of the Carnegie in 2009, and Jim Kay provided the book's atmospheric illustrations. They join Mark to reflect on their collaboration. Front Row is reporting from the four contenders for the Art Fund Prize for museums. Ten years ago, the Watts Gallery near Guildford, which is dedicated to the work of neglected Victorian painter G.F. Watts, was in a sorry state with a leaking roof, broken windows and an average attendance of five visitors a day. But, thanks to a multi-million pound restoration, the gallery has been returned to its former glory, when it was one of the major centres for art in this country.Producer Ellie Bury.

With Mark Lawson. Three decades after TV viewers around the world asked 'Who shot JR?', the saga of the Ewing family arrives in the 21st century, with a revamp of Dallas. In the new version, JR, Bobby and Sue Ellen are joined by the next generation - with just as many rivalries and power-struggles as before. David D'Arcy reviews. Turner Prize-winning artist Rachel Whiteread discusses her new commission, the facade of the Whitechapel Art Gallery. She explains how she found inspiration. The Carnegie and Kate Greenaway Medals are awarded for writing and illustrating books aimed at young people. Unusually this year the same book has won both medals: A Monster Calls was written by Patrick Ness, completed from an idea left by the late Siobhan Dowd, herself a winner of the Carnegie in 2009, and Jim Kay provided the book's atmospheric illustrations. They join Mark to reflect on their collaboration. Front Row is reporting from the four contenders for the Art Fund Prize for museums. Ten years ago, the Watts Gallery near Guildford, which is dedicated to the work of neglected Victorian painter G.F. Watts, was in a sorry state with a leaking roof, broken windows and an average attendance of five visitors a day. But, thanks to a multi-million pound restoration, the gallery has been returned to its former glory, when it was one of the major centres for art in this country. Producer Ellie Bury.