Sal Randolph's guest appearances

Sal Randolph

Bad at Sports

Village Zendo Student Talks

Encounters

RAYGUN TALKS PODCAST

Orit Gat

Amanda Williams

Mark Allen

Gavin Turk

David Shrigley

Chris Walla

John Jennings

Jenn Smith

Michael Parker

Holly Hanessian

Scott McCloud

Marina Abramović

Chris Ware

Claire Ashley

David Hockney

OwlTail

The post Talk by Gessho Sal Randolph “The Koan of Death and Dying” first appeared on The Village Zendo.

The post <a href="https://villagezendo.org/2022/06/12/talk-by-gessho-sal-randolph-the-koan-of-death-and-dying/" rel="nofollow" target="_blank">Talk by Gessho Sal Randolph “The Koan of Death and Dying”</a> first appeared on <a href="https://villagezendo.org" rel="nofollow" target="_blank">The Village Zendo</a>.

Talk by Gessho Sal Randolph “The Koan of Death and Dying”

Sal Randolph first showed with RAYGUN in 2014, with her project 'Library of Art', which we also took to Alaska Projects in Sydney. Sal came back to Raygun in Toowoomba with ESTAR(SER) in 2015.   Sal says, 'I am an artist and writer living in New York. My current work takes the form of multimedia performance, experimental language, publishing, and the creation of social spaces. I frequently write about attention and the experience of art, and my research interests include the intersection of time, feeling, capital, and crisis.' In this podcast we discuss Sal's Library of Art, she also explains the investigation of historical practices of attention as part of the research consortium ESTAR(SER). We don't chat about it, but Sal also has undertaken a series of linguistic interventions in social media, including a novel written on Twitter (@driftictation). This podcast was made by RAYGUN - Tarn McLean and Alexandra Lawson. We acknowledge the Giabal and Jarowiar peoples as the Traditional Owners of the land on which this podcast has taken place.  Here's a link to Sal's website. 

Sal Randolph first showed with RAYGUN in 2014, with her project <a href="https://raygunlab.org/2014/04/06/sal-randolph-library-of-art-expanding-universe-raygun-edition-opens/" rel="nofollow" target="_blank">'Library of Art'</a>, which we also took to <a href="https://raygunlab.org/2014/04/11/sal-randolph-in-sydney-at-alaska-projects/" rel="nofollow" target="_blank">Alaska Projects in Sydney</a>. Sal came back to Raygun in Toowoomba with <a href="https://raygunlab.org/2015/05/18/estarser-sal-randolph-usa-audra-wolowiec-usa-and-d-graham-burnett-usa/" rel="nofollow" target="_blank">ESTAR(SER)</a> in 2015.   Sal says, 'I am an artist and writer living in New York. My current work takes the form of multimedia performance, experimental language, publishing, and the creation of social spaces. I frequently write about attention and the experience of art, and my research interests include the intersection of time, feeling, capital, and crisis.' In this podcast we discuss Sal's <a href="https://www.salrandolph.com/library-of-art" rel="nofollow" target="_blank">Library of Art</a>, she also explains the investigation of historical practices of attention as part of the research consortium <a href="http://www.estarser.net/" rel="nofollow" target="_blank">ESTAR(SER)</a>. We don't chat about it, but Sal also has undertaken a series of linguistic interventions in social media, including a novel written on Twitter (@driftictation). This podcast was made by RAYGUN - Tarn McLean and Alexandra Lawson. We acknowledge the Giabal and Jarowiar peoples as the Traditional Owners of the land on which this podcast has taken place.  Here's a link to <a href="https://www.salrandolph.com/" rel="nofollow" target="_blank">Sal's website</a>.

#2 RAYGUN Talks to Sal Randolph (US)

In this episode D. Graham Burnett and Sal Randolph discuss their upcoming GI event ‘The Dance of Attention’, their involvement in the research collective ESTAR(SER) www.estarser.net and their shared interest in the history and practices of attention. More info here: https://glasgowinternational.org/digital-events/d-graham-burnett-stevie-knauss-sal-randolph/ Production Credits: Producer: Lynsey Moyes Original Music: Pete Burns GI Encounters is supported by the Scottish Government’s Expo and Arts Fund

In this episode D. Graham Burnett and Sal Randolph discuss their upcoming GI event ‘The Dance of Attention’, their involvement in the research collective ESTAR(SER) <a href="http://www.estarser.net/" rel="nofollow" target="_blank">www.estarser.net</a> and their shared interest in the history and practices of attention. More info here: <a href="https://glasgowinternational.org/digital-events/d-graham-burnett-stevie-knauss-sal-randolph/" rel="nofollow" target="_blank">https://glasgowinternational.org/digital-events/d-graham-burnett-stevie-knauss-sal-randolph/</a> Production Credits: Producer: Lynsey Moyes Original Music: Pete Burns GI Encounters is supported by the Scottish Government’s Expo and Arts Fund

Encounters 9: D. Graham Burnett and Sal Randolph

This week: More SoPra! From the Open Engagement 2012 Duncan, Abby Satin Sky, Randall, Jesse, and Brian team up against Sal Randolph! Sal Randolph lives in New York and makes art involving gift economies, social interactions, public spaces, texts, and instructions, including Opsound, (a site for the exchange of copyleft music) the Free Biennial and Free Manifesta (a pair of open guerrilla 'biennials'), Free Words (a book infiltrated into bookstores and libraries), and Money Actions (an ongoing series of interventions in which she gives away money to strangers. Her Money Actions have been part of the 2011 Ljubljana Biennial, the Live Biennale in Vancouver, Art in Odd Places, and textual version have been exhibited at Christina Ray Gallery. Other projects have taken place at Manifesta 4, Roda Sten, the Palais de Tokyo, Burofriedrich, Art Interactive and Pace Digital Gallery. In early 2012 she was an artist in residence at Proteus Gowanus in Brooklyn where she offered members of the public free tickets to unknown destinations. Recently she has also performed live with her manual typewriter as part of 'And the Winner is Nick Kahn' at the Cantor Fitzgerald Gallery at Haverford. Her work has been commented on in Olav Velthius' Imaginary Economics; Contemporary Artists and the World of Big Money, Eileen Myles' The Importance of Being Iceland, as well as on National Public Radio and in The Art Newspaper, Tema Celeste and the Village Voice. She is currently investigating games, recipes, algorithms, codes, and texts, playing video games, and writing about about experience, participation, and value in art.

This week: More SoPra! From the Open Engagement 2012 Duncan, Abby Satin Sky, Randall, Jesse, and Brian team up against Sal Randolph! Sal Randolph lives in New York and makes art involving gift economies, social interactions, public spaces, texts, and instructions, including Opsound, (a site for the exchange of copyleft music) the Free Biennial and Free Manifesta (a pair of open guerrilla 'biennials'), Free Words (a book infiltrated into bookstores and libraries), and Money Actions (an ongoing series of interventions in which she gives away money to strangers. Her Money Actions have been part of the 2011 Ljubljana Biennial, the Live Biennale in Vancouver, Art in Odd Places, and textual version have been exhibited at Christina Ray Gallery. Other projects have taken place at Manifesta 4, Roda Sten, the Palais de Tokyo, Burofriedrich, Art Interactive and Pace Digital Gallery. In early 2012 she was an artist in residence at Proteus Gowanus in Brooklyn where she offered members of the public free tickets to unknown destinations. Recently she has also performed live with her manual typewriter as part of 'And the Winner is Nick Kahn' at the Cantor Fitzgerald Gallery at Haverford. Her work has been commented on in Olav Velthius' Imaginary Economics; Contemporary Artists and the World of Big Money, Eileen Myles' The Importance of Being Iceland, as well as on National Public Radio and in The Art Newspaper, Tema Celeste and the Village Voice. She is currently investigating games, recipes, algorithms, codes, and texts, playing video games, and writing about about experience, participation, and value in art.