Amy Reidel's guest appearances

Amy Reidel

Studio Break

Positive Space: Conversation in Art Foundations

Arts Interview with Nancy Kranzberg

I Like Your Work: Conversations with Artists, Curators & Collectors

Mitchell Johnson

Gina Alvarez

Jessica Mongeon

Will Hutnick

Bethanie Irons

Grant Benoit

Ann Toebbe

Bill Conger

Steve Adair

Jessica Simorte

Lisa Congdon

Kevin Curry

Liezel Strauss

Josh Johnson

Ilaria Rosselli Del Turco

OwlTail

Amy Reidel makes work that I can relate to. She brings the viewer into her world that is filled with color, sparkle, and rainbows but all the while, underlying insidious imagery creeps in to complete the picture. Amy’s painterly vocabulary allows for her sophisticated application of materials to slam up against visions of the figure in various states of psychological distress.  Through her work, she shows us the underbelly of care, and the mess of loving another human. Glitter coincides with a face that forces itself to manically grin but leaves us with a foreboding feeling that there is nothing to smile about...or is there?    As mothers or primary caregivers, we are told that our experience will be filled with saccharine moments but the emotional turmoil many will face is only whispered about. This dichotomy comes through clearly in Amy’s sculptural, “Mombies”. Mombies are defined as: “A mother who is consumed by raising her children to the point of being sleep-deprived or simply obsessed, and hence zombie-like.” In her ceramic pieces,  the mother or caregiver in question, attempts to become three-dimensional but continues to present themselves in two-dimensions with their painted on face gazing out towards the viewer, mouth agape.    Reidel’s work lays bare the complicated experience of loving another. To love is to straddle a line between sorrow and joy and she walks this line with precision, balancing the wide-eyed, struggle of her figures with colorful, dazzling, sparkly hope.   Amy Reidel is a St. Louis-based artist who has exhibited work nationally since getting her BFA from the University of Missouri-St. Louis and her MFA at The University of Tennessee. She has been awarded residencies at ACRE (Artists' Cooperative Residency and Exhibitions) based out of Chicago, the David and Julia White Artists’ colony in Cd. Colón, Costa Rica and at the Luminary Center for the Arts in St. Louis. Reidel’s artwork has been exhibited at the Contemporary Art Museum-St. Louis, The Sheldon Concert Hall and Art Galleries, Granite City Art and Design District (G-CADD), Lambert International Airport, Flood Plain Gallery, ACRE projects gallery in Chicago, Fluorescent Gallery in Knoxville, and the Amarillo Museum of Art among others. Her work has been showcased through media like Young Space, I Like Your Work podcast, Brenda Magazine (UK), St. Louis Public Radio, the PBS program Living St. Louis, the international publication Daily Serving and the Studio Break podcast. Reidel received a Critical Mass Creative Stimulus award in 2016 and the Regional Arts Commission Artist’s Support Grants in 2014, 2019 and a COVID-19 artist relief grant in 2020. “Through painting, drawing and sculpture, I abstractly combine imagery to illuminate the bittersweet conditions of motherhood, family and sexuality; topics most people experience but are not encouraged to discuss professionally. The innocuous, inherited patterns of Grandma’s scarves and decorative rugs merge together with darling babies and scared caregivers in an absurd representation of home and love.   My work results from a cacophonous use of materials, layering and erasure, which have become my primary language as a progressive mother in the conservative Heartland. Personal and political issues conflate in my work and result in aggressive but candy-colored marks reflecting the dualities of fear and joy, rejection and protection. The saturated spectrum is used as a defense mechanism to make magic of this earthly existence.”-Amy Reidel       TAKEAWAYS FROM THIS EPISODE:   - Dealing with LGBTQIA issues as an adolescent and teenager through artwork - Being an Ally  - Confronting the pressure to present yourself as a “professional” in the artworld - “The Artwork is Not Judging Me”  - Being the boss of your work - Taking a break from making work and how we, as the art world, have deemed certain reasons as “honorable” or allowable.  - “What are you making Work About if you Aren’t Living Life” - “Mombie” -Working with craft materials -Exploring other media to take the pressure off  -How Amy works through her pieces -Embracing autobiographical imagery     LINKS: www.amyreidel.com @amy.reidel Instagram https://www.brenda-mag.com/post/on-motherhood-amy-reidel   Jered Sprecher http://www.jeredsprecher.com/   Marcia Goldenstein https://marciagoldenstein.com/home.html   Jessica Dickinson https://www.jessicadickinson.com/   Rachel Dove http://www.racheldove.com/   Michael Giles https://fieldhat.com/home.html   Jim Hodges https://www.gladstonegallery.com/artist/jim-hodges/works   Polly Apfelbaum http://www.pollyapfelbaum.com/I Like Your Work Links: I Like Your Work Podcast Studio Planner Instagram Submit Work  Observations on Applying to Juried Shows

Amy Reidel makes work that I can relate to. She brings the viewer into her world that is filled with color, sparkle, and rainbows but all the while, underlying insidious imagery creeps in to complete the picture. Amy’s painterly vocabulary allows for her sophisticated application of materials to slam up against visions of the figure in various states of psychological distress.  Through her work, she shows us the underbelly of care, and the mess of loving another human. Glitter coincides with a face that forces itself to manically grin but leaves us with a foreboding feeling that there is nothing to smile about...or is there?  As mothers or primary caregivers, we are told that our experience will be filled with saccharine moments but the emotional turmoil many will face is only whispered about. This dichotomy comes through clearly in Amy’s sculptural, “Mombies”. Mombies are defined as: “A mother who is consumed by raising her children to the point of being sleep-deprived or simply obsessed, and hence zombie-like.” In her ceramic pieces,  the mother or caregiver in question, attempts to become three-dimensional but continues to present themselves in two-dimensions with their painted on face gazing out towards the viewer, mouth agape.  Reidel’s work lays bare the complicated experience of loving another. To love is to straddle a line between sorrow and joy and she walks this line with precision, balancing the wide-eyed, struggle of her figures with colorful, dazzling, sparkly hope. Amy Reidel is a St. Louis-based artist who has exhibited work nationally since getting her BFA from the University of Missouri-St. Louis and her MFA at The University of Tennessee. She has been awarded residencies at ACRE (Artists' Cooperative Residency and Exhibitions) based out of Chicago, the David and Julia White Artists’ colony in Cd. Colón, Costa Rica and at the Luminary Center for the Arts in St. Louis. Reidel’s artwork has been exhibited at the Contemporary Art Museum-St. Louis, The Sheldon Concert Hall and Art Galleries, Granite City Art and Design District (G-CADD), Lambert International Airport, Flood Plain Gallery, ACRE projects gallery in Chicago, Fluorescent Gallery in Knoxville, and the Amarillo Museum of Art among others. Her work has been showcased through media like Young Space, I Like Your Work podcast, Brenda Magazine (UK), St. Louis Public Radio, the PBS program Living St. Louis, the international publication Daily Serving and the Studio Break podcast. Reidel received a Critical Mass Creative Stimulus award in 2016 and the Regional Arts Commission Artist’s Support Grants in 2014, 2019 and a COVID-19 artist relief grant in 2020. “Through painting, drawing and sculpture, I abstractly combine imagery to illuminate the bittersweet conditions of motherhood, family and sexuality; topics most people experience but are not encouraged to discuss professionally. The innocuous, inherited patterns of Grandma’s scarves and decorative rugs merge together with darling babies and scared caregivers in an absurd representation of home and love. My work results from a cacophonous use of materials, layering and erasure, which have become my primary language as a progressive mother in the conservative Heartland. Personal and political issues conflate in my work and result in aggressive but candy-colored marks reflecting the dualities of fear and joy, rejection and protection. The saturated spectrum is used as a defense mechanism to make magic of this earthly existence.”-Amy Reidel TAKEAWAYS FROM THIS EPISODE: - Dealing with LGBTQIA issues as an adolescent and teenager through artwork - Being an Ally  - Confronting the pressure to present yourself as a “professional” in the artworld - “The Artwork is Not Judging Me”  - Being the boss of your work - Taking a break from making work and how we, as the art world, have deemed certain reasons as “honorable” or allowable.  - “What are you making Work About if you Aren’t Living Life” - “Mombie” -Working with craft materials -Exploring other media to take the pressure off  -How Amy works through her pieces -Embracing autobiographical imagery LINKS: <a href="http://www.amyreidel.com" rel="nofollow" target="_blank">www.amyreidel.com</a> @amy.reidel Instagram <a href="https://www.brenda-mag.com/post/on-motherhood-amy-reidel" rel="nofollow" target="_blank">https://www.brenda-mag.com/post/on-motherhood-amy-reidel</a> Jered Sprecher <a href="http://www.jeredsprecher.com/" rel="noopener nofollow" target="_blank">http://www.jeredsprecher.com/</a> Marcia Goldenstein <a href="https://marciagoldenstein.com/home.html" rel="noopener nofollow" target="_blank">https://marciagoldenstein.com/home.html</a> Jessica Dickinson <a href="https://www.jessicadickinson.com/" rel="noopener nofollow" target="_blank">https://www.jessicadickinson.com/</a> Rachel Dove <a href="http://www.racheldove.com/" rel="noopener nofollow" target="_blank">http://www.racheldove.com/</a> Michael Giles <a href="https://fieldhat.com/home.html" rel="noopener nofollow" target="_blank">https://fieldhat.com/home.html</a> Jim Hodges <a href="https://www.gladstonegallery.com/artist/jim-hodges/works" rel="noopener nofollow" target="_blank">https://www.gladstonegallery.com/artist/jim-hodges/works</a> Polly Apfelbaum <a href="http://www.pollyapfelbaum.com/" rel="noopener nofollow" target="_blank">http://www.pollyapfelbaum.com/</a>I Like Your Work Links: <a href="https://www.ilikeyourworkpodcast.com/" rel="nofollow" target="_blank">I Like Your Work Podcast</a> <a href="https://www.ilikeyourworkpodcast.com/studio-planner" rel="nofollow" target="_blank">Studio Planner</a> <a href="https://www.instagram.com/ilikeyourworkpodcast/" rel="nofollow" target="_blank">Instagram</a> <a href="https://www.ilikeyourworkpodcast.com/submitwork" rel="nofollow" target="_blank">Submit Work</a> <a href="https://www.ilikeyourworkpodcast.com/applying-to-juried-shows" rel="nofollow" target="_blank"> Observations on Applying to Juried Shows</a>

Being an Ally, Mombies, and Reclaiming the Personal: The Inventive Work of Amy Reidel

Amy Reidel, faculty member at both St. Louis Community College and Saint Louis University and FATE Shout Out Award Winner, discusses happiness, community engagement, privilege and practical tips for projects that encourage critical thinking. Amy Reidel is a St. Louis-based artist who has exhibited work regionally and nationally since getting her BFA from the University of Missouri-St. Louis and her MFA at The University of Tennessee. She has been a resident artist at ACRE (Artists' Cooperative Residency and Exhibitions) based out of Chicago, the David and Julia White Artists’ colony in Ciudad Colon, Costa Rica and at the Luminary Center for the Arts in St. Louis. She has exhibited work at venues including the Contemporary Art Museum-St. Louis, ACRE projects gallery in Chicago, and the Amarillo Museum of Art. Her work can be viewed online in the curated artist registries and viewing programs at White Columns and the Drawing Center in New York City. In 2014 Reidel was awarded an Artists’ Support Grant from the Regional Arts Commission of St. Louis and in 2016 the Critical Mass Creative Stimulus award. Reidel is currently a faculty member at St. Louis Community College and Saint Louis University, as well as Co-Founder and Creative Editor of All the Art: The Visual Art Quarterly of St. Louis.

<a href="http://amyreidel.com" rel="nofollow" target="_blank">Amy Reidel</a>, faculty member at both <a href="http://www.stlcc.edu/mc/" rel="nofollow" target="_blank">St. Louis Community College</a> and <a href="https://www.slu.edu" rel="nofollow" target="_blank">Saint Louis University</a> and <a href="http://www.foundations-art.org/fate-awards" rel="nofollow" target="_blank">FATE Shout Out Award Winner</a>, discusses happiness, community engagement, privilege and practical tips for projects that encourage critical thinking. Amy Reidel is a St. Louis-based artist who has exhibited work regionally and nationally since getting her BFA from the University of Missouri-St. Louis and her MFA at The University of Tennessee. She has been a resident artist at ACRE (Artists' Cooperative Residency and Exhibitions) based out of Chicago, the David and Julia White Artists’ colony in Ciudad Colon, Costa Rica and at the Luminary Center for the Arts in St. Louis. She has exhibited work at venues including the Contemporary Art Museum-St. Louis, ACRE projects gallery in Chicago, and the Amarillo Museum of Art. Her work can be viewed online in the curated artist registries and viewing programs at White Columns and the Drawing Center in New York City. In 2014 Reidel was awarded an Artists’ Support Grant from the Regional Arts Commission of St. Louis and in 2016 the Critical Mass Creative Stimulus award. Reidel is currently a faculty member at St. Louis Community College and Saint Louis University, as well as Co-Founder and Creative Editor of All the Art: The Visual Art Quarterly of St. Louis.

Episode 14: Amy Reidel

Episode 170:  Amy Reidel joins Studio Break as our first guest of the year, she a St. Louis based multimedia artist creating painting and drawing works as well as mixed media installation, collage, and video works.  Her latest exhibition is entitled Radar home 11.8.13 and is on view at The Sheldon Concert Hall and Art Galleries in St. Louis Missouri. http://StudioBreak.com/wp-content/uploads/Episode-170.mp3 Amy ReideliTunes The post Amy Reidel appeared first on Studio Break.

Episode 170:  Amy Reidel joins Studio Break as our first guest of the year, she a St. Louis based multimedia artist creating painting and drawing works as well as mixed media installation, collage, and video works.  Her latest exhibition is entitled Radar home 11.8.13 and is on view at <a href="http://www.sheldonconcerthall.org/page.php?page_id=13" rel="nofollow" target="_blank">The Sheldon Concert Hall and Art Galleries</a> in St. Louis Missouri. <a href="http://StudioBreak.com/wp-content/uploads/Episode-170.mp3" rel="nofollow" target="_blank">http://StudioBreak.com/wp-content/uploads/Episode-170.mp3</a> <a href="http://www.amyreidel.com/" rel="nofollow" target="_blank">Amy Reidel</a><a href="https://itunes.apple.com/us/podcast/studio-break/id496929276?mt=2" rel="nofollow" target="_blank">iTunes</a> The post <a href="http://StudioBreak.com/amy-reidel/" rel="nofollow" target="_blank">Amy Reidel</a> appeared first on <a href="http://StudioBreak.com" rel="nofollow" target="_blank">Studio Break</a>.