Catalina Vicens's guest appearances

Catalina Vicens

Surviving Classical Music

GIOA Podcast

The Early Music Podcast

Michael Vincent

Brian Hecht

Peter Whelan

Nicolasa Kuster

Catherine Manson

Julie Nesrallah

Carissa Klopoushak

Karin Nelson

Kristine Opolais

Corona Announcement

Emily Davidson

Alexander Paine

Rikki Wolpowitz

Elam Rotem

Olivier Picon

OwlTail

Guillaume Dufay

Why do you care so much about what sort of keyboard Johan Sebastian Bach used to play on?This fourth episode is devoted to the fifteenth-century Flemish composer Guillaume Dufay, but also to a work of art that is as mythical as it is mystical, The Adoration of the Mystic Lamb (1432, Saint Bavo Cathedral, Ghent) by the Van Eyck brothers. Catalina Vicens takes us on a journey of discovery of this timeless work and, more generally, the textual or figurative sources that point researchers and musicians to the way music was played before the eighteenth century and what the musical instruments used looked like.  To go further &gt;CREDITSguest Catalina Vicens, musician specialising in historical keyboard instrumentsinterview &amp; editing Andrew Burnproduction REMAcredits music Platée, Act 1, Orage - Jean-Philippe Rameauperformed by Les Talens Lyriques, dir. Christophe RoussetCamera Lucida 2014All rights reserved - Courtesy of Les Talens Lyriquesdesign Doretta Rinaldioriginal drawings Vincent Flückigercover score Folio, L'homme armé in the Mellon Chansonnier, around 1470 (Yale University Library, Beinecke MS 91)musicProcurans Odium, Presul Nostri Temporis, Organum &amp; Honte, Paour, Doubtanceperformed by Catalina VicensOrganic Creatures, Consouling Sounds 2020Belle, bonne, sage, plaisante et gente - Baude Cordierperformed by Ensemble Servir Antico, Catalina VicensThe City of Ladies, 2021Concerto No. 7 in G Minor, BWV 1058: III. Allegro assai - Johann Sebastian Bachperformed by Evgeni Koroliov, Kammerakademie PotsdamConcertos for piano, Alpha Classics 2019Actus Tragicus - SonatinaGottes Zeit ist die allerbeste Zeit in E-Flat Major, BWV 106 - Johann Sebastian Bachperformed by Lionel Meunier, Vox LuminisActus Tragicus, Alpha Classics 2016Ave regina celorum - Gilles Binchoisperformed by La ReverdieLux Laetitiae, Arcana 2022Lasse ! Comment - Se j'aim - Pour quoi me bat mes maris ?- Guillaume Dufayperformed by Crawford YoungFerrara EnsembleMerci ou Mort, Arcana 2001

Why do you care so much about what sort of keyboard Johan Sebastian Bach used to play on? This fourth episode is devoted to the fifteenth-century Flemish composer Guillaume Dufay, but also to a work of art that is as mythical as it is mystical, The Adoration of the Mystic Lamb (1432, Saint Bavo Cathedral, Ghent) by the Van Eyck brothers. Catalina Vicens takes us on a journey of discovery of this timeless work and, more generally, the textual or figurative sources that point researchers and musicians to the way music was played before the eighteenth century and what the musical instruments used looked like.  <a href="https://www.rema-eemn.net/news/the-early-music-podcast-guillaume-dufay/" rel="noopener noreferrer nofollow" target="_blank">To go further &gt;</a> CREDITS guest Catalina Vicens, musician specialising in historical keyboard instruments interview &amp; editing Andrew Burnproduction REMAcredits music Platée, Act 1, Orage - Jean-Philippe Rameauperformed by Les Talens Lyriques, dir. Christophe RoussetCamera Lucida 2014All rights reserved - Courtesy of Les Talens Lyriquesdesign Doretta Rinaldioriginal drawings Vincent Flückiger cover score Folio, L'homme armé in the Mellon Chansonnier, around 1470 (Yale University Library, Beinecke MS 91) musicProcurans Odium, Presul Nostri Temporis, Organum &amp; Honte, Paour, Doubtanceperformed by Catalina VicensOrganic Creatures, Consouling Sounds 2020 Belle, bonne, sage, plaisante et gente - Baude Cordierperformed by Ensemble Servir Antico, Catalina VicensThe City of Ladies, 2021 Concerto No. 7 in G Minor, BWV 1058: III. Allegro assai - Johann Sebastian Bachperformed by Evgeni Koroliov, Kammerakademie PotsdamConcertos for piano, Alpha Classics 2019 Actus Tragicus - SonatinaGottes Zeit ist die allerbeste Zeit in E-Flat Major, BWV 106 - Johann Sebastian Bachperformed by Lionel Meunier, Vox LuminisActus Tragicus, Alpha Classics 2016 Ave regina celorum - Gilles Binchoisperformed by La ReverdieLux Laetitiae, Arcana 2022 Lasse ! Comment - Se j'aim - Pour quoi me bat mes maris ?- Guillaume Dufayperformed by Crawford YoungFerrara EnsembleMerci ou Mort, Arcana 2001

4. Guillaume Dufay | Catalina Vicens

Today Andrew talks to Early Keyboard Specialist Catalina Vicens about the drawbacks of having an online following. Catalina's Website:https://www.catalinavicens.com/Our Social Media Pages:Instagramhttps://www.instagram.com/surviving.classicalmusic/Facebookhttps://www.facebook.com/survivingclassicalmusic/Support the show (https://patreon.com/survivingclassicalmusic)

Today Andrew talks to Early Keyboard Specialist <a href="https://www.catalinavicens.com/" rel="nofollow" target="_blank">Catalina Vicens</a> about the drawbacks of having an online following. Catalina's Website: <a href="https://www.catalinavicens.com/" rel="nofollow" target="_blank">https://www.catalinavicens.com/</a> Our Social Media Pages: Instagram <a href="https://www.instagram.com/surviving.classicalmusic/" rel="nofollow" target="_blank">https://www.instagram.com/surviving.classicalmusic/</a> Facebook <a href="https://www.facebook.com/survivingclassicalmusic/" rel="nofollow" target="_blank">https://www.facebook.com/survivingclassicalmusic/</a><a href="https://patreon.com/survivingclassicalmusic" rel="payment nofollow" target="_blank">Support the show</a> (<a href="https://patreon.com/survivingclassicalmusic" rel="nofollow" target="_blank">https://patreon.com/survivingclassicalmusic</a>)

Drawbacks of Having an Online Following with Catalina Vicens

The GIOA Podcast #9Reporting from Göteborg International Organ FestivalThe Organ as a Mechanical Musical MarvelOctober 11-20, 2019Meet Catalina Vicens and hear her concert from:Friday October 18, 2019, Lunch Concert12.00–12.30 HAGA CHURCHCatalina Vicens, organettoANONYMOUS 13TH–14TH CENTURY “CODEX LAS HUELGAS”Audi Pontus Benedicamus DominoPRACH BOONDISKULCHOK (b. 1985)Weeping (2019 for Catalina Vicens) from “Squonk Dyptich”ANONYMOUS 14TH CENTURYChe ti çova nascondere Chominciamento di gioiaANONYMOUS 14TH CENTURYLucente StellaCARSON COOMAN (b. 1982)Rondeau (2014 for Catalina Vicens) from “Novas Cantigas”See Catalina's full program and biography here:https://www.facebook.com/events/937841513244228/Hear all GIOA Podcasts here:www.organacademy.se/the-gioa-podcastPodcast: Jon LiinasonGöteborg International Organ FestivalThe Organ as Mechanical Musical MarvelOctober 11-20, 2019A World of Tactile Passion and New Soundswww.organacademy.se

The GIOA Podcast #9 Reporting from Göteborg International Organ Festival The Organ as a Mechanical Musical Marvel October 11-20, 2019 Meet Catalina Vicens and hear her concert from: Friday October 18, 2019, Lunch Concert 12.00–12.30 HAGA CHURCH Catalina Vicens, organetto ANONYMOUS 13TH–14TH CENTURY “CODEX LAS HUELGAS” Audi Pontus Benedicamus Domino PRACH BOONDISKULCHOK (b. 1985) Weeping (2019 for Catalina Vicens) from “Squonk Dyptich” ANONYMOUS 14TH CENTURY Che ti çova nascondere Chominciamento di gioia ANONYMOUS 14TH CENTURY Lucente Stella CARSON COOMAN (b. 1982) Rondeau (2014 for Catalina Vicens) from “Novas Cantigas” See Catalina's full program and biography here: <a href="https://www.facebook.com/events/937841513244228/" rel="nofollow" target="_blank">https://www.facebook.com/events/937841513244228/</a> Hear all GIOA Podcasts here: <a href="http://www.organacademy.se/the-gioa-podcast" rel="nofollow" target="_blank">www.organacademy.se/the-gioa-podcast</a> Podcast: Jon Liinason Göteborg International Organ Festival The Organ as Mechanical Musical Marvel October 11-20, 2019 A World of Tactile Passion and New Sounds <a href="http://www.organacademy.se" rel="nofollow" target="_blank">www.organacademy.se</a>

GIOA Podcast - GIOF 2019 - #9 / Catalina Vicens