Marielle V Jakobsons's guest appearances

Marielle V Jakobsons

Art + Music + Technology

Independent Music Podcast

Leafcutter John

Julianna Barwick

Georgia Anne Muldrow

Matt Black

Matt Jackson

Geert Bevin

Colin Stetson

Joanna Newsom

Tim Hecker

Jeff Parker

Devin Fleenor

William Fields

Pauline Oliveros

Brad Garton

Mark Vail

OwlTail

Anthony Child

A surprise new track from The Comet is Coming puts us on the front foot this week. In a week where stuff has truly hit the cooling mechanism in US politics, there are soothing sounds from Germany with LeRoy, from the Maui jungle from Anthony Child AKA Surgeon, and from the USA itself from Marielle V Jakobson. Elsewhere we have Tunisian disco, Italo disco, Colombian samba, and heavy heavy hip hop. Enjoy!

#116 - The Comet is Coming, Anthony Child, Marielle V Jakobsons, LeRoy - 14 November 2016

Marielle V Jackobsons has a very interesting practice: she's part of Date Palms, does live work with bassist Chuck Johnson, and has developed an amazing instrument that she calls a "Macro-Cymatic Visual Music Instrument". She actually was a history of building unlikely instruments - and most of them are focused on vibrations in some interesting way. If you can't quite imagine what I mean, you should start by checking out her website: http://mariellejakobsons.com/ (click on the big image to get into the site...). You can get a nice tour of her artistic statement as well as a lot of her work; once you see it, you'll want to find a way to see and hear a live show.  With her recent release on the Thrill Jockey label, Marielle delves deeper into the mix of computers and analog systems, melodies and ambiences. It's an excellent release, and has been on constant play here in my hideout. But diving back into some earlier work (Date Palms, the Glass Canyon release) you can find a variety of styles, influences and even instrument use. A relaxed and enjoyable chat - it was awesome to find someone with so much comfort talking about their process. Enjoy!

Marielle V Jackobsons has a very interesting practice: she's part of Date Palms, does live work with bassist Chuck Johnson, and has developed an amazing instrument that she calls a "Macro-Cymatic Visual Music Instrument". She actually was a history of building unlikely instruments - and most of them are focused on vibrations in some interesting way. If you can't quite imagine what I mean, you should start by checking out her website: <a href="http://mariellejakobsons.com/" rel="nofollow" target="_blank">http://mariellejakobsons.com/</a> (click on the big image to get into the site...). You can get a nice tour of her artistic statement as well as a lot of her work; once you see it, you'll want to find a way to see and hear a live show.  With her recent release on the <a href="http://www.thrilljockey.com/index" rel="nofollow" target="_blank">Thrill Jockey label</a>, Marielle delves deeper into the mix of computers and analog systems, melodies and ambiences. It's an excellent release, and has been on constant play here in my hideout. But diving back into some earlier work (Date Palms, the Glass Canyon release) you can find a variety of styles, influences and even instrument use. A relaxed and enjoyable chat - it was awesome to find someone with so much comfort talking about their process. Enjoy!

Podcast 145: Marielle V Jakobsons