Frankie Corio's guest appearances

Frankie Corio

The Empire Film Podcast

Film at Lincoln Center Podcast

The A24 Project

Inside Total Film

OwlTail

Asif Kapadia

Andy Serkis

Episode 550 is here! To celebrate the latest Empire Podcast landmark, we once again staged a live show at Kings Place, London, and now here is that show, reassembled in the correct order and with the really naughty bits cut out (to see those, the live stream of the show is still available to watch via kings place.co.uk for the next two weeks!). And it was a belter, as Chris Hewitt, Helen O'Hara, Ben Travis, and James Dyer took to the stage in front of a packed crowd of loyal listeners, and chatted about the week's movie news, reviewed EO, Puss In Boots: The Last Wish, The Whale, Knock At The Cabin, and Saint Omer, and answered a ton of listener questions. But that's not all: a landmark episode deserves a landmark line-up of guests, and we didn't disappoint, with Aftersun director Charlotte Wells and her young star, Frankie Corio, joining James and Helen for a chat about the BAFTA-nominated belter; director Asif Kapadia showed up to talk to Chris about Kapadia's new film, Creature (and NOT Liverpool Football Club, or the Queen); and we looked ahead to the big-screen debut of Luther in Luther: The Fallen Sun by inviting director Jamie Payne and the film's villain, living legend and national treasure Andy Serkis, along to chat with Chris and James. A good time was had by all on the night, and we hope you enjoy this as much as we did. Enjoy.

Episode 550 is here! To celebrate the latest Empire Podcast landmark, we once again staged a live show at Kings Place, London, and now here is that show, reassembled in the correct order and with the really naughty bits cut out (to see those, the live stream of the show is still available to watch via kings <a href="http://place.co.uk" rel="nofollow" target="_blank">place.co.uk</a> for the next two weeks!). And it was a belter, as Chris Hewitt, Helen O'Hara, Ben Travis, and James Dyer took to the stage in front of a packed crowd of loyal listeners, and chatted about the week's movie news, reviewed EO, Puss In Boots: The Last Wish, The Whale, Knock At The Cabin, and Saint Omer, and answered a ton of listener questions. But that's not all: a landmark episode deserves a landmark line-up of guests, and we didn't disappoint, with Aftersun director Charlotte Wells and her young star, Frankie Corio, joining James and Helen for a chat about the BAFTA-nominated belter; director Asif Kapadia showed up to talk to Chris about Kapadia's new film, Creature (and NOT Liverpool Football Club, or the Queen); and we looked ahead to the big-screen debut of Luther in Luther: The Fallen Sun by inviting director Jamie Payne and the film's villain, living legend and national treasure Andy Serkis, along to chat with Chris and James. A good time was had by all on the night, and we hope you enjoy this as much as we did. Enjoy.

#550 — Charlotte Wells & Frankie Corio, Asif Kapadia, Andy Serkis & Jamie Payne

Paul Mescal

Total Film 00.00– 02.20 Intro  02.25 – 24.00 Review of Aftersun, including an exclusive interview with Paul Mescal and Frankie Corio 24.05 – 32.50 Review of The Menu 32.55 – 45.00 Review of Confess, Fletch 45.05 – 55.10 Review of Spirited 55.15 – 1.06.15 Review of Armageddon Time 1.06.20 – 1.10.40 Star Wars Wars 1.10.45 – 1.13.55 Listener’s question followed by Outro

Total Film 00.00– 02.20 Intro  02.25 – 24.00 Review of Aftersun, including an exclusive interview with Paul Mescal and Frankie Corio 24.05 – 32.50 Review of The Menu 32.55 – 45.00 Review of Confess, Fletch 45.05 – 55.10 Review of Spirited 55.15 – 1.06.15 Review of Armageddon Time 1.06.20 – 1.10.40 Star Wars Wars 1.10.45 – 1.13.55 Listener’s question followed by Outro

156: Paul Mescal & Frankie Corio + Aftersun, The Menu, Confess Fletch, Spirited, Armageddon Time

We welcomed director Charlotte Wells and actress Frankie Corio to NYFF60 to present and discuss Aftersun, a Main Slate selection of this year’s festival, moderated by NYFF Artistic Director, Dennis Lim.In one of the most assured and spellbinding feature debuts in years, Scottish director Charlotte Wells has fashioned a textured memory piece inspired by her relationship with her dad, taking place over the course of a brooding weekend at a coastal resort in Turkey. The charismatic Paul Mescal and naturalistic newcomer Francesca Corio fully inhabit Calum and Sophie, a divorced father and his daughter often mistaken for brother and sister, who share a close and loving bond that creates an entire world unto itself. Wells employs an unusual and gorgeous aesthetic that brings us into the interior space of this parent and child, even as she judiciously withholds details, an approach that finally grants the film a singular emotional wallop. Aftersun reimagines the coming-of-age narrative as a poignant, ultimately ungraspable chimera, informed by the present as much as the past. Winner of the French Touch Prize of the Jury at this year’s Cannes Festival. An A24 release.Aftersun opens at Film at Lincoln Center on Friday, October 21st. Tickets are now on sale.

We welcomed director Charlotte Wells and actress Frankie Corio to NYFF60 to present and discuss Aftersun, a Main Slate selection of this year’s festival, moderated by NYFF Artistic Director, Dennis Lim. In one of the most assured and spellbinding feature debuts in years, Scottish director Charlotte Wells has fashioned a textured memory piece inspired by her relationship with her dad, taking place over the course of a brooding weekend at a coastal resort in Turkey. The charismatic Paul Mescal and naturalistic newcomer Francesca Corio fully inhabit Calum and Sophie, a divorced father and his daughter often mistaken for brother and sister, who share a close and loving bond that creates an entire world unto itself. Wells employs an unusual and gorgeous aesthetic that brings us into the interior space of this parent and child, even as she judiciously withholds details, an approach that finally grants the film a singular emotional wallop. Aftersun reimagines the coming-of-age narrative as a poignant, ultimately ungraspable chimera, informed by the present as much as the past. Winner of the French Touch Prize of the Jury at this year’s Cannes Festival. An A24 release. Aftersun opens at Film at Lincoln Center on Friday, October 21st. Tickets are now on sale.