Julius Shulman's guest appearances

Julius Shulman

Ted Wells living : simple

US Modernist Radio - Architecture You Love

Getty Art + Ideas

Richard Neutra

John Lautner

Frank Lloyd Wright

Eames Demetrios

Lyra Kilston

Walter Gropius

Frank Gehry

Michael Stern

William Blake

Tom Wright

Suzanne Somers

AJ Lambert

Paul Revere

Adrian Kinney

Marsh Davis

OwlTail

We’ve asked members of the Getty community to share short, personal reflections on works of art they’re thinking about right now. These recordings feature stories related to our daily lives. This week, Museum editor Lyra Kilston muses on Richard Neutra's innovative and newly relevant school designs, as seen through photographs by Julius Shulman. To learn more about these images, visit: https://primo.getty.edu/permalink/f/mlc5om/GETTY_ROSETTAIE131574. Transcript JAMES CUNO: Hi, I’m Jim Cuno, president of the J. Paul Getty Trust. We’ve asked members of the Getty community to share short, personal reflections on works of art they’re thinking about right now. This week Lyra Kilston discusses Julius Shulman’s photograph of a Richard Neutra school building. LYRA KILSTON: My name is Lyra Kilston and I’m a senior editor at the Getty Museum. I’ve just finished shepherding my daughter through another day of online elementary school. She’s antsy now, after hours of sitting in the same chair, with a few breaks in another chair at the kitchen table. The technical difficulties weren’t too bad today, fortunately. Her teacher is patient and trying his best to teach during a pandemic, but it’s still bizarre that she only knows him as a head and shoulders on her computer screen. When the schools shut down in mid-March last year, we thought it would just be for a few weeks. As the months numbly passed, I paid close attention to news about how schools might reopen safely in our new reality. I already knew a bit of history about schools during a health crisis. I had written a book that focused, in part, on how ideas about contagion, hygiene, and good health had changed architecture in Europe and the United States around the turn of the 20th century. Buildings from hospitals to housing and schools were designed to be more hygienic and to let in more fresh air and sunlight. These natural elements were believed to both strengthen the body and fight off rampant illnesses like tuberculosis and cholera. This led to what were called “open-air” classrooms that brought the outdoors inside, through lots of glass and open windows, or that let students bring their desks outside to terraces or gardens. With the safety of school constantly on my mind, I was drawn to photographs of the Corona Avenue Elementary school, designed by modernist architect Richard Neutra. Built in the Los Angeles area in 1935, Neutra’s new wing of classrooms were called “glass-and-garden rooms,” as they each featured a glass wall that slid open onto broad patios and gardens. Students could easily push their own lightweight chairs and desks right outside for lessons on the lawn. The photographs show bucolic scenes—children sitting cross-legged on the green grass, painting at easels, or watching their teacher point to the display board she wheeled outside. Looking into it further, I learned that while Neutra was well-versed in the latest modern European school design, he was also building on a California legacy. The state’s mild climate had made it a natural center for outdoor school experiments—from Oakland to San Diego—since the turn of the century. These quaint-seeming practices sadly gained new relevance in 2020, and I hoped for an announcement from our school district that they would try something similar. We had the ideal climate and if school yards were too small, there were now acres of empty parks and parking lots. I’m still fascinated by the open-air school movement, but it was a bittersweet topic to research. I watched schools in the more difficult climates of Massachusetts, New York, and Arkansas forge ahead with outdoor classes while our schools remained locked for months, beneath clear blue skies. I know the photographs of the Corona school were staged. The photographer, Julius Shulman, probably arranged the students and teacher just so to make it look extra perfect. But 85 years later, classrooms like that are needed again, and so are the forward-thinking architects and school superintendents who made it happen. CUNO: To view Julius Schulman’s 1953 photograph of Richard Neutra’s Corona Avenue School in Bell, California, click the link in this episode’s description or look for it on primo.getty.edu.

We’ve asked members of the Getty community to share short, personal reflections on works of art they’re thinking about right now. These recordings feature stories related to our daily lives. This week, Museum editor Lyra Kilston muses on Richard Neutra's innovative and newly relevant school designs, as seen through photographs by Julius Shulman. To learn more about these images, visit: <a href="https://primo.getty.edu/permalink/f/mlc5om/GETTY_ROSETTAIE131574" rel="nofollow" target="_blank">https://primo.getty.edu/permalink/f/mlc5om/GETTY_ROSETTAIE131574</a>. Transcript JAMES CUNO: Hi, I’m Jim Cuno, president of the J. Paul Getty Trust. We’ve asked members of the Getty community to share short, personal reflections on works of art they’re thinking about right now. This week Lyra Kilston discusses Julius Shulman’s photograph of a Richard Neutra school building. LYRA KILSTON: My name is Lyra Kilston and I’m a senior editor at the Getty Museum. I’ve just finished shepherding my daughter through another day of online elementary school. She’s antsy now, after hours of sitting in the same chair, with a few breaks in another chair at the kitchen table. The technical difficulties weren’t too bad today, fortunately. Her teacher is patient and trying his best to teach during a pandemic, but it’s still bizarre that she only knows him as a head and shoulders on her computer screen. When the schools shut down in mid-March last year, we thought it would just be for a few weeks. As the months numbly passed, I paid close attention to news about how schools might reopen safely in our new reality. I already knew a bit of history about schools during a health crisis. I had written a book that focused, in part, on how ideas about contagion, hygiene, and good health had changed architecture in Europe and the United States around the turn of the 20th century. Buildings from hospitals to housing and schools were designed to be more hygienic and to let in more fresh air and sunlight. These natural elements were believed to both strengthen the body and fight off rampant illnesses like tuberculosis and cholera. This led to what were called “open-air” classrooms that brought the outdoors inside, through lots of glass and open windows, or that let students bring their desks outside to terraces or gardens. With the safety of school constantly on my mind, I was drawn to photographs of the Corona Avenue Elementary school, designed by modernist architect Richard Neutra. Built in the Los Angeles area in 1935, Neutra’s new wing of classrooms were called “glass-and-garden rooms,” as they each featured a glass wall that slid open onto broad patios and gardens. Students could easily push their own lightweight chairs and desks right outside for lessons on the lawn. The photographs show bucolic scenes—children sitting cross-legged on the green grass, painting at easels, or watching their teacher point to the display board she wheeled outside. Looking into it further, I learned that while Neutra was well-versed in the latest modern European school design, he was also building on a California legacy. The state’s mild climate had made it a natural center for outdoor school experiments—from Oakland to San Diego—since the turn of the century. These quaint-seeming practices sadly gained new relevance in 2020, and I hoped for an announcement from our school district that they would try something similar. We had the ideal climate and if school yards were too small, there were now acres of empty parks and parking lots. I’m still fascinated by the open-air school movement, but it was a bittersweet topic to research. I watched schools in the more difficult climates of Massachusetts, New York, and Arkansas forge ahead with outdoor classes while our schools remained locked for months, beneath clear blue skies. I know the photographs of the Corona school were staged. The photographer, Julius Shulman, probably arranged the students and teacher just so to make it look extra perfect. But 85 years later, classrooms like that are needed again, and so are the forward-thinking architects and school superintendents who made it happen. CUNO: To view Julius Schulman’s 1953 photograph of Richard Neutra’s Corona Avenue School in Bell, California, click the link in this episode’s description or look for it on <a href="http://primo.getty.edu" rel="nofollow" target="_blank">primo.getty.edu</a>.

Reflections: Lyra Kilston on Richard Neutra and Julius Shulman

Eric Bricker

Keith Isaacs

Stacey Kent

Well-known Modernist architects came to fame in a time before computers, a time where getting published in magazines was the mid-century equivalent of going viral.  Even if an architect lived in a large metro such as Los Angeles, world of mouth and house tours wouldn’t get you the big commissions.  Blowing up meant having photos of your work in major publications of the era. To get those photos, you had to have a great photographer who really understood design and light and capturing the beauty of a project.  Joining us are Eric Bricker, producer of Visual Acoustics, a documentary about the life and career of celebrated architecture photographer Julius Shulman, and Keith Isaacs, one of the South’s rising stars in architectural photography.  Later on, jazz with the fabulous Stacey Kent.  

Well-known Modernist architects came to fame in a time before computers, a time where getting published in magazines was the mid-century equivalent of going viral.  Even if an architect lived in a large metro such as Los Angeles, world of mouth and house tours wouldn’t get you the big commissions.  Blowing up meant having photos of your work in major publications of the era. To get those photos, you had to have a great photographer who really understood design and light and capturing the beauty of a project.  Joining us are Eric Bricker, producer of Visual Acoustics, a documentary about the life and career of celebrated architecture photographer Julius Shulman, and Keith Isaacs, one of the South’s rising stars in architectural photography.  Later on, jazz with the fabulous Stacey Kent.

#186/Architecture Photographer Julius Shulman: Eric Bricker + Keith Isaacs plus Musical Guest Stacey Kent

Julius Shulman's photos did more than publicize the work of Modernist architects. He showed the world that the best architecture of mid-century America reflected the unique and imagined lifestyle of this place. In Shulman's perceptively sharp photos of architecture, interesting men and beautiful women are caught in the middle of a stimulating conversation over cocktails, or lounging in the garden, or emerging from an evening swim in the pool. Ted Wells notes that Shulman's photographs created the two things architecture needs for immortality: respectability and desirability. The Julius Shulman archive of 260,000 photographs has been acquired by the Getty Research Institute. The exhibit "Julius Shulman: Modernity and the Metropolis," is on display until January 22, 2006 at the Getty Center in Los Angeles. For more information visit www.getty.edu. Photo from the Getty Research Institute: Chuey Residence, Los Angeles, 1956. Richard Neutra, architect. www.tedwells.com

Julius Shulman's photos did more than publicize the work of Modernist architects. He showed the world that the best architecture of mid-century America reflected the unique and imagined lifestyle of this place. In Shulman's perceptively sharp photos of architecture, interesting men and beautiful women are caught in the middle of a stimulating conversation over cocktails, or lounging in the garden, or emerging from an evening swim in the pool. Ted Wells notes that Shulman's photographs created the two things architecture needs for immortality: respectability and desirability. The Julius Shulman archive of 260,000 photographs has been acquired by the Getty Research Institute. The exhibit "Julius Shulman: Modernity and the Metropolis," is on display until January 22, 2006 at the Getty Center in Los Angeles. For more information visit <a href="http://www.getty.edu" rel="nofollow" target="_blank">www.getty.edu</a>. Photo from the Getty Research Institute: Chuey Residence, Los Angeles, 1956. Richard Neutra, architect. <a href="http://www.tedwells.com" rel="nofollow" target="_blank">www.tedwells.com</a>

Julius Shulman: Architectural Photographer of Modern Dreams: Architecture & Design