Sarah-Neel Smith's guest appearances

Sarah-Neel Smith

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Sarah-Neel Smith on “Metrics of Modernity: Art and Development in Postwar Turkey” (University of California Press). The book paints a vivid portrait of Turkey's art world in the 1950s and how it reflected early Cold War ideas of national development, individual enterprise and global integration. Become a member to support Turkey Book Talk. Members get a 35% discount on all Turkey/Ottoman History books published by IB Tauris/Bloomsbury, transcripts of every interview, transcripts of the whole archive, and over 200 reviews covering Turkish and international fiction, history and politics.

Sarah-Neel Smith on “Metrics of Modernity: Art and Development in Postwar Turkey” (University of California Press). The book paints a vivid portrait of Turkey's art world in the 1950s and how it reflected early Cold War ideas of national development, individual enterprise and global integration. <a href="https://www.patreon.com/user?u=2998854&amp;fan_landing=true" rel="nofollow" target="_blank">Become a member</a> to support Turkey Book Talk. Members get a 35% discount on all Turkey/Ottoman History books published by IB Tauris/Bloomsbury, transcripts of every interview, transcripts of the whole archive, and over 200 reviews covering Turkish and international fiction, history and politics.

Sarah-Neel Smith on art and development in mid-20th century Turkey

Metrics of Modernity: Art and Development in Postwar Turkey (University of California Press, 2022) is a vivid portrait of the art world of 1950s Turkey in which Sarah-Neel Smith offers a new framework for analyzing global modernisms of the twentieth century: economic development.After World War II, a cohort of influential Turkish modernists built a new art scene in Istanbul and Ankara. The entrepreneurial female gallerist Adalet Cimcoz, the art critic (and future prime minister) Bülent Ecevit, and artists like Aliye Berger, Füreya Koral, and Bedri Rahmi Eyüboğlu were not only focused on aesthetics. On the canvas, in criticism, and in the gallery, these cultural pioneers also grappled with economic questions—attempting to transform their country from a “developing nation” into a major player in the global markets of the postwar period.Smith’s book publishes landmark works of Turkish modernism for the first time, along with an innovative array of sources—from gossip columns to economic theory—to reveal the art world as a key site for the articulation of Turkish nationhood at midcentury.Reuben Silverman is a PhD candidate at University of California, San Diego Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

<a href="https://bookshop.org/a/12343/9780520383418" rel="nofollow" target="_blank">Metrics of Modernity: Art and Development in Postwar Turkey</a> (University of California Press, 2022) is a vivid portrait of the art world of 1950s Turkey in which Sarah-Neel Smith offers a new framework for analyzing global modernisms of the twentieth century: economic development.After World War II, a cohort of influential Turkish modernists built a new art scene in Istanbul and Ankara. The entrepreneurial female gallerist Adalet Cimcoz, the art critic (and future prime minister) Bülent Ecevit, and artists like Aliye Berger, Füreya Koral, and Bedri Rahmi Eyüboğlu were not only focused on aesthetics. On the canvas, in criticism, and in the gallery, these cultural pioneers also grappled with economic questions—attempting to transform their country from a “developing nation” into a major player in the global markets of the postwar period.Smith’s book publishes landmark works of Turkish modernism for the first time, along with an innovative array of sources—from gossip columns to economic theory—to reveal the art world as a key site for the articulation of Turkish nationhood at midcentury.<a href="https://reubensilverman.wordpress.com/" rel="nofollow" target="_blank">Reuben Silverman</a> is a PhD candidate at University of California, San Diego Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices" rel="nofollow" target="_blank">megaphone.fm/adchoices</a>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/art" rel="nofollow" target="_blank">https://newbooksnetwork.supportingcast.fm/art</a>

Sarah-Neel Smith, "Metrics of Modernity: Art and Development in Postwar Turkey" (U California Press, 2022)

Metrics of Modernity: Art and Development in Postwar Turkey (University of California Press, 2022) is a vivid portrait of the art world of 1950s Turkey in which Sarah-Neel Smith offers a new framework for analyzing global modernisms of the twentieth century: economic development.After World War II, a cohort of influential Turkish modernists built a new art scene in Istanbul and Ankara. The entrepreneurial female gallerist Adalet Cimcoz, the art critic (and future prime minister) Bülent Ecevit, and artists like Aliye Berger, Füreya Koral, and Bedri Rahmi Eyüboğlu were not only focused on aesthetics. On the canvas, in criticism, and in the gallery, these cultural pioneers also grappled with economic questions—attempting to transform their country from a “developing nation” into a major player in the global markets of the postwar period.Smith’s book publishes landmark works of Turkish modernism for the first time, along with an innovative array of sources—from gossip columns to economic theory—to reveal the art world as a key site for the articulation of Turkish nationhood at midcentury.Reuben Silverman is a PhD candidate at University of California, San Diego Learn more about your ad choices. Visit megaphone.fm/adchoices

<a href="https://bookshop.org/a/12343/9780520383418" rel="nofollow" target="_blank">Metrics of Modernity: Art and Development in Postwar Turkey</a> (University of California Press, 2022) is a vivid portrait of the art world of 1950s Turkey in which Sarah-Neel Smith offers a new framework for analyzing global modernisms of the twentieth century: economic development.After World War II, a cohort of influential Turkish modernists built a new art scene in Istanbul and Ankara. The entrepreneurial female gallerist Adalet Cimcoz, the art critic (and future prime minister) Bülent Ecevit, and artists like Aliye Berger, Füreya Koral, and Bedri Rahmi Eyüboğlu were not only focused on aesthetics. On the canvas, in criticism, and in the gallery, these cultural pioneers also grappled with economic questions—attempting to transform their country from a “developing nation” into a major player in the global markets of the postwar period.Smith’s book publishes landmark works of Turkish modernism for the first time, along with an innovative array of sources—from gossip columns to economic theory—to reveal the art world as a key site for the articulation of Turkish nationhood at midcentury.<a href="https://reubensilverman.wordpress.com/" rel="nofollow" target="_blank">Reuben Silverman</a> is a PhD candidate at University of California, San Diego Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices" rel="nofollow" target="_blank">megaphone.fm/adchoices</a>