Paola Iovene's guest appearances

Paola Iovene

New Books in East Asian Studies

New Books in Literary Studies

New Books Network

New Books in Chinese Studies

Darren Middleton

Yang Lian

William C. Hedberg

Erin L. Brightwell

Roy Bing Chan

Reginald Jackson

Shengqing Wu

Sho Konishi

Olga V. Solovieva

Ogura Hyakunin Isshu

Clara Iwasaki

James Hadley

Nick Admussen

Daniel Poch

Zhang Tianyi

OwlTail

Paola Iovene‘s new book is a beautiful exploration of visions of the future as they have shaped a range of texts, genres, and editorial practices in Chinese literature from the middle of the twentieth century through the beginning of the twenty-first century. Tales of Futures Past: Anticipation and the Ends... Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

Paola Iovene‘s new book is a beautiful exploration of visions of the future as they have shaped a range of texts, genres, and editorial practices in Chinese literature from the middle of the twentieth century through the beginning of the twenty-first century. Tales of Futures Past: Anticipation and the Ends... Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices" rel="nofollow" target="_blank">megaphone.fm/adchoices</a>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/east-asian-studies" rel="nofollow" target="_blank">https://newbooksnetwork.supportingcast.fm/east-asian-studies</a>

Paola Iovene, “Tales of Futures Past: Anticipation and the Ends of Literature in Contemporary China” (Stanford UP, 2014)

Paola Iovene‘s new book is a beautiful exploration of visions of the future as they have shaped a range of texts, genres, and editorial practices in Chinese literature from the middle of the twentieth century through the beginning of the twenty-first century. Tales of Futures Past: Anticipation and the Ends of Literature in Contemporary China (Stanford University Press, 2014) traces two different and related ideas of the future through children’s books, popular science, science fiction, poetry, fiction, and other kinds of text and practice: destination (defined in the book as “a condition of higher perfection, a time and place that is better than the present”), and anticipation (rendered as “the expectations that permeate life as it unfolds” and emergent in various ways throughout the book). The first three chapters focus on editorial and authorial strategies, and the last two chapters offer close readings of texts by Wang Meng and Ge Fei that themselves are concerned with literature and its uses. The chapter offers thoughtful reflections on science fiction in China and its relation to ideas of labor, embodied practices of composition and performance, literary translation as a mode of cultural exchange, the beginnings of an idea of “world literature” in modern China, the editorial strategies and modes of collaboration responsible for the emergence of Chinese avant-garde fiction, the surprising links between Tang poetry and contemporary fiction in China, the importance of fog or haze as a literary medium of toxicity, and much else. It’s a wonderfully provocative book, both for specialists of Chinese literary studies and for non-specialist readers looking for a glimpse into some wonderfully inventive works of modern Chinese literature that haven’t received much critical attention in English-language scholarship. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

<a href="https://ealc.uchicago.edu/faculty/iovene" rel="nofollow" target="_blank">Paola Iovene</a>‘s new book is a beautiful exploration of visions of the future as they have shaped a range of texts, genres, and editorial practices in Chinese literature from the middle of the twentieth century through the beginning of the twenty-first century. <a href="http://www.amazon.com/dp/0804789371/?tag=newbooinhis-20" rel="nofollow" target="_blank">Tales of Futures Past: Anticipation and the Ends of Literature in Contemporary China</a> (Stanford University Press, 2014) traces two different and related ideas of the future through children’s books, popular science, science fiction, poetry, fiction, and other kinds of text and practice: destination (defined in the book as “a condition of higher perfection, a time and place that is better than the present”), and anticipation (rendered as “the expectations that permeate life as it unfolds” and emergent in various ways throughout the book). The first three chapters focus on editorial and authorial strategies, and the last two chapters offer close readings of texts by Wang Meng and Ge Fei that themselves are concerned with literature and its uses. The chapter offers thoughtful reflections on science fiction in China and its relation to ideas of labor, embodied practices of composition and performance, literary translation as a mode of cultural exchange, the beginnings of an idea of “world literature” in modern China, the editorial strategies and modes of collaboration responsible for the emergence of Chinese avant-garde fiction, the surprising links between Tang poetry and contemporary fiction in China, the importance of fog or haze as a literary medium of toxicity, and much else. It’s a wonderfully provocative book, both for specialists of Chinese literary studies and for non-specialist readers looking for a glimpse into some wonderfully inventive works of modern Chinese literature that haven’t received much critical attention in English-language scholarship. Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices" rel="nofollow" target="_blank">megaphone.fm/adchoices</a>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/literary-studies" rel="nofollow" target="_blank">https://newbooksnetwork.supportingcast.fm/literary-studies</a>