Reuben Bidez's guest appearances

Reuben Bidez

Music City Roots

The Poptimist With Taylor Berryman

Records Revisited

Paul McDonald

Michaela Anne

Leah Blevins

Liz Longley

Jon Latham

Gillian Welch

Ron Pope

Brian Whelan

Robert Ellis

Sturgill Simpson

Lucinda Williams

Brian Houston

Paul Simon

Lisa Loeb

Willie Nelson

OwlTail

George Harrison

Ben and guest co-host Eric Miller (Daily Bern &amp; The Pods &amp; Sods Network) welcome Reuben Bidez to talk about George Harrison’s  “All Things Must Pass.”  Plenty of other discussion including issues with Spotify algorithms, Joe Biden, course correcting guests, The Nashville Dollys, groupies and Apple Scruffs, panty dropping songs, wrestling between light and darkness, and deciding to NOT score sides 5 and 6.Check out Reuben Bidez at: http://www.reubenbidez.com/Check out George Harrison at: https://www.georgeharrison.com/Check out other episodes at RecordsRevisitedPodcast.com, Apple Podcasts, Stitcher, Castbox, iHeartMedia, Google Podcasts and Spotify. Additional content is found at: Facebook.com/recordsrevisitedpodcast or twitter @podcastrecords or IG at instagram.com/recordsrevisitedpodcast/ or join our Patreon at patreon.com/RecordsRevisitedPodcast

Ben and guest co-host Eric Miller (Daily Bern &amp; The Pods &amp; Sods Network) welcome Reuben Bidez to talk about George Harrison’s “All Things Must Pass.” Plenty of other discussion including issues with Spotify algorithms, Joe Biden, course correcting guests, The Nashville Dollys, groupies and Apple Scruffs, panty dropping songs, wrestling between light and darkness, and deciding to NOT score sides 5 and 6. Check out Reuben Bidez at: <a href="http://www.reubenbidez.com/" rel="nofollow" target="_blank">http://www.reubenbidez.com/</a> Check out George Harrison at: <a href="https://www.georgeharrison.com/" rel="nofollow" target="_blank">https://www.georgeharrison.com/</a> Check out other episodes at <a href="http://RecordsRevisitedPodcast.com" rel="nofollow" target="_blank">RecordsRevisitedPodcast.com</a>, Apple Podcasts, Stitcher, Castbox, iHeartMedia, Google Podcasts and Spotify. Additional content is found at: <a href="http://Facebook.com/recordsrevisitedpodcast" rel="nofollow" target="_blank">Facebook.com/recordsrevisitedpodcast</a> or twitter @podcastrecords or IG at <a href="http://instagram.com/recordsrevisitedpodcast/" rel="nofollow" target="_blank">instagram.com/recordsrevisitedpodcast/</a> or join our Patreon at <a href="http://patreon.com/RecordsRevisitedPodcast" rel="nofollow" target="_blank">patreon.com/RecordsRevisitedPodcast</a>

Episode 189: Episode 189: Reuben Bidez discusses George Harrison’s “All Things Must Pass”

When Reuben Bidez sings, he opens his heart and projects a vulnerability that draws you into his intimate portraits of lovers facing the pleasures and woes of romance. “I want to write songs that explore real emotions,” he says. “Songs that awaken people from their slumber of distraction and make them feel something.” On Turning To Wine, his first EP, he’s as good as his word. He delivers a collection of inviting melodies and insightful lyrics that illuminate the mysteries of the soul, with a vision informed by sorrow, uncertainty and the warmth of unconditional love. The songs are a record of the transitions he’s been going through since he moved to Nashville from Atlanta. “The record is a snapshot of the changes I’ve been experiencing in my marriage and my music, for the last two and a half years. They’re more honest and open than anything I’ve written before.”

#6: Reuben Bidez

Sam Bush

Some artists who write instrumental tunes claim that naming them is difficult. I don’t know. I’m always coming up with weird phrases that seem to have no other purpose on Earth other than to be a jazz or fiddle tune, some of which are named with surreal panache. Consider two of the tunes April Verch played in her show-opening set of Canada-inspired traditional music: “Spider Bit The Baby” and “Joke On The Puppy.” One has to wonder what circumstances way back wherever in time led somebody to affix those words to those churning bundles of notes and rhythms. In my mystery lies stories of our own making. That’s what’s fun about instrumental music in general; we can bring a lot of ourselves to a tune’s meaning when the singer isn’t telling us what to think. Even so, on this balmy March 1 night as we closed our winter 2017 season, the singers and songwriters gave us plenty to think about as well. It was a well-rounded, head bobbing kind of an evening that started in Canada and ended up in South Carolina.

Some artists who write instrumental tunes claim that naming them is difficult. I don’t know. I’m always coming up with weird phrases that seem to have no other purpose on Earth other than to be a jazz or fiddle tune, some of which are named with surreal panache. Consider two of the tunes April Verch played in her show-opening set of Canada-inspired traditional music: “Spider Bit The Baby” and “Joke On The Puppy.” One has to wonder what circumstances way back wherever in time led somebody to affix those words to those churning bundles of notes and rhythms. In my mystery lies stories of our own making. That’s what’s fun about instrumental music in general; we can bring a lot of ourselves to a tune’s meaning when the singer isn’t telling us what to think. Even so, on this balmy March 1 night as we closed our winter 2017 season, the singers and songwriters gave us plenty to think about as well. It was a well-rounded, head bobbing kind of an evening that started in Canada and ended up in South Carolina.

March 1, 2017 w/ April Verch, Reuben Bidez, Sam Bush, Dead 27s