Danya Taymor's guest appearances

Danya Taymor

BOOTH ONE - Celebrating Culture and Conversation

Theatre Uncorked

Margalit Fox

Michael Hill

David Thompson

Helen Prejean

Rebecca Taichman

Leigh Silverman

David Cale

Jeremy O. Harris

Tony Fitzpatrick

Colman Domingo

Mark Larson

Antoinette Nwandu

Charna Halpern

Stephen Sondheim

Mark Kelly

OwlTail

In Episode 10, Jeremy O. Harris and Danya Taymor discuss the origins of "Daddy", how they have grown as artists since their first meeting two years ago, the differences between working in the theatre and other mediums, and the personal and artistic relationships that shape their work today. Kevin Winebold hosts. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Episode 10, Jeremy O. Harris and Danya Taymor discuss the origins of "Daddy", how they have grown as artists since their first meeting two years ago, the differences between working in the theatre and other mediums, and the personal and artistic relationships that shape their work today. Kevin Winebold hosts. Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices" rel="nofollow" target="_blank">megaphone.fm/adchoices</a>

Episode 10 - Jeremy O. Harris and Danya Taymor

Gary interviews playwright Antoinette Nwandu and director Danya Taymor during rehearsals of Nwandu’s play Pass Over, on site at the Steppenwolf Theatre. We are attending a press performance on June 13 and cannot wait! They share fascinating insights about the process of creating a world premiere, with Antoinette developing the script throughout the rehearsal period. These two are absolutely inspiring as artistic collaborators. So much mutual respect, affection, and humor. Booth One would love to be in the rehearsal room! Antoinette describes Pass Over: “At its core, this play asks us collectively to consider the value of black lives, specifically the lives of young black men who are not extraordinary, who are not entertainers, they’re not athletes, they’re not secret math geniuses. They’re young men who might never get better, who might never be different. This play challenges us to envision a society that does not ask these young men to prove their worth.”  Inspired in part by two young black men Antoinette taught in community college, she riffs on ideas and themes from both Samuel Beckett‘s Waiting for Godot and the Book of Exodus. The cast includes friend of the show, Jon Michael Hill; co-founder of Definition Theatre Company, Julian Parker; and Ryan Hallahan, from the acclaimed cast of Straight White Men, also at Steppenwolf. Ms. Nwandu tells us the Cinderella story about how this play came to be produced at Steppenwolf. Thrilling! Not only a great director, Danya is also a translator. Her story about the translating partners she works with is fascinating. Antoinette also tells us Danya has “world class knowledge of all theater.” Our producer is wanting a trivia contest between Danya and Gary… A couple of our favorite quotes from the interview: Danya: “The truth of this play can shift on a dime.” Antoinette: “I write with a lot of jagged tonal shifts.” When asked who they would like to spend a month being mentored by, Danya chooses European director extraordinaire Romeo Castellucci. Antoinette chooses the remarkable playwright Caryl Churchill. Good calls! Danya and Antoinette are two theatre artists that are without a doubt “going places”. Booth One is so excited to follow their skyrocketing careers.

Gary interviews playwright <a href="http://antoinettenwandu.com/bio/" rel="noopener noreferrer nofollow" target="_blank">Antoinette Nwandu</a> and director <a href="https://about.me/danyataymor" rel="noopener noreferrer nofollow" target="_blank">Danya Taymor</a> during rehearsals of Nwandu’s play Pass Over, on site at the <a href="https://www.steppenwolf.org/" rel="noopener noreferrer nofollow" target="_blank">Steppenwolf Theatre</a>. We are attending a press performance on June 13 and cannot wait! They share fascinating insights about the process of creating a world premiere, with Antoinette developing the script throughout the rehearsal period. These two are absolutely inspiring as artistic collaborators. So much mutual respect, affection, and humor. Booth One would love to be in the rehearsal room! Antoinette describes Pass Over: “At its core, this play asks us collectively to consider the value of black lives, specifically the lives of young black men who are not extraordinary, who are not entertainers, they’re not athletes, they’re not secret math geniuses. They’re young men who might never get better, who might never be different. This play challenges us to envision a society that does not ask these young men to prove their worth.” Inspired in part by two young black men Antoinette taught in community college, she riffs on ideas and themes from both <a href="https://en.wikipedia.org/wiki/Samuel_Beckett" rel="noopener noreferrer nofollow" target="_blank">Samuel Beckett</a>‘s <a href="https://en.wikipedia.org/wiki/Waiting_for_Godot" rel="noopener noreferrer nofollow" target="_blank">Waiting for Godot</a> and the Book of Exodus. The cast includes friend of the show, <a href="http://www.cbs.com/shows/elementary/photos/1002256/6-things-you-may-not-know-about-jon-michael-hill/" rel="noopener nofollow" target="_blank">Jon Michael Hill</a>; co-founder of Definition Theatre Company, <a href="https://www.steppenwolf.org/artists/julian--parker/" rel="noopener nofollow" target="_blank">Julian Parker</a>; and <a href="https://www.steppenwolf.org/artists/ryan-hallahan/" rel="noopener nofollow" target="_blank">Ryan Hallahan</a>, from the acclaimed cast of <a href="https://www.steppenwolf.org/tickets--events/seasons/2016-17/straightwhitemen/" rel="noopener noreferrer nofollow" target="_blank">Straight White Men</a>, also at Steppenwolf. Ms. Nwandu tells us the Cinderella story about how this play came to be produced at Steppenwolf. Thrilling! Not only a great director, Danya is also a translator. Her story about the translating partners she works with is fascinating. Antoinette also tells us Danya has “world class knowledge of all theater.” Our producer is wanting a trivia contest between Danya and Gary… A couple of our favorite quotes from the interview: Danya: “The truth of this play can shift on a dime.” Antoinette: “I write with a lot of jagged tonal shifts.” When asked who they would like to spend a month being mentored by, Danya chooses European director extraordinaire <a href="https://www.nytimes.com/2016/09/29/theater/romeo-castellucci-the-provocative-italian-stage-director.html?_r=0" rel="noopener noreferrer nofollow" target="_blank">Romeo Castellucci</a>. Antoinette chooses the remarkable playwright <a href="https://www.theguardian.com/stage/2015/nov/20/caryl-churchill-conquered-british-theatre-here-we-go" rel="noopener noreferrer nofollow" target="_blank">Caryl Churchill.</a> Good calls! Danya and Antoinette are two theatre artists that are without a doubt “going places”. Booth One is so excited to follow their skyrocketing careers.

Pass Over – Playwright Antoinette Nwandu & Director Danya Taymor