Oliver Reichenstein's guest appearances

Oliver Reichenstein

Dorm Room Tycoon (DRT)

formfunk

Fronteers Videos

Stefan Sagmeister

Vitaly Friedman

Erik Spiekermann

Julie Zhuo

Chris Guillebeau

David Tisch

Wade Foster

Keith Rabois

Cal Newport

Mike McDerment

Nir Eyal

Guy Kawasaki

Malcolm Gladwell

Gary Vaynerchuk

Seth Godin

OwlTail

„Our job is to clean up“, hat er mal über Designer gesagt. Aber wie viel kann man aufräumen, bevor eine App oder Website den Charakter verliert? Oliver Reichensteins Vision vom perfekten Texteditor ist ein ständiges Experiment. Ein Gespräch über Minimalismus, Schrift am Bildschirm und Zeitungen im Netz. Oliver Reichenstein (44) studierte Philosophie und arbeitete in einer Agentur, bevor er nach Japan auswanderte. Er gründete das Studio Information Architects mit Kunden wie Monotype, Die Zeit und The Guardian. Zuletzt veröffentlichte iA ein Wordpress-Theme mit John Tenniels Illustrationen zu „Alice im Wunderland“. 01:37 iA Writer13:03 Desktopmetapher (Wikipedia)13:35 Thomas Byttebier: The best icon is a text label16:03 Quintilian (Wikipedia)24:20 Nitti Schriftfamilie (Bold Monday)27:14 Frank Nitti (My Al Capone Museum)37:15 Brenda Laurel, Computers as Theatre (Auszug, PDF)40:13 Charlie Parker: Tiny’s Tempo (YouTube)42:24 Die Zeit42:47 Ankündigung zum Relaunch der Zeit (iA 2009)44:32 Khoi Vinh: Halftone Effects in Wildcard 2.0 (Vimeo)45:21 Nick Haley: The container model and blended content50:17 Talk: Structuring Information (Typo Berlin 2015)58:07 Julia Kahl (Slanted)

<p>„Our job is to clean up“, hat er mal über Designer gesagt. Aber wie viel kann man aufräumen, bevor eine App oder Website den Charakter verliert? Oliver Reichensteins Vision vom perfekten Texteditor ist ein ständiges Experiment. Ein Gespräch über Minimalismus, Schrift am Bildschirm und Zeitungen im Netz.</p> <p>Oliver Reichenstein (44) studierte Philosophie und arbeitete in einer Agentur, bevor er nach Japan auswanderte. Er gründete das Studio Information Architects mit Kunden wie Monotype, Die Zeit und The Guardian. Zuletzt veröffentlichte iA ein Wordpress-Theme mit John Tenniels Illustrationen zu „Alice im Wunderland“.</p> <ul><li>01:37 <a href="https://ia.net/writer/" rel="nofollow" target="_blank">iA Writer</a></li><li>13:03 <a href="https://de.wikipedia.org/wiki/Desktop_(grafische_Benutzeroberfl%C3%A4che)" rel="nofollow" target="_blank">Desktopmetapher (Wikipedia)</a></li><li>13:35 <a href="http://thomasbyttebier.be/blog/the-best-icon-is-a-text-label" rel="nofollow" target="_blank">Thomas Byttebier: The best icon is a text label</a></li><li>16:03 <a href="https://de.wikipedia.org/wiki/Quintilian" rel="nofollow" target="_blank">Quintilian (Wikipedia)</a></li><li>24:20 <a href="https://www.boldmonday.com/typeface/nitti/" rel="nofollow" target="_blank">Nitti Schriftfamilie (Bold Monday)</a></li><li>27:14 <a href="http://www.myalcaponemuseum.com/id41.htm" rel="nofollow" target="_blank">Frank Nitti (My Al Capone Museum)</a></li><li>37:15 <a href="http://ptgmedia.pearsoncmg.com/images/9780321918628/samplepages/0321918622.pdf" rel="nofollow" target="_blank">Brenda Laurel, Computers as Theatre (Auszug, PDF)</a></li><li>40:13 <a href="https://www.youtube.com/watch?v=XYtGbI33mew" rel="nofollow" target="_blank">Charlie Parker: Tiny’s Tempo (YouTube)</a></li><li>42:24 <a href="http://www.zeit.de" rel="nofollow" target="_blank">Die Zeit</a></li><li>42:47 <a href="https://ia.net/de/kunden/die-zeit/online-eine-neue-zeit" rel="nofollow" target="_blank">Ankündigung zum Relaunch der Zeit (iA 2009)</a></li><li>44:32 <a href="https://vimeo.com/135979628" rel="nofollow" target="_blank">Khoi Vinh: Halftone Effects in Wildcard 2.0 (Vimeo)</a></li><li>45:21 <a href="http://next.theguardian.com/blog/container-model-blended-content/" rel="nofollow" target="_blank">Nick Haley: The container model and blended content</a></li><li>50:17 <a href="http://typotalks.com/de/videos/strukturiert-informieren/" rel="nofollow" target="_blank">Talk: Structuring Information (Typo Berlin 2015)</a></li><li>58:07 <a href="http://www.slanted.de/redakteur/julia-maria-rausch-imdesignrausch" rel="nofollow" target="_blank">Julia Kahl (Slanted)</a></li></ul>

Folge 6: Oliver Reichenstein, Informationsarchitekt

With the chaos of different screen sizes and a new generation of web browsers, the design paradigms of layout and typography have shifted away from static layouts and system fonts to dynamic layouts and custom web fonts. But screens have not just changed in size but also in pixel density. In other words: maybe we do not just need responsive layouts, we might also need responsive typefaces. iA started experimenting with reponsive typefaces in 2012. A short rundown of what we have learned since then. More info at: https://fronteers.nl/congres/2013/sessions/responsive-typography

With the chaos of different screen sizes and a new generation of web browsers, the design paradigms of layout and typography have shifted away from static layouts and system fonts to dynamic layouts and custom web fonts. But screens have not just changed in size but also in pixel density. In other words: maybe we do not just need responsive layouts, we might also need responsive typefaces. iA started experimenting with reponsive typefaces in 2012. A short rundown of what we have learned since then. More info at: <a href="https://fronteers.nl/congres/2013/sessions/responsive-typography" rel="nofollow" target="_blank">https://fronteers.nl/congres/2013/sessions/responsive-typography</a>

Oliver Reichenstein | Responsive typography [Fronteers 2013]

In this interview, Oliver Reichenstein explains the importance of keeping interfaces simple and why current websites are complicated. He outlines the pitfalls of research and why it's a good starting point to understand user expectations.

Designing Simple Interfaces with Oliver Reichenstein, iA