Edward Dolman's guest appearances

Edward Dolman

Artelligence Podcast

ART SPEAKS@home

Jeffrey Deitch

David Norman

Deborah Kass

Bendor Grosvenor

Richard Wright

Hank WIllis Thomas

Touria El Glaoui

Paul Becker

Brian Boucher

Hilton Als

Timothy Taylor

Mike Steib

Brooke Lampley

Wilbur Ross

Erling Kagge

OwlTail

Even as it adapted to changing market conditions imposed by the pandemic, Phillips gained ground in auction totals, global reach, and the number of high-value lots it sold. At the same time, it furthered its long-held reputation as the auction house that creates markets for new artists. Phillips CEO Edward Dolman talks about the importance of Asia in the art market’s future and his company’s alliance with Poly Auction in China. He also speaks about the new Phillips auction rooms and exhibition space in New York, and provides insight as to how Phillips maintains its read on the pulse of the emerging art market.

Phillips Enters a New Era with CEO Edward Dolman

Episode 4: Edward Dolman

"This is why Phillips positioning is right. We essentially believe in an international Contemporary art marketplace and we believe most tastes converge at some point." ——Edward Dolman, CEO Phillips Auction HouseIn the two and a half years since Edward Dolman took over the helm of Phillips auction house, he has been engaged in a remaking of the firm from an upstart auction house focusing on the fringes of the Contemporary art market to a serious alternative to Sotheby's and Christie's with a seat at the table when the biggest art deals are being made.In this podcast, Dolman talks about how the expansion of the Contemporary art market has made Phillips's strategy viable and profitable. He talks about the new team he has spent the last two years hiring—with leading specialists who decamped from Christie's and Sotheby's—and how their arrival will position the auction house to expand into new collecting fields and penetrate other regions of the world.He discusses the growing financialization of the art market and the role guarantees play in facilitating art transactions, especially public ones. Dolman shares his view of the watch, jewelry and collectible markets. Finally, shares his thoughts on the global auction calendar and how that is likely to change in the coming months and years.

"This is why Phillips positioning is right. We essentially believe in an international Contemporary art marketplace and we believe most tastes converge at some point." ——Edward Dolman, CEO Phillips Auction House In the two and a half years since Edward Dolman took over the helm of Phillips auction house, he has been engaged in a remaking of the firm from an upstart auction house focusing on the fringes of the Contemporary art market to a serious alternative to Sotheby's and Christie's with a seat at the table when the biggest art deals are being made. In this podcast, Dolman talks about how the expansion of the Contemporary art market has made Phillips's strategy viable and profitable. He talks about the new team he has spent the last two years hiring—with leading specialists who decamped from Christie's and Sotheby's—and how their arrival will position the auction house to expand into new collecting fields and penetrate other regions of the world. He discusses the growing financialization of the art market and the role guarantees play in facilitating art transactions, especially public ones. Dolman shares his view of the watch, jewelry and collectible markets. Finally, shares his thoughts on the global auction calendar and how that is likely to change in the coming months and years.

Phillips CEO Edward Dolman