Lisa Mungo's guest appearances

Lisa Mungo

Cult and Culture

Grrl on Grrl: intersectional and trans-inclusive music & interview show

Tomorrow We Die!

Lucien Greaves

Martin Atkins

Juan Alderete

Ross Robinson

John Waters

Dave Scott

Ben Weinman

Michael Malarkey

John Brady

Henry Wallace

Justin Pearson

Rob Hampton

Lauren Davis

Kyle Shutt

Bryan Giles

OwlTail

Rah Davis

The concept of Cult and Culture began as a short segment created by Justin Pearson, an internationally known musician, record label owner (Three One G Records), author, and actor. He is best known as bassist/vocalist for bands such as Dead Cross, The Locust, and Retox. Justin has come to know and work with a broad spectrum of captivating personalities and brilliant minds, many of which are key figures in the realm of popular culture and cult followings alike. John Waters was one of the first people interviewed for the project- an icon of both cult and culture. Other guests include a broad scope of musicians, producers, authors, and anyone passionate about what they do. In its infancy, segments were shorter, 10-20 minutes, and would be recorded while on tour. Since then, Pearson has collaborated with producer and musician Luke Henshaw (Planet B, Sonido de la Frontera) to build the idea into a proper podcast, now recorded at Penguin Studios in San Diego. The focus is not intended to be solely on people in any one realm, and because guests are friends and family, the conversations are frank, informal, well-informed and genuine.In episode 20 of Cult &amp; Culture, Justin and Luke take part in another double-interview with two old friends-- both members of Seattle-based hardcore punk band Filth is Eternal-- Lisa Mungo (He Whose Ox is Gored) and Rah Davis (Cattle Decapitation). The discussion starts with Rah and Lisa's first connections to music, which both include growing up in musical families, and the struggles as well as the positive memories that come with having parents who are professional artists. From there, topics gravitate towards performing and touring, including the idea of taking control in a performance and forging your own stage/world/reality in unexpected ways, making the best of hard situations on the road, and the conscious/subconscious influences and inspiration picked up along the way.

The concept of Cult and Culture began as a short segment created by Justin Pearson, an internationally known musician, record label owner (Three One G Records), author, and actor. He is best known as bassist/vocalist for bands such as Dead Cross, The Locust, and Retox. Justin has come to know and work with a broad spectrum of captivating personalities and brilliant minds, many of which are key figures in the realm of popular culture and cult followings alike. John Waters was one of the first people interviewed for the project- an icon of both cult and culture. Other guests include a broad scope of musicians, producers, authors, and anyone passionate about what they do. In its infancy, segments were shorter, 10-20 minutes, and would be recorded while on tour. Since then, Pearson has collaborated with producer and musician Luke Henshaw (Planet B, Sonido de la Frontera) to build the idea into a proper podcast, now recorded at Penguin Studios in San Diego. The focus is not intended to be solely on people in any one realm, and because guests are friends and family, the conversations are frank, informal, well-informed and genuine.<br><br>In episode 20 of Cult &amp; Culture, Justin and Luke take part in another double-interview with two old friends-- both members of Seattle-based hardcore punk band Filth is Eternal-- Lisa Mungo (He Whose Ox is Gored) and Rah Davis (Cattle Decapitation). The discussion starts with Rah and Lisa's first connections to music, which both include growing up in musical families, and the struggles as well as the positive memories that come with having parents who are professional artists. From there, topics gravitate towards performing and touring, including the idea of taking control in a performance and forging your own stage/world/reality in unexpected ways, making the best of hard situations on the road, and the conscious/subconscious influences and inspiration picked up along the way.

Cult & Culture Podcast Episode 20 feat. Lisa Mungo and Rah Davis of Filth is Eternal

Brian McClelland

Lisa Mungo and Brian McClelland talk with us about touring in Fucked &amp; Bound, He Whose Ox is Gored, and more. We learn about hot bagging and savage brews, hear a harrowing story of being chased down by a crazy psycho, and discover the universal magnetic pull of Albequerque New Mexico.

TWD Episode 3 - "We don't have food, we have crime." - Lisa Mungo & Brian McClelland

Welcome to Grrl on Grrl episode 32, featuring Lisa Mungo of metal band He Whose Ox is Gored and hardcore band Fucked and Bound. I met with Lisa in 2016 when He Whose Ox is Gored played in San Diego, and we recorded this interview in February after the first women’s march… yes, it’s taken me a whole year to put this out. Yiiiikes. Since the interview, Lisa’s other band–who we talk about but not name in this episode–Fucked and Bound, announced the release of their first album Suffrage.  You can pre-order (or buy, depending on when you see this) the album via Atomic Action Records. They start shipping February 16, 2018. We also talk about Lisa’s expectations moving to Seattle and what she ultimately found there, how the city can foster the adventures of a newer band who’s still learning the ropes, and then a bit on her responsibility as a fellow woman to speak against misogyny while also balancing the need to ignore it at times. Thanks so much to Lisa for chatting with me over Skype and for being my inspiration to stop smoking! Thanks to The Fresh Brunettes for providing their song “Best of the Worst” as the new Grrl on Grrl theme song! You can find their album Fouled Up Beyond All Recognition on CDBaby. Listen http://traffic.libsyn.com/grrlongrrl/GRRL032-LisaMungo.mp3 Download GRRL032 at Libsyn [35 minutes; 34MB] or stream from these websites [iTunes | Stitcher | TuneIn | Google Play] Show Notes  Quitting smoking and changes in Lisa’s screaming voice because of it The start of He Whose Ox is Gored, 7 (8?) years ago Meeting at Guitar Center, finding other folks who are just as serious about music as she is Buying a synth and inviting herself into the band   Moving to Seattle – what were her expectations, and were those expectations met? Feeling lucky finding the DIY scene there   The need for smaller venues for new and emerging bands A safe space to learn how to be a band Seattle has a cooperative, supportive underground music scene “I fucking love Seattle!”   Will Seattle be able to “contain” He Whose Ox is Gored? Every band has a different goal and/or path, dependent on lifestyle. The possibility of over-playing a city or market; does that apply to younger bands too? What He Whose Ox is Gored did when they were a younger band–“it’s because they were taking a leak somewhere and they saw our name!”   Advice and mistakes of being a younger band “Do whatever it takes.” Not being afraid to try new things Using mistakes and failure to grow as a band   Song clip: Fucked and Bound’s “00FUXX” Talking about her new hardcore band, Fucked and Bound New record unreleased at time of the interview, but can be ordered via Atomic Action Records   How does Lisa have the time for everything? Music as her main focus Making the switch to not drinking/not partying a few years back so she can focus on her projects Game of Thrones   She reiterates, “I do watch a lot of Game of Thrones.” DIY merch creation The Vera Project – take a class and then can use their screenprinting lab We both grouse about screenprinting and other DIY travails The pride of making and selling their own merchandise   Can the metal (or more generally the music) scene be more inclusive? If you want to hear Sarah from Spotlights’ answer to that, head to her episode here. Seattle can feel like an inclusive bubble. Deciding to “hit the ignore button” vs speaking out against microaggressions (mansplaining, inappropriate questions, etc.) on tour Responsibility to other women to speak up Taking it night by night and/or situation by situation   Feeling hopeless in this current political climate Solidarity, speaking out, not giving up Using our anger to “hit the pavement”   Song clip: He Whose Ox is Gored’s “Machina“  Links    Fucked and Bound on Facebook, Instagram, and Twitter He Whose Ox is Gored’s Bandcamp He Whose Ox is Gored on Facebook, Instagram, and Twitter    Stream

<p>Welcome to Grrl on Grrl episode 32, featuring Lisa Mungo of metal band He Whose Ox is Gored and hardcore band Fucked and Bound.</p> <p>I met with Lisa in 2016 when He Whose Ox is Gored played in San Diego, and we recorded this interview in February after the first women’s march… yes, it’s taken me a whole year to put this out. Yiiiikes.</p> <p>Since the interview, Lisa’s other band–who we talk about but not name in this episode–Fucked and Bound, announced the release of their first album <em>Suffrage.  </em>You can pre-order (or buy, depending on when you see this) <a href="http://atomicactionrecords.bigcartel.com/product/aa-78-fucked-bound-suffrage" rel="noopener nofollow" target="_blank">the album via Atomic Action Records</a>. They start shipping February 16, 2018.</p> <p>We also talk about Lisa’s expectations moving to Seattle and what she ultimately found there, how the city can foster the adventures of a newer band who’s still learning the ropes, and then a bit on her responsibility as a fellow woman to speak against misogyny while also balancing the need to ignore it at times.</p> <p>Thanks so much to Lisa for chatting with me over Skype and for being my inspiration to stop smoking!</p> <p>Thanks to <a href="https://grrlongrrl.wordpress.com/2017/05/03/grrl026-femme-punk-misconceptions-and-song-inspiration-with-the-fresh-brunettes/" rel="nofollow" target="_blank">The Fresh Brunettes</a> for providing their song “Best of the Worst” as the new Grrl on Grrl theme song! You can find their album <a href="https://store.cdbaby.com/cd/thefreshbrunettes2" rel="nofollow" target="_blank"><em>Fouled Up Beyond All Recognition</em> on CDBaby.</a></p> <h2>Listen</h2> <a href="http://traffic.libsyn.com/grrlongrrl/GRRL032-LisaMungo.mp3" rel="nofollow" target="_blank">http://traffic.libsyn.com/grrlongrrl/GRRL032-LisaMungo.mp3</a> <p><a href="http://traffic.libsyn.com/grrlongrrl/GRRL032-LisaMungo.mp3" rel="noopener nofollow" target="_blank">Download GRRL032 at Libsyn</a> [35 minutes; 34MB] or stream from these websites [<a href="https://itunes.apple.com/us/podcast/grrl-on-grrl-music-interviews/id1031096953?mt=2" rel="nofollow" target="_blank">iTunes</a> | <a href="http://stitcher.com/podcast/june-owatari/grrl-on-grrl?refid=stpr" rel="nofollow" target="_blank">Stitcher</a> | <a href="http://tunein.com/radio/Grrl-on-Grrl-p841178/" rel="nofollow" target="_blank">TuneIn</a> | <a href="https://play.google.com/music/listen?u=0#/ps/Iaimjjitqyy5xo2gnnu2np3fnji" rel="nofollow" target="_blank">Google Play</a>]</p> <h2>Show Notes</h2> <ul> <li>Quitting smoking and changes in Lisa’s screaming voice because of it</li> <li>The start of He Whose Ox is Gored, 7 (8?) years ago<br><ul> <li>Meeting at Guitar Center, finding other folks who are just as serious about music as she is</li> <li>Buying a synth and inviting herself into the band</li> </ul> </li> <li>Moving to Seattle – what were her expectations, and were those expectations met?<br><ul> <li>Feeling lucky finding the DIY scene there</li> </ul> </li> <li>The need for smaller venues for new and emerging bands<br><ul> <li>A safe space to learn how to be a band</li> <li>Seattle has a cooperative, supportive underground music scene</li> <li>“I fucking love Seattle!”</li> </ul> </li> <li>Will Seattle be able to “contain” He Whose Ox is Gored?<br><ul> <li>Every band has a different goal and/or path, dependent on lifestyle.</li> <li>The possibility of over-playing a city or market; does that apply to younger bands too?</li> <li>What He Whose Ox is Gored did when they were a younger band–“it’s because they were taking a leak somewhere and they saw our name!”</li> </ul> </li> <li>Advice and mistakes of being a younger band<br><ul> <li>“Do whatever it takes.” Not being afraid to try new things</li> <li>Using mistakes and failure to grow as a band</li> </ul> </li> <li><strong>Song clip: Fucked and Bound’s “00FUXX”</strong></li> <li>Talking about her new hardcore band, Fucked and Bound<br><ul> <li>New record unreleased at time of the interview, but can be ordered via Atomic Action Records</li> </ul> </li> <li>How does Lisa have the time for everything?<br><ul> <li>Music as her main focus</li> <li>Making the switch to not drinking/not partying a few years back so she can focus on her projects</li> <li>Game of Thrones</li> </ul> </li> <li>She reiterates, “I <em>do</em> watch a lot of Game of Thrones.”</li> <li>DIY merch creation<br><ul> <li><a href="https://theveraproject.org/" rel="noopener nofollow" target="_blank">The Vera Project</a> – take a class and then can use their screenprinting lab</li> <li>We both grouse about screenprinting and other DIY travails</li> <li>The pride of making and selling their own merchandise</li> </ul> </li> <li>Can the metal (or more generally the music) scene be more inclusive? If you want to hear Sarah from Spotlights’ answer to that, <a href="https://grrlongrrl.wordpress.com/2017/01/15/grrl022-new-york-vs-la-the-hustle-and-touring-with-deftones-and-refused-featuring-sarah-quintero-of-spotlights/" rel="noopener nofollow" target="_blank">head to her episode here</a>.<br><ul> <li>Seattle can feel like an inclusive bubble.</li> <li>Deciding to “hit the ignore button” vs speaking out against microaggressions (mansplaining, inappropriate questions, etc.) on tour</li> <li>Responsibility to other women to speak up</li> <li>Taking it night by night and/or situation by situation</li> </ul> </li> <li>Feeling hopeless in this current political climate<br><ul> <li>Solidarity, speaking out, not giving up</li> <li>Using our anger to “hit the pavement”</li> </ul> </li> <li><strong>Song clip: He Whose Ox is Gored’s “<a href="https://hewhoseoxisgored.bandcamp.com/track/magazina" rel="noopener nofollow" target="_blank">Machina</a>“</strong></li> </ul> <h2>Links</h2> <ul> <li> <ul> <li>Fucked and Bound on <a href="https://www.facebook.com/fuuckedandbound/" rel="noopener nofollow" target="_blank">Facebook</a>, <a href="http://instagram.com/fuckedandboundofficial" rel="noopener nofollow" target="_blank">Instagram</a>, and <a href="http://twitter.com/fvckedandbound" rel="noopener nofollow" target="_blank">Twitter</a></li> <li>He Whose Ox is Gored’s <a href="https://hewhoseoxisgored.bandcamp.com/" rel="noopener nofollow" target="_blank">Bandcamp</a></li> <li>He Whose Ox is Gored on <a href="https://www.facebook.com/hewhoseoxisgoredseattle" rel="noopener nofollow" target="_blank">Facebook</a>, <a href="https://www.instagram.com/hewhoseoxisgored/" rel="noopener nofollow" target="_blank">Instagram</a>, and <a href="https://twitter.com/oxisgored" rel="noopener nofollow" target="_blank">Twitter</a></li> </ul> </li> </ul> <h2>Stream</h2>

Lisa Mungo on Seattle, how to be new band, and inclusivity in metal (GRRL032)