Daisy Evans's guest appearances

Daisy Evans

Thoroughly Good Classical Music Podcast

Perfect Pitch 

The O Word

OwlTail

Stephen Higgins

Theatre of Sound director Daisy Evans and conductor Stephen Higgins are currently mid-way through a run of a new of Bartók’s only opera Bluebeard's Castle. Their work reimagines the piece as a love story between a long-married couple – Duke Bluebeard and Judith – both coming to terms with living with dementia. The production is staged at Stone Nest – a stunning former Welsh chapel in the heart of London’s West End – and runs until 14 November with singers soprano Susan Bullock, bass-baritone Gerald Finley, baritone Michael Mayes and soprano Gweneth Ann Rand sharing the principal roles of Duke Bluebeard and Judith. Tickets via the Theatre of Sound website. 

Theatre of Sound director Daisy Evans and conductor Stephen Higgins are currently mid-way through a run of a new of Bartók’s only opera Bluebeard's Castle. Their work reimagines the piece as a love story between a long-married couple – Duke Bluebeard and Judith – both coming to terms with living with dementia. The production is staged at Stone Nest – a stunning former Welsh chapel in the heart of London’s West End – and runs until 14 November with singers soprano Susan Bullock, bass-baritone Gerald Finley, baritone Michael Mayes and soprano Gweneth Ann Rand sharing the principal roles of Duke Bluebeard and Judith. <a href="https://www.theatreofsound.org/about-4" rel="nofollow" target="_blank">Tickets</a> via the Theatre of Sound website.

144: Director Daisy Evans and conductor Stephen Higgins

What is the difference between directing a play and directing an opera? Opera director Daisy Evans talks to Gareth about her unique approach to directing, how she got started in the industry and why a kebab van was an essential component of her recent production of Don(er) Pasquale!Help us get to know you.... https://www.surveymonkey.com/r/theowordDon Pasquale ‘Quel guard oil cavaliere’ (Soloist. Lina Pagliughi) Don Pasquale ‘Bella siccome un angelo’ (1947) Don Pasquale ‘Pronta son; purch’io non manchi’ (Soloist. Lotte Schone, Willi Domgraf-Fassbender, 1930) Don Pasquale ‘Tornami a dir’ (Soloist. Amelita Galli-Curci, Tito Schipa. 1932) _____Beth yw'r gwahaniaeth rhwng arwain drama ac arwain opera? Cyfarwyddwr opera, Daisy Evans, yn sgwrsio gyda Gareth am ei dull cyfarwyddo unigryw, sut dechreuodd arni yn y diwydiant a pham oedd fan cebab yn rhan hanfodol o'i chynhyrchiad diweddar o Don(er) Pasquale! Ein helpu ni i ddod i'ch adnabod chi!...https://www.surveymonkey.com/r/theoword

What is the difference between directing a play and directing an opera? Opera director <a href="https://wno.org.uk/profile/daisy-evans" rel="nofollow" target="_blank">Daisy Evans</a> talks to Gareth about her unique approach to directing, how she got started in the industry and why a kebab van was an essential component of her recent production of <a href="https://wno.org.uk/archive/2018-2019/pasquale" rel="nofollow" target="_blank">Don(er) Pasquale</a>! Help us get to know you.... <a href="https://www.surveymonkey.com/r/theoword" rel="nofollow" target="_blank">https://www.surveymonkey.com/r/theoword</a> Don Pasquale ‘Quel guard oil cavaliere’ (Soloist. Lina Pagliughi) Don Pasquale ‘Bella siccome un angelo’ (1947) Don Pasquale ‘Pronta son; purch’io non manchi’ (Soloist. Lotte Schone, Willi Domgraf-Fassbender, 1930) Don Pasquale ‘Tornami a dir’ (Soloist. Amelita Galli-Curci, Tito Schipa. 1932) _____ Beth yw'r gwahaniaeth rhwng arwain drama ac arwain opera? Cyfarwyddwr opera, <a href="https://wno.org.uk/cy/profile/daisy-evans" rel="nofollow" target="_blank">Daisy Evans</a>, yn sgwrsio gyda Gareth am ei dull cyfarwyddo unigryw, sut dechreuodd arni yn y diwydiant a pham oedd fan cebab yn rhan hanfodol o'i chynhyrchiad diweddar o <a href="https://wno.org.uk/cy/archive/2018-2019/pasquale" rel="nofollow" target="_blank">Don(er) Pasquale</a>! Ein helpu ni i ddod i'ch adnabod chi!...<a href="https://www.surveymonkey.com/r/theoword" rel="nofollow" target="_blank">https://www.surveymonkey.com/r/theoword</a>

How do you direct an opera? With Daisy Evans

In this episode Daisy Evans gives tips on how to pitch operas , how to set up a new opera company and general life hacks.Catch her production of La Traviata at Longborough Festival Opera here:https://lfo.org.uk/opera/la-traviataAnd find her on twitter: @GreatevansSpecial mentions are of @KingsCollegeLon where Daisy studied. Also a top mention for @RoyalOperaHouse @Sadlers_Wells @V_and_A @lfotweet and @danielledeniese Catch her latest @BBCFOUR documentary on female composers this Friday. Also thank you to Thomas Hewitt Jones for his theme music @thewittjonesYou can reach me directly here @kathleenalder and dont forget to rate and review this podcast.

In this episode Daisy Evans gives tips on how to pitch operas , how to set up a new opera company and general life hacks. Catch her production of La Traviata at Longborough Festival Opera here: <a href="https://lfo.org.uk/opera/la-traviata" rel="nofollow" target="_blank">https://lfo.org.uk/opera/la-traviata</a> And find her on twitter: @Greatevans Special mentions are of @KingsCollegeLon where Daisy studied. Also a top mention for @RoyalOperaHouse @Sadlers_Wells @V_and_A @lfotweet and @danielledeniese Catch her latest @BBCFOUR documentary on female composers this Friday. Also thank you to Thomas Hewitt Jones for his theme music @thewittjones You can reach me directly here @kathleenalder and dont forget to rate and review this podcast.