Andrea Chlebak's guest appearances

Andrea Chlebak

The Coloristos ColorCast

Film Formally

Because We Love Making Movies

The Color Code

Steven Soderbergh

Wes Craven

Robert Altman

Newton Thomas Sigel

Whit Stillman

Dan Sallitt

Peter Labuza

Donald Graham

Kathleen Hepburn

Grace Yun

John Behrens

Benjamin Loeb

Eric Roth

Sophy Romvari

Paige Smith

OwlTail

In this episode, Cullen sits down with Harbor Picture Company supervising colorist Andrea Chlebak to discuss her journey to becoming one of the industry's most in-demand artists, working on projects including Mandy, Elysium, and The Girl from Plainville. Their conversation touches on look design, tool selection, creative inspiration, effective client collaboration, and much more.This episode is brought to you by Portrait Displays.

In this episode, Cullen sits down with Harbor Picture Company supervising colorist Andrea Chlebak to discuss her journey to becoming one of the industry's most in-demand artists, working on projects including Mandy, Elysium, and The Girl from Plainville. Their conversation touches on look design, tool selection, creative inspiration, effective client collaboration, and much more.This episode is brought to you by <a href="portrait.com" rel="noopener noreferrer nofollow" target="_blank">Portrait Displays</a>.

Today I talk to ANDREA CHLEBAK…an amazing artist whose craft is one of the most unsung in all of movies… she’s a Film Colorist.She’s worked with some amazing cinematographers and directors on some really terrific movies. To name a few: Bad Hair, American Pickle, Elysium and Chappie, Prospect, HBO’s Watchmen… and the hallucinatory action-horror film MANDY.Most recently, she worked Netflix’s NAOMI OSAKA, which is a beautifully poignant and hopeful docuseries from the wildly talented Director Garrett Bradley. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today I talk to ANDREA CHLEBAK…an amazing artist whose craft is one of the most unsung in all of movies… she’s a Film Colorist.She’s worked with some amazing cinematographers and directors on some really terrific movies. To name a few: Bad Hair, American Pickle, Elysium and Chappie, Prospect, HBO’s Watchmen… and the hallucinatory action-horror film MANDY.Most recently, she worked Netflix’s NAOMI OSAKA, which is a beautifully poignant and hopeful docuseries from the wildly talented Director Garrett Bradley. Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices" rel="nofollow" target="_blank">megaphone.fm/adchoices</a>

Colour grading, the art of manipulating the colour of a film digitally in post-production, is as omnipresent as it is misunderstood. To help demystify the process, we’ve invited supervising colourist Andrea Chlebak (Mandy, An American Pickle, HBO’s The Watchmen) to discuss the art of colour grading with us.In this episode, we discuss: Where does the colour grading process begin? Pre-production? Production?   Development of multiple palettes within individual films.   Digital and celluloid image capture and the implications on the colour grading process of each.   The future of colour grading and digital imaging.   The limits of colour correction: what can we change in post? What can’t we change?   Exposure ideologies for fun and profit.   If you’d like to support the show, here’s a link to our Patreon.   Works discussed during this episode: Andrea’s Work: An American PIckle Mandy Watchmen Hello Destroyer Elysium Other Work: Hekademia Traffic Game of Thrones S8e03: “The Long Night” Blade Runner 2049

Colour grading, the art of manipulating the colour of a film digitally in post-production, is as omnipresent as it is misunderstood. To help demystify the process, we’ve invited supervising colourist <a href="http://www.andreachlebak.com/" rel="nofollow" target="_blank">Andrea Chlebak</a> (Mandy, An American Pickle, HBO’s The Watchmen) to discuss the art of colour grading with us.In this episode, we discuss: <ul><li> Where does the colour grading process begin? Pre-production? Production? </li> <li> Development of multiple palettes within individual films. </li> <li> Digital and celluloid image capture and the implications on the colour grading process of each. </li> <li> The future of colour grading and digital imaging. </li> <li> The limits of colour correction: what can we change in post? What can’t we change? </li> <li> Exposure ideologies for fun and profit. </li> </ul> If you’d like to support the show, <a href="https://www.patreon.com/filmformally" rel="nofollow" target="_blank">here’s a link to our Patreon</a>. Works discussed during this episode: Andrea’s Work: An American PIckle Mandy Watchmen Hello Destroyer Elysium Other Work: Hekademia Traffic Game of Thrones S8e03: “The Long Night” Blade Runner 2049

S3E08 - Colour Grading with Andrea Chlebak

In this Episode of the Coloristos 1on1, Juan interviews Andrea Chlebak, lead DI colorist for the new sci-fi action film "Elysium". Andrea breaks down her ACES workflow, tells us about her techniques for keeping focused, and shares what it's like to grade Matt Damon's big blue eyes. All that and much more.The Coloristos ColorCast is a monthly podcast about Film and Television Color Grading, Color Science, and Post-Production. If you're interested or involved in color grading, finishing, and digital intermediate post-production, this show is for you.The Coloristos are: Josh Petok, a colorist working on reality and episodic television in Los Angeles.Juan Salvo, a colorist and online editor for films and commercials in New York.Jason Myres, a colorist and post-production engineer in Los Angeles.

In this Episode of the Coloristos 1on1, Juan interviews Andrea Chlebak, lead DI colorist for the new sci-fi action film "Elysium". Andrea breaks down her ACES workflow, tells us about her techniques for keeping focused, and shares what it's like to grade Matt Damon's big blue eyes. All that and much more. The Coloristos ColorCast is a monthly podcast about Film and Television Color Grading, Color Science, and Post-Production. If you're interested or involved in color grading, finishing, and digital intermediate post-production, this show is for you. The Coloristos are: Josh Petok, a colorist working on reality and episodic television in Los Angeles. Juan Salvo, a colorist and online editor for films and commercials in New York. Jason Myres, a colorist and post-production engineer in Los Angeles.