Sergio Muñoz Sarmiento's guest appearances

Sergio Muñoz Sarmiento

Events & Discussions

Warfare of Art & Law Podcast

Andrew Smith

Marilyn Minter

Kate Gilmore

Noah Charney

Marc Chagall

Sarah Trigg

Mark Ludwig

Dave Mckenzie

Dread Scott

Lauren Haynes

Emily Gould

Mark Thomas

Peter Brant

Sheila Pepe

Matthew Ronay

OwlTail

The featured image is titled Ahh...Youth! (2015 - ongoing), Sergio Muñoz Sarmiento. Ink jet print. Image: © and TM Sergio Muñoz Sarmiento. All rights reserved.For more information, please visit the websites for Sergio Muñoz Sarmiento and The Art &amp; Law Program.0:06  routes taken by students wanting to pursue art law 1:00 “gatekeepers” of art law3:00  Sergio Sarmiento’s experience practicing art seriously since 1992, 3:45 global expansion of art law practice 4:10 former student in Seoul, Korea applying to law school there to do art law in Korea 5:00 artists’ reliance on the law6:00  protecting artist's rights through contract, as opposed to encouraging federal legislation in relation to resale royalties.7:25  NFTs denied definition as art.    9:10 reason for picking medium of NFT 10:25 1970s pet rock 13:00 1992 undergrad at the University of Texas at El Paso 14:30 1995 CalArts 15:25 teaching at University of Southern California 15:50 focus on the concept of private property and public property16:15 originally applied to law school as an art project16:50 springboard for creating The Art &amp; Law Program occurred during law school 18:20 evolution of The Art &amp; Law Program’s mission since 201022:35  skeptical now of art that that attempts or believes that it is critiquing the system26:40 the necessity of the political mural 29:40 how his perspective has changed on what is art and its value 34:00  book project36:20 the National Basketball Association NFTs and their terms of service39:00  The Art &amp; Law Coloring Book 44:20 how culture and justice is addressed in the Program45:35 justice shown by example through cases read and discussed in the Program 45:50 how justice is defined individually, can it be attained completely46:10 is justice provisional and a bridge that temporarily fulfills us to get to the next step 46:35 if justice is unachievable, is that why people are in a perpetual state of misery47:00 diversity in The Program like a spider web48:00 current cultural powers thwarting or facilitating justice 49:00 museums’ use of their cultural power with social projects 50:00 if art is everything, then art is nothing. If museums are everything, then museums are nothing. 50:30 one of the lecturers of The Art &amp; Law Program questioning an artist's work about immigration52:15 if a plumber performs plumbing services and calls it art53:30 acceptance of other forms or types of artistic activity doing social good institutionalizes that practice54:45 what he would do differently would go back to 199756:10 impact he hope that his work, including the work with the Program, makes56:30 to exist and to have a practice as an artist, and someone who's interested in culture, without the necessity of a institutional affiliationTo view rewards for supporting the podcast, please visit Warfare's Patreon page.To leave questions or comments about this or other episodes of the podcast, please call 1.929.260.4942 or email Stephanie@warfareofartandlaw.com. © Stephanie Drawdy [2022]

The featured image is titled Ahh...Youth! (2015 - ongoing), Sergio Muñoz Sarmiento. Ink jet print. Image: © and TM Sergio Muñoz Sarmiento. All rights reserved. For more information, please visit the websites for <a href="http://www.sergiomunozsarmiento.com/" rel="nofollow" target="_blank">Sergio Muñoz Sarmiento</a> and <a href="http://www.artlawprogram.com" rel="nofollow" target="_blank">The Art &amp; Law Program</a>. 0:06  routes taken by students wanting to pursue art law  1:00 “gatekeepers” of art law3:00  Sergio Sarmiento’s experience practicing art seriously since 1992, 3:45 global expansion of art law practice 4:10 former student in Seoul, Korea applying to law school there to do art law in Korea 5:00 artists’ reliance on the law6:00  protecting artist's rights through contract, as opposed to encouraging federal legislation in relation to resale royalties.7:25  NFTs denied definition as art.    9:10 reason for picking medium of NFT 10:25 1970s pet rock 13:00 1992 undergrad at the University of Texas at El Paso 14:30 1995 CalArts 15:25 teaching at University of Southern California 15:50 focus on the concept of private property and public property16:15 originally applied to law school as an art project16:50 springboard for creating The Art &amp; Law Program occurred during law school 18:20 evolution of The Art &amp; Law Program’s mission since 201022:35  skeptical now of art that that attempts or believes that it is critiquing the system26:40 the necessity of the political mural 29:40 how his perspective has changed on what is art and its value 34:00  book project36:20 the National Basketball Association NFTs and their terms of service39:00  The Art &amp; Law Coloring Book 44:20 how culture and justice is addressed in the Program45:35 justice shown by example through cases read and discussed in the Program 45:50 how justice is defined individually, can it be attained completely46:10 is justice provisional and a bridge that temporarily fulfills us to get to the next step 46:35 if justice is unachievable, is that why people are in a perpetual state of misery47:00 diversity in The Program like a spider web48:00 current cultural powers thwarting or facilitating justice 49:00 museums’ use of their cultural power with social projects 50:00 if art is everything, then art is nothing. If museums are everything, then museums are nothing. 50:30 one of the lecturers of The Art &amp; Law Program questioning an artist's work about immigration52:15 if a plumber performs plumbing services and calls it art53:30 acceptance of other forms or types of artistic activity doing social good institutionalizes that practice54:45 what he would do differently would go back to 199756:10 impact he hope that his work, including the work with the Program, makes56:30 to exist and to have a practice as an artist, and someone who's interested in culture, without the necessity of a institutional affiliationTo view rewards for supporting the podcast, please visit <a href="https://www.patreon.com/warfareofartandlaw" rel="nofollow" target="_blank">Warfare's Patreon page</a>. To leave questions or comments about this or other episodes of the podcast, please call 1.929.260.4942 or email Stephanie@warfareofartandlaw.com.  © Stephanie Drawdy [2022]

The Art & Law Program: Sergio Muñoz Sarmiento on Artists Rights, Culture & Justice, and the NBA & NFTs

Artist, writer, lawyer and MFA Fine Arts faculty member Sergio Muñoz Sarmiento talks about his work, which focuses on the analysis of property and structures through legal and cultural discourse and practices. Presented by MFA Fine Arts.Sarmiento holds a BA from the University of Texas, El Paso, an MFA from the California Institute of the Arts and a JD from Cornell Law School. In 1997, he was a Van Lier Fellow in The Whitney Museum of American Art’s independent study program in studio art.

Artist, writer, lawyer and MFA Fine Arts faculty member Sergio Muñoz Sarmiento talks about his work, which focuses on the analysis of property and structures through legal and cultural discourse and practices. Presented by MFA Fine Arts. Sarmiento holds a BA from the University of Texas, El Paso, an MFA from the California Institute of the Arts and a JD from Cornell Law School. In 1997, he was a Van Lier Fellow in The Whitney Museum of American Art’s independent study program in studio art.