Marcus Teague's guest appearances

Marcus Teague

The Ride with JMV Podcast

Penmanship

I Went Down To The River

Hit Different

Patti Smith

Susan Johnson

Henry Rollins

Courtney Barnett

Alex Lahey

David Murray

Richard Fidler

John Wilson

Sarah Ferguson

Mike Katz

Gideon Haigh

Kevin Gillespie

John Christie

Winston McCall

Paul Dempsey

OwlTail

Subscribe to Mushroom podcasts and support original Australian music journalism. You'll get them early and ad-free. Only $4 per month. FREE trial on Apple Podcasts.   Deep into what it means to be an artist this episode as we break down the segment walls to flow from The Kid LAROI being massive, young and in the US, then Marcus Teague has been pondering auteurs through Jack Ladder's latest record and Gabriella Cohen's two sides of the coin experience.   This episode!  Praise be The Kid LAROI. The 18 year old is it and a bit in the US popular music and hip hop scene. Where's he from and what's he doing exactly. The Auteur is a rare, tough and enviable label to maintain. From his article in The Guardian about Jack Ladder we find a meditation from Marcus Teague on the concept and it's possibilities. Gabriella Cohen, co-host and artist, let's us in on what lead her to her latest release Frangelico Dreams.    Subscribe to Mushroom podcast. You'll get them early and ad free, all while you're supporting Australian music journalism. Such a good multi-task. Check it out here - https://mushroomstudiosaccess.supercast.tech/   Gabriella Cohen - Spotify | Facebook | Instagram Gabriella Cohen interviews Maple Glider - HappyMag   Hosts Mikey Cahill - Instagram / Twitter / Facebook / mikeycahill.com Sosefina Fuamoli - Instagram / Twitter / sosefinafuamoli.com Marcus Teague - Twitter / The Guardian / Bandcamp   More Hit Different Facebook Group Hit Different on Mushroom.com   Check out our other podcasts 180 Grams, the stories of remarkable albums. Some of My Best Work, artists tell the stories of their favourite songs One Guitar, singer-songwriters each create a new song on the same guitar   Credits Producer/editor - Courtney Carthy, the Mushroom Group Theme music - Mark D'Angelo, The Backlot Studios Artwork - Mushroom Creative House Equipment - Audio TechnicaGet more Hit Different: http://mushroom.com/podcast/hit-differentSee omnystudio.com/listener for privacy information.

Subscribe to Mushroom podcasts and support original Australian music journalism. You'll get them early and ad-free. Only $4 per month. <a href="https://podcasts.apple.com/au/podcast/hit-different/id1566292569?itsct=podcast_box_link&amp;itscg=30200&amp;ls=1&amp;at=10l4QJ" rel="nofollow" target="_blank">FREE trial on Apple Podcasts</a>. Deep into what it means to be an artist this episode as we break down the segment walls to flow from The Kid LAROI being massive, young and in the US, then Marcus Teague has been pondering auteurs through Jack Ladder's latest record and <a href="https://www.instagram.com/gabriellaacohen/?hl=en" rel="nofollow" target="_blank">Gabriella Cohen's</a> two sides of the coin experience. This episode! <ol> <li>Praise be The Kid LAROI. The 18 year old is it and a bit in the US popular music and hip hop scene. Where's he from and what's he doing exactly.</li> <li>The Auteur is a rare, tough and enviable label to maintain. From his <a href="https://www.theguardian.com/music/2021/sep/10/jack-ladder-the-dreamlanders-hijack-review-black-humour-and-drama-from-acclaimed-auteur" rel="nofollow" target="_blank">article in The Guardian about Jack Ladder</a> we find a meditation from Marcus Teague on the concept and it's possibilities.</li> <li>Gabriella Cohen, co-host and artist, let's us in on what lead her to her latest release Frangelico Dreams.</li> </ol> Subscribe to Mushroom podcast. You'll get them early and ad free, all while you're supporting Australian music journalism. Such a good multi-task. Check it out here - <a href="https://mushroomstudiosaccess.supercast.tech/" rel="nofollow" target="_blank">https://mushroomstudiosaccess.supercast.tech/</a> Gabriella Cohen - <a href="https://open.spotify.com/artist/1akKMgG2tm6Wgx83VmBSMy?si=-mnCTjlfQSuBxX-6-uzzoA&amp;dl_branch=1" rel="nofollow" target="_blank">Spotify</a> | <a href="https://www.facebook.com/gabriellacohenmusic" rel="nofollow" target="_blank">Facebook </a>| <a href="https://www.instagram.com/gabriellaacohen/?hl=en" rel="nofollow" target="_blank">Instagram</a> <a href="https://happymag.tv/gabriella-cohen-maple-glider/" rel="nofollow" target="_blank">Gabriella Cohen interviews Maple Glider - HappyMag</a> Hosts Mikey Cahill - <a href="http://www.instagram.com/joeylightbulb" rel="nofollow" target="_blank">Instagram</a> / <a href="http://www.twitter.com/joeylightbulb" rel="nofollow" target="_blank">Twitter</a> / <a href="http://www.facebook.com/michael.cahill.359" rel="nofollow" target="_blank">Facebook</a> / <a href="http://www.mikeycahill.com/" rel="nofollow" target="_blank">mikeycahill.com</a> Sosefina Fuamoli - <a href="http://www.instagram.com/sosefuamoli" rel="nofollow" target="_blank">Instagram</a> / <a href="http://www.twitter.com/Sose_Carter" rel="nofollow" target="_blank">Twitter</a> / <a href="http://www.sosefinafuamoli.com/" rel="nofollow" target="_blank">sosefinafuamoli.com</a> Marcus Teague - <a href="https://twitter.com/MarcusTeague" rel="nofollow" target="_blank">Twitter</a> / <a href="https://www.theguardian.com/profile/marcus-teague" rel="nofollow" target="_blank">The Guardian</a> / <a href="https://singletwin.bandcamp.com/album/marcus-teague" rel="nofollow" target="_blank">Bandcamp</a> More <a href="http://www.facebook.com/groups/hitdifferent/" rel="nofollow" target="_blank">Hit Different Facebook Group</a> <a href="http://www.mushroom.com/podcast/hitdifferent" rel="nofollow" target="_blank"></a><a href="http://www.mushroom.com/podcast/hitdifferent" rel="nofollow" target="_blank">Hit Different on Mushroom.com</a> Check out our other podcasts <a href="https://mushroom.com/podcast/180grams/" rel="nofollow" target="_blank">180 Grams</a>, the stories of remarkable albums. <a href="https://open.spotify.com/show/2jOr0thN6qHagDPnysvAG2?si=tJeYDduTSsuw_Wt-dTCyyA&amp;dl_branch=1" rel="nofollow" target="_blank">Some of My Best Work</a>, artists tell the stories of their favourite songs <a href="https://podfollow.com/1578638398" rel="nofollow" target="_blank">One Guitar</a>, singer-songwriters each create a new song on the same guitar Credits Producer/editor - Courtney Carthy, <a href="http://www.mushroomgroup.com" rel="nofollow" target="_blank">the Mushroom Group</a> Theme music - Mark D'Angelo, <a href="https://www.thebacklotstudios.com/" rel="nofollow" target="_blank">The Backlot Studios</a> Artwork - <a href="http://www.mushroomcreative.com" rel="nofollow" target="_blank">Mushroom Creative House</a> Equipment - <a href="https://audio-technica.com.au/" rel="nofollow" target="_blank">Audio Technica</a><a href="http://mushroom.com/podcast/hit-different" rel="payment nofollow" target="_blank">Get more Hit Different: http://mushroom.com/podcast/hit-different</a>See <a href="https://omnystudio.com/listener" rel="nofollow" target="_blank">omnystudio.com/listener</a> for privacy information.

Praise The Kid Laroi, Gabriella Cohen makes salads & Marcus Teague on Jack Ladder

Marcus Teague '88 and I take a trip Down to the River to discuss his transition to Hawken, his role on the magical '85-'87 seasons, the origin of his nickname "Ice", and what it was like to play college ball in the Single Wing offense.The Ask Coach segment: "what was your greatest accomplishment on or off of the field?"

Marcus Teague '88 and I take a trip Down to the River to discuss his transition to Hawken, his role on the magical '85-'87 seasons, the origin of his nickname "Ice", and what it was like to play college ball in the Single Wing offense. The Ask Coach segment: "what was your greatest accomplishment on or off of the field?"

Episode 12- Marcus Teague '88

Marcus Teague is an editor, freelance writer, songwriter and musician. His contribution to Australian music journalism during the last decade has been significant. After co-founding a magazine and website devoted to independent music named Mess+Noise, Marcus went on to work as music editor at The Vine for six years from 2008. Under his editorial guidance, this pop culture-centric website became one of the most popular and respected outlets for music writing in the country. It also provided a regular home for thoughtful, longform journalism and criticism for many freelance writers, myself included. Writing for Marcus at The Vine was an incredibly important aspect of my development as a journalist and music critic, and I have many fond memories of my time writing for the site for four years from 2010. Since he left The Vine in 2014, Marcus has freelanced for the likes of Rolling Stone and Guardian Australia, while copywriting and working on artist bios on the side, in addition to his day job as commercial editor at Broadsheet. One evening in April, I met Marcus at a studio in Fitzroy, and our conversation touches on why he thinks suspicion is an essential character trait for music journalists; how he developed resilience as a fledgling musician who dreamed of making it in Melbourne; how he started writing songs in tandem with publishing a magazine that was a precursor to Mess+Noise; why he now finds it harder to write songs as he becomes more invested in journalism, and what happened when the drummer of Metallica read a concert review on The Vine and decided to give Marcus a call.  Marcus Teague is an editor, freelance writer, songwriter and musician based in Melbourne. He formed the band Deloris in the late 1990s, and wrote and recorded four albums until the band split in 2008. While in Deloris, he began writing about Australian music, first in the self-made, small-run zine Poolside with friend and bandmate Leigh Lambert, then as co-founder of magazine and website Mess+Noise. In 2008, Marcus was hired as full-time Music Editor for new website The Vine, a pop-culture offshoot of Fairfax Digital. Writing daily about music, it was there many of his formative experiences as a music journalist occurred: covering CMJ in New York, becoming a panelist and guest on the likes of Bigsound, triple j, and Face the Music, filing reviews for The Age and The Sydney Morning Herald, and being asked to tour with Metallica after the band read Marcus's review of their live show. After leaving The Vine in 2014 Marcus freelanced, becoming a regular contributor to Rolling Stone and Guardian Australia, among others. He also began a sideline in writing copy for music industry clients and artist bios. Marcus is currently the Commercial Editor for Broadsheet, and continues to freelance as a music writer. He also writes and releases music under the solo moniker of Single Twin, as well as in the band Near Myth, whose debut album, Idiot Mystic, was released in late 2016. Show notes and links to what was discussed in this episode: http://penmanshippodcast.com/episode-38-marcus-teague/ Marcus Teague on Twitter: @MarcusTeague Penmanship on Twitter: @PenmanshipAU penmanshippodcast.com

Marcus Teague is an editor, freelance writer, songwriter and musician. His contribution to Australian music journalism during the last decade has been significant. After co-founding a magazine and website devoted to independent music named Mess+Noise, Marcus went on to work as music editor at The Vine for six years from 2008. Under his editorial guidance, this pop culture-centric website became one of the most popular and respected outlets for music writing in the country. It also provided a regular home for thoughtful, longform journalism and criticism for many freelance writers, myself included. Writing for Marcus at The Vine was an incredibly important aspect of my development as a journalist and music critic, and I have many fond memories of my time writing for the site for four years from 2010. Since he left The Vine in 2014, Marcus has freelanced for the likes of Rolling Stone and Guardian Australia, while copywriting and working on artist bios on the side, in addition to his day job as commercial editor at Broadsheet. One evening in April, I met Marcus at a studio in Fitzroy, and our conversation touches on why he thinks suspicion is an essential character trait for music journalists; how he developed resilience as a fledgling musician who dreamed of making it in Melbourne; how he started writing songs in tandem with publishing a magazine that was a precursor to Mess+Noise; why he now finds it harder to write songs as he becomes more invested in journalism, and what happened when the drummer of Metallica read a concert review on The Vine and decided to give Marcus a call.  Marcus Teague is an editor, freelance writer, songwriter and musician based in Melbourne. He formed the band Deloris in the late 1990s, and wrote and recorded four albums until the band split in 2008. While in Deloris, he began writing about Australian music, first in the self-made, small-run zine Poolside with friend and bandmate Leigh Lambert, then as co-founder of magazine and website Mess+Noise. In 2008, Marcus was hired as full-time Music Editor for new website The Vine, a pop-culture offshoot of Fairfax Digital. Writing daily about music, it was there many of his formative experiences as a music journalist occurred: covering CMJ in New York, becoming a panelist and guest on the likes of Bigsound, triple j, and Face the Music, filing reviews for The Age and The Sydney Morning Herald, and being asked to tour with Metallica after the band read Marcus's review of their live show. After leaving The Vine in 2014 Marcus freelanced, becoming a regular contributor to Rolling Stone and <a href="https://www.theguardian.com/profile/marcus-teague" rel="nofollow" target="_blank">Guardian Australia</a>, among others. He also began a sideline in writing copy for music industry clients and artist bios. Marcus is currently the Commercial Editor for Broadsheet, and continues to freelance as a music writer. He also writes and releases music under the solo moniker of <a href="https://singletwin.bandcamp.com/" rel="nofollow" target="_blank">Single Twin</a>, as well as in the band <a href="https://nearmyth.bandcamp.com/" rel="nofollow" target="_blank">Near Myth</a>, whose debut album, <a href="https://nearmyth.bandcamp.com/album/idiot-mystic" rel="nofollow" target="_blank">Idiot Mystic</a>, was released in late 2016. Show notes and links to what was discussed in this episode: <a href="http://penmanshippodcast.com/episode-38-marcus-teague/" rel="nofollow" target="_blank">http://penmanshippodcast.com/episode-38-marcus-teague/</a> Marcus Teague on Twitter: <a href="https://twitter.com/marcusteague" rel="nofollow" target="_blank">@MarcusTeague</a> Penmanship on Twitter: <a href="http://twitter.com/penmanshipAU" rel="nofollow" target="_blank">@PenmanshipAU</a> <a href="http://penmanshippodcast.com/" rel="nofollow" target="_blank">penmanshippodcast.com</a>

Episode 38: Marcus Teague