James Blood Ulmer's guest appearances

James Blood Ulmer

Pantheon - Home of Music Podcasts

Подкаст журнала "Джаз.Ру"

Блюз Бизнес

Calgary Folk Music Festival Podcast

Album of the Week (full episodes) - Josh Rutner

3 Songs Podcast

Everyone Loves Guitar

Heat Rocks

Rock's Backpages

Pre-Concert

Lucinda Williams

Joni Mitchell

Bryan Ferry

Etta James

Keith Richards

Van Morrison

Perry Farrell

Chris Blackwell

Sam Cooke

Wynton Marsalis

Janet Jackson

Willie Nelson

Jackson Browne

George Clinton

Nina Simone

OwlTail

Bob and Mike plays three songs from Catherine Ireton, two songs from Sunny War (including a Wire cover as well as the Wire original), plus songs from Beak&gt;, James Blood Ulmer, Damaged Bug, and Cut Worms. all while telling stories about spelling bees and The Antiques Roadshow.

Ep 148 - January 29, 2021 (Beak>, Catherine Ireton, Sunny War, Cut Worms, James Blood Ulmer)

RJ Smith

The Album: James Blood Ulmer: Odyssey  (1984)   “Electric guitar” and “free jazz” may not be terms that folks normally pair together but when James Blood Ulmer first began collaborating with jazz giant Ornette Coleman in the mid 1970s, Ulmer found an instant kinship is the heady, improvisational style of Coleman’s harmolodics theory. The influence would shape the beginnings of Ulmer’s solo career later in the decade, culminating, for many, in Odyssey, recorded in 1983 with just Ulmer, drummer Warren Benbow and violinist Charles Burnham. Since then, the album is considered one of Ulmer’s greatest achievements, what longtime New York music critic, Robert Christgau lauded as a “ur-American synthesis that takes in jazz, rock, Delta blues and even country music…you’d be hard-pressed to pin just one style on any of this painfully beautiful stuff.” Odyssey came to us via music historian and author RJ Smith. He's already written  books on everything from the Los Angeles post-war jazz scene to photographer Robert Frank to an R&amp;B artist named James Brown. He's currently working on a new biography, this one about Chuck Berry. For RJ, Ulmer's masterpiece represented a distillation of musical movements all colliding together in early 1980s New York City and where Odyssey's opening song felt like an invitation to prayer and mediation.   More on RJ Smith   Interview between RJ and June Thomas (Slate.com) "Tell Us 5 Things About Your Book: Capturing the Elusive Robert Frank" (NY Times) "In 'Rhythm,' Bhi Bhiman's Music Isn't Limited By National Borders" (NPR)  More on Odyssey  Robert  Christgau's review of Odyssey (and other Ulmer albums of the era) 1998 interview between Ulmer and Jason Gross (Furious.com)  Show Tracklisting (all songs from Odyssey unless indicated otherwise):  Love Dance Church Smothered Soul Ornette Coleman Quartet: Live in Roma Swing and Things Wynton Marsalis: When It's Sleepytime Down South Swing and Things Church Please Tell Her Little Red House Are You Glad To Be In America  Here is the Spotify playlist of as many songs as we can find there. If you're not already subscribed to Heat Rocks in Apple Podcasts, do it here!

The Album: James Blood Ulmer: <a href="https://www.amazon.com/gp/product/B002EVU4OA?ie=UTF8&amp;tag=oliverwang-20&amp;camp=1789&amp;linkCode=xm2&amp;creativeASIN=B002EVU4OA" rel="nofollow" target="_blank">Odyssey</a>  (1984)  “Electric guitar” and “free jazz” may not be terms that folks normally pair together but when James Blood Ulmer first began collaborating with jazz giant Ornette Coleman in the mid 1970s, Ulmer found an instant kinship is the heady, improvisational style of Coleman’s harmolodics theory. The influence would shape the beginnings of Ulmer’s solo career later in the decade, culminating, for many, in Odyssey, recorded in 1983 with just Ulmer, drummer Warren Benbow and violinist Charles Burnham. Since then, the album is considered one of Ulmer’s greatest achievements, what longtime New York music critic, Robert Christgau lauded as a “ur-American synthesis that takes in jazz, rock, Delta blues and even country music…you’d be hard-pressed to pin just one style on any of this painfully beautiful stuff.” Odyssey came to us via music historian and author RJ Smith. He's already written  books on everything from the <a href="https://www.amazon.com/gp/product/B000W963OQ?ie=UTF8&amp;tag=oliverwang-20&amp;camp=1789&amp;linkCode=xm2&amp;creativeASIN=B000W963OQ" rel="nofollow" target="_blank">Los Angeles post-war jazz scene</a> to photographer <a href="https://www.amazon.com/gp/product/0306823365?ie=UTF8&amp;tag=oliverwang-20&amp;camp=1789&amp;linkCode=xm2&amp;creativeASIN=0306823365" rel="nofollow" target="_blank">Robert Frank</a> to an R&amp;B artist named <a href="https://www.amazon.com/gp/product/1592407420?ie=UTF8&amp;tag=oliverwang-20&amp;camp=1789&amp;linkCode=xm2&amp;creativeASIN=1592407420" rel="nofollow" target="_blank">James Brown</a>. He's currently working on a new biography, this one about Chuck Berry. For RJ, Ulmer's masterpiece represented a distillation of musical movements all colliding together in early 1980s New York City and where Odyssey's opening song felt like an invitation to prayer and mediation.  More on RJ Smith <ul> <li><a href="http://www.slate.com/articles/podcasts/the_afterword/2012/04/r_j_smith_author_of_the_one_the_life_and_music_of_james_brown_interviewed_.html" rel="nofollow" target="_blank"> Interview</a> between RJ and June Thomas (<a href="http://Slate.com" rel="nofollow" target="_blank">Slate.com</a>)</li> <li>"<a href="https://www.nytimes.com/2017/11/12/books/tell-us-5-things-about-your-book-capturing-the-elusive-robert-frank.html" rel="nofollow" target="_blank">Tell Us 5 Things About Your Book: Capturing the Elusive Robert Frank</a>" (NY Times)</li> <li>"<a href="https://www.npr.org/2015/05/16/407212524/in-rhythm-bhi-bhimans-music-isnt-limited-by-national-borders" rel="nofollow" target="_blank">In 'Rhythm,' Bhi Bhiman's Music Isn't Limited By National Borders</a>" (NPR)</li> </ul> More on Odyssey <ul> <li>Robert  Christgau's <a href="https://www.robertchristgau.com/get_artist.php?name=James+Blood+Ulmer" rel="nofollow" target="_blank">review of </a>Odyssey (and other Ulmer albums of the era)</li> <li><a href="https://www.furious.com/perfect/bloodulmer.html" rel="nofollow" target="_blank">1998 interview</a> between Ulmer and Jason Gross (<a href="http://Furious.com" rel="nofollow" target="_blank">Furious.com</a>)</li> </ul> Show Tracklisting (all songs from Odyssey unless indicated otherwise): <ul> <li>Love Dance</li> <li>Church</li> <li>Smothered Soul</li> <li>Ornette Coleman Quartet: Live in Roma</li> <li>Swing and Things</li> <li>Wynton Marsalis: When It's Sleepytime Down South</li> <li>Swing and Things</li> <li>Church</li> <li>Please Tell Her</li> <li>Little Red House</li> <li>Are You Glad To Be In America</li> </ul> Here is the <a href="https://open.spotify.com/user/cduenas93/playlist/0Te70A3ez7jhAEU2UiMHiB?si=xXcvQoN8QmGw2C4geAc2_Q" rel="nofollow" target="_blank">Spotify playlist </a>of as many songs as we can find there. If you're not already subscribed to Heat Rocks in Apple Podcasts, <a href="https://itunes.apple.com/us/podcast/heat-rocks/id1290971833?mt=2" rel="nofollow" target="_blank">do it here!</a>

RJ Smith on James Blood Ulmer's "Odyssey" (1984)