Trevor de Brauw's guest appearances

Trevor de Brauw

Talkhouse Podcast

The MetalSucks Podcast

Going Off Track

Moshpit Backstage Archives

WASTOIDS

Laura Jane Grace

Chris Carrabba

Fred Armisen

Lizzy Goodman

Vanessa Bayer

Chris Gethard

Mike Kinsella

Nikki Glaser

Tim Kinsella

Emil Amos

Blake Schwarzenbach

Nate Kinsella

Syd Butler

Jon Wurster

Noël Wells

OwlTail

WASTOIDS With is back with Trevor Shelley de Brauw, guitarist of Chicago art metal band Pelican, Chord, and RLYR, who just released a new self-titled record on Gilead Media, and it blends thrash elements with shoegaze textures, drones, and a sense of triumphant melodicism. When de Brauw isn’t playing music, he serves as the “emo ambassador” to Chicago’s Numero Group label and works with the publicity firm Biz 3. He joined us to discuss it all–the new RLYR, the music of prog rockers Yes, the origins of “post rock,” and Pelican’s new partnership with Thrill Jockey, which will reissue the band’s first three albums, 2005’s The Fire in Our Throats Will Beckon the Thaw, 2003’s Australasia and 2007’s City of Echoes. Do you have any prog rock opinions you wanna share? All you have to do is call 1-877-WASTOIDS to get in touch, and we’ll play your message on a future episode.Call us anytime at 1-877-WASTOIDS. More podcasts and videos at WASTOIDS.com | Follow us on Instagram and YouTube. 

WASTOIDS With is back with Trevor Shelley de Brauw, guitarist of Chicago art metal band <a href="https://pelican.bandcamp.com" rel="nofollow" target="_blank">Pelican</a>, Chord, and RLYR, who just released a new <a href="https://gileadmedia.bandcamp.com/album/rlyr" rel="nofollow" target="_blank">self-titled record</a> on Gilead Media, and it blends thrash elements with shoegaze textures, drones, and a sense of triumphant melodicism. When de Brauw isn’t playing music, he serves as the “emo ambassador” to Chicago’s <a href="https://numerogroup.com" rel="nofollow" target="_blank">Numero Group</a> label and works with the publicity firm <a href="https://www.biz3.net" rel="nofollow" target="_blank">Biz 3</a>. He joined us to discuss it all–the new RLYR, the music of prog rockers Yes, the origins of “post rock,” and Pelican’s new partnership with <a href="https://thrilljockey.com/index" rel="nofollow" target="_blank">Thrill Jockey</a>, which will reissue the band’s first three albums, 2005’s The Fire in Our Throats Will Beckon the Thaw, 2003’s Australasia and 2007’s City of Echoes. Do you have any prog rock opinions you wanna share? All you have to do is call 1-877-WASTOIDS to get in touch, and we’ll play your message on a future episode.Call us anytime at 1-877-WASTOIDS. More podcasts and videos at <a href="https://wastoids.com/" rel="nofollow" target="_blank">WASTOIDS.com</a> | Follow us on <a href="https://www.instagram.com/wastoidsdotcom/" rel="nofollow" target="_blank">Instagram</a> and <a href="http://youtube.com/@wastoidsdotcom" rel="nofollow" target="_blank">YouTube</a>.

WASTOIDS With...Trevor de Brauw (Pelican/RLYR)

Our latest installment of the Talkhouse Podcast at FORM Fest 2019 is a love letter to Chicago's post-rock, punk and emo scenes from the '00s to today. Windy City music legends — and old friends — Trevor de Brauw (Pelican, RLYR, TUSK) and Nate Kinsella (American Football, Joan of Arc, Make Believe) caught up backstage for a warm and hilarious convo, as well as a rad improvised ambient musical collaboration. The guys' talk takes in a lot: playing in bands with family members; having your musician father hate on your experimental work; and balancing parenthood and tour life. Oh and, of course: tone clusters, alternate tunings, death metal, and odd time signatures. This Talkhouse Podcast episode was recorded in the Conservatory backstage at FORM Fest in Arcosanti, Arizona. Pulp Arts and Patreon teamed up to co-present The Conservatory, a dope backstage visual arts installation and recording studio. Talkhouse recorded six episodes there throughout the weekend. You can also check out the other episodes in this series, including Snail Mail with Fred Armisen &amp; Mary Lynn Rajskub, Robert Glasper &amp; Vieux Farka Touré with special guest Lonnie Holley, Julianna Barwick &amp; Mary Lattimore, and Kelsey Lu with Yrsa Daley-Ward. —Elia Einhorn, Talkhouse Podcast host and producer @eliaeinhorn Today’s episode was co-produced by Mark Yoshizumi. It was recorded at FORM Festival in Arcosanti, Arizona, and at Hook and Fade Studios in Brooklyn by Mark Yoshizumi, Danny Clifton, and Ian Jones. Research assistance was provided by Madalyn Feltus. The performance includes Trevor de Brauw on guitar and Nate Kinsella playing the drums. The Talkhouse Podcast’s theme song was composed and performed by The Range.

Our latest installment of the Talkhouse Podcast at FORM Fest 2019 is a love letter to Chicago's post-rock, punk and emo scenes from the '00s to today. Windy City music legends — and old friends — Trevor de Brauw (Pelican, RLYR, TUSK) and Nate Kinsella (American Football, Joan of Arc, Make Believe) caught up backstage for a warm and hilarious convo, as well as a rad improvised ambient musical collaboration. The guys' talk takes in a lot: playing in bands with family members; having your musician father hate on your experimental work; and balancing parenthood and tour life. Oh and, of course: tone clusters, alternate tunings, death metal, and odd time signatures. This Talkhouse Podcast episode was recorded in the Conservatory backstage at FORM Fest in Arcosanti, Arizona. Pulp Arts and Patreon teamed up to co-present The Conservatory, a dope backstage visual arts installation and recording studio. Talkhouse recorded six episodes there throughout the weekend. You can also check out the other episodes in this series, including Snail Mail with Fred Armisen &amp; Mary Lynn Rajskub, Robert Glasper &amp; Vieux Farka Touré with special guest Lonnie Holley, Julianna Barwick &amp; Mary Lattimore, and Kelsey Lu with Yrsa Daley-Ward. —Elia Einhorn, Talkhouse Podcast host and producer @eliaeinhorn Today’s episode was co-produced by Mark Yoshizumi. It was recorded at FORM Festival in Arcosanti, Arizona, and at Hook and Fade Studios in Brooklyn by Mark Yoshizumi, Danny Clifton, and Ian Jones. Research assistance was provided by Madalyn Feltus. The performance includes Trevor de Brauw on guitar and Nate Kinsella playing the drums. The Talkhouse Podcast’s theme song was composed and performed by The Range.

Trevor de Brauw (Pelican) and Nate Kinsella (American Football, Joan of Arc)

The Pelican guitarist / music publicist discusses what it's like playing in one of metal's most celebrated instrumental bands while also doing press for high-profile acts like Run The Jewels, why there's no such thing as guilty pleasures and the genesis of his awesome new band RLYR Support the show via Patreon! Hosted on Acast. See acast.com/privacy for more information.

The Pelican guitarist / music publicist discusses what it's like playing in one of metal's most celebrated instrumental bands while also doing press for high-profile acts like Run The Jewels, why there's no such thing as guilty pleasures and the genesis of his awesome new band RLYR <a href="https://open.acast.com/public/patreon/fanSubscribe/257196" rel="noopener noreferrer nofollow" target="_blank">Support the show via Patreon!</a> Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer nofollow" target="_blank">acast.com/privacy</a> for more information.