Ivie Anderson's guest appearances

Ivie Anderson

Big Band Serenade

Ellington Reflections

La odisea de la música afroamericana

Dizzy Gillespie

Ella Fitzgerald

Don Redman

Artie Shaw

Louis Armstrong

Lionel Hampton

Paul Whiteman

Peggy Lee

Louis Jordan

Fletcher Henderson

Jimmie Lunceford

Stan Kenton

Benny Goodman

Don Byas

Earl Hines

OwlTail

https://ellingtonreflectionsdotcom.files.wordpress.com/2018/06/portrait-of-ivie-anderson.mp3  “In addition to her great singing, Ivie was also considered a good-luck charm. We opened at the Oriental Theatre on Friday, February 13, 1931, and we broke the all-time house record. We returned to the Oriental on Friday, March 13, 1931, and broke that record, too. At the Palladium, our act was No. 13 on the bill. They still talk about Ivie, and every girl singer we’ve had since has had to try to prevail over the Ivie Anderson image.” –Duke Ellington, Music is my Mistress     Ivie Anderson’s restaurant (Ivie’s Chicken Shack) was part of Los Angeles’ African American jazz scene on Central Avenue.    The recordings heard on this podcast episode:    It Don’t Mean A Thing (If It Ain’t Got That Swing) (CD: “Duke Ellington: The Columbia Years 1927-1962” Columbia 5176872) Recorded 2 February 1932 in New York City Arthur Whetsel, Cootie Williams, Freddie Jenkins – trumpet; Joe Nanton, Juan Tizol – trombone; Barney Bigard, Johnny Hodges, Harry Carney – reeds; Duke Ellington – piano; Fred Guy – banjo; Wellman Braud – bass; Sonny Greer – drums.  (CD: “The Complete 1933-1940 Brunswick, Columbia and Master Recordings of Duke Ellington and his Famous Orchestra” Mosaic Records #248) All God’s Chillun Got Rhythm (Recorded 8 June 1937, New York City) I’ve Got to be a Rug Cutter (Recorded 5 March 1937, New York City) Arthur Whetsel, Cootie Williams, Rex Stewart – trumpet; Lawrence Brown, Joe Nanton, Juan Tizol – trombone; Otto Hardwicke, Johnny Hodges, Barney Bigard, Harry Carney – reeds; Duke Ellington – piano; Fred Guy – guitar; Hayes Alvis, Billy Taylor – bass; Sonny Greer – drums, Ivy Anderson – vocal. A Lonely Co-ed/I’m Checking Out, Goom-bye (Recorded 12 June 1939, New York City) Arthur Whetsel, Cootie Williams, Rex Stewart – trumpet; Lawrence Brown, Joe Nanton, Juan Tizol – trombone; Otto Hardwicke, Johnny Hodges, Barney Bigard, Harry Carney – reeds; Duke Ellington – piano; Fred Guy – guitar; Billy Taylor – bass; Sonny Greer – drums, Ivy Anderson – vocal. Mood Indigo (Recorded 14 February 1940, Chicago) Wallace Jones, Cootie Williams, Rex Stewart – trumpet; Lawrence Brown, Joe Nanton, Juan Tizol – trombone; Otto Hardwicke, Johnny Hodges, Barney Bigard, Ben Webster, Harry Carney – reeds; Duke Ellington – piano; Fred Guy – guitar; Jimmie Blanton – bass; Sonny Greer – drums, Ivie Anderson – vocal.  Way Down Yonder In New Orleans/Oh, Babe! Maybe Someday/The Five O’Clock Whistle (CD: “Fargo, ND, November 7, 1940” Vintage Jazz Classics VJC-1019/20-2) Recorded 7 November 1940 at The Crystal Ballroom in Fargo, North Dakota Wallace Jones, Rex Stewart, Ray Nance – trumpet; Lawrence Brown, Joe Nanton, Juan Tizol -trombone; Barney Bigard, Johnny Hodges, Otto  Hardwicke, Ben Webster, Harry Carney – reeds; Duke Ellington – piano; Fred Guy – guitar; Jimmie Blanton – bass; Sonny Greer – drums; Ivie Anderson – vocal. (CD: “The Webster Blanton Band,” Bluebird 74321131812) Rocks In My Bed (Recorded 26 September 1941, Los Angeles) I’ve Got It Bad (And That Ain’t Good) (Recorded 26 June 1941, Los Angeles) Wallace Jones, Rex Stewart, Ray Nance – trumpet; Lawrence Brown, Joe Nanton, Juan Tizol -trombone; Barney Bigard, Johnny Hodges, Otto  Hardwicke, Ben Webster, Harry Carney – reeds; Duke Ellington – piano; Fred Guy – guitar; Jimmie Blanton – bass; Sonny Greer – drums; Ivie Anderson – vocal.  Hayfoot, Strawfoot (Recorded 28 July 1942, Chicago) Wallace Jones, Rex Stewart, Ray Nance – trumpet; Lawrence Brown, Joe Nanton, Juan Tizol -trombone; Chauncy Haughton, Johnny Hodges, Otto  Hardwicke, Ben Webster, Harry Carney – reeds; Duke Ellington – piano; Fred Guy – guitar; Jimmie Blanton – bass; Sonny Greer – drums; Ivie Anderson – vocal.  Solitude (CD: “Stereo Reflections in Ellington” Natasha Imports NI-4016)   Recorded live on 28 July 1942 at the Hotel Sherman in Chicago Wallace Jones, Rex Stewart, Ray Nance – trumpet; Lawrence Brown, Joe Nanton, Juan Tizol -trombone; Chauncy Haughton, Johnny Hodges, Otto  Hardwicke, Ben Webster, Harry Carney – reeds; Duke Ellington – piano; Fred Guy – guitar; Jimmie Blanton – bass; Sonny Greer – drums; Ivie Anderson – vocal.   — Our closing music —-  It’s Something You Ought To Know (Paul Gonsalves – “Ellingtonia Moods and Blues,” RCA Victor / RCA63562) Recorded 29 February 1960, New York City Paul Gonsalves- tenor sax; Johnny Hodges – alto sax; Ray Nance – cornet; Mitchell “Booty” Wood – trombone; Jimmy Jones – piano; Al Hall – bass; Oliver Jackson – drums.

<a href="https://ellingtonreflectionsdotcom.files.wordpress.com/2018/06/portrait-of-ivie-anderson.mp3" rel="nofollow" target="_blank">https://ellingtonreflectionsdotcom.files.wordpress.com/2018/06/portrait-of-ivie-anderson.mp3</a> “In addition to her great singing, Ivie was also considered a good-luck charm. We opened at the Oriental Theatre on Friday, February 13, 1931, and we broke the all-time house record. We returned to the Oriental on Friday, March 13, 1931, and broke that record, too. At the Palladium, our act was No. 13 on the bill. They still talk about Ivie, and every girl singer we’ve had since has had to try to prevail over the Ivie Anderson image.” –Duke Ellington, Music is my Mistress <a href="https://la.curbed.com/maps/central-avenue-history-jazz" rel="noopener nofollow" target="_blank">Ivie Anderson’s rest</a><a href="https://la.curbed.com/maps/central-avenue-history-jazz" rel="noopener nofollow" target="_blank">aurant (Ivie’s Chicken Shack) was part of Los Angeles’ African American jazz scene on Central Avenue.</a> <h2>The recordings heard on this podcast episode:</h2> It Don’t Mean A Thing (If It Ain’t Got That Swing) (CD: “Duke Ellington: The Columbia Years 1927-1962” Columbia 5176872) Recorded 2 February 1932 in New York City Arthur Whetsel, Cootie Williams, Freddie Jenkins – trumpet; Joe Nanton, Juan Tizol – trombone; Barney Bigard, Johnny Hodges, Harry Carney – reeds; Duke Ellington – piano; Fred Guy – banjo; Wellman Braud – bass; Sonny Greer – drums. (CD: “The Complete 1933-1940 Brunswick, Columbia and Master Recordings of Duke Ellington and his Famous Orchestra” Mosaic Records #248) All God’s Chillun Got Rhythm (Recorded 8 June 1937, New York City) I’ve Got to be a Rug Cutter (Recorded 5 March 1937, New York City) Arthur Whetsel, Cootie Williams, Rex Stewart – trumpet; Lawrence Brown, Joe Nanton, Juan Tizol – trombone; Otto Hardwicke, Johnny Hodges, Barney Bigard, Harry Carney – reeds; Duke Ellington – piano; Fred Guy – guitar; Hayes Alvis, Billy Taylor – bass; Sonny Greer – drums, Ivy Anderson – vocal. A Lonely Co-ed/I’m Checking Out, Goom-bye (Recorded 12 June 1939, New York City) Arthur Whetsel, Cootie Williams, Rex Stewart – trumpet; Lawrence Brown, Joe Nanton, Juan Tizol – trombone; Otto Hardwicke, Johnny Hodges, Barney Bigard, Harry Carney – reeds; Duke Ellington – piano; Fred Guy – guitar; Billy Taylor – bass; Sonny Greer – drums, Ivy Anderson – vocal. Mood Indigo (Recorded 14 February 1940, Chicago) Wallace Jones, Cootie Williams, Rex Stewart – trumpet; Lawrence Brown, Joe Nanton, Juan Tizol – trombone; Otto Hardwicke, Johnny Hodges, Barney Bigard, Ben Webster, Harry Carney – reeds; Duke Ellington – piano; Fred Guy – guitar; Jimmie Blanton – bass; Sonny Greer – drums, Ivie Anderson – vocal. Way Down Yonder In New Orleans/Oh, Babe! Maybe Someday/The Five O’Clock Whistle (CD: “Fargo, ND, November 7, 1940” Vintage Jazz Classics VJC-1019/20-2) Recorded 7 November 1940 at The Crystal Ballroom in Fargo, North Dakota Wallace Jones, Rex Stewart, Ray Nance – trumpet; Lawrence Brown, Joe Nanton, Juan Tizol -trombone; Barney Bigard, Johnny Hodges, Otto  Hardwicke, Ben Webster, Harry Carney – reeds; Duke Ellington – piano; Fred Guy – guitar; Jimmie Blanton – bass; Sonny Greer – drums; Ivie Anderson – vocal. (CD: “The Webster Blanton Band,” Bluebird 74321131812) Rocks In My Bed (Recorded 26 September 1941, Los Angeles) I’ve Got It Bad (And That Ain’t Good) (Recorded 26 June 1941, Los Angeles) Wallace Jones, Rex Stewart, Ray Nance – trumpet; Lawrence Brown, Joe Nanton, Juan Tizol -trombone; Barney Bigard, Johnny Hodges, Otto  Hardwicke, Ben Webster, Harry Carney – reeds; Duke Ellington – piano; Fred Guy – guitar; Jimmie Blanton – bass; Sonny Greer – drums; Ivie Anderson – vocal. Hayfoot, Strawfoot (Recorded 28 July 1942, Chicago) Wallace Jones, Rex Stewart, Ray Nance – trumpet; Lawrence Brown, Joe Nanton, Juan Tizol -trombone; Chauncy Haughton, Johnny Hodges, Otto  Hardwicke, Ben Webster, Harry Carney – reeds; Duke Ellington – piano; Fred Guy – guitar; Jimmie Blanton – bass; Sonny Greer – drums; Ivie Anderson – vocal. Solitude (CD: “Stereo Reflections in Ellington” Natasha Imports NI-4016) Recorded live on 28 July 1942 at the Hotel Sherman in Chicago Wallace Jones, Rex Stewart, Ray Nance – trumpet; Lawrence Brown, Joe Nanton, Juan Tizol -trombone; Chauncy Haughton, Johnny Hodges, Otto  Hardwicke, Ben Webster, Harry Carney – reeds; Duke Ellington – piano; Fred Guy – guitar; Jimmie Blanton – bass; Sonny Greer – drums; Ivie Anderson – vocal. — Our closing music —- It’s Something You Ought To Know (Paul Gonsalves – “Ellingtonia Moods and Blues,” RCA Victor / RCA63562) Recorded 29 February 1960, New York City Paul Gonsalves- tenor sax; Johnny Hodges – alto sax; Ray Nance – cornet; Mitchell “Booty” Wood – trombone; Jimmy Jones – piano; Al Hall – bass; Oliver Jackson – drums.

Portrait of Ivie Anderson (Podcast #18-010)

Toda la información acerca de "La odisea de la música afroamericana": http://www.tomajazz.com/web/?cat=13297. El programa número 36 de La Odisea de la Música Afroamericana comienza tratando de algunos de los elementos característicos del swing. Tras ello comienza el repaso a algunas de las principales figuras de este estilo del jazz. Las dos primeras son los cantantes Cab Calloway y Ivie Anderson, a cuyas breves semblanzas biográfica se une una selección musical. Quienes abren y cierran el programa son Stacey Kent y  Howard Arlen. "La Odisea de la Música Afroamericana" es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor del libro "Y se hace música al andar con swing".

Toda la información acerca de "La odisea de la música afroamericana": <a href="http://www.tomajazz.com/web/?cat=13297" rel="nofollow" target="_blank">http://www.tomajazz.com/web/?cat=13297</a>. El programa número 36 de La Odisea de la Música Afroamericana comienza tratando de algunos de los elementos característicos del swing. Tras ello comienza el repaso a algunas de las principales figuras de este estilo del jazz. Las dos primeras son los cantantes Cab Calloway y Ivie Anderson, a cuyas breves semblanzas biográfica se une una selección musical. Quienes abren y cierran el programa son Stacey Kent y Howard Arlen. "La Odisea de la Música Afroamericana" es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor del libro "Y se hace música al andar con swing".

Los grandes del swing (I): Cab Calloway, Ivie Anderson (036)

Big Band Serenade 249  Ivie Anderson the Heart of Duke Ellington and His Famous Orchestra