Douglas Shadle's guest appearances

Douglas Shadle

Notes on Notes Podcast

Polk's America

Sound Expertise

David Drake

Mary Rogers

Judith Weir

Freya Waley-Cohen

Robert Stewart

Zacharie Kinslow

Linda Catlin

John James Audubon

James K. Polk

Rebecca Clarke

Anthony Philip

Mark Cheathem

Nathan Waddell

Dora Bright

Katherine Hughes

OwlTail

In 2018, Douglas Shadle tweeted about systemic discrimination in American orchestral programming. His thread went viral, and he soon found himself doing what became known, around then, as public musicology. In this conversation, he talks about presenting his work outside the academy through advocating for marginalized composers, and what the Florence Price revival has meant for his scholarship (and, more troublingly, how Schirmer's acquisition of her music may actually prevent it from being heard). Douglas Shadle is associate professor of musicology at Vanderbilt University.Show notes and more over at soundexpertise.org!Questions? Thoughts? Email soundexpertise00@gmail.com or tag Will on Instagram/Twitter @seatedovation 

In 2018, Douglas Shadle tweeted about systemic discrimination in American orchestral programming. His thread went viral, and he soon found himself doing what became known, around then, as public musicology. In this conversation, he talks about presenting his work outside the academy through advocating for marginalized composers, and what the Florence Price revival has meant for his scholarship (and, more troublingly, how Schirmer's acquisition of her music may actually prevent it from being heard). <a href="https://www.google.com/search?q=douglas+shadle&amp;rlz=1C5GCEM_enUS921US921&amp;oq=douglas+shadle&amp;aqs=chrome.0.69i59j0i512j0i131i433i512j0i433i512j46i131i199i433i465i512j0i131i433i512j69i60l2.1563j0j4&amp;sourceid=chrome&amp;ie=UTF-8" rel="nofollow" target="_blank">Douglas Shadle</a> is associate professor of musicology at Vanderbilt University. Show notes and more over at <a href="http://soundexpertise.org/" rel="nofollow" target="_blank">soundexpertise.org</a>! Questions? Thoughts? Email soundexpertise00@gmail.com or tag Will on Instagram/Twitter @seatedovation

Doing Public Musicology with Douglas Shadle

Musicologist and author Dr. Douglas Shadle traces the origins of American symphonic music through the experiences of Anthony Philip Heinrich, William Henry Fry, and George Frederick Bristow. These composers were contemporaries of many of Europe's classical music masters, yet they were shut out of symphonic music halls in the their own country. Join us as we explore what happened to change the trajectory of American symphonic history. Featuring Dr. William GibbonsExcerpts from sound recordings The Ornithological Combat of Kings/Night in the Tropics and The Wind Demon, from New World Records (p) &amp; © 1978 Anthology of Recorded Music, Inc. Used by permission.www.newworldrecords.org/products/anthony-philip-heinrich-louis-moreau-gottschalk

Musicologist and author Dr. Douglas Shadle traces the origins of American symphonic music through the experiences of Anthony Philip Heinrich, William Henry Fry, and George Frederick Bristow. These composers were contemporaries of many of Europe's classical music masters, yet they were shut out of symphonic music halls in the their own country. Join us as we explore what happened to change the trajectory of American symphonic history. Featuring Dr. William Gibbons Excerpts from sound recordings The Ornithological Combat of Kings/Night in the Tropics and The Wind Demon, from New World Records (p) &amp; © 1978 Anthology of Recorded Music, Inc. Used by permission. <a href="http://www.newworldrecords.org/products/anthony-philip-heinrich-louis-moreau-gottschalk" rel="nofollow" target="_blank">www.newworldrecords.org/products/anthony-philip-heinrich-louis-moreau-gottschalk</a>

Douglas Shadle | Anthony Philip Heinrich and the American Symphonic Landscape

Today I’m with Professor Doug Shadle from Vanderbilt University. We’re discussing American symphonies and orchestras, and the C20th music critic Claudia Cassidy. As a public figure in the classical music industry she faced considerable sexism, and we’re talking about what we can learn from her life and how we move conversations about gender forward. https://notesonnotespodcastdotcom.files.wordpress.com/2019/10/18-an-interview-with-douglas-shadle.mp3Douglas Shadle © Anne RaynerDouglas Shadle is Associate Professor of Musicology and Chair of Musicology and Ethnomusicology at Vanderbilt University’s Blair School of Music in Nashville, Tennessee. Called “superb” by the New York Times, his first book, Orchestrating the Nation: The Nineteenth-Century American Symphonic Enterprise (Oxford UP, 2016) uncovers why American orchestral music of the nineteenth century failed to gain a foothold on concert programs and remains terra incognita for most orchestras. The book won an ASCAP Deems Taylor/Virgil Thomson Award, the American Musicological Society’s inaugural H. Robert Cohen/RIPM Award, and the Vanderbilt Chancellor’s Award for Research. Shadle has written on the cultural resonance of American orchestras and orchestral music for a wide variety of venues, including the Journal of the Society for American Music, I Care If You Listen, NewMusicBox, and the New York Times. His second book, A Portrait in Four Movements: The Chicago Symphony under Barenboim, Boulez, Haitink, and Muti (U Chicago Press, 2019) is a collection of writings by the beloved Chicago Sun-Times music critic Andrew Patner, co-edited by CSO trustee John Schmidt. Shadle is currently completing large-scale projects on composer Florence Price (1887–1953) and Antonín Dvorák’s famous New World Symphony (1893). His Vanderbilt biography can be found here, and he tweets @DougShadle. The theme tune is ‘Dusty Rag’ by May Aufderheide. Performed by Joanna Goldstein for Centaur. This podcast is licensed by PRS for Music (www.prsformusic.com).

Today I’m with Professor Doug Shadle from Vanderbilt University. We’re discussing American symphonies and orchestras, and the C20th music critic Claudia Cassidy. As a public figure in the classical music industry she faced considerable sexism, and we’re talking about what we can learn from her life and how we move conversations about gender forward. <a href="https://notesonnotespodcastdotcom.files.wordpress.com/2019/10/18-an-interview-with-douglas-shadle.mp3" rel="nofollow" target="_blank">https://notesonnotespodcastdotcom.files.wordpress.com/2019/10/18-an-interview-with-douglas-shadle.mp3</a> Douglas Shadle © Anne Rayner Douglas Shadle is Associate Professor of Musicology and Chair of Musicology and Ethnomusicology at Vanderbilt University’s Blair School of Music in Nashville, Tennessee. Called “superb” by the New York Times, his first book, Orchestrating the Nation: The Nineteenth-Century American Symphonic Enterprise (Oxford UP, 2016) uncovers why American orchestral music of the nineteenth century failed to gain a foothold on concert programs and remains terra incognita for most orchestras. The book won an ASCAP Deems Taylor/Virgil Thomson Award, the American Musicological Society’s inaugural H. Robert Cohen/RIPM Award, and the Vanderbilt Chancellor’s Award for Research. Shadle has written on the cultural resonance of American orchestras and orchestral music for a wide variety of venues, including the Journal of the Society for American Music, I Care If You Listen, NewMusicBox, and the New York Times. His second book, A Portrait in Four Movements: The Chicago Symphony under Barenboim, Boulez, Haitink, and Muti (U Chicago Press, 2019) is a collection of writings by the beloved Chicago Sun-Times music critic Andrew Patner, co-edited by CSO trustee John Schmidt. Shadle is currently completing large-scale projects on composer Florence Price (1887–1953) and Antonín Dvorák’s famous New World Symphony (1893). His Vanderbilt biography can be found <a href="https://blair.vanderbilt.edu/bio/douglas-shadle" rel="nofollow" target="_blank">here</a>, and he tweets @DougShadle. The theme tune is ‘Dusty Rag’ by May Aufderheide. Performed by Joanna Goldstein for Centaur. This podcast is licensed by PRS for Music (<a href="http://www.prsformusic.com" rel="nofollow" target="_blank">www.prsformusic.com</a>).

#18: An Interview with Douglas Shadle