Richard Rodgers's guest appearances

Richard Rodgers

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SynopsisOn today’s date in 1948 at New York’s Waldorf-Astoria Hotel there was a press demonstration of a new kind of phonograph record.  Edward Wallerstein of Columbia Records stood between a big stack of heavy, shellac, 78-rpm albums, the standard for recorded music in those days, and a noticeably slimmer stack of vinyl discs, a new format which Wallerstein had dubbed “LPs” – “long playing” records that spun at 33 &amp; 1/3 revolutions per minute.Before 1948, if you wanted to buy a recording of a complete symphony or concerto, it meant the purchase of up to a dozen 78s, each playing only four minutes a side. In developing its new LP-record, Columbia’s goal was to fit complete classical works onto a SINGLE disc.Columbia’s first LP release was a recording of the Mendelssohn Violin Concerto, with Nathan Milstein the soloist and the New York Philharmonic conducted by Bruno Walter.The following year, Columbia struck pay dirt with its original cast album of a brand-new Broadway musical by Richard Rodgers. The 1949 Columbia LP of Mary Martin and Ezio Pinza singing the hit tunes from “South Pacific” became a best-seller, and by 1951 the LP-record had become the industry standard.Music Played in Today's ProgramFelix Mendelssohn (1809 - 1847) Violin Concerto in e Nathan Milstein, violin; New York Philharmonic; Bruno Walter, conductor. Sony 64459Rodgers and Hammerstein South Pacific Ezio Pinza and Mary Martin; orchestra; Lehman Engel, conductor. Sony 53327

<h2>Synopsis</h2>On today’s date in 1948 at New York’s Waldorf-Astoria Hotel there was a press demonstration of a new kind of phonograph record.  Edward Wallerstein of Columbia Records stood between a big stack of heavy, shellac, 78-rpm albums, the standard for recorded music in those days, and a noticeably slimmer stack of vinyl discs, a new format which Wallerstein had dubbed “LPs” – “long playing” records that spun at 33 &amp; 1/3 revolutions per minute.Before 1948, if you wanted to buy a recording of a complete symphony or concerto, it meant the purchase of up to a dozen 78s, each playing only four minutes a side. In developing its new LP-record, Columbia’s goal was to fit complete classical works onto a SINGLE disc.Columbia’s first LP release was a recording of the Mendelssohn Violin Concerto, with Nathan Milstein the soloist and the New York Philharmonic conducted by Bruno Walter.The following year, Columbia struck pay dirt with its original cast album of a brand-new Broadway musical by Richard Rodgers. The 1949 Columbia LP of Mary Martin and Ezio Pinza singing the hit tunes from “South Pacific” became a best-seller, and by 1951 the LP-record had become the industry standard.<h2>Music Played in Today's Program</h2>Felix Mendelssohn (1809 - 1847) Violin Concerto in e Nathan Milstein, violin; New York Philharmonic; Bruno Walter, conductor. Sony 64459Rodgers and Hammerstein South Pacific Ezio Pinza and Mary Martin; orchestra; Lehman Engel, conductor. Sony 53327

Mendelssohn and Richard Rodgers the record

Goddard Lieberson (April 5, 1911 – May 29, 1977) was the president of Columbia Records from 1956 to 1971, and again from 1973 to 1975. He became president of the Recording Industry Association of America in 1964. He was also a composer, and studied with George Frederick McKay, at the University of Washington, Seattle.Richard Charles Rodgers (June 28, 1902 – December 30, 1979) was an American composer who worked primarily in musical theater. With 43 Broadway musicals and over 900 songs to his credit, Rodgers was one of the most well-known American composers of the 20th century, and his compositions had a significant influence on popular music.

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Goddard Lieberson (April 5, 1911 – May 29, 1977) was the president of Columbia Records from 1956 to 1971, and again from 1973 to 1975. He became president of the Recording Industry Association of America in 1964. He was also a composer, and studied with George Frederick McKay, at the University of Washington, Seattle. Richard Charles Rodgers (June 28, 1902 – December 30, 1979) was an American composer who worked primarily in musical theater. With 43 Broadway musicals and over 900 songs to his credit, Rodgers was one of the most well-known American composers of the 20th century, and his compositions had a significant influence on popular music.

GODDARD LIEBERSON "Interviews Richard Rodgers"

Chaque matin, Ombline Roche vous raconte l'histoire qui se cache derrière un artiste. Un rendez-vous incontournable pour mieux apprécier l'œuvre de son auteur. Aujourd'hui, Richard Rodgers.

La partition

Richard Rodgers, le compositeur de Broadway

Richard Rodgers &amp; Oscar Hammerstein ya son viejos conocidos de nuestros podcasts. Hemos repasado sus carreras por separado y ahora les dedicamos un podcast a sus trabajos en equipo. No le fue fácil a Oscar Hammerstein convencer a los productores de la importancia del libreto y de que las canciones estuvieran integradas en la historia.Oscar Hammerstein y Richard Rodgers escribieron nueve musicales para el teatro, además de uno para el cine “State Fair” (1945) y otro para televisión “Cinderella” (1957), que con el tiempo terminaron también subiendo al teatro.Los musicales de Oscar Hammerstein tenían números divertidos y alegres, pero en sus trabajos siempre solía haber una llamada de atención a la sociedad frente al racismo, los malos tratos, una mujer enseñando a todo un rey, etc. El género denominado “comedia musical” a raíz de sus trabajos conectaron con el gran público, en una forma más directa que los comprometidos de Bertold Brecht y Kurt Weill y se perdió el término de “comedia”, abriendo el camino a musicales como “Cabaret” o “West Side Story”, a los que ya se denominarían sencillamente “musical”.  00h 00’00” Presentación00h 02’17” Cabecera00h 02’55” 1943 OKLAHOMA Overture00h 08’15” Oh, what a beautiful mornin’ . Bryn Terfel00h 11’07” 1945 CAROUSEL Overture00h 19’16” If I loved you – Julie Andrews00h 23’05” Soliloquy – Frank Sinatra00h 31’10” You’ll never walk alone – Bryn Terfel00h 34’04” 1946 STATE FAIR Overture00h 40’47” It might as well be spring – Bernadette Peters00h 45’36” 1947 ALLEGRO Overture00h 51’17” A fellow needs a girl – Frank Sinatra00h 54’27” The gentleman is a dope – Bernadette Peters01h 57’15” 1949 SOUTH PACIFIC Overture01h 04’05” Some enchanted evening – Bryn Terfel01h 07’39” Bali Ha’i - Pat Suzuki01h 11’44” There is nothing like a dame – Bryn Terfel01h 15’25” This nearly was mine – Anthony Warlow01h 17’33” 1951 THE KING AND I Overture01h 23’47” I have dreamed – Julie Andrews01h 28’18” Something wonderful - Bernadette Peters01h 31’40” 1953 ME AND JULIET Overture01h 36’05” No other love – Brent Barrett &amp; Kim Criswell01h 39’43” 1955 PIPE DREAM Overture01h 44’06” Everybody’ got a home but me – Judy Blazer01h 48’19” 1957 CINDERELLA Overture01h 53’51” In my own little corner – Julie Andrews01h 57’32” Impossible/It’s possible–Lea Salonga &amp; Charlie Parker02h 00’58” Ten minutes ago – Peter Saide &amp; Lea Salonga02h 03’50” Do I love you because you’re beautiful? - Peter &amp; Lea02h 06’06” 1958 FLOWER DRUM SONG Overture02h 11’39” Love, look away – Sally Burgess02h 14’55” 1959 THE SOUND OF MUSIC Overture02h 21’27” The sound of music – Susan Egan02h 24’33” Something good – Bernadette Peters02h 26’57” Edelweiss – Bryn Terfel

Love4musicals

Richard Rodgers &amp; Oscar Hammerstein ya son viejos conocidos de nuestros podcasts. Hemos repasado sus carreras por separado y ahora les dedicamos un podcast a sus trabajos en equipo. No le fue fácil a Oscar Hammerstein convencer a los productores de la importancia del libreto y de que las canciones estuvieran integradas en la historia. Oscar Hammerstein y Richard Rodgers escribieron nueve musicales para el teatro, además de uno para el cine “State Fair” (1945) y otro para televisión “Cinderella” (1957), que con el tiempo terminaron también subiendo al teatro. Los musicales de Oscar Hammerstein tenían números divertidos y alegres, pero en sus trabajos siempre solía haber una llamada de atención a la sociedad frente al racismo, los malos tratos, una mujer enseñando a todo un rey, etc. El género denominado “comedia musical” a raíz de sus trabajos conectaron con el gran público, en una forma más directa que los comprometidos de Bertold Brecht y Kurt Weill y se perdió el término de “comedia”, abriendo el camino a musicales como “Cabaret” o “West Side Story”, a los que ya se denominarían sencillamente “musical”. 00h 00’00” Presentación 00h 02’17” Cabecera 00h 02’55” 1943 OKLAHOMA Overture 00h 08’15” Oh, what a beautiful mornin’ . Bryn Terfel 00h 11’07” 1945 CAROUSEL Overture 00h 19’16” If I loved you – Julie Andrews 00h 23’05” Soliloquy – Frank Sinatra 00h 31’10” You’ll never walk alone – Bryn Terfel 00h 34’04” 1946 STATE FAIR Overture 00h 40’47” It might as well be spring – Bernadette Peters 00h 45’36” 1947 ALLEGRO Overture 00h 51’17” A fellow needs a girl – Frank Sinatra 00h 54’27” The gentleman is a dope – Bernadette Peters 01h 57’15” 1949 SOUTH PACIFIC Overture 01h 04’05” Some enchanted evening – Bryn Terfel 01h 07’39” Bali Ha’i - Pat Suzuki 01h 11’44” There is nothing like a dame – Bryn Terfel 01h 15’25” This nearly was mine – Anthony Warlow 01h 17’33” 1951 THE KING AND I Overture 01h 23’47” I have dreamed – Julie Andrews 01h 28’18” Something wonderful - Bernadette Peters 01h 31’40” 1953 ME AND JULIET Overture 01h 36’05” No other love – Brent Barrett &amp; Kim Criswell 01h 39’43” 1955 PIPE DREAM Overture 01h 44’06” Everybody’ got a home but me – Judy Blazer 01h 48’19” 1957 CINDERELLA Overture 01h 53’51” In my own little corner – Julie Andrews 01h 57’32” Impossible/It’s possible–Lea Salonga &amp; Charlie Parker 02h 00’58” Ten minutes ago – Peter Saide &amp; Lea Salonga 02h 03’50” Do I love you because you’re beautiful? - Peter &amp; Lea 02h 06’06” 1958 FLOWER DRUM SONG Overture 02h 11’39” Love, look away – Sally Burgess 02h 14’55” 1959 THE SOUND OF MUSIC Overture 02h 21’27” The sound of music – Susan Egan 02h 24’33” Something good – Bernadette Peters 02h 26’57” Edelweiss – Bryn Terfel

Richard RODGERS &amp; Oscar HAMMERSTEIN

There were just too many unanswered questions...so we brought Richard Rodgers and his tax attorney Brett Mach back on to dive deeper into the most asked about portions of his tax credit episode. 

Garagecast - All Things Retail

There were just too many unanswered questions...so we brought Richard Rodgers and his tax attorney Brett Mach back on to dive deeper into the most asked about portions of his tax credit episode.

Episode #106 - Tax Strategist Richard Rodgers and Brett Mach

Lorenz Hart

durée : 00:58:55 - "Just One of Those Things" (Cole Porter) 1935 - par : Laurent Valero - "The Lady Is a Tramp" was composed by Richard Rodgers and Lorenz Hart, for the 1937 Rodgers and Hart musical "Babes In Arms."  - réalisé par : Antoine Courtin

Le jazz sur France Musique

durée : 00:58:55 - "Just One of Those Things" (Cole Porter) 1935 - par : Laurent Valero - "The Lady Is a Tramp" was composed by Richard Rodgers and Lorenz Hart, for the 1937 Rodgers and Hart musical "Babes In Arms." - réalisé par : Antoine Courtin

Repassez-moi l'standard... "The Lady Is a Tramp" written by Richard Rodgers & Lorenz Hart (1937)

Repassez-moi l'standard

Richard Rodgers fue el hombre de las mil canciones y las mil versiones. Su repertorio es uno de los pilares del gran cancionero norteamericano, estándares que han conocido innumerables versiones, una para cada moda, para cada momento y para cada oyente. Escuchar audio

Música con subtítulos

Richard Rodgers fue el hombre de las mil canciones y las mil versiones. Su repertorio es uno de los pilares del gran cancionero norteamericano, estándares que han conocido innumerables versiones, una para cada moda, para cada momento y para cada oyente. <a href="https://www.rtve.es/play/audios/musica-con-subtitulos/richard-rodgers/6030620/" rel="nofollow" target="_blank">Escuchar audio</a>

Música con subtítulos - Richard Rodgers - 31/07/21

The Review Queens breakdown a 1-Star Review for a knock-off product called, “Squat N' Potty” and a 1-Star Review for Broadway’s Richard Rodgers Theater; home to Hamilton the musical. They discuss the power of a test, Chelsey almost gets a stomach stitch, and Trey plays daddy. **Submit a 5-Star-Review for the show on Apple Podcasts and email a screenshot of your review to hello@reviewthatreview.com to be entered in the RAFFLE!  You know you need a Review That Review fashion pin and a deluxe ballpoint pen.   CLICK HERE to submit your review! (03:17) Lodge A Complaint  (10:17) Squat N' Potty Review  (24:52) Meryl-Go-Round  (30:33) Richard Rodgers Theater Review  (45:42) My Royal Highness (49:19) Royal Review! ***** Leave us a voicemail at 1-850-REVIEW-0 WATCH CLIPS on YouTube! Visit our website for more: www.ReviewThatReview.com @TheReviewQueens | @ChelseyBD | @TreyGerrald --- Review That Review is an independent podcast.  Executive Produced by Trey Gerrald and Chelsey Donn with editing and sound design by Trey Gerrald.  Cover art designed by LogoVora, voiceover talents by Eva Kaminsky, and our theme song was written by Joe Kinosian and sung by Natalie Weiss.

Review That Review with Chelsey Donn & Trey Gerrald

The Review Queens breakdown a 1-Star Review for a knock-off product called, “Squat N' Potty” and a 1-Star Review for Broadway’s Richard Rodgers Theater; home to Hamilton the musical. They discuss the power of a test, Chelsey almost gets a stomach stitch, and Trey plays daddy. **Submit a 5-Star-Review for the show on Apple Podcasts and email a screenshot of your review to <a href="mailto:hello@reviewthatreview.com" rel="noopener noreferrer">hello@reviewthatreview.com</a> to be entered in the RAFFLE!  You know you need a Review That Review fashion pin and a deluxe ballpoint pen.   <a href="http://lovethepodcast.com/thereviewqueens" rel="noopener noreferrer nofollow" target="_blank">CLICK HERE</a> to submit your review! (03:17) Lodge A Complaint (10:17) Squat N' Potty Review (24:52) Meryl-Go-Round (30:33) Richard Rodgers Theater Review (45:42) My Royal Highness (49:19) Royal Review! ***** Leave us a voicemail at 1-850-REVIEW-0 WATCH CLIPS on<a href="https://www.youtube.com/channel/UCfhCAcirZKQb9E2NxI5BiJg" rel="noopener noreferrer nofollow" target="_blank"> YouTube</a>! Visit our website for more:<a href="http://www.reviewthatreview.com/" rel="noopener noreferrer nofollow" target="_blank"> www.ReviewThatReview.com</a> @TheReviewQueens | @ChelseyBD | @TreyGerrald --- Review That Review is an independent podcast.  Executive Produced by Trey Gerrald and Chelsey Donn with editing and sound design by Trey Gerrald.  Cover art designed by LogoVora, voiceover talents by Eva Kaminsky, and our theme song was written by Joe Kinosian and sung by Natalie Weiss.

Episode 5: Squat N’ Potty / Richard Rodgers Theater

Welcome to Episode 3 which covers the early life and career of Richard Rodgers, particularly his work with Lorenz Hart

The History of Musical Theatre Podcast

Welcome to Episode 3 which covers the early life and career of Richard Rodgers, particularly his work with Lorenz Hart