Justin San Souci's guest appearances

Justin San Souci

Bitch Talk Podcast

Stereo Embers: The Podcast

Rocket Miner Rocket Talks

Chelsea Christer

Jim Lebrecht

Honey Parker

Illan Rubin

Dayna Keys

Alex Greenwald

Kathleen Grey

Katie Malco

Daisy Chainsaw

Julia Nottingham

Paul Kean

Anna Mangelsdorf

Lizi Nachum

James Mastro

Brianna Noble

OwlTail

"Bleeding Audio And The Life Of A Match"I’m a Bay Area guy, so I remember in the late '90s when this group of kids from Bishop O’Dowd high school in Oakland got things going and started generating a buzz in this community as The Matches. And community is the key word here. The Matches found a way to connect with their audience in the most grass roots of ways—they were super accessible to their fans and were even known for playing acoustically before or after shows in the streets outside the clubs. Their music was hard to define—if one was feeling lazy, they would say they were pop punk, but they were way more than that. They were operatic, idiosyncratic, artistic and sonically adventurous in ways that were way ahead of their time. And they were nice people. And that means something. And the Matches meant everything to their fans. They still do. But the Matches' story is the perfect example of what happens when a rising career—and they were rising fast, signing with Epitaph, playing the Warped tour, touring with BIffy Clyro—gets derailed  by an industry that got destroyed by the sudden accessibility of digital music. It started with Napster and it ended with record stores closing—and the in between? Well, it wasn’t pretty. And that’s where Chelsea Christer’s winning documentary Bleeding Audio comes in. A loving and intimate look at The Matches' march towards the mainstream and how that march ended up being a near miss at widespread success, Bleeding Audio redefines what it means to be a success in the music industry and it examines how a legacy—what bands leave for their fans—is something that has nothing to do with a price tag. Bleeding Audio is a very singular music documentary—there’s no fistfights, or tension or scandal—it’s just four really nice dudes playing music until playing music plays itself out. Why it played itself out is something the movie handles beautifully and you’ll have to see it to see what I mean, but spoiler alert: it has to do with money. Or, more specifically, not making it. And that’s the weird thing—they should have been making it. But there’s a series of reasons why they weren’t and the movie is a fascinating study of how a band that should have been financially solvent, weren’t, and at the dawn of their 30s, they were physically tired of living the way they were at the dawn of their 20s. This chat with Chelsea along with the Matches’ bassist Justin San Souci is a revealing and personal conversation about friendship, music, success and the unbreakable bond between anyone who knows what it means to bleed audio.www.bleeding-audio.com www.thematches.com www.bombshellradio.com www.stereoembersmagazine.comStereo Embers The PodcastTwitter: @emberseditorInstagram: @emberspodcastEmail: editor@stereoembersmagazine.com

"Bleeding Audio And The Life Of A Match" I’m a Bay Area guy, so I remember in the late '90s when this group of kids from Bishop O’Dowd high school in Oakland got things going and started generating a buzz in this community as The Matches. And community is the key word here. The Matches found a way to connect with their audience in the most grass roots of ways—they were super accessible to their fans and were even known for playing acoustically before or after shows in the streets outside the clubs. Their music was hard to define—if one was feeling lazy, they would say they were pop punk, but they were way more than that. They were operatic, idiosyncratic, artistic and sonically adventurous in ways that were way ahead of their time. And they were nice people. And that means something. And the Matches meant everything to their fans. They still do. But the Matches' story is the perfect example of what happens when a rising career—and they were rising fast, signing with Epitaph, playing the Warped tour, touring with BIffy Clyro—gets derailed by an industry that got destroyed by the sudden accessibility of digital music. It started with Napster and it ended with record stores closing—and the in between? Well, it wasn’t pretty. And that’s where Chelsea Christer’s winning documentary Bleeding Audio comes in. A loving and intimate look at The Matches' march towards the mainstream and how that march ended up being a near miss at widespread success, Bleeding Audio redefines what it means to be a success in the music industry and it examines how a legacy—what bands leave for their fans—is something that has nothing to do with a price tag. Bleeding Audio is a very singular music documentary—there’s no fistfights, or tension or scandal—it’s just four really nice dudes playing music until playing music plays itself out. Why it played itself out is something the movie handles beautifully and you’ll have to see it to see what I mean, but spoiler alert: it has to do with money. Or, more specifically, not making it. And that’s the weird thing—they should have been making it. But there’s a series of reasons why they weren’t and the movie is a fascinating study of how a band that should have been financially solvent, weren’t, and at the dawn of their 30s, they were physically tired of living the way they were at the dawn of their 20s. This chat with Chelsea along with the Matches’ bassist Justin San Souci is a revealing and personal conversation about friendship, music, success and the unbreakable bond between anyone who knows what it means to bleed audio. <a href="http://www.bleeding-audio.com" rel="nofollow" target="_blank">www.bleeding-audio.com</a> <a href="http://www.thematches.com" rel="nofollow" target="_blank">www.thematches.com</a> <a href="http://www.bombshellradio.com" rel="nofollow" target="_blank">www.bombshellradio.com</a> <a href="http://www.stereoembersmagazine.com" rel="nofollow" target="_blank">www.stereoembersmagazine.com</a> Stereo Embers The Podcast Twitter: @emberseditor Instagram: @emberspodcast Email: editor@stereoembersmagazine.com

Stereo Embers The Podcast: Justin San Souci (The Matches) and Director Chelsea Christer

"Bleeding Audio" is a music documentary that follows the story of the rock band The Matches. The film is currently being shared as part of the Slamdance Film Festival. Hannah had the chance to interview the documentary's director Chelsea Christer and The Matches band member Justin San Souci to talk about the film, including why The Matches' story is so compelling and what it means to be successful.

"Bleeding Audio" is a music documentary that follows the story of the rock band The Matches. The film is currently being shared as part of the Slamdance Film Festival. Hannah had the chance to interview the documentary's director Chelsea Christer and The Matches band member Justin San Souci to talk about the film, including why The Matches' story is so compelling and what it means to be successful.

Bleeding Audio Interview with Chelsea Christer and Justin San Souci

Next stop, Slamdance y'all!  Our first interview during the film festival for filmmakers by filmmakers is with director Chelsea Christer and band member of The Matches,  Justin  San Souci. In this interview, they talk about their documentary Bleeding Audio, which follows the journey of a band out of Oakland, Ca. called  The Matches.  The  incredible footage they have of the band as they grow up in the music industry sets the stage for the journey they take as the industry turns to digital platforms almost overnight. The toll the digital age takes on a band coupled by having bad management is an interesting true story that Chelsea captures and tells so well through the lens of the band members, their parents, and their community.This was a fun interview and this doc. makes us yearn for live music shows - which can't come fast enough - after everyone gets the vaccine of course.  Thanks for listening!Bleeding Audio is currently playing at the Slamdance Film Festival, and will be making its way around the circuit at the San Luis Obispo &amp; Oxford Film Festivals in March. Visit the Bleeding Audio website, then follow them on Instagram &amp; Twitter to  get all the latest! --Be well, stay safe, Black Lives Matter, AAPI Lives Matter, and thank you for wearing a mask. --Buy us a cup of coffee!Subscribe to our channel on YouTube for behind the scenes footage!Rate and review us wherever you listen to podcasts!Visit our website! www.bitchtalkpodcast.comFollow us on Instagram, Facebook, and Twitter.Listen every other Thursday 9:30 - 10 am on BFF.FMPOWERED BY GO-TO Productions 

Next stop, <a href="https://slamdance.com/" rel="nofollow" target="_blank">Slamdance</a> y'all!  Our first interview during the film festival for filmmakers by filmmakers is with director Chelsea Christer and band member of <a href="http://www.thematches.com/" rel="nofollow" target="_blank">The Matches</a>,  Justin  San Souci. In this interview, they talk about their documentary <a href="https://watch.slamdance.com/view/5fce876ace39594f4b74e008" rel="nofollow" target="_blank">Bleeding Audio</a>, which follows the journey of a band out of Oakland, Ca. called  The Matches.  The  incredible footage they have of the band as they grow up in the music industry sets the stage for the journey they take as the industry turns to digital platforms almost overnight. The toll the digital age takes on a band coupled by having bad management is an interesting true story that Chelsea captures and tells so well through the lens of the band members, their parents, and their community.This was a fun interview and this doc. makes us yearn for live music shows - which can't come fast enough - after everyone gets the vaccine of course.  Thanks for listening!Bleeding Audio is currently playing at the Slamdance Film Festival, and will be making its way around the circuit at the San Luis Obispo &amp; Oxford Film Festivals in March. Visit the <a href="https://www.bleeding-audio.com/" rel="nofollow" target="_blank">Bleeding Audio website</a>, then follow them on <a href="https://www.instagram.com/bleedingaudiofilm/" rel="nofollow" target="_blank">Instagram</a> &amp; <a href="https://twitter.com/Bleeding_Audio" rel="nofollow" target="_blank">Twitter</a> to  get all the latest! --Be well, stay safe, Black Lives Matter, AAPI Lives Matter, and thank you for wearing a mask. --Buy us a <a href="https://ko-fi.com/bitchtalkpodcast" rel="nofollow" target="_blank">cup of coffee</a>!Subscribe to our channel on <a href="https://www.youtube.com/channel/UCT-XfatEst5hIx9dOjCTSWg" rel="nofollow" target="_blank">YouTube</a> for behind the scenes footage!Rate and review us wherever you listen to podcasts!Visit our website! <a href="https://www.bitchtalkpodcast.com/" rel="nofollow" target="_blank">www.bitchtalkpodcast.com</a>Follow us on <a href="https://www.instagram.com/bitchtalkpodcast/" rel="nofollow" target="_blank">Instagram</a>, <a href="https://www.facebook.com/btpod" rel="nofollow" target="_blank">Facebook</a>, and <a href="https://twitter.com/bitchtalkpod" rel="nofollow" target="_blank">Twitter.</a>Listen every other Thursday 9:30 - 10 am on <a href="https://bff.fm/" rel="nofollow" target="_blank">BFF.FM</a>POWERED BY <a href="https://www.go-toproductions.com/" rel="nofollow" target="_blank">GO-TO Productions </a>

Slamdance 2021 - Bleeding Audio Director Chelsea Christer and The Matches Justin San Souci