Blythe Haynes's guest appearances

Blythe Haynes

Hapax

Stageworthy

Justin Miller

Steve Fisher

Kate Smith

Stephen Elliott

Steven Elliott

Jonny Sun

Eric Benson

Heather Marie

Amy Lee

Mark Crawford

Michael Kelly

Daniel Levinson

Rosamund Small

D.J. Sylvis

Tom McGee

OwlTail

Kendra Jones

Kendra Jones A director, creator, and dramaturg, Kendra Jones graduated with Distinction from the MA Text &amp; Performance at the Royal Academy of Dramatic Art (RADA), London, and holds a BA(Hons) in Theatre Performance from the University of Winnipeg where she has also been guest faculty. Favourite directing credits include Simon Stephens’ Sea Wall, Sarah Kane’s 4.48 Psychosis (Theatre By the River), a site-specific interpretation of Tim Crouch’s I, Malvolio (impel theatre), Watching Glory Die (Love2 Theatre), Drunk Enough To Say I Love You, Seagulls (selardi theatre), Clever Little Lies (Assistant director to Steven Schipper, RMTC,) and Richard II (workshop Assistant Director to Christopher Brauer, Zone41). Kendra is also a creator of original work, including Dear Mama, Tonight at Eight, Autel, and her adaptation of Marlowe’s Edward II. She writes about contemporary performance from an academic perspective on her blog; this writing focuses on the performer-audience relationship and the ethics of performance, and has been published by CBC Manitoba, Common Ground Publishing, Brunel University, and the Humanities Education Research Association. In 2020, Kendra’s site-specific production of Tim Crouch’s I, Malvolio toured to ShakespeareFest in Winnipeg to critical acclaim, and her direction of Love2 Theatre’s production of Judith Thompson’s Watching Glory Die ran in February 2020 at the Grand Canyon in Toronto, receiving accolades from audiences and critics alike for its inventive staging and visceral interpretation of the script.  www.kendrajones.net Twitter: @impeltheatre Instagram: @impeltheatre Blythe Haynes BLYTHE HAYNES (she/her) has had a varied career with many stops along the way. From her first gig at ten months old in a LOTTO 64 commercial, she went on to obtain her BFA in Acting from the University of Alberta. Blythe has called Toronto home for some time, where she is an actor, award winning voice artist and producer. She is a co-founder and co-artistic director of Gangway! Theatre Co., a Toronto-based collective focused on exploring feminism, Canadian history, and mental health through an intersectional lens. She is also a co-founder of the History Actor Department at Black Creek Pioneer Village, where her interest in site-specific theatre was born. Blythe regularly lends her voice to podcasts, including the award winning Six Stories, Told At Night and Campfire Radio Theatre’s Woods Ferry, and has received two PARSEC awards for her voice work. She was recently on the producing team of the Judith Thompson lead Watching Glory Die at the Edinburgh Fringe Festival, where she created and hosted a podcast to accompany the production. Twitter: @**HaynesBlytheInstagram:** @blythe_haynes An Acorn:Instagram: @forest_acornTickets: http://www.kendrajones.net/impel-theatre?fbclid=IwAR3cudc3vLPauwMfmxRjSfbFl5sZlduS8gZJDERN5gu_Arjv75fgvMK8zrU Support Stageworthy: https://tips.pinecast.com/jar/stageworthy

Kendra Jones A director, creator, and dramaturg, Kendra Jones graduated with Distinction from the MA Text &amp; Performance at the Royal Academy of Dramatic Art (RADA), London, and holds a BA(Hons) in Theatre Performance from the University of Winnipeg where she has also been guest faculty. Favourite directing credits include Simon Stephens’ Sea Wall, Sarah Kane’s 4.48 Psychosis (Theatre By the River), a site-specific interpretation of Tim Crouch’s I, Malvolio (impel theatre), Watching Glory Die (Love2 Theatre), Drunk Enough To Say I Love You, Seagulls (selardi theatre), Clever Little Lies (Assistant director to Steven Schipper, RMTC,) and Richard II (workshop Assistant Director to Christopher Brauer, Zone41). Kendra is also a creator of original work, including Dear Mama, Tonight at Eight, Autel, and her adaptation of Marlowe’s Edward II. She writes about contemporary performance from an academic perspective on her blog; this writing focuses on the performer-audience relationship and the ethics of performance, and has been published by CBC Manitoba, Common Ground Publishing, Brunel University, and the Humanities Education Research Association. In 2020, Kendra’s site-specific production of Tim Crouch’s I, Malvolio toured to ShakespeareFest in Winnipeg to critical acclaim, and her direction of Love2 Theatre’s production of Judith Thompson’s Watching Glory Die ran in February 2020 at the Grand Canyon in Toronto, receiving accolades from audiences and critics alike for its inventive staging and visceral interpretation of the script. <a href="http://www.kendrajones.net" rel="nofollow" target="_blank">www.kendrajones.net</a> Twitter: <a href="https://twitter.com/impeltheatre" rel="nofollow" target="_blank">@impeltheatre</a> Instagram: <a href="https://instagram.com/impeltheatre" rel="nofollow" target="_blank">@impeltheatre</a> Blythe Haynes BLYTHE HAYNES (she/her) has had a varied career with many stops along the way. From her first gig at ten months old in a LOTTO 64 commercial, she went on to obtain her BFA in Acting from the University of Alberta. Blythe has called Toronto home for some time, where she is an actor, award winning voice artist and producer. She is a co-founder and co-artistic director of Gangway! Theatre Co., a Toronto-based collective focused on exploring feminism, Canadian history, and mental health through an intersectional lens. She is also a co-founder of the History Actor Department at Black Creek Pioneer Village, where her interest in site-specific theatre was born. Blythe regularly lends her voice to podcasts, including the award winning Six Stories, Told At Night and Campfire Radio Theatre’s Woods Ferry, and has received two PARSEC awards for her voice work. She was recently on the producing team of the Judith Thompson lead Watching Glory Die at the Edinburgh Fringe Festival, where she created and hosted a podcast to accompany the production. Twitter: <a href="https://twitter.com/HaynesBlythe" rel="nofollow" target="_blank">@**HaynesBlythe</a> Instagram:** <a href="https://instagram.com/blythe_haynes" rel="nofollow" target="_blank">@blythe_haynes</a> An Acorn: Instagram: <a href="https://instagram.com/forest_acorn" rel="nofollow" target="_blank">@forest_acorn</a> Tickets: <a href="http://www.kendrajones.net/impel-theatre?fbclid=IwAR3cudc3vLPauwMfmxRjSfbFl5sZlduS8gZJDERN5gu_Arjv75fgvMK8zrU" rel="nofollow" target="_blank">http://www.kendrajones.net/impel-theatre?fbclid=IwAR3cudc3vLPauwMfmxRjSfbFl5sZlduS8gZJDERN5gu_Arjv75fgvMK8zrU</a> Support Stageworthy: <a href="https://tips.pinecast.com/jar/stageworthy" rel="nofollow" target="_blank">https://tips.pinecast.com/jar/stageworthy</a>

#277 – Kendra Jones & Blythe Haynes

Blythe Haynes is a Toronto-based actor and producer. She is a co-founder of Gangway! Theatre Co. with playwright KT Bryski. Together they focus on Canadian, female-based stories. She also works as a voice artist, and has been a part of two PARSEC winning audio-drama podcasts! With KT Byrski, she created and performed in the web series “Blythe Tries” for Black Creek Pioneer Village. Select credits include To A Degree! An Orwellian Musical Comedy (Elia Pasic) Six Stories, Told At Night (Gangway! Theatre Co.) Canticle of Light (Missed Metaphor Productions), The Polar Bear Prince (Gangway! Theatre Co.), Mary’s Wedding (Toronto Fringe Festival), In His Name (Canadian History Project), The Skylar Neese Story (Discovery Channel), various episodes of Campfire Radio Theatre and Six Stories, Told At Night (PARSEC Award winning audio-drama podcast, KT Bryski Productions). Twitter: @haynesblytheInstagram: blythe_haynesWatching Glory Die (the podcast): https://podcas

Blythe Haynes is a Toronto-based actor and producer. She is a co-founder of Gangway! Theatre Co. with playwright KT Bryski. Together they focus on Canadian, female-based stories. She also works as a voice artist, and has been a part of two PARSEC winning audio-drama podcasts! With KT Byrski, she created and performed in the web series “Blythe Tries” for Black Creek Pioneer Village. Select credits include To A Degree! An Orwellian Musical Comedy (Elia Pasic) Six Stories, Told At Night (Gangway! Theatre Co.) Canticle of Light (Missed Metaphor Productions), The Polar Bear Prince (Gangway! Theatre Co.), Mary’s Wedding (Toronto Fringe Festival), In His Name (Canadian History Project), The Skylar Neese Story (Discovery Channel), various episodes of Campfire Radio Theatre and Six Stories, Told At Night (PARSEC Award winning audio-drama podcast, KT Bryski Productions). Twitter: @haynesblythe Instagram: blythe_haynes Watching Glory Die (the podcast): https://podcas

#213 – Blythe Haynes

Miriam Goldstein

Pregnancy Pact is a pop-rock musical which tells the story of a group of teens who make a pact to become single mothers together. The 15-year-old Maddie is devoted to her three best friends and they are to her. So, when Brynn gets pregnant, the friends all plan to have children, raising them together and living a dream. Inspired by the 2008 news story of the Gloucester pregnancy pact that took the world by storm, Pregnancy Pact provides a unique chance to examine the intense journey this kind of decision creates. www.edgeproductions.ca Twitter: @3dgeproductions Instagram: the.edge.productions Tickets to Pregnancy Pact: https://www.edgeproductions.ca/store/c3/Toronto_Tickets.htmlgangwaytheatre.com Twitter: @gangwaytheatre Instagram: gangwaytheatreco  Miriam Goldstein Miriam is a theatre director and producer based in Windsor, On. She is the founding Artistic Director of The Edge Productions, now entering its ninth season. Miriam’s work as a director focuses on underrepresented human experiences. Miriam is a graduate of the Ward Acting Studio in New York, NY where she studied the Meisner Technique, she holds a certificate in Shakespeare in Performance and Contemporary Acting from the Royal Academy of Drama in London, UK, and a Bachelor of Art in Drama from the University of Windsor. Miriam’s most recent large scale project (as of summer, 2018) was an all-female production of Henry V by William Shakespeare which focused on deconstructing gender in performance and the construct of theatre itself, putting women in roles that have historically been barred from them. This performance toured Ontario and also performed, pro-bono, in Grand Valley Institute for Women. After Pregnancy Pact (May 2nd-19th), Miriam will be directing The Clockmaker by Stephen Massicotte and 4.48 Psychosis by Sarah Kane.www.miriamrgoldstein.com Instagram: mirigc87  Blythe Haynes Blythe is a Toronto-based actor and Producer. She is the co-founder and Artistic Director of Gangway! Theatre Co. Blythe holds a BFA from the University of Alberta in Acting. Gangway! Theatre Co was co-founded with writer KT Bryski to explore female voices and develop Canadian content. Previous to the founding of Gangway! KT and Blythe jointly proposed and established the “History Actor” museum theatre program at Black Creek Pioneer Village. Their partnership culminated in the original podcast release of Six Stories Told at Night (written by KT Bryski, performed by Blythe Haynes and funded by the Ontario Arts Council), for which it won a PARSEC Award in 2017. Six Stories debuted as a theatrical production at the Toronto Fringe Festival 2018, and was short listed for the Best of Fringe. AfterPregnancy Pact (May 2nd-19th), you can see Blythe in An Atlas, A Necktie and Other Concerns at Toronto Fringe and in the next co-productions with The Edge Productions – The Clockmaker by Stephen Massicotte in 2019. Twitter: @haynesblythe

Pregnancy Pact is a pop-rock musical which tells the story of a group of teens who make a pact to become single mothers together. The 15-year-old Maddie is devoted to her three best friends and they are to her. So, when Brynn gets pregnant, the friends all plan to have children, raising them together and living a dream. Inspired by the 2008 news story of the Gloucester pregnancy pact that took the world by storm, Pregnancy Pact provides a unique chance to examine the intense journey this kind of decision creates. <a href="https://www.edgeproductions.ca" rel="noreferrer noopener nofollow" target="_blank">www.edgeproductions.ca</a> Twitter: <a href="https://twitter.com/3dgeproductions" rel="noreferrer noopener nofollow" target="_blank">@3dgeproductions</a> Instagram: <a href="https://www.instagram.com/the.edge.productions/" rel="noreferrer noopener nofollow" target="_blank">the.edge.productions</a> Tickets to Pregnancy Pact: <a href="https://www.edgeproductions.ca/store/c3/Toronto_Tickets.html" rel="noreferrer noopener nofollow" target="_blank">https://www.edgeproductions.ca/store/c3/Toronto_Tickets.html</a> <a href="https://gangwaytheatre.com" rel="noreferrer noopener nofollow" target="_blank">gangwaytheatre.com</a> Twitter: @<a href="https://twitter.com/gangwaytheatre" rel="noreferrer noopener nofollow" target="_blank">gangwaytheatre</a> Instagram: <a href="https://www.instagram.com/gangwaytheatreco/" rel="noreferrer noopener nofollow" target="_blank">gangwaytheatreco</a> Miriam Goldstein Miriam is a theatre director and producer based in Windsor, On. She is the founding Artistic Director of The Edge Productions, now entering its ninth season. Miriam’s work as a director focuses on underrepresented human experiences. Miriam is a graduate of the Ward Acting Studio in New York, NY where she studied the Meisner Technique, she holds a certificate in Shakespeare in Performance and Contemporary Acting from the Royal Academy of Drama in London, UK, and a Bachelor of Art in Drama from the University of Windsor. Miriam’s most recent large scale project (as of summer, 2018) was an all-female production of Henry V by William Shakespeare which focused on deconstructing gender in performance and the construct of theatre itself, putting women in roles that have historically been barred from them. This performance toured Ontario and also performed, pro-bono, in Grand Valley Institute for Women. After Pregnancy Pact (May 2nd-19th), Miriam will be directing The Clockmaker by Stephen Massicotte and 4.48 Psychosis by Sarah Kane. <a href="http://www.miriamrgoldstein.com/" rel="noreferrer noopener nofollow" target="_blank">www.miriamrgoldstein.com</a> Instagram: <a href="https://www.instagram.com/mirigc87/" rel="noreferrer noopener nofollow" target="_blank">mirigc87</a> Blythe Haynes Blythe is a Toronto-based actor and Producer. She is the co-founder and Artistic Director of Gangway! Theatre Co. Blythe holds a BFA from the University of Alberta in Acting. Gangway! Theatre Co was co-founded with writer KT Bryski to explore female voices and develop Canadian content. Previous to the founding of Gangway! KT and Blythe jointly proposed and established the “History Actor” museum theatre program at Black Creek Pioneer Village. Their partnership culminated in the original podcast release of Six Stories Told at Night (written by KT Bryski, performed by Blythe Haynes and funded by the Ontario Arts Council), for which it won a PARSEC Award in 2017. Six Stories debuted as a theatrical production at the Toronto Fringe Festival 2018, and was short listed for the Best of Fringe. AfterPregnancy Pact (May 2nd-19th), you can see Blythe in An Atlas, A Necktie and Other Concerns at Toronto Fringe and in the next co-productions with The Edge Productions – The Clockmaker by Stephen Massicotte in 2019. Twitter: <a href="https://twitter.com/haynesblythe" rel="noreferrer noopener nofollow" target="_blank">@haynesblythe</a>

#181 – Miriam Goldstein & Blythe Haynes

In a special interview episode, I chat with actress Blythe Haynes (the voice of Serafine) about acting, writing, Hapax, and the NaNoWriMo Musical. Learn more about the latter at www.nanomusical.com and www.indiegogo.com/nanomusical.

In a special interview episode, I chat with actress Blythe Haynes (the voice of Serafine) about acting, writing, Hapax, and the NaNoWriMo Musical. Learn more about the latter at <a href="http://www.nanomusical.com" rel="nofollow" target="_blank">www.nanomusical.com</a> and <a href="http://www.indiegogo.com/nanomusical" rel="nofollow" target="_blank">www.indiegogo.com/nanomusical</a>.